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Irishness in American Gangster Films
Trabajo Fin de Grado Commodifying the American Other: Irishness in American Gangster Films Autora Raquel Connell García Director Celestino Deleyto Alcalá Facultad de Filosofía y Letras 2014 Repositorio de la Universidad de Zaragoza – Zaguan http://zaguan.unizar.es Table of Contents Introduction: Irishness in American Cinema.....................................................................1 The Gangster Genre and American-Irishness....................................................................6 Irishness in Martin Scorsese’s Cinema............................................................................11 The Departed (Martin Scorsese, 2006)............................................................................15 Conclusion.......................................................................................................................24 Works Cited.....................................................................................................................26 Contemporary US culture has absorbed, transformed and assimilated Irishness as a reliable multifunctional tool to suggest a great variety of meanings. Many critics have defined Irishness as a synonym of whiteness (Negra 2006bc, 2009; Eagan, 2006); others have tried to explain the tremendous visibility of the subculture as a result of a quest for the good old values (Third 2006: 224) or as a subtle manner of portraying new masculinities (Negra, 2009). This dissertation will analyse and discuss the portrayal of this particular identity in cinema in order -
Read Ebook {PDF EPUB} to Kill the Irishman the War That Crippled the Mafia by Rick Porrello About Rick Porrello
Read Ebook {PDF EPUB} To Kill the Irishman The War That Crippled the Mafia by Rick Porrello About Rick Porrello. Porrello is an accomplished jazz musician and soloist. In 1981 he took over the drum throne from his brother Ray Porrello , then stickman for Sammy Davis Jr. for seven years. That fortunate break started Rick on a two-and-a-half year stint involving extensive traveling including Europe, South America, Australia and of course the regular venues of Las Vegas, Reno, Lake Tahoe and Atlantic City. Accompanying Mr. Davis, Rick also had the honor of working with the great Count Basie Orchestra and, has appeared on several television shows including Johnny Carson's "Tonight Show", understandably Rick's most memorable career highlight. Despite the excitement and promise of such early success, a second career interest eventually pulled Rick from the Davis gig and he returned to Cleveland to begin college studies. In 1986, despite opposition from family and friends, Rick traded his sticks for a badge and .38 special when he joined the police force. Since childhood, Rick had an increasing interest in police work and despite a skyrocketing music career, he decided that protecting the public was more important to him then entertaining them. Rick Porrello continues to perform in the N.E. Ohio area. In 1998 Rick's second book was published. Titled To Kill The Irishman: The War that Crippled the Mafia, it is the definitive story of Danny Greene, a fiercely proud Irish- American racketeer who took on La Cosa Nostra, sparking events that led to the fall of several Mafia families. -
100 Years of Italian American History
PAGE SIX The Italian Tribune - La Tribuna del Popolo Friday, May 29 - June 11, 2009 A year-long series 100 Years of Italian American History highlighting businesses and community members A Historical Perspective on the Italian American Community in Metro Detroit from 1909 to today. Roma Café: Detroit’s Oldest Italian Restaurant oma Café is not only the oldest Italian restaurant in the city of Detroit, it’s also the oldest restaurant in the city. The building is R vintage 1888 as close as one can come to its construction date. The Marazza family opened their doors in February 1890 to the farmers as a boarding house with a warm meal included. Mrs. Marazza’s reputation as a fine cook spread quickly throughout the Eastern Market area. At the urging of her fans, she expanded service and opened her restaurant, the Roma Café. In 1918, the business was sold to John Battaglia and Morris Sossi. As they began their partnership, an addition was put on the building and exists exactly the same today. Within one year John Battaglia died and Morris Sossi bought out his widow and became the sole owner of the Roma Café. Morris Sossi’s nephew, Hector Sossi, began working as a busboy for his uncle in 1940. In the early 1950’s, Morris returned to his native Italy and left the management to his nephew, Hector. Hector Sossi carried on the family tradition and bought out Morris in 1965 to become the fourth owner of the Roma Café. Hector then brought in a third generation family member to take the helm. -
HSCA Volume V: 9/28/78
378 Obviously, the possibility cannot be dismissed, although it can hardly be said to have been established. At this point, it is, in your words, Mr. Chairman, perhaps only a little more than a "suspicion suspected," not a "fact found." The committee decided early in its investigation, as soon as it realized that a Mafia plot to assassinate the President warranted serious consideration, to assemble the most reliable information available on organized crime in the United States. The details of this phase of the committee's investigation will, of course, appear, hopefully in full, in its final report, a report that will consider the background of organized crime in America, the structure o£ the Mafia in the early 1960's, the effort by the Kennedy administration to suppress the mob, and the evidence that the assassination might have been undertaken in retaliation for those efforts. To scrutinize the possible role of organized crime in the assassi- nation, the committee early brought on one of the country's lead- ing experts on the subject. He is Ralph Salerno, whose career as an organized crime investigator with the New York City Police De- partment goes back to 1946. Mr. Salerno has since retired from the New York City Police Department and I would note that on the day of his retirement, the New York Times was moved to comment that he perhaps knew more about the Mafia than any nonmember in the United States. It would be appropriate at this time, Mr. Chairman, to call Ralph Salerno. Chairman STOKES . The committee calls Mr. -
Kill the Irishman (2011—R)
57 KILL THE IRISHMAN (2011—R) STARS: RAY STEVENSON, VAL KILMER, CHRISTOPHER WALKEN, VINCENT D’ONOFRIO DIRECTOR: JONATHAN HENSLEIGH Chances are you’ve never heard of the Cleveland Greene, known to all as “The Irishman.” All these Mob Wars. They began with the death of Mafia years later, Greene has become a legend to certain boss John Scalish in 1976, leaving control of the constituencies, a charismatic mythical figure. city’s criminal enterprises and corrupt labor unions Greene’s story is told in the excellent 2011 up for grabs. biopic, Kill the Irishman , which covers his rise Soon enough, the power struggle began. By the from lugging boxes as a stevedore to running a cor - end of the year, 36 bombs had exploded around rupt union to working as a mob enforcer to northeast Ohio and more than a dozen men were standing up to the new Mafia boss—Scalish’s killed. The Cleveland wars sparked a chain reac - replacement—looking to grab a percentage of tion that shook the underworld structure in Greene’s operation. There’s a lot packed into two Milwaukee, Kansas City and other organized crime hours. outposts. It led to acting Los Angeles boss Jimmy Along the way, Kill the Irishman borrows from “the Weasel” Fratianno—who knew the inner some of the best gangster movies ever made. The workings of La Cosa Nostra across the country— opening shot—a flash forward to Greene surviving flipping to become one of the government’s a car bombing that actually occurs later in the most-important witnesses against the mob. -
Crime Network Will Find an Endless Source of Inspiration in Hill’S Account of Mafia Life
Network News April 2010 Bedrock Game’s Bi-Monthly Newsletter Book Review Wise Guy by Nicholas Pillegi BY BRENDAN DAVIS Even if you haven’t read Wise Guy, there is a good chance you already know the story of Henry Hill. Martin Scorsese based his hit film “Goodfellas” on this 1985 tell-all book, and the movie remains one of the highest rated gangster films of all time. Anyone who enjoyed the movie will absolutely love the book and anyone who plays Crime Network will find an endless source of inspiration in Hill’s account of mafia life. Written by Nicholas Pileggi (who also wrote Goodfel- las), Wise Guy provides a street level view of life in the Lucchese crime family from the perspective of Henry Hill, a lowly associate. Hill Explains, in vivid detail, how crimes are committed, how people are murdered and how a crime family operates. He even explains how stolen goods are sold on the street. Reading the book is like being beside Hill as he greases hands and lights fires for Lucchese capo, Paul Vario. Henry’s narrative isn’t just a peephole into a rarely seen underworld of vice; criminal. The book’s author, Pileggi, describes Vario as it drags the reader into that world as deeply as Tolkein a someone who moved “in the lumbering manner of a drags the reader into Middle Earth. man who knew that people and events waited for him.... [h]e seemed invulnerable. deliberate. He exhorted the Pileggi does the right thing by keeping his ego in check sort of lethargy that sometimes accompanies absolute and allowing Henry Hill to tell the tale in mostly his power”. -
When Artists Break Ground
when artistS break ground lessons from a Cleveland neighborhood partnership © 2014 When Artists Break Ground 1 Collinwood Photo Project; photo by Ashley Smith Collinwood Photo Project; photo by Regina Nethery Collinwood Photo Project; photo by Liam Kelley Collinwood Photo Project; photo by Regina Nethery 2 When Artists Break Ground what happens when artists break ground? introduction ...................................... 4 acknowledgments ........................... 7 about this handbook ....................... 9 an overview .................................... 11 planning .......................................... 17 management ................................. 30 implementation .............................. 37 communication .............................. 50 research .......................................... 59 what’s next ..................................... 64 lessons learned ............................... 68 When Artists Break Ground 3 Waterloo Roadintroduction under construction If you took a turn onto Waterloo Road today, creative placemaking might not be the first thing that would spring to your mind. You’d probably notice there’s only a single lane of one-way traffic and that the remaining road – and most of the sidewalks are torn up. There are bulldozers and piles of gravel and construction workers. What’s so creative about that? Dig a little deeper and you’ll see a community that more and more every day is thriving, and where artists are playing an important role in that success. That construction you’re seeing? It’s a -
Jewish Influence: an Introduction
NOTE: "The list below is available on the internet. A random sampling of the names were found to be generally accurate. Since the source is the internet, the reader is advised to also authenticate. The link is: http://www.subvertednation.net/jew-lists/ The below link from the Jewish Virtual Library contains many of the names identified on pages 36 – 38. http://www.jewishvirtuallibrary.org/jsource/US- Israel/obamajews.html Jewish Influence: An Introduction We have been accused of having “Jew on the brain”; of being negatively obsessed with the Jews, and of being “anti-Semitic.” Yet Jewish influence over the affairs of the world are undeniably powerful, far out of proportion to their numbers. Their role in shaping public opinion through their media interests, and their mastering of the world of business and trade is pivotal to the world economy. As a group they are the most successful in terms of income and wealth and they have reached the highest echelons or the pinnacle of power in every field. Jews are the masters of Hollywood, they are the masters of all forms of media, radio, and television. They are masters of trade and commerce and banking, medicine, and law. The following lists we believe prove this reality. Jewish Lists The lists below are available on the internet. A spot check of several of the names found it to be generally accurate, though we cannot vouch for ALL of the names, and some titles may be out of date. The second list claims to be updated in 2012. They are followed by quotes on Jewish control. -
The Irish-American Gangster in Film
Farrell 1 THE IRISH-AMERICAN GANGSTER IN FILM By Professor Steven G. Farrell 1 Farrell 2 When The Godfather was released in the early seventies, it effectively created a myth of the virtually unbeatable Italian crime family for the American public that endured for the remainder of the century. This film also effectively eliminated all other white ethnic organized gangs from the silver screen, as well as from the public’s eye. Hollywood, as we shall see, had their history wrong in this case. The Italian Mafia was never as invincible as Hollywood depicted it on film, nor did they always have everything their own way when it came to illegal activities. It wasn’t until the close of the last century that the film industry began to expose the old-time hoods as being fallible and besieged on all sides from new criminal elements connected with newly arrived immigrant groups. The Cubans, Russians and the Colombian hoods, along with the longer established African and Mexican American gangs, had begun to nibble away at the turf long controlled by the almighty Italian mob. As the paradigm of the urban underworld began to shift to reflect the new realities of the global economy, another look at the past by historians and Hollywood is revealing that the Italian gang never had absolute power as it was once commonly believed. The Irish hoodlums, to single out the subject of this paper, were actually engaged in gangland activities years before the arrival of the Italians and the Irish also competed with the Italians up until recently. -
Eliot Ness' Tenure As Cleveland, Ohio's Public
International Journal of Humanities and Social Science Vol. 1 No. 12; September 2011 THE LAST BOY SCOUT: ELIOT NESS’ TENURE AS CLEVELAND, OHIO’S PUBLIC SAFETY DIRECTOR George E. Richards, Ph.D. CPP Associate Professor Department of Political Science and Criminal Justice Edinboro University of Pennsylvania Edinboro, Pennsylvania 16444 United States of America Abstract Following the success and subsequent notoriety of Eliot Ness as a Prohibition agent in Chicago, Cleveland Mayor Harold Burton appointed Ness Director of Public Safety in December 1935. During this era, the Cleveland Department of Public Safety, particularly the police division, was considered to be one of the most corrupt in America. Burton, elected on a law-and-order platform, had sworn to rid Cleveland of dishonesty within city government and to stamp out the influence of organized crime. He chose Ness due to the latter’s reputation for integrity and innovation. This paper is an examination of Eliot Ness’s administration of the Cleveland, Ohio Department of Public Safety with an emphasis on his personal style of management and qualities of leadership. Introduction In October of 1931, cartoonist Chester Gould introduced the American public to the square-jawed, fedora-wearing crime fighter, Dick Tracy. Since the Dick Tracy comic strip was launched in the Chicago Tribune, this archetype of the detective-genre has battled villains that have always been easy to associate with crime. According to Gould, “Violence is golden when it used to put down evil” (Cagle, 2001). The methods of Tracy, while draconian and harsh, were effective, at least in newsprint. Yet the character of Tracy was not totally dependent on brawn. -
In Brief Law School Publications
Case Western Reserve University School of Law Scholarly Commons In Brief Law School Publications 1982 In Brief Follow this and additional works at: https://scholarlycommons.law.case.edu/in_brief Recommended Citation In Brief, iss. 24 (1982). https://scholarlycommons.law.case.edu/in_brief/24 This Book is brought to you for free and open access by the Law School Publications at Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in In Brief by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. Law Alumni News Bulletin Case Western Reserve University Autumn, 1982 in brief Number 24 Published by the Case Western Reserve A Letter University School of Law for alumni, students, faculty, and friends Editor from the Anne M. McIntyre Law Alumni Office Faculty Editor Dean Wilbur C. Leatherberry Professor of Law September 1,1982 Two months ago, I began my service as dean of the Law School, and I want to share some thoughts with you. The Law School first two months have been busy for me Alumni Association and the faculty as we have become 1982-83 Officers more closely acquainted. I have also Charles R. Ault, '51 visited with alumni in Cleveland (sever President al law firms and a luncheon meeting an exciting time. The air is full of talk about curricular reform (Is our writing Fred D. Kidder, '50 with alumni in April), Washington, Vice President D.C. (a small group in August and a program intense enough? Is it effective in teaching needed writing skills?), re Richard C. -
Have Issues Viewing Or Accessing This File Contact Us at NCJRS.Gov
If you have issues viewing or accessing this file contact us at NCJRS.gov. • '0 } f', .. '~ ... _... -- ... -~,-=~--., .. -.." ...,,- .., .. ,-- ,.--.-.... _... ".. '. -,- h .--..... , ..---.,-., ....... - ... --~ ....- ....- .....::..-"- ....... -"" ''', ...~-,.--" ...... ~,_.: .......,__ _, ..... ",., ..'.... ". '\~:, ~ .':i 'i' National Criminal.Justice Reference Service \'e-~~---------- This microfiche was produced from documents received for inclusion in the NCJRS data base. Since NCJRS cannot exercise control over the physical condition of the documents submitted, the individual frame quality will vary. The resolution chart on this frame may be used to evaluate the document quality. ""'2.5 1.lQ 2.2 I"~ 111111.25 IIIII~ 11111 1.6 MICROCOPY RESOLUTION TEST CHART NATIONAL BUREAU OF STANDARDS,1963-A .~l Microfilming procedures used to create this fiche comply with the standards set forth in 41CFR 101-11.504. \ Points of view or opinions stated in this document are those of the author(s) and do not represent the official position or policies of the U. S. Department of Justice. National Institute of Justice United States Department of Justice Washington, D. C. 20!l31 ,10/18/84 o • '0 ; f'---'-~''''--> ~ !Jtpartmtnt 'n~ ~tt~titt ~TATEMENT Mr. Chairman and Members of the Subcommittee: I am pleased to be here today on behalf of the Department of Justice to discuss briefly the nature of the organized crime q problem in the Cleveland, Ohio and Detroit, Michigan, regions. JOHN C. KEENEY ,\ DEPUTY ASSISTANT ATTORNEY rr The mid-West has long