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News Release
News release EMBARGOED UNTIL: 12 April 2017 Prog rock giants Pink Floyd honoured in naming of newly- discovered – and, yes, bright pink – pistol shrimp A strikingly bright pink-clawed species of pistol shrimp, discovered on the Pacific coast of Panama, has been given the ultimate rock and roll name in recognition of the discoverers’ favourite rock band – Pink Floyd. The conspicuously coloured pistol shrimp has been named as Synalpheus pinkfloydi in the scientific description of the species, published as open access in Zootaxa journal today (12 April). Just like all good rock bands, pistol shrimps, or snapping shrimps, have an ability to generate substantial amounts of sonic energy. By closing Synalpheus pinkfloydi. Image: Arthur Anker its enlarged claw at rapid speed the shrimp creates a high-pressure cavitation bubble, the implosion of which results in one of the loudest sounds in the ocean – strong enough to stun or even kill a small fish. Combined with its distinct, almost glowing- pink snapping claw, Synalpheus pinkfloydi is aptly named by the report’s authors, Arthur Anker of the Universidade Federal de Goiás in Brazil, Kristin Hultgren of Seattle University in If Synalpheus pinkfloydi had adorned the cover of Pink the USA, and Sammy De Grave, of Oxford Floyd's 1977 album Animals, rather than the famous dirigible pig. Image: Chris Jarvis University Museum of Natural History. De Grave, Head of Research at the Museum of Natural History in Oxford, has been a life-long Pink Floyd fan and has been waiting for the opportunity to name the right new species after the band. -
Pink Floyd Amsterdam Coffeeshop
Pink floyd amsterdam coffeeshop Review of Amsterdam coffeeshop Pink Floyd, including atmosphere, pictures, contact, address, feeling and tips for visitors. Pink Floyd was a powerhouse of a coffeeshop in the good old daze of Amsterdam's 90's and naughties! Dampkring 2 is one of my favorite coffeeshops in Amsterdam for many reasons. It's still the same shop, still called Pink Floyd, but with the Dampkring menu. Years ago, Pink Floyd Coffeeshop was considered by many to be one of the best in all of Amsterdam. And while the quality of the service and. 2 reviews of Pink Floyd - CLOSED "This is my favourite coffee shop in the Recommended Reviews for Pink Floyd Best of Yelp Amsterdam – Coffee & Tea. Pink Floyd Coffeeshop. likes · 83 talking about this · were here. 64 Mohamed al Mokled st. right after AWLAD RAGAB Mostafa Alnahas themed. sitting at pink floyd coffeeshop amsterdam smoking. Coffeeshop Amsterdam is the best coffee shop in Amsterdam to truly experience the dutch cannabis culture. Modern interior with extensive menu & great music! Online menus from Coffeeshop Pink Floyd in Amsterdam Netherlands. Pink Floyd was bang opposite our hotel. it was our 1st and last stop . Went to Amsterdam twice and both times my first stop was the Pink Floyd Coffeeshop! great coffeshop! pink floyd album artwork all over the walls. very friendly staff,knowledgable weed men. One of the musts in the Amsterdam coffeeshop scene. then try Pink Floyd's Ummagumma. lol or Zappa on low.. if Dekuil turned it up There really aren't any coffee shops in the Amsterdam centrum and fringe areas. -
Escher's World of Wonder
Educators Resource Journey to Infinity: Escher’s World of Wonder Title: Journey to infinity: Escher’s World of Wonders Educators Resource Target Audience: An information package for educators interested in the exhibition Journey to Infinity: Escher’s World Of Wonder and the various additional programmes developed by ArtScience Museum’s Programmes Department. 1 Educators Resource Journey to Infinity: Escher’s World of Wonder Journey to Infinity: Escher’s World of Wonder is a fantastic opportunity to enjoy more than 150 original works from M.C. Escher, one of the world’s greatest graphic artists. Exploring the intersection between art, mathematics, science and poetry, Escher’s works have fascinated and astounded generations of artists, architects, mathematicians, musicians and designers alike. ArtScience Museum is dedicated to the playful exploration of the interconnection between art, science, technology and culture, and we look forward to sharing Escher’s unique and fascinating world with both school groups and educators. We are sure it will be the starting point for many interesting conversations about art, mathematics and history, about how nothing is what it seems. ArtScience Museum believes that some subjects are best understood by active construction and experimentation and by approaching subjects from unexpected perspectives. The exhibition itself is full of wonder, not just in the extraordinary artworks but also in the many playful activities that visitors can explore throughout the exhibition. The poetic symmetry of tessellations is understood on a large scale by physically moving huge puzzle pieces into place; the interconnectedness of baroque music and the notion of infinity are explored through papercraft and music boxes, and even the trained eye is tricked by larger than life optical illusions. -
Information to Users
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Accessing■i the World's UMI Information since 1938 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA Order Number 882462 James Wright’s poetry of intimacy Terman, Philip S., Ph.D. The Ohio State University, 1988 Copyright ©1988 by Terman, Philip S. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, M I 48106 JAMES WRIGHT'S POETRY OF INTIMACY DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of the Ohio State University By Philip S. -
Najlepsze Hity Dla Ciebie Vol. 4 Najlepsze Hity Dla Ciebie Vol. 2
Najlepsze hity dla Ciebie vol. 4 CD 3 1. Robin Thicke Feat. Pharrell Williams - Blurred Lines [No Rap Version] CD 1 2. Bruno Mars - Locked Out Of Heaven 1. Alvaro Soler - El Mismo Sol 3. Lady Gaga - Born This Way 2. Lost Frequencies feat. Janieck Davey – Reality 4. Taio Cruz Feat. Flo Rida - Hangover 3. Imany – Don’t Be So Shy (Filatov & Karas Remix ) 5. Gnarls Barkley - Crazy 4. Ellie Goulding - On My Mind 6. Ariana Grande Feat. Zedd - Break Free 5. Sigala - Easy Love 7. Jessie J. - Price Tag [Clean Edit w/o B.O.B. 6. Avicii - For A Better Day 8. Kate Ryan – Runaway 7. Felix Jaehn Feat. Jasmine Thompson - Ain't Nobody ( 9. John Mamann feat. Kika - Love Life Loves Me Better) 10. Elaiza - Is It Right 8. Alexandra Stan & Inna feat. Daddy Yankee - We 11. Niki Minaj - Starships Chesney Wanna 12. Hawkes - The One And Only 9. Axwell /\ Ingrosso - Sun Is Shining 13. Iggy Azalea - Fancy 10. Years&Years - Shine 14. Jessie Ware - Champagne Kisses 11. Ariana Grande - One Last Time 15. Robbie Wiliams – Feel 12. Rico Bernasconi & Tuklan feat. A - Class & Sean Paul 16. Meredith Brooks - Bitch - Ebony Eyes 17. Bellini - Samba De Janeiro 13. Justin Bieber - What Do You Mean? 18. Billy Idol - Cradle Of Love 14. Dimitri Vegas & Like Mike feat. Ne-Yo - Higher Place 19. UB40 - (I Can't Help) Falling In Love With You 15. John Newman - Come And Get It 20. Shaggy – Boombastic 16. Otilia – Aventura 17. Tove Lo – Moments 18. Basto – Hold You 19. Inna – Bop Bop 20. -
The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
Graduate Theses, Dissertations, and Problem Reports 2019 The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett Curtis Goods West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Performance Commons Recommended Citation Goods, Emmett Curtis, "The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964)" (2019). Graduate Theses, Dissertations, and Problem Reports. 7464. https://researchrepository.wvu.edu/etd/7464 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H. -
The Wisconsin-Texas Jazz Nexus Jazz Wisconsin-Texas the the Wisconsin-Texas Jazz Nexus Nexus Jazz Wisconsin-Texas the Dave Oliphant
Oliphant: The Wisconsin Texas Jazz Nexus The Wisconsin-Texas Jazz Nexus Jazz Wisconsin-Texas The The Wisconsin-Texas Jazz Nexus Nexus Jazz Wisconsin-Texas The Dave Oliphant The institution of slavery had, of course, divided the nation, and Chicago. Texas blacks had earlier followed the cattle trails and on opposite sides in the Civil War were the states of Wis- north, but, in the 1920s, they also felt the magnetic pull of consin and Texas, both of which sent troops into the bloody, entertainment worlds in Kansas City and Chicago that catered decisive battle of Gettysburg. Little could the brave men of the to musicians who could perform the new music called jazz that Wisconsin 6th who defended or the determined Rebels of the had begun to crop up from New Jersey to Los Angeles, beholden Texas Regiments who assaulted Cemetery Ridge have suspected to but superseding the guitar-accompanied country blues and that, one day, musicians of their two states would join to pro- the repetitive piano rags. The first jazz recordings had begun to duce the harmonies of jazz that have depended so often on the appear in 1917, and, by 1923, classic jazz ensembles had begun blues form that was native to the Lone Star State yet was loved performing in Kansas City, Chicago, and New York, led by such and played by men from such Wisconsin towns and cities as seminal figures as Bennie Moten, King Oliver, Fletcher Jack Teagarden, courtesy of CLASSICS RECORDS. Teagarden, Jack Fox Lake, Madison, Milwaukee, Waukesha, Brillion, Monroe, Henderson, and Duke Ellington. -
Down Bea MUSIC '65 10Th YEARBOOK $1
down bea MUSIC '65 10th YEARBOOK $1 The Foundation Blues By Nat Hentoff Jazzmen As Critics By Leonard Feather The Academician Views De Jazz Musician ,By Malcolm E. Bessom The Jazz Musician Views The Academiciau By Marjorie Hyams Ericsson Jazz 1964: Good, Bad, Or Indifferent? Two Views Of The Year By Don DeMicheal And Tom Scanlan Articles by Stanley Dance, Vernon Duke, Don Heckman, George Hoefer, Dan Morgenstern, Pete Welding, and George Wiskirchen, C.S.C., Plus Many Other Features GUITARS Try a Harmony Soon ELECTRIC AT YOUR GUITARS gt AMPLIFIERS Favorite Music Dealer MANDOLINS BANJOS UKULELES Write for FREE full-color catalog •Address: Dept. 0Y5 Copyright 1964. The Harriony Co. Chicago 60632, U.S.A. introduces amajor current in Meateeee titiVe as COLTRANE presents SHEPP Highlighting a release of 12 distinguished new albums, is the brilliant debut A-68 J. J. JOHNSON - PROOF POSITIVE recording of ARCHIE SHEPP, who was discovered and introduced to us by A-69 YUSEF LATEEF LIVE AT PEP'S JOHN COLTRANE. We think you will agree that the young saxophonist's lucid A-70 MILT JACKSON - JAll 'N' SAMBA style and intuitive sense of interpretation will thrust him high on the list of A-71 ARCHIE SHEPP - FOUR FOR TRANE today's most influential jazz spokesmen. A-73 SHIRLEY SCOTT - EVERYBODY LOVES ALOVER A-74 JOHNNY HARTMAN - THE VOICE THAT IS As for COLTRANE himself, the 1964 Downbeat Poll's 1st place Tenor Man has A-75 OLIVER NELSON - MORE BLUES AND THE again produced a performance of unequalled distinction. ABSTRACT TRUTH Other 1st place winners represented by new Impulse albums are long-time favor- A-76 MORE OF THE GREAT LOREZ ALEXANDRIA ites J.J. -
The BG News June 28, 1973
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 6-28-1973 The BG News June 28, 1973 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News June 28, 1973" (1973). BG News (Student Newspaper). 2867. https://scholarworks.bgsu.edu/bg-news/2867 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. An Bowling Green Ohio Independent Student Thuivday Juno 28, 1973 Voice THe BG news Volume 56 /Number 136 t ^J.^j Statement released . ■-' to Black Caucus if By Joan Grill THE STATEMENT asked the Black establishing Ihe steering committees Steif Reporter Caucus to nominate by July 4. four has nol vel In'en decided faculty or staff persons "with broadly He said better communication if . , Dr. George Herman, vice provost for representative viewpoints" to act as between the administration and Black instruction, yesterday read a interim-only co-assistants to the Caucus members is necessary, and the statement concerning two vacated provost for minority affairs on a pan structure <>i the committees will have •A jf J ■ V 11 positions in the minority affairs time basis to be satisfactory to members of the program to about ISO persons in the From the four nominations, the ad Black Caucus and other minority ** • Amani ministration will choose the two CO groups The statement, prepared by assistants who will work from July 5 to Man) persons later voiced discontent rsst University Provost Dr Kenneth W September 15 over Pitts reassignment, and some Rothe. -
שירים נבחרים Yehuda Halevi Hillel Halkin
IJIJIJIJIJIJ יהודה ה�וי שירים נבחרים AD THE SELECTED POEMS OF Yehuda Halevi AD TRANSLATED & ANNOTATED BY Hillel Halkin IJIJIJIJIJIJ IJIJIJIJIJIJ Copyright © 2011 by Hillel Halkin. All rights reserved. Published by Nextbook, Inc., a not-for-profit project devoted to the promotion of Jewish literature, culture, and ideas. This material may not be copied without crediting the translator and the publisher. nextbookpress.com ISBN: 978-0-615-43367-7 Designed and composed by Scott-Martin Kosofsky, at The Philidor Company, Lexington, Massachusetts. philidor.com A note on the typefaces appears on the last page. IJIJIJIJIJIJ IJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJIJI Click on pages or titles for quick links to the pages. iv Foreword by Jonathan Rosen Table of Contents v Introduction by Hillel Halkin רשימת השירים 1 The Poet Thanks an Admirer for a Jug of Wine בך אעיר זמרות 2 To Moshe ibn Ezra, on His Leaving Andalusia איך אחריך אמצאה מרגוע 3 4 To Yitzhak ibn el-Yatom Carved on a Tombstone הידעו הדמעות מי שפכם ארץ כילדה היתה יונקת 5 6 A Wedding Poem Ofra עפרה עזוב לראות אשר יהיה והיה 7 Love’s War לקראת חלל חשקך קרב החזיקי 8 Why, My Darling, Have You Barred All News? מה לך צביה תמנעי ציריך 9 10 On the Death of Yehuda ibn Ezra A Lament for Moshe ibn Ezra ידענוך נדד מימי עלומים ראה זמן כי האנוש הבל 11 12 On the Death of a Daughter Lord, Where Will I Find You? יה אנה אמצאך הה בתי השכחת משכנך 13 14 The Dream Nishmat יחידה שחרי האל וספיו נמת ונרדמת 15 16 Barkhu Ge’ula יעבר עלי רצונך יעירוני בשמך רעיוני 17 18 Ahava Waked By My Thoughts יעירוני רעיוני יעלת -
“Big Chief” Moore, in New York a Few Weeks Earlier on January 16
WIND12413 ITF Douglas Yeo ITA.qxp_Layout 1 5/22/17 11:24 AM Page 1 July 2017/ Volume 45, Number 3 / $11.00 Denson Paul Pollard — Page 36 Douglas Yeo Depends on Yamaha “Yamaha trombones are the most flexible, finely engineered and well-made instruments INTERNATIONALINTERNATIONAL I have ever played. They allow my musical voice to be expressed beautifully every time I have a trombone in my hands.” Douglas Yeo Visit 4wrd.it/yeoITA2 for details World-renowned Bass Trombonist ASSOCIATION JOURNAL THETHE QUARTERLYQUARTERLY PUBLICATIONPUBLICATION OFOF THETHE ITAITA Take it, Big Chief! An Appreciation of Russell Moore Photo credit: Timothy Hutchens INTERNATIONAL TROMBONE ASSOCIATION JOURNAL The Quarterly Publication of the ITA Volume 45, Number 3 / July 2017 General News — Page 6 The International Trombone Association is Dedicated to the Artistic Advancement of Trombone Teaching, Performance, and Literature. Contents Features Take It, Big Chief: An Appreciation of Russell Moore ITA JOURNAL STAFF by Douglas Yeo .............................................................. 18 Managing Editor A Conversation with Denson Paul Pollard Diane Drexler by Douglas Yeo ................................................................ 36 3834 Margaret Street, Madison, WI 53714 USA / [email protected] Associate Editors Feature Stories – Bruce Gunia Departments [email protected] Announcements ...................................................................... 2 Jazz – Antonio Garcia President’s Column - Ben van Dijk .......................................... -
3/23/2018 Course Descriptions
Subject Catalog Long Title Descr Min Units ACCT 2000 Accounting Concepts for Nonbusiness Students Fall, Spring, Summer. Accounting concepts and 3.00 procedures and their contribution to administrative processes. Enterprise analysis, relevant data, its uses and limitations. Not applicable to preprofessional core requirements in the College of Business Administration. No credit allowed toward BSBA degree. Prerequisite: sophomore standing or consent of department. Approved for distance education. ACCT 2210 Accounting and Business Concepts I Fall, Spring, Summer. Concepts and issues of 3.00 organizational reporting are introduced within the context of financial and managerial accounting, systems, taxation and auditing, and are illustrated through the use of examples involving international and domestic businesses, non-profit and government organizations. The course is designed to enhance group dynamics, communications skills, use of electronic media and inquiries into ethics and values within the accounting environment. Prerequisite: sophomore standing or consent of the department. Approved for distance education. ACCT 2220 Accounting and Business Concepts II Fall, Spring, Summer. ACCT 2210 continued. 3.00 Prerequisite: ACCT 2210. Approved for distance education. ACCT 3210 Intermediate Financial Accounting I Fall, Spring. Development and application of financial 3.00 accounting concepts and generally accepted accounting principles. Preparation of financial statements and accounting for changes in accounting principles. Emphasis on valuation and cost allocation methods for assets and related effects on income statements. Prerequisite: admission to the accounting specialization or consent of department. ACCT 3310 Intermediate Managerial Accounting Cost concepts, analysis, and product/service costing 3.00 methods. Discussion of the information needs and corresponding analyses for the planning, decision- making, and performance evaluation functions of managers.