Czech Philharmonic Semyon Bychkov, Chief Conductor and Music Director

Total Page:16

File Type:pdf, Size:1020Kb

Czech Philharmonic Semyon Bychkov, Chief Conductor and Music Director Czech Philharmonic Semyon Bychkov, Chief Conductor and Music Director Kateřina Javůrková announced as first winner of the Jiří Bělohlávek Prize French horn player Kateřina Javůrková was announced as the first winner of the Jiří Bělohlávek Prize in Prague last week. Presented by the Czech Philharmonic in memory of the late Jiří Bělohlávek, the Orchestra's Chief Conductor and Music Director from 2012-2017, the new prize will be awarded annually to musicians up to the age of 30. This year’s prize was presented to Kateřina Javůrková by Jiří Bělohlávek’s widow Anna Fejérová at the Czech Philharmonic’s annual open-air concert at Prague’s Hradčany Square broadcast live on Czech Television. In addition to the financial award of 30,000 Czech Korunas, Kateřina Javůrková also received a diploma designed by Bělohlávek’s close friend, painter Jiří Voves. Kateřina was chosen by a committee consisting of representatives of the Czech institutions with whom Jiří Bělohlávek had a close relationship in his later years. In addition to the Czech Philharmonic, these include the Prague Philharmonia, Prague Spring International Music Festival and Prague’s Academy of Performing Arts. Also on the committee are Anna Fejérová and the Chief Editor of the classical music magazine Harmonie. Kateřina Javůrková is a graduate of both the Prague Conservatoire and Academy of Performing Arts. In addition to her contribution to promoting Czech chamber music abroad with groups such as the Baborák Ensemble and the Belfiato Quintet, with whom she has been playing for twelve years, Javůrková also performs as a soloist and won the top prizes at the 2013 Prague Spring International Music Competition and 2016 International ARD Music Competition in Munich. Kateřina Javůrková has been playing with the horn section of the Czech Philharmonic since 2014. The Czech Philharmonic will further honour the memory of their former Chief Conductor this autumn with the première of a new film by Roman Vavra – Jiří Bělohlávek: But I Just Love Conducting So Much – at the Golden Prague International Film Festival. Filmed during the last two years of Jiří Bělohlávek’s life, the documentary gives a behind the scenes insight into Bělohlávek’s relationship with the Czech Philharmonic featuring clips from rehearsals, concerts and interviews. Suk’s Asrael and Fairy Tale - one of Jiří Bělohlávek’s last recordings with the Czech Philharmonic - is available now on Decca Classics. For further information: Ginny Macbeth/Moë Faulkner: 020 7251 9448 [email protected] .
Recommended publications
  • Czech Philharmonic
    Czech Philharmonic Semyon Bychkov Chief Conductor and Music Director Alisa Weilerstein / Cello Thursday Evening, November 1, 2018 at 7:30 Hill Auditorium Ann Arbor 13th Performance of the 140th Annual Season 140th Annual Choral Union Series This evening’s performance is supported by Ken and Penny Fischer and by Martha Krehbiel in memory of David Krehbiel. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. Special thanks to Matt Albert, Erin Burris, Anthony Elliott, Paul Feeny, and Stephen Shipps for their participation in events surrounding this evening’s performance. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s performance. The Czech Philharmonic appears by arrangement with Columbia Artists. The Czech Philharmonic’s US tour is sponsored by the Karel Komarek Family Foundation. In consideration for the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM Antonín Dvořák Cello Concerto in b minor, Op. 104 Allegro Adagio, ma non troppo Finale: Allegro moderato Ms. Weilerstein Intermission Piotr Ilyich Tchaikovsky Serenade for Strings in C Major, Op. 48 Pezzo in forma di sonatina: Andante non troppo — Allegro moderato Valse: Moderato — Tempo di Valse Élégie: Larghetto elegiaco Finale: Andante — Allegro con spirito Tchaikovsky Francesca da Rimini: Symphonic Fantasia after Dante in e minor, Op. 32 Andante lugubre — Allegro vivo 3 A NOTE FROM THE CONDUCTOR On October 28, 2018 the Czech it remains true today. How fitting Republic celebrated 100 years of is it then, that in the very year that independence.
    [Show full text]
  • Czech Philharmonic
    Biography Czech Philharmonic “The Czech Philharmonic is among the very few orchestras that have managed to preserve a unique identity. In a music world that is increasingly globalized and uniform, the Orchestra’s noble tradition has retained authenticity of expression and sound, making it one of the world's artistic treasures. When the orchestra and Czech government asked me to succeed beloved Jiří Bělohlávek, I felt deeply honoured by the trust they were ready to place in me. There is no greater privilege for an artist than to become part of and lead an institution that shares the same values, the same commitment and the same devotion to the art of music.” Semyon Bychkov, Chief Conductor & Music Director The 125 year-old Czech Philharmonic gave its first concert – an all Dvořák programme which included the world première of his Biblical Songs, Nos. 1-5 conducted by the composer himself - in the famed Rudolfinum Hall on 4 January 1896. Acknowledged for its definitive interpretations of Czech composers, whose music the Czech Philharmonic has championed since its formation, the Orchestra is also recognised for the special relationship it has to the music of Brahms and Tchaikovsky - friends of Dvořák - and to Mahler, who gave the world première of his Symphony No. 7 with the Orchestra in 1908. The Czech Philharmonic’s extraordinary and proud history reflects both its location at the very heart of Europe and the Czech Republic’s turbulent political history, for which Smetana’s Má vlast (My Homeland) has become a potent symbol. The Orchestra gave its first full rendition of Má vlast in a brewery in Smíchov in 1901; in 1925 under Chief Conductor Václav Talich, Má vlast was the Orchestra’s first live broadcast and, five years later, the first work that the Orchestra committed to disc.
    [Show full text]
  • Karel Ančerl Mannheim School
    czech music quarterly 4 | 2 0 0 7 Jan Talich Festivals in the Czech Republic Karel Ančerl Mannheim School 2 0 7 Dear Readers, | 4 with this last issue for 2007, Czech Music Quarterly crowns its first year of existence in a new format and with a new graphic design. We think the magazine’s new look has been a success and we hope we are not alone in thinking so. In any case we welcome any feedback from readers. And of course not only on matters of design but on the content too – your comments, suggestions and criticisms are very important for us. I would like to draw your attention to the fact that for several months now full-text back numbers of all out issues from 2004 to 2006 have been accessible on our web pages, www.czech-music.net, and other issues will be added progressively (always a year after original publication). Please note that as far as older numbers are concerned, we shall always be happy to send you a copy of any article that interests you on request (you will find a list of contents of individual back numbers on our web archive). Our prime concern is that anyone anywhere who wants information about Czech music should have no difficulty getting it. Please don’t hesitate to contact us. With the next issue we shall once again be providing a CD, this time offering recordings of music by composers who came on the scene in the 1960s. As with the last CD, all the pieces (with one exception) have never previously been recorded.
    [Show full text]
  • Czech Philharmonic Czech Philharmonic
    CZECH PHILHARMONIC 2021 | 2020 | SEASON Czech Philharmonic 125th 125th SEASON 2020 | 2021 SEASON GUIDE Czech Philharmonic 01 CZECH PHILHARMONIC CZECH PHILHARMONIC SEASON GUIDE 125th SEASON 2020 | 2021 Semyon Bychkov Chief Conductor and Music Director We are delighted to bring you joy in another, this time anniversary season. Czech Philharmonic Ministry of Culture of the Czech Republic – Establisher Česká spořitelna, a.s. – General Partner 02 CZECH PHILHARMONIC CZECH PHILHARMONIC TABLE OF CONTENTS 5 Introduction 133 Czech Chamber Music Society 7 Czech Philharmonic 134 Introduction 12 Semyon Bychkov Concerts 17 Jakub Hrůša 137 I Cycle 20 Tomáš Netopil 147 II Cycle 23 Orchestra 157 HP Early Evening Concerts 25 Orchestral Academy of the Czech Philharmonic 167 DK Morning Concert Concerts 181 R Recitals 27 A Subscription Series 188 Tickets Information 45 B Subscription Series 193 Student Programme 61 C Subscription Series 194 How to get to the Rudolfinum 73 M Special Non-Subscription Concerts 198 Dynamic Club of the Czech Philharmonic 86 Other Concerts in Prague 200 Partners of the Czech Philharmonic 90 Tours 203 Contacts 102 Broadcasts and Recordings 204 Calendar 107 Programmes for children with parents, youth, and adult listeners 109 Romano Drom 2020 2 3 CZECH PHILHARMONIC INTRODUCTION Dear Friends of the Czech Philharmonic, Following the four years that it has taken us to realise ‘The Tchaikovsky Project’, we will be On behalf of both the Orchestra and myself, performing and recording the symphonies of I would like to take this opportunity to wish Gustav Mahler, whose music will form one of you a very warm welcome to our 125th Anni- the main pillars of future seasons.
    [Show full text]
  • Bohuslav Martinů Days in Prague Yarlung Records 96337, 2009 Ivan Štraus
    The Bohus lav MarTInů Foun datio n The Bohus lav MarTInů institu te The inte rnational MarTInů CirCle new online database january –april 2013 / vol .XIII / no.1 jiří bělohlávek and martinů’s music in leipzig portrait of the dancer zora šemberová new publication about zrzavý and martinů events / news NEW CDS ts en MARTINŮ nt EARLY ORCHESTRAL WORKS, Volume I co Prelude en forme de scherzo H. /6/A / Orchestral Movement , H. 7. / Little Dance Suite, H. /01 / Village Feast, H. 0 / Nocturne, H. 7/ Sinfonia Varsovia, Ian Hobson (Conductor) 3 Recorded 2012 operas / ballets / Festivals Toccata Classics, 2013, www.toccataclassics.com JOHN WALZ 4 A TRIBUTE TO PIERRE FOURNIER Martinů, Vivaldi, Couperin 5 Martinů: Sonata No. / for Cello and Piano, H. 055 John Walz (Cello), Edith Orloff (Piano) 6 Recorded 2007 Martinů Festtage basel Concerto No. / for Cello and Orchestra, H. 004 RobeRt Simon John Walz (Cello), Czech National Symphony Orchestra Recorded 2006 bohuslav Martinů days in prague Yarlung Records 96337, 2009 ivan ŠtRauS GREAT CZECH CONDUCTORS 8 MARTIN TURNOVSKÝ big disCovery in leipzig CD 1: Martinů: Symphony No. 2, H. 1.3 Lucie HaRaSim beRná Concertino for Cello, Brass, Piano and Battery, H. /21 Kontinuität des Wandels Tre Ricercari, H. 045 DeRek katz Martin Turnovský (Conductor), André Navara (Cello), Ladislav Jásek (Violin), Ladislav Černý (Viola), Pavel Štěpán, Ilja Hurník (Piano) 10 Czech Philharmonic Orchestra, Prague Chamber Orchestra Recorded 1965, 1967, 2 CD set 11 Supraphon SU 4082-2, 2012 list oF Martinů’s WorKs Xii VIRTUAL CONCERT SERIES THE CZECH TRIO 12 an unForgettable day! Beethoven, Dvořák, Martinů Martinů: Piano Trio No.
    [Show full text]
  • Season Guide
    SEASON GUIDE 124th season 2019 / 2020 CZECH PHILHARMONIC Semyon Bychkov Chief Conductor and Music Director SEASON GUIDE 124th season 2019 / 2020 ESTABLISHED BY THE MINISTRY OF CULTURE OF THE CZECH REPUBLIC CZECHPHILHARMONIC.CZ FACEBOOK.COM/CESKAFILHARMONIE CZECH PHILHARMONIC TABLE OF CONTENTS 5 Introduction by the Chief Conductor 8 Czech Philharmonic 13 Semyon Bychkov 16 Jakub Hrůša 18 Tomáš Netopil 20 Orchestra 22 Orchestral Academy of the Czech Philharmonic Concerts 25 A Subscription Series 43 B Subscription Series 61 C Subscription Series 73 K Subscription Series M Special Non-Subscription Concerts 83 CONTENT 96 Concerts for Other Presenters in Prague 100 Tours 110 Broadcasts and Recordings 113 Education Programmes 116 Subscription Series for Children with Parents 125 Programmes for Adolescent and Adult Listeners 134 Romano Drom 2019 136 Information about Tickets 141 Transportation and Access to the Rudolfinum 144 Dynamic Club of the Czech Philharmonic 146 Partners of the Czech Philharmonic 149 Contacts 168 Calendar 3 CZECH PHILHARMONIC we have endeavoured to create a concert INTRODUCTION season which balances music that you both know and love with repertoire that may now be unfamiliar, but that we hope you Dear Friends, will grow to love equally over the coming years. You will instantly recognise the works What a remarkable year the first chapter by Smetana, Dvorak, Janacek, Martinu, in our life together has been. Very shortly Brahms, Mahler, as well as Beethoven’s the 2018/2019 season will come to a close, cycle of symphonies and concertos; at a season in which we have worked together the same time we are looking forward to to protect and reaffirm the unique identity introducing you to Dutilleux, Glanert, of the Czech Philharmonic – a tradition of Berio, Srnka, Teml, Eötvös, Reich.
    [Show full text]
  • Czech Philharmonic Semyon Bychkov, Chief Conductor & Music Director Jakub Hrůša & Tomáš Netopil, Principal Guest Conductors
    Czech Philharmonic Semyon Bychkov, Chief Conductor & Music Director Jakub Hrůša & Tomáš Netopil, Principal Guest Conductors 125th SEASON LAUNCH – 23 & 24 SEPTEMBER 2020 The Czech Philharmonic’s 125th season launches to capacity audiences on 23 September 2020. Conducted by Semyon Bychkov at the start of his third year as the Orchestra’s Chief Conductor and Music Director, the concert will open with Shostakovich’s First Piano Concerto with pianist Daniil Trifonov and trumpeter Selina Ott, and close with Dvořák’s Symphony No. 8. Earlier in the month on 4 and 5 September, Bychkov and the Czech Philharmonic will open the 2020 Dvořák Prague International Music Festival with an all Dvořák programme featuring the Cello Concerto performed by the Czech Philharmonic’s Cello Principal Václav Petr and the New World Symphony. For their new state-of-the-art audio-visual recording label – Czech Phil Media – and via their international distribution partnership with EuroArts, the Czech Philharmonic’s second opening concert on 24 September will be live broadcast and streamed internationally on Mezzo Live HD and medici.tv. A day later on 25 September, Bychkov and the Czech Philharmonic travel to Vienna to present the same programme in the first of three concerts this season at the Wiener Konzerthaus. The luxury of live music has not been a complete unknown for audiences in the Czech Republic as the country’s handling of the coronavirus has allowed the Czech Philharmonic to present concerts since the beginning of lockdown. In addition to three benefit concerts streamed live internationally and raising funds for hospitals, the charity ŽIVOT 90 and the People in Need Foundation (Člověk v tísni), at the beginning of June, the Orchestra launched a summer-long series of chamber concerts in collaboration with the Czech Chamber Music Society.
    [Show full text]
  • Czech Philharmonic
    Biography Czech Philharmonic “The long, slow attrition of the Covid-19 pandemic has in some ways been the hardest to endure… this great orchestra’s instinct to make music, however, is irrepressible.” The Daily Telegraph The 126 year-old Czech Philharmonic gave its first concert – an all Dvořák programme which included the world première of his Biblical Songs, Nos. 1-5 conducted by the composer himself - in the famed Rudolfinum Hall on 4 January 1896. Acknowledged for its definitive interpretations of Czech composers, whose music the Czech Philharmonic has championed since its formation, the Orchestra is also recognised for the special relationship it has to the music of Brahms and Tchaikovsky - who were friends of Dvořák - and to Mahler, who gave the world première of his Symphony No. 7 with the Orchestra in 1908. The Czech Philharmonic’s extraordinary and proud history reflects both its location at the very heart of Europe and the Czech Republic’s turbulent political history, for which Smetana’s Má vlast (My Homeland) has become a potent symbol. The Orchestra gave its first full rendition of Má vlast in a brewery in Smíchov in 1901; in 1925 under Chief Conductor Václav Talich, Má vlast was the Orchestra’s first live broadcast and, five years later, the first work that the Orchestra committed to disc. During the Nazi occupation, when Goebbels demanded that the Orchestra perform in Berlin and Dresden, Talich programmed Má vlast as an act of defiance; while in 1945 Rafael Kubelík conducted the work as a ‘concert of thanks’ for the newly liberated Czechoslovakia.
    [Show full text]
  • Toccata Classics TOCC 0083 Notes
    P KAREL REINER AND HIS MUSIC A Conversation between Thomas Müller and Sebastian Foron Herr Müller,1 we met in 2006 when I played Karel Reiner’s Sonata Brevis in the Konzerthaus in Berlin for the organisation musica reanimata2 – and I‘m glad I’ve stayed in touch, both with you and with musica reanimata. As a composer yourself, you naturally have your own point of view – and as you told me then, you knew Reiner not only as a colleague but also as a friend. I got to know Karel Reiner in 1975, when I was running a little theatre in the DDR. We were the first German- speaking theatre to present his opera Das Schustermärchen, which is an outstanding work.3 He came to Lutherstadt Eisleben for the preliminary discussions and the rehearsals. A friendship developed that lasted until his death, in 1979. I sent my compositions to him in Prague, and he would tell me about his work and his first performances. And we had long conversations in Prague. We didn’t talk only about music: we also touched on the problems of the world and discussed our outlook on life. I was very impressed by his humane view of the Germans, although he had been interned in several fascist concentration camps. I can believe that, since I heard the same thing from his wife. I got to know Hana Reinerová shortly before her death.4 We met at the house of one of her daughters in Prague. She spoke immaculate German with me. I must admit that to begin with I felt rather embarrassed: I didn’t know how I, as a German, should approach her.
    [Show full text]
  • Czech Philharmonic
    Biography Czech Philharmonic “The Czech Philharmonic is among the very few orchestras that have managed to preserve a unique identity. In a music world that is increasingly globalized and uniform, the Orchestra’s noble tradition has retained authenticity of expression and sound, making it one of the world's artistic treasures. When the orchestra and Czech government asked me to succeed beloved Jiří Bělohlávek, I felt deeply honoured by the trust they were ready to place in me. There is no greater privilege for an artist than to become part of and lead an institution that shares the same values, the same commitment and the same devotion to the art of music.” Semyon Bychkov, Chief Conductor & Music Director The 122 year-old Czech Philharmonic gave its first concert – an all Dvořák programme which included the world première of his Biblical Songs, Nos. 1-5 conducted by the composer himself - in the famed Rudolfinum Hall on 4 January 1896. Acknowledged for its definitive interpretations of Czech composers, whose music the Czech Philharmonic has championed since its formation, the Orchestra is also recognised for the special relationship it has to the music of Brahms and Tchaikovsky - friends of Dvořák - and to Mahler, who gave the world première of his Symphony No. 7 with the Orchestra in 1908. The Czech Philharmonic’s extraordinary and proud history reflects both its location at the very heart of Europe and the Czech Republic’s turbulent political history, for which Smetana’s Má vlast (My Homeland) has become a potent symbol. The Orchestra gave its first full rendition of Má vlast in a brewery in Smíchov in 1901; in 1925 under Chief Conductor Václav Talich, Má vlast was the Orchestra’s first live broadcast and, five years later, the first work that the Orchestra committed to disc.
    [Show full text]
  • Dvorak Symphonies.Pdf
    EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman Antonín Dvořák (1841-1904, Czech) Born in Nelahozeves, near Kralupy, Bohemia. As a youth he was taught singing, the violin, organ and piano and at the Prague Organ School, he was taught continuo, harmony, modulation, the playing of chorales, improvising, and counterpoint and fugue. He began his professional career as a violist and a piano teacher. He soon began his career as a composer and went on to become his country's greatest romantic composer, excelling in every genre from opera to works for solo instruments and voices with an orchestral and chamber output of astonishing brilliance. He taught at the Prague Conservatory and went to New York for four years to take the post of artistic director and professor of composition at the National Conservatory of Music in America. Symphony No. 1 in C minor "The Bells of Zlonice" (1865) Ivan Anguelov/Slovak Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8 and 9 and Czech Suite) OEHMS OC376 (5 CDs) (2005) Jiří Bělohlávek/Czech Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8 and 9, Piano Concerto, Violin Concerto and Cello Concerto) DECCA 4786757 (6 CDs) (2014) Marcus Bosch/Nuremberg State Philharmonic Orchestra COVIELLO CLASSICS COV91718 (2017) Karel Mark Chichon/Deutsche Radio Philharmonie, Saarbrücken Kaiserslautern ( + Rhapsody Op.14) HÄNSSLER CLASSIC HAEN 93330 (2015) Sir Andrew Davis/Philharmonia Orchestra (rec. 1980) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8 and 9, Serenade for Strings, Slavonic Dances, Op.
    [Show full text]
  • Czech Music Guide
    CZECH MUSIC GUIDE CZECH MUSIC GUIDE Supported by Ministry of Culture Czech Republic © 2011 Arts and Theatre Institute Second modified edition First printing ISBN 978-80-7008-269-0 No: 625 All rights reserved CONTENT ABOUT THE CZECH REPUBLIC 12 A SHORT HISTORY OF MUSIC 13 THE MIDDLE AGES (CA 850–1440) 13 THE RENAISSANCE 13 THE BAROQUE 13 CLASSICISM 14 ROMANTICISM/NATIONAL MUSIC 14 THE PERIOD 1890–1945 16 CZECH MUSIC AFTER 1945 19 THE SIXTIES/AVANT-GARDE, NEW MUSIC 22 THE SEVENTIES AND EIGHTIES 25 CONTEMPORARY MUSICAL LIFE 29 CURRENT CULTURE POLICY 37 MUSIC INSTITUTIONS 38 THE MUSIC EDUCATION SYSTEM 50 ARCHIVES, LIBRARIES, SCIENCE AND RESEARCH CENTRES 51 JOURNALS AND INFORMATION CENTRES 52 REGIONAL PANORAMA OF CZECH MUSIC CULTURE 53 LINKS (SELECTION) 66 EDITORIAL NOTE The Czech Music Guide presents an actual panorama of contemporary Czech music life with a short overview of history. It has been produced for everyone who is interested - from the specialist and scholarly to the active and practical - to understand Czech music culture and its milieu. 12 ABOUT CZECH REPUBLIC CZECH MUSIC GUIDE 13 ABOUT THE CZECH REPUBLIC The Czech Republic is a landlocked country with The cultural sector is administered by the Minis- a territory of 78 865 m2 lying in the centre of try of Culture, and non-profi t organisations play Europe. The country has borders with Poland, an important role. Since 1989 the latter have Germany, Austria and Slovakia, and is currently taken the form of civil associations, non-profi t divided into 14 regions. Since 2004 the CR has companies, endowment funds, and church legal been a member of the EU.
    [Show full text]