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Nicht Nur Von LUDWIG Van BEETHOVEN MUSIKANTIQUARIAT Januar 2020 aus Nr. 84 MUSIK – nicht nur von LUDWIG van BEETHOVEN Nr. 1 – 250 Noten Nr. 251 – 443 Bücher Nr. 444 – 519 Sammelstücke MUSIKANTIQUARIAT HANS SCHNEIDER D 82327 TUTZING Es gelten die gesetzlichen Regelungen der Bundesrepublik Deutschland. Alle Angebote sind freibleibend. Preise einschließlich Mehrwertsteuer in Euro (€). Meine Rechnungen sind nach Erhalt ohne Abzug zahlbar. Falls Zahlungen nicht in Euro lauten, bitte ich, die Bankspesen in Höhe von € 10.– dem Rechnungsbetrag hinzuzufügen. Versandkosten zu Lasten des Empfängers. Begründete Reklamationen bitte ich innerhalb von 8 Tagen nach Empfang der Ware geltend zu machen. (Keine Ersatzleistungspflicht). Gerichtsstand und Erfüllungsort für beide Teile Sitz der Lieferfirma. Eigentumsvorbehalt gemäß § 455 BGB. Die angebotenen Werke befinden sich in gutem Erhaltungszustand, soweit nicht anders vermerkt. Unwesentliche Mängel (z. B. Namenseintrag) sind nicht immer angezeigt, sondern durch Preisherabsetzung berücksichtigt. Über bereits verkaufte, nicht mehr lieferbare Titel erfolgt keine separate Benachrichtigung. Mit der Aufgabe einer Bestellung werden meine Lieferbedingungen anerkannt. Format der Bücher, soweit nicht anders angegeben, 8°, das der Noten fol., Einband, falls nicht vermerkt, kartoniert oder broschiert. ABKÜRZUNGEN: S. = Seiten Pp. = Pappband Bl. (Bll.) = Blatt Kart. = Kartoniert Aufl. = Auflage Brosch. = Broschiert Bd. (Bde.) = Band (Bände) d. Zt. = der Zeit Diss. = Dissertation besch. = beschädigt PN = Platten-Nummer verm. = vermehrt VN = Verlags-Nummer hg. = herausgegeben Abb. = Abbildung bearb. = bearbeitet Taf. = Tafel Lpz. = Leipzig Ungeb. = Ungebunden Mchn. = München o. U. = ohne Umschlag Stgt. = Stuttgart O = Originaleinband Bln. = Berlin des Verlegers Ffm. = Frankfurt/Main Pgt. (Hpgt.) = (Halb-)Pergament o. O. = ohne Verlagsort Ldr. (Hldr.) = (Halb-)Leder o. V. = ohne Verlagsangabe Ln. (Hln.) = (Halb-)Leinen BD = Bibliotheksdublette Köchel6 = Köchel 6. Aufl. Sdr. = Sonderdruck Eigh. = Eigenhändig B&B = Bote & Bock m. U. = mit Unterschrift B&H = Breitkopf & Härtel m. N. = mit Namenszug R-B. = Rieter-Biedermann © 2020 by Hans Schneider, 82327 Tutzing MUSIKANTIQUARIAT PROF. DR. HANS SCHNEIDER 82327 TUTZING · MOZARTSTRASSE 4 TELEFON 0 81 58 30 50 · TELEFAX 0 81 58 76 36 E-MAIL: [email protected] www.schneider-musikantiquar.de Ust-IdNr. DE 16 919 252 NOTEN 1 [ANONYM]: Bertrandʼs Abschied von Frankreich mit Begleitung des Piano Forte oder der Guitarre mit deutschem und französischem Text. o. O. u. o. V. (PN 2308) [um 1825?] 3, (1) S. fol. 25.— Der französische General Henri-Gatien Bertrand (1773–1844) wurde nach Austerlitz Napoleons Adjudant, begleitete ihn später nach Elba und teilte sein Exil auf St. Helena. 2 BACH, J. S.: (BWV 37) Wer da glaubet und getauft wird. Cantate ... bearbeitet von Robert Franz. Partitur. Lpz., Leuckart (VN 2323) [ca. 1870] 43 S. fol. OU (Falz ausgebessert). 40.— Umschlag mit hs. Vermerk „Geschenk vom Bearbeiter“. – Eintragungen in Farbstift u. Blei. 3 -: (BWV 68 Nr. 2) Arie Mein gläubiges Herz frohlocke ... f. Alt. C dur m. Pf. Offenbach, André (PN 7316.C.) [1853] 5 S. 25.— Erste selbständige Ausgabe dieser Fassung der „Sopran Aria“ aus der Kantate „Also hat Gott die Welt geliebt“. – Anzeichnungen in Farbstift. 4 -: (BWV 244 Nr. 8, 12, 48) Arien aus der Passions-Musik nach dem Evangelisten Matthaeus ... mit Begleitung des Pianoforte bearb. v. Robert Franz. Drei Arien für Sopran. Breslau, Leuckart (PN 1602) [1862] 19 S. – Wasserrandig, gering stockfleckig. 25.— 3 5 -: (BWV 812–817) Pièces détachées de la 7me. livraison des compositions pour le piano. No. 5. Six petites suites nommées „Suites françaises“. Lpz., Peters (PN 2748) [nicht vor 1841]. (39) S. 30.— BWV S. 618. – Titelauflage der 1840 erschienenen, von Carl Czerny besorgten Neuausgabe, noch ohne den Satz BWV 815/6. – Stockfleckig, Gebrauchs- spuren. 6 -: (BWV 846–893) Le Clavecin bien tempéré ou Préludes et Fugues dans tous les tons ... Edition nouvelle ... par Charles Czerny. Partie I–II. 2 Bde. in einem. Lpz., Peters (PN 2635–6) [1837] 87; 99 S. Hldr. d. Zt. (schadhaft). 125.— Kat. Hoboken 1 Nr. 102; Hirsch III, 52; Schneider (BJb 1906) S. 101; Philippsborn S. 60. – Erstausgabe der wichtigen Revision. Jedes Heft mit einem lithographierten Porträt des Komponisten nach C. Brandt. – Oeuvres complets Liv. I–II. – Etwas wasserrandig und fingerfleckig, vereinzelte Eintragungen in Blei. Besitzvermerk in „Partie I“ gelöscht. 7 -: (BWV 988) Aria mit 30 Veränderungen (die „Goldbergʼ-schen Variationen“) ... für zwei Pianoforte bearb. v. Josef Rheinberger. [WoO 3]. Lpz., Kistner (VN 6266) [1883] 2 Exemplare. 87; 87 S. Neu broschiert (vorderer OU aufgezogen). 75.— Irmen (Rheinberger) S. 475; BWV S. 715 (Rheinberger/rev. Reger, 1915). – Erstausgabe dieser Fassung (Klavierpartitur). – Ein Umschlag mit eigh. Namenszug des Bearbeiters Rheinberger (restauriert, minimaler Buchstaben- verlust). Gelegentliche Randschäden ausgebessert. Fingerfleckig. Eintragungen in Blei und Buntstift. 8 -: Joh. Seb. Bachʼs Clavierwerke. Kritische Ausgabe … von Hans Bischoff. 7 Bde. in 2. Lpz., Steingräber (VN 149 … 327) [1888] Zus. 899 S. Hldr.-Bde. d. Zt. m. Rückenschildern. (Ecken u. Kanten leicht berieben u. bestoßen). 125.— Aus der Bibliothek des Münchner Komponisten, Musikschriftstellers und Kritikers Heinz Pringsheim, Sohn des Mathematikers Alfred Pringsheim, dem Schwiegervater von Thomas Mann. – Vereinzelt mit seinen Eintragungen von Taktzahlen in Blei. 9 -: Joh. Seb. Bachʼs Clavierwerke. Kritische Ausgabe … von Hans Bischoff. 7 Hefte in 2 Bdn. Lpz., Steingräber (VN 149 … 327) [1888] Zus. 899 S. Privater Stoffeinband (im Bund gelockert, kleiner Einriß). – Ein Heft in Titelauflage. 70.— 4 10 -: Clavierwerke. Krit. Ausg. (H. Bischoff). Bde. 1–4, 7 in 2 Bdn. Lpz., Steingräber (VN 149–152, 327) [1880–88]. Hldr. 40.— Angeb. ders.: (BWV 1004/5) Chaconne für d. Violine allein. Für d. Pf. zu zwei Hdn. (W. Lamping). Lpz., B&H (VN 17988) [1888]. 17 S. 11 BACH, W. F.: Sammelband mit Klavierwerken und Klavierkonzerten. 5 Hefte in einem Bd. Lpz., Steingräber (VN 482–486). Zus. 165 S. Hln. (erstes Blatt des OU zur g-Moll-Suite aufgezogen). 35.— (Falck Nr. 24 ...) Suite G moll, Sonaten und kleinere Werke. Phrasierungs- ausgabe (H. Riemann). – Konzerte e-Moll, D-Dur, a-Moll u. F-Dur. Jeweils in Ausgabe für zwei Klaviere (Klavierpartitur) und jeweils ohne Titelblätter. 12 BARTÓK, B.: (S 97) Bilder aus Ungarn. Orchester-Partitur. Budapest, Rozsnyai/Rózsavölgyi (VN 5442) 1932. 28 S. OU. – Szőllősy S. 34. – Erst- ausgabe. 50.— 13 BASSETT, R.: Le Jardin de mon Enfance. Suite pour Orchestre No. 1 (Les Fleurs sʼéveillent) – 8 (La nuit). Arrangé et instrumenté par Georges Brun. Handschriftliche Stichvorlage von Partitur (fehlt zu Suite No. 2: Les Ifs) u. Klavierpart. fol. 75.— „À Freddy Willems“. – Mit Stempel „Vu par le Commission dʼexamen des bulletins“ und der „Société des Compositeurs & Editeurs 8. Aout 1928“ sowie dem hs. © Vermerk „Propriété de lʼAuteur Rachel Bassett, Villa „Malda“ ... Biarritz“. 14 BEETHOVEN, L. v.: Quintuor pour deux Violons, deux Violes et Violoncelle. Oeuvre 118 [recte Op. 1, Nr. 1] Bronsvic, Spehr (PN 1122) [1816/1817] Stimmen. 200.— Werkverz. (2014) Bd. 1, S. 10; Kat. Hoboken 2 Nr. 14 (mit irriger Angabe „Erstdruck, 1818“). – Frühe und seltene Ausgabe. Der erste Druck einer von Charles Khym erarbeiteten Fassung für Streichquintett erschien 1815 bei Riedl in Wien. – Leicht gebräunt, der obere Randbereich durchgehend mit schwachem Wasserfleck. 15 -: Trois Sonates pour le Piano Forte avec Accompagnement dʼun Violon. Opera 12. Paris, Schott (PN 102) [nicht vor 1826] Klavierstimme. 47 S. (die Violin-Stimme ist nicht vorhanden). 50.— Werkverz. (2014) Bd. 1, S. 65 („nicht von Zulehner, obwohl dieselbe Nummer!“); Wollner (Carl Zulehner) S. 321. – Anscheinend doch kein Nachdruck von den Platten der 1806 bei Zulehner erschienenen Ausgabe. Die Pariser Filiale von Schott wurde 1826 gegründet. – Am Schluß kleine Ecke (ohne Textverlust) abgerissen. 5 16 -: Trois Sonates pour le Pianoforte et Violon ... dédiées à ... A. Salieri. Op. 12. Nouvelle Edition. Lpz., Peters (PN 2239) [nicht vor 1841] Klavierstimme. 47 S. (Violin-Stimme nicht vorhanden). fol. 25.— Titelauflage der 1832 erschienenen „Neuen Ausgabe“ von Peters (Preisbez. bereits in „Ngr.“ – Leichte Gebrauchsspuren. 17 -: Concert pour le Pianoforte ... Oeuvre XIX. chez A. Kühnel à Leipsic au Bureau de Musique (PN 65) [ab 1806] Solostimme. 23 S. qu-fol. 225.— Werkverz. (2014) Bd. 1 S. 114; nicht in Kat. Hoboken, dort die spätere Ausgabe von Peters. – Zweite Titelauflage der 1801 bei Hoffmeister in Wien erschienenen Originalausgabe des Klavierkonzerts Nr. 2. – Titelblatt am Falz mit kleinen Randschäden. 18 -: Grand Septuor. Oeuvre 20. Partition. Lpz., Peters (PN 2254) [Mai 1832] 1 Bl., 92 S. 4°. Ln. (Rücken geringfügig schadhaft). 175.— Werkverz. (2014) Bd. 1 S. 121; Kat. Hoboken 2 Nr. 120. – Deutsche Erstausgabe, vier Jahre nach der frühesten Partiturausgabe (Paris bei Pleyel) erschienen. Titelseite in Lithographie. – Breitrandiger Abzug, stockfleckig. 19 -: Sonate pour Piano-Forte et Violon. Oeuvre 23. Oeuvres Complets de Piano. 2re Partie No. 4. Ffm., Dunst (VN 94) [um 1830] Klavierpartitur. 15 S. – In Lithographie. 35.— 20 -: Sonate pour Piano-Forte et Violon. Oeuvre 24. Oeuvres Complets de Piano. 2re Partie No. 6. Ffm., Dunst (VN 111) [um 1830] Klavierpartitur. 19 S. – Leicht stockfleckig. In Lithographie. 35.— 21 -: Quintetto Pour 2 Violons, 2 Altos et Violoncelle … dédié à … le Comte Maurice de Fries. Oeuv. 29. Lpz., B&H (PN 94) [1802]
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