Texas Gospel, Vol. 3-5 Liner Notes (No Photos)
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Ristorante and Pizzeria “Bella Vista” in Boston at 288 Hanover Street 617-367-4999 Lucia Pezzano, Proprietor
VOL. 114 - NO. 35 BOSTON, MASSACHUSETTS, AUGUST 27, 2010 $.30 A COPY Arriverderci Boston by Pamela Donnaruma Consul General of Italy, made with other ethnic have paved the way for the Boston Liborio Stellino and groups. future Italian leaders. Educational Director of Con- Another person who played On two separate occasions sul General Office of Italy, an integral part in Bos- at the Dante Alighieri Soci- Boston Carlo Cipollone have ton’s Italian community, ety in Cambridge receptions completed their professional Dr. Carlo Cipollone is also were held in honor of Liborio duties in their respective bidding farewell. Dr. Cipol- and Carlo. In conjunction roles in Boston. lone worked as the Edu- with the Italian Republic Day Consul General Liborio cational Director at the Celebration, Liborio hosted a Stellino arrived in Boston to Consulate Office in Boston. reception to say farewell to begin his role in September, He worked closely with his colleagues, friends and 2006. I had the pleasure of C.A.S.IT., (Centro Attivita representatives from various interviewing Liborio Stellino Scolastiche Italiane), a non- organizations. after ten days of being in profit education and profes- On Monday, August, 23rd, office. He talked about his sional organization formed Carlo hosted his farewell re- previous posts and outlined by the Italian Consul Gen- Representative Paul Donato ception with many friends his goals for the Italian Consul General Liborio eral which sponsors the (right) presented a Procla- and colleagues who gener- community of Boston. He dis- Stellino bids farewell to promotion of Italian lan- mation from Massachu- ously provided refreshments cussed his ideas to increase Boston. -
The Belltones, Little Joe Cooke & the Thrillers
North Philadelphia’s Francisville Groups: The Belltones, Thrillers, Royal Demons and Madison Brothers by Charlie Horner with Contributions from Pamela Horner Reprinted with permission of Echoes of the Past, Issue #95 (March 2011) © Classic Urban Harmony LLC, 2011. All Rights Reserved. North Philadelphia’s Francisville Groups: The Belltones, Thrillers, Royal Demons and Madison Brothers by Charlie Horner with Contributions from Pamela Horner While North Philadelphia produced numerous R&B vocal groups during the 1950’s including the Dreamers, Uni- versals, Dreamlovers, Revels, Buccaneers, Marquees, Blue Notes and Tymes, North Philly was a collection of neighbor- hoods. Each neighborhood had its own churches, schools, recreation centers, clubs and even vocal groups. In the heart of North Philadelphia, there’s an area around 17th Street and Ridge Avenue, stretching from Fair- mount Avenue to Girard Avenue, between Broad Street and Corinthian Avenue, which has long been known as Francis- ville. Only six blocks from center city, Francisville was once the vineyards of William Penn but in more recent times has been a hub of African American culture. At a time before Philadelphia completed the Schuylkill Expressway in 1959, Ridge Avenue was a busy commercial street, lined with stores and small shops. It had been a thoroughfare leading from the northwest suburbs through Philadelphia to the Ben Franklin Bridge to New Jersey. Francistown had an active entertainment scene, most notably Lou Church’s Blue Note, a large 400+ capacity jazz club at 15th & Ridge that during the 1950’s hosted such notable artists as Cannonball Adderly, Art Blakey, Miles Davis and Charles Mingus. -
Rhythm & Blues Rhythm & Blues S E U L B & M H T Y
64 RHYTHM & BLUES RHYTHM & BLUES ARTHUR ALEXANDER JESSE BELVIN THE MONU MENT YEARS CD CHD 805 € 17.75 GUESS WHO? THE RCA VICTOR (Baby) For You- The Other Woman (In My Life)- Stay By Me- Me And RECORD INGS (2-CD) CD CH2 1020 € 23.25 Mine- Show Me The Road- Turn Around (And Try Me)- Baby This CD-1:- Secret Love- Love Is Here To Stay- Ol’Man River- Now You Baby That- Baby I Love You- In My Sorrow- I Want To Marry You- In Know- Zing! Went The My Baby’s Eyes- Love’s Where Life Begins- Miles And Miles From Strings Of My Heart- Home- You Don’t Love Me (You Don’t Care)- I Need You Baby- Guess Who- Witch craft- We’re Gonna Hate Ourselves In The Morn ing- Spanish Harlem- My Funny Valen tine- Concerte Jungle- Talk ing Care Of A Woman- Set Me Free- Bye Bye Funny- Take Me Back To Love- Another Time, Another Place- Cry Like A Baby- Glory Road- The Island- (I’m Afraid) The Call Me Honey- The Migrant- Lover Please- In The Middle Of It All Masquer ade Is Over- · (1965-72 ‘Monument’) (77:39/28) In den Jahren 1965-72 Alright, Okay, You Win- entstandene Aufnahmen in seinem eigenwilligen Stil, einer Ever Since We Met- Pledg- Mischung aus Soul und Country Music / his songs were covered ing My Love- My Girl Is Just by the Stones and Beatles. Unique country-soul music. Enough Woman For Me- SIL AUSTIN Volare (Nel Blu Dipinto Di SWINGSATION CD 547 876 € 16.75 Blu)- Old MacDonald (The Dogwood Junc tion- Wildwood- Slow Walk- Pink Shade Of Blue- Charg ers)- Dandilyon Walkin’ And Talkin’- Fine (The Charg ers)- CD-2:- Brown Frame- Train Whis- Give Me Love- I’ll Never -
TV GOSPEL TIME 5 October 28, 1962
TV GOSPEL TIME 1 October 7, 1962 Washington Temple Celestial Chorus (ensemble, soloist, Laura Brown): Have You Been Down To The River Washington Templettes: Tired James Lowe: Peace In The Valley Washington Templettes: Holy City Celestial Chorus (Louise Bynoe, Robert Madison, Laura Brown, Robert Taylor): God Is Moving James Lowe and Chorus: God Out A Rainbow In The Sky James Lowe: His Eye Is On The Sparrow Celestial Chorus (ensemble, soloists, Henry Coston, Robert Taylor, Robert Madison): Stand Still TV GOSPEL TIME 2 November 11, 1962 Washington Temple Celestial Chorus (ensemble): I’ll Go With Him Lorraine Ellison Singers: Yes God Will Paulilne Ellison: What God Can Do James Wyns: His Eye Is On The Sparrow Celestial Chorus (soloist James Wyns): Softly And Tenderly Lorraine Ellison Singers: Oh What A Joy Lorraine Ellison: Walk With Christ Celestial Chorus (ensemble, soloist Ernest Alexander): Ninety-Nine And A Half Won’t Do TV GOSPEL TIME 3 November 25, 1962 Voices Of Shiloh (ensemble, soloist Esther Anthony): I’m Going To Wait On The Lord Tears Of Music: Brother Afar Clifton West: Wake Up In Glory Tears Of Music: Tramping Voices Of Shiloh: Joshua Fit The Battle Of Jericho Tears Of Music: No Hiding Place Alma Ellison: I Want Jesus To Walk With Me Voices Of Shiloh (ensemble): All Over God’s Heaven (I Got Shoes) TV GOSPEL TIME 4 December 2, 1962 Mt. Sinai Gospel Chorus (ensemble, soloist Marie McDougal): Come On, Children, Let’s Sing Twilight Gospel Singers: Does Jesus Care Twilight Gospel Singers (soloist Ann Walker): Who Twilight Gospel Singers (soloist Carolyn Bush): I’m Willing To Go Mt. -
THE CULTURE and MUSIC of AMERICAN CABARET Katherine Yachinich
Trinity University Digital Commons @ Trinity Music Honors Theses Music Department 5-2014 The ulturC e and Music of American Cabaret Katherine Anne Yachinich Trinity University, [email protected] Follow this and additional works at: http://digitalcommons.trinity.edu/music_honors Part of the Music Commons Recommended Citation Yachinich, Katherine Anne, "The ulturC e and Music of American Cabaret" (2014). Music Honors Theses. 5. http://digitalcommons.trinity.edu/music_honors/5 This Thesis open access is brought to you for free and open access by the Music Department at Digital Commons @ Trinity. It has been accepted for inclusion in Music Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. 2 THE CULTURE AND MUSIC OF AMERICAN CABARET Katherine Yachinich A DEPARTMENT HONORS THESIS SUBMITTED TO THE DEPARTMENT OF MUSIC AT TRINITY UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR GRADUATION WITH DEPARTMENTAL HONORS DATE 04/16/2014 Dr. Kimberlyn Montford Dr. David Heller THESIS ADVISOR DEPARTMENT CHAIR Dr. Sheryl Tynes ASSOCIATE VICE PRESIDENT FOR ACADEMIC AFFAIRS, CURRICULUM AND STUDENT ISSUES Student Copyright Declaration: the author has selected the following copyright provision (select only one): [X] This thesis is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License, which allows some noncommercial copying and distribution of the thesis, given proper attribution. To view a copy of this license, visit http://creativecommons.org/licenses/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. [ ] This thesis is protected under the provisions of U.S. Code Title 17. Any copying of this work other than “fair use” (17 USC 107) is prohibited without the copyright holder’s permission. -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive Permalink https://escholarship.org/uc/item/79v6m6c0 Author Singleton, Tyfahra Danielle Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive By Tyfahra Danielle Singleton A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Judith Butler, Chair Professor Chana Kronfeld Professor Linda Williams Fall 2011 Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive Copyright © 2011 by Tyfahra Danielle Singleton Abstract Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive by Tyfahra Danielle Singleton Doctor of Philosophy in Comparative Literature University of California, Berkeley Professor Judith Butler, Chair ―Facing Jazz, Facing Trauma‖ posits American jazz music as a historical archive of an American history of trauma. By reading texts by Gayl Jones, Ralph Ellison, Franz Kafka; music and performances by Louis Armstrong and Billie Holiday; the life, art and films of Josephine Baker, and the film The Jazz Singer (1927), my goal is to give African American experiences of trauma a place within American trauma studies and to offer jazz as an extensive archive of testimony for witnessing and for study. Initially, I explore the pivotal historical moment where trauma and jazz converge on a groundbreaking scale, when Billie Holiday sings ―Strange Fruit‖ in 1939. -
The Cambridge Companion to Blues and Gospel Music Edited by Allan Moore Frontmatter More Information
Cambridge University Press 0521806356 - The Cambridge Companion to Blues and Gospel Music Edited by Allan Moore Frontmatter More information The Cambridge Companion to Blues and Gospel Music From Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists figure heavily in the mythology of twentieth-century culture. The styles in which they sang have proved hugely influential to generations of popular singers, from the wholesale adoptions of singers like Robert Cray or James Brown, to the subtler vocal appropriations of Mariah Carey. Their own music, and how it operates, is not, however, always seen as valid in its ownright. This book offers an overview of both these genres, which worked together to provide an expression of twentieth-century black U.S. experience. Their histories are unfolded and questioned; representative songs and lyrical imagery are analyzed; perspectives are offered from the standpoint of the voice, the guitar, the piano, and also that of the working musician. The book concludes with a discussion of the impact the genres have had on mainstream musical culture. allan moore is Head of the Department of Music at the University of Surrey, U.K. He has written widely on popular music and is author of The Beatles: Sgt. Pepper’s Lonely Hearts Club Band (Cambridge, 1997), and Rock: The Primary Text (1993, 2002). © Cambridge University Press www.cambridge.org Cambridge University Press 0521806356 - The Cambridge Companion to Blues and Gospel Music Edited by Allan Moore Frontmatter More information -
Extra Special Supplement to the Great R&B Files Includes Updated
The Great R&B Pioneers Extra Special Supplement to the Great R&B Files 2020 The R&B Pioneers Series edited by Claus Röhnisch Extra Special Supplement to the Great R&B Files - page 1 The Great R&B Pioneers Is this the Top Ten ”Super Chart” of R&B Hits? Ranking decesions based on information from Big Al Pavlow’s, Joel Whitburn’s, and Bill Daniels’ popularity R&B Charts from the time of their original release, and the editor’s (of this work) studies of the songs’ capabilities to ”hold” in quality, to endure the test of time, and have ”improved” to became ”classic representatives” of the era (you sure may have your own thoughts about this, but take it as some kind of subjective opinion - with a serious try of objectivity). Note: Songs listed in order of issue date, not in ranking order. Host: Roy Brown - ”Good Rocking Tonight” (DeLuxe) 1947 (youtube links) 1943 Don’t Cry, Baby (Bluebird) - Erskine Hawkins and his Orchestra Vocal refrain by Jimmy Mitchell (sic) Written by Saul Bernie, James P. Johnson and Stella Unger (sometimes listed as by Erskine Hawkins or Jmmy Mitchelle with arranger Sammy Lowe). Originally recorded by Bessie Smith in 1929. Jimmy 1. Mitchell actually was named Mitchelle and was Hawkins’ alto sax player. Brothers Paul (tenorsax) and Dud Bascomb (trumpet) played with Hawkins on this. A relaxed piano gives extra smoothness to it. Erskine was a very successful Hawkins was born in Birmingham, Alabama. Savoy Ballroom ”resident” bandleader and played trumpet. in New York for many years. -
18 Lc 117 0395 H. R. 1460
18 LC 117 0395 House Resolution 1460 By: Representatives Bazemore of the 63rd, Trammell of the 132nd, Frazier of the 126th, Bennett of the 94th, and Beverly of the 143rd A RESOLUTION 1 Recognizing and commending Dorothy Norwood; and for other purposes. 2 WHEREAS, Dorothy Norwood, affectionately known as "the World's Greatest Storyteller," 3 has used her soulful vocals and uplifting delivery to rise to the upper echelon of 4 contemporary Gospel music; five of her albums have achieved gold status and her studio 5 work has garnered Grammy, Dove, and Stellar award nominations; and 6 WHEREAS, Dorothy was born in 1935 in Atlanta, Georgia, and began touring with her 7 family's group at the tender age of eight; and 8 WHEREAS, in 1956, Dorothy moved to Chicago, Illinois, and was soon singing with Gospel 9 singer Mahalia Jackson, and in the early 1960s she joined the Gospel group Albertina Walker 10 and The Caravans, which would include such Gospel music legends as the Queen of Gospel 11 Albertina Walker, Shirley Caesar, Inez Andrews, Delores Washington, and the late Reverend 12 James Cleveland; and 13 WHEREAS, she released her debut solo album, Johnny & Jesus, in 1964, resulting in her 14 first gold record certification from the RIAA; and 15 WHEREAS, an opportunity to bring her music beyond the church came in 1972 when 16 Dorothy was invited to be an opening act for the Rolling Stones' 30 state American tour; and 17 WHEREAS, Dorothy has regularly released new material ever since, including a 1991 18 album, Live With the Northern California GMWA Mass Choir, which reached the top 19 position on the Billboard Top 40 Chart; and 20 WHEREAS, she continues to share her gifts through music, enchanting and inspiring all 21 those who enjoy the privilege of listening to her; and H. -
Vote for YOUR Candidate WE WILL NEVER FORGET in Tuesday’S Primary, September 14, 2010 SEPTEMBER 11, 2001 GOVERNOR
VOL. 114 - NO. 37 BOSTON, MASSACHUSETTS, SEPTEMBER 10, 2010 $.30 A COPY Vote for YOUR Candidate WE WILL NEVER FORGET in Tuesday’s Primary, September 14, 2010 SEPTEMBER 11, 2001 GOVERNOR Deval L. Charles D. Timothy Jill PATRICK BAKER CAHILL STEIN (Democrat) (Republican) (Independent) (Green/Rainbow) LIEUTENANT GOVERNOR ATTORNEY GENERAL Timothy P. Richard R. Martha James Guy MURRAY TISEI COAKLEY M C KENNA CARBONE (Democrat) (Republican) (Democrat) (Write In) (Write In) SECRETARY OF STATE TREASURER News Briefs by Sal Giarratani Liberal Media AWOL on St. Nicholas? William Francis William C. Steven Stephen J. Karyn E. The growing national furor over a proposed GALVIN CAMPBELL GROSSMAN MURPHY POLITO 13-story mosque two blocks from Ground Zero (Democrat) (Republican) (Democrat) (Democrat) (Republican) has now brought forward the plight of St. Nicho- las Greek Orthodox Church, which was turned AUDITOR STATEWIDE into rubble on September 11, 2001 when one of the Twin Towers fell on it during that attack on America. New York officials all promised to help rebuild that church, but it turns out all they offered were promises. St. Nicholas has experienced nine years of bureaucratic and cultural paralysis. A deal had been report- edly made between the New York Port Author- ity and the Greek Orthodox Archdiocese. Then nine years of nothing. If it wasn’t for the Suzanne M. Guy William Mike Mary Z. Kamal controversy over the mosque, St. Nicholas’ BUMP GLODIS LAKE CONNAUGHTON JAIN plight might have stayed unknown to America (Democrat) (Democrat) (Democrat) (Republican) (Republican) but thanks to small media outlets, bloggers, and the Fox News Network we all now know. -
Cambridge Public
Cambridge Arts Council C A M B R I D G E P U B L I C A R T www.cambridgeartscouncil.org 11 03 01 02 04 05 06 07 08 09 10 Map 08 :: South of Central Square (01) Cambridge Senior Center: Lisa Houck (02) Carl Barron Plaza: Ritsuko Taho (03) Harvest Food Coop: David Fichter (04) Middle East Restaurant: Daniel Galvez (05) Green Street Parking Garage: Daniel Galvez (06) Central Square Library: Linda Lichtman, Lilli Ann Rosenberg, David Judelson (07) Auburn Park: Kitty Wales (08) University Park: Ross Miller and Monica Raymond (09) Graham & Parks School: Susan Thompson, David Fichter, Judith Inglese (10) Dana Park: David Phillips (11) City Hall: Gerald Burger (T) MBTA Station: Elizabeth Mapelli, R. Storrs and D. Cunningham Lisa Houck Cambridge Senior Center 806 Massachusetts Avenue Title: They Settled Near a Marsh Playful and vibrant, Lisa Houck's work delights in Date: 1995 nature. Her stars, suns, trees, rivers, flowers, birds, and fish recall Pennsylvania Dutch motifs, African textiles, Materials: Oil enamel on plywood Native American symbols, Henri Matisse's cut-outs, and Dimensions: 2' 3" x 9' 3" eye-popping modern graphic art. One Seasonal Cycle Location: Dining room depicts a field in summer, fall, winter, and spring. The work's two canvases, mounted on either side of the entrance foyer, greet visitors to the Center. This Is Title: This Is Where We Saw the Eclipse Where..., a landscape of fall colors, and They Settled..., Date: 1995 a portrait of Colonial-era Cambridge, dance across two walls of the cafeteria. Finally, the 68 terra cotta tiles of Materials: Oil enamel on plywood Scientific Observations provide a quilt-like backdrop for Dimensions: 2' 3" x 6' 9" a bench in the first-floor hallway. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Beil & Howell Information Company 300 Nortfi Z eeb Road, Ann Arbor, Ml 48106 -1 3 4 6 USA 313/761-4700 800/521-0600 Order Number 9218977 Shirley Caesar: A woman of words Harrington, Brooksie Eugene, Ph D. The Ohio State University, 1992 UMI 300 N.