W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2016 Irreconcilable Modes of Masculinity: The Prevalence of Contemporary Irish-American Double-Protagonist Films Anne Riley Curran College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Film and Media Studies Commons Recommended Citation Curran, Anne Riley, "Irreconcilable Modes of Masculinity: The Prevalence of Contemporary Irish-American Double-Protagonist Films" (2016). Undergraduate Honors Theses. Paper 937. https://scholarworks.wm.edu/honorstheses/937 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact
[email protected]. Irreconcilable Modes of Masculinity: The Prevalence of Contemporary Irish-American Double-Protagonist Films Anne Curran 2 Table of Contents I. Introduction ………………………………………………………………… 3 II. A Brief History of Irish-American Film ………………………………….. 5 III. The Double-Protagonist Film ……………………………………………… 10 IV. Creating Irish-America on Film …………………………………………… 27 V. Negotiating the Masculinity Conflict ……………………………………… 39 VI. The American Escape Route ………………………………………………. 57 VII. Conclusion …………………….…………………………………………… 61 VIII. Works Cited/Works Referenced ……………………………………….…... 72 3 “Bráithreachas thar gach uile ní” Brotherhood above all else 1.) Introduction Since the earliest days of American cinema, Irish and Irish-American narratives have entertained and captivated mass audiences. While stereotypes and tropes have evolved greatly through the decades, the abundance of Irish-American films produced by Hollywood has not diminished. Currently, there is a pattern of Irish-American contemporary films that fit within a greater genre coined by film critic David Greven — the double-protagonist film.