Here Latin, Jazz, Blues and Other Musical Styles Meet Classical! Pieces Exhibit Vibrant, Compelling Rhythm Which Makes Them Remarkably Enticing

Total Page:16

File Type:pdf, Size:1020Kb

Here Latin, Jazz, Blues and Other Musical Styles Meet Classical! Pieces Exhibit Vibrant, Compelling Rhythm Which Makes Them Remarkably Enticing ■ About Zen-On Music Zen-On Music Co., Ltd. is one of the oldest and largest music publishers in Japan. It was founded by Teiji Shimada in 1931 in Tokyo. Since its establishment, Zen-On has been distributing sheet music and musical instruments for musicians and educational institutions. The company sells published works of classical, popular, educational, and contemporary music for variety of instruments. In addition, Zen-On provides rental and licensing services for performers. The publisher’s wide range of catalog includes works of Yasushi Akutagawa, Joe Hisaishi, Shin-ichiro Ikebe, Hitomi Kaneko, Michio Mamiya, Minoru Miki, Akira Miyoshi, Tokuhide Niimi, Akira Nishimura, Ichiro Nodaira, Kenji Sakai, Somei Satoh, and Joji Yuasa, among others. Zen-On’s publications are available through its headquarters in Tokyo and its network of distributors all over the world. ■ CONTACT OUR AGENT For European countries and South Africa: MDS-Music Distribution Service GmbH Carl-Zeiss-Str. 1-55129 Mainz, Germany Email: [email protected] Phone: +44 0 1233 712233 Fax: +44 0 1233 714948 U.K. customers may use these contact details: Email: [email protected] Phone: 01233 712233 Fax: +49 (0)6131 505 115/116 For France, Monaco and Luxemburg: Hal Leonard Europe Distribution Businesspark Friesland-West 15 8447 SL Heerenveen, The Netherlands Phone: +31 (0)513 653053 For questions about an order, contact [email protected] For all other enquiries, contact [email protected] URL: https://www.musicshopeurope.com/ For U.S.A., Canada and Mexico: Hal Leonard Corporation 7777 West Bluemound Road, Milwaukee, WI 53213 U.S.A. Phone: +1 800 524 4425 Fax : +1 414 774 3259 For Australia and New Zealand: Music Knowledge Pty. Ltd. 17 Coledale Close, Endeavour Hills, VIC. 3802 Australia Phone: +61 3 9700 0660 Fax: +61 3 9700 7705 For all countries, with the exception of above mentioned countries: Zen-On Music Co., Ltd. 2-13-3 Kami Ochiai, Shinjuku-ku, Tokyo 161-0034 Japan Phone: +81 3 3227 6283 Fax: +81 3 3227 6288 Email: [email protected] URL: http://www.zen-on.co.jp ■ Contents NEW RELEASES ………………………………………………………………………………… 4 BEST SELLERS …………………………………………………………………………………… 5 Music for Keyboard …………………………………………………………………………… 6 Music for Strings ……………………………………………………………………………… 27 Music for Guitar / Harp / Mandolin ………………………………………………………… 31 Music for Recorder …………………………………………………………………………… 33 Music for Harmonica ………………………………………………………………………… 35 Music for Woodwind ………………………………………………………………………… 35 Music for Brass ………………………………………………………………………………… 38 Music for Percussion ………………………………………………………………………… 40 Music for Ensemble ………………………………………………………………………… 40 Scores …………………………………………………………………………………………… 42 Vocal Music …………………………………………………………………………………… 51 Choral Music …………………………………………………………………………………… 53 Stage Works …………………………………………………………………………………… 55 Music for Japanese Instrument(s) ………………………………………………………… 55 Books …………………………………………………………………………………………… 56 DVD …………………………………………………………………………………………… 56 This catalog lists Zen-On titles available for export sales only. Information is as of August 2020 and is subject to change without notice. Catalog Numbers Both Zen-On catalog numbers (=ZN) and ISMN are shown on the left of each title. Please refer to the six-figure ZN code together with the composer and title when ordering. Prices Prices are noted on the right of each publication. These prices are retail prices within Japan only. Overseas customers should refer to their local distributors. (See left page.) Prices are subject to change without notice. Trade Terms For dealers in territories not covered by Zen-On agents, inquiries on trade terms can be made to Zen-On’s Export Sales Team. (See left page.) Additional Notes 1. Noted on the right of each price: R = available only to ex-VAAP agents * = Unable to export to countries with 60 years or more copyright protection ** = Unable to export to countries with 70 years or more copyright protection *ESP = Unable to export to Spain because of copyright protection *AUS = Unable to export to Australia because of copyright protection *GEO = Unable to export to Georgia because of copyright protection 2. Noted after titles when applicable: E = English, F = French, G = German, J = Japanese, R = Russian (for text, lyrics and/or translations, etc.) 4 NEW RELEASES 507701 M223329064 ■ NEW RELEASES STUDIO GHIBLI FOR RECORDER QUARTET (E) (ARR. KANEKO, K.) / JPY 1,500 161173 M223329033 Wonderful recorder quartet arrangements of famous CONCERT ETUDES ON RHYTHM BOOK 1 Studio Ghibli tunes including: The Path of the Wind, GIMENO, P. / JPY 1,600 One Summer’s Day, Arrietty’s Song and more. Featuring a new genre of piano music where Latin, jazz, blues and other musical styles meet classical! Pieces exhibit vibrant, compelling rhythm which makes them remarkably enticing. A must-play, must- hear music filled with vivid impressions! Also recommended: 161174 M223329040 509531 M223328616 CONCERT ETUDES ON RHYTHM BOOK 2 JYUREI I GIMENO, P. / JPY 1, 600 NISHIMURA, A. / JPY 1,700 For 2 clarinets. Commissioned by Zen-On Music Co., 170493 M223328715 Ltd.; premiered December 2014. Duration: 13’ JAZZY BACH BACH, J.S. / JPY 1,600 Also recommended: Tasteful jazz piano arrangements of famous works by 509532 M223328623 Bach including: Invention No. 1, Air on the G String, JYUREI II Jesu, Joy of Man’s Desiring and more. NISHIMURA, A. / JPY 2,400 For 5 clarinets. Commissioned by Bunkyo Academy Also recommended: Foundation; premiered May 2015. Duration: 5’ 170494 M223328722 JAZZY BEETHOVEN 548596 M223328807 BEETHOVEN, L. / JPY 1,600 STUDIO GHIBLI FOR FLUTE (+CD) (E) Includes: Für Elise, ‘Ode to Joy,’ Symphony No. 5 ‘Fate’ (ARR. GOTO, M.) / JPY 2,500 and more. Arrangements of Studio Ghibli themes and music including: Nausicaä of the Valley of the Wind – 170495 M223328739 Opening, Carrying You, Princess Mononoke and more. JAZZY CHOPIN Piano part and accompaniment CD included. CHOPIN, F. / JPY 1,600 Includes: Etude Op. 10 No. 3 ‘Farewell,’ ‘Revolutionary’ For other instruments: Etude Op. 10 No. 12, ‘Minute Waltz’ Op. 64 No.1 and 548597 M223328814 more. STUDIO GHIBLI FOR ALTO SAX (+CD) (E) (ARR. GOTO, M.) / JPY 2,500 170496 M223328746 JAZZY DEBUSSY 300172 M223328821 DEBUSSY, C. / JPY 1,600 STUDIO GHIBLI FOR VIOLIN (+CD) (E) Includes: Clair de lune, Rêverie, La fille aux cheveux (ARR. GOTO, M.) / JPY 2,500 de lin and more. 178701 M223328487 590571 M223329002 CONFECTIONS - A PIANO SWEET (E) DETUNE YUYAMA, A. / JPY 1,600 SAKAI, K. / JPY 1,800 A confection-themed piano album perfect for For wind orchestra. Score only; parts on rental. children and adults alike. Snacks like Baumkuchen, Commissioned by Nagoya Philharmonic Orchestra and pudding, chewing gum and kaki-no-tane are livelily Tokyo Kosei Wind Orchestra; premiered September represented in various musical styles with melodious 2019. Duration: 7’30” tunes and colorful harmonies. Others in our Picture Pieces Collection: 178704 M223328517 POPOLILA POPOTOLINKA'S RENDEZVOUS (E) Listen to HARUHATA, C. / JPY 1,600 sample tracks here: 897025 M223328760 178705 M223328524 STRING QUARTETS NOS1-3 DE LA MER MUSICALE (E) BEETHOVEN, L. / JPY 1,400 OTAKA, A. / JPY 1,700 Revised pocket score; edited and organized to fit 178706 M223328531 performances using authentic parts. Upper cello range written in modern notation. LITTLE LANDSCAPES IN A STARRY TOWN (E) TODOROKI, C. / JPY 1,500 Also recommended: 178707 M223328548 897026 M223328777 TALES OF THRUSH FOREST (E) STRING QUARTETS NOS4-6 KATSUKI, O. / JPY 1,700 BEETHOVEN, L. / JPY 1,300 178708 M223328555 897027 M223328784 MAYBE THE GRIMM'S FAIRY TALES (E) STRING QUARTETS NOS7-9 AOSHIMA, H. / JPY 1,700 BEETHOVEN, L. / JPY 1,800 178709 M223328562 897232 M223328791 IN THE TOWN WHERE BREEZES FLOW (E) LE CARNAVAL DES ANIMAUX GOTO, M. / JPY 1,600 SAINT-SAENS, C. / JPY 800 Revised pocket score; based on original score 178710 M223328579 published from Éditions Durand. Includes full work: THE STARRY NIGHT (E) Introduction et marche royale du lion, Aquarium, CHIHARA, H. / JPY 1,800 Cygne and more. BEST SELLERS 5 509001 M223304399 ■ BEST SELLERS THE GOLDEN AGE OF THE FLUTISTS VOL 1 (MOYSE; TAKAHASHI) / JPY 2,300 179017 M223324847 Collection of virtuosic concert pieces and piano GHIBLI BEST STORIES accompaniments selected and edited by master flutist HISAISHI, J. / JPY 1,700 Marcel Moyse. Piano arrangements of Joe Hisaishi’s music from Studio Ghibli films directed by Hayao Miyazaki Also recommended: (Nausicaä of the Valley of the Wind, My Neighbor 509002 M223304405 Totoro, Princess Mononoke and others). Composer- approved “original edition.” THE GOLDEN AGE OF THE FLUTISTS VOL 2 (MOYSE; TAKAHASHI) / JPY 2,300 More of Hisaishi’s “original editions”: 509004 M223321457 179011 M223320580 THE GOLDEN AGE OF THE FLUTISTS VOL 3 ENCORE (MOYSE; TAKAHASHI) / JPY 2,400 HISAISHI, J. / JPY 1,600 509010 M223304412 179015 M223321174 PIANO STORIES BEST '88-'08 SUITES I-III FOR CELLO SOLO BACH, J.S. (BRUGGEN, F.) / JPY 900 HISAISHI, J. / JPY 1,600 Bach’s Cello Suites I-III (BWV1007-1009) arranged Full scores of Hisaishi’s orchestral works: by Frans Brüggen for solo alto recorder. Bass clef 899711 M223318006 notation is purposely kept. TOTORO NEIGHBOUR HISAISHI, J. / JPY 2,800 Also recommended: 985252 M223328395 899712 M223328302 [DVD] RECORDER COLLECTION OF FRANS BRÜGGEN (NTSC) THE EAST LAND SYMPHONY PERF. BOEKE, K. / HAUWE, V.W. / JPY 3, 500 HISAISHI, J. / JPY 4,500 985253 M223328401 [DVD] RECORDER COLLECTION OF FRANS BRÜGGEN (PAL) PERF. BOEKE, K. / HAUWE, V.W. / JPY 3, 500 190300 M223303569 550245 M223322256
Recommended publications
  • Fernando Canovas
    FERNANDO CANOVAS Born in Argentina in 1960 to an inventor/sculptor father, it was always clear that Fernando Canovas was destined to be an artist. Impressed by the personality, originality and impeccable execution of his earliest works as a child in Buenos Aires, his teachers encouraged him to further his artistic studies in Europe or the United States. Following his arrival at L’Ecole des Beaux Arts in Paris, Canovas began to win accolades. He was chosen from among hundreds of applicants to study with Pierre Alechinsky and was also chosen as a student by surrealist Roberto Matta. By the beginning of his third year, Canovas was the top student at the school, and his work was coveted by many galleries who fought to represent him. In his work, he shows a deep concern about space and time. His intent is to capture them, and, as a result, his paintings emanate a strong sensation of vertigo and have a no-space, no-time feeling. In his latest spatial projects, he incorporates collage in his compositions to take the image into the three dimensional world. Renowned critics, including Bonito Oliva and Lyle Rexer, have written about his art, and his works today are part of many important collections. He currently splits his time between Buenos Aires, Paris and New York. Selected Solo Exhibitions 2012 “Canovas – Polaridades” Cronopios Hall, Recoleta Cultural Center (CCR); Buenos Aires, Argentina 2007 MAMAN Fine Art Gallery; Buenos Aires, Argentina “Fernando Canovas,” IVAM Museum; Valencia, Spain 2006 Knew Gallery; Washington, D.C. 2005 Krampf-Pei
    [Show full text]
  • The Perception of the Body in Diderot's Art Criticism and in Modern Aesthetics and Visual Art1
    The percepTion of The body in dideroT's arT criTicism and in modern aesTheTics and visual arT1 by else marie bukdahl ''The landscape thinks itself in me and i am its consciousness'' paul cézanne (in merleau-ponty 1948a: 17) The french philosopher, encyclopédiste and art critic ('avant la lettre'), denis di- derot, was in many ways a precursor to contemporary theoreticians and theories of art, especially as embodied in the intertwining of spectator and art work in the modern tradition, inspired by the phenomenologist maurice merleau-ponty. in this tradition, mind and body are not separated in a cartesian cleavage; rather, the mind (including our perception of the world) is intimately related to the world that we perceive. When interacting with a work of art, we do not merely look at it, we 'enter' it, 'walk' through it, using all our senses. referring to pictorial examples and quotations from painters, sculptors, and art critics, the article epitomizes these features, by which the interactive viewer is experientially drawn into the space of the art forms as spectacularly instantiated in works by artists like barnett newman or richard serra. descartes' philosophy, which had a great impact on Western art and culture, is predicated on a separation of mind from body, much like disembodied eyes with a single perspective. an important early philosopher central to dismantling the car- tesian model and introducing the idea of embodied perception as a basis for this was maurice merleau-ponty (1908-1961). When he wrote Eye and Mind (1964)2 he instigated an important turning point in the history of the aesthetics of art.
    [Show full text]
  • Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • 番号 曲名 Name インデックス 作曲者 Composer 編曲者 Arranger作詞
    番号 曲名 Name インデックス作曲者 Composer編曲者 Arranger作詞 Words出版社 備考 備考2 備考3 備考4 595 1 2 3 ~恋がはじまる~ 123Koigahajimaru水野 良樹 Yoshiki鄕間 幹男 Mizuno Mikio Gouma ウィンズスコアWSJ-13-020「カルピスウォーター」CMソングいきものがかり 1030 17世紀の古いハンガリー舞曲(クラリネット4重奏)Early Hungarian 17thDances フェレンク・ファルカシュcentury from EarlytheFerenc 17th Hungarian century Farkas Dances from the Musica 取次店:HalBudapest/ミュージカ・ブダペスト Leonard/ハル・レナード編成:E♭Cl./B♭Cl.×2/B.Cl HL50510565 1181 24のプレリュードより第4番、第17番24Preludes Op.28-4,1724Preludesフレデリック・フランソワ・ショパン Op.28-4,17Frédéric福田 洋介 François YousukeChopin Fukuda 音楽之友社バンドジャーナル2019年2月スコアは4番と17番分けてあります 840 スリー・ラテン・ダンス(サックス4重奏)3 Latin Dances 3 Latinパトリック・ヒケティック Dances Patric 尾形Hiketick 誠 Makoto Ogata ブレーンECW-0010Sax SATB1.Charanga di Xiomara Reyes 2.Merengue Sempre di Aychem sunal 3.Dansa Lationo di Maria del Real 997 3☆3ダンス ソロトライアングルと吹奏楽のための 3☆3Dance福島 弘和 Hirokazu Fukushima 音楽之友社バンドジャーナル2017年6月号サンサンダンス(日本語) スリースリーダンス(英語) トレトレダンス(イタリア語) トゥワトゥワダンス(フランス語) 973 360°(miwa) 360domiwa、NAOKI-Tmiwa、NAOKI-T西條 太貴 Taiki Saijyo ウィンズスコアWSJ-15-012劇場版アニメ「映画ドラえもん のび太の宇宙英雄記(スペースヒーローズ)」主題歌 856 365日の紙飛行機 365NichinoKamihikouki角野 寿和 / 青葉 紘季Toshikazu本澤なおゆき Kadono / HirokiNaoyuki Honzawa Aoba M8 QH1557 歌:AKB48 NHK連続テレビ小説『あさが来た』主題歌 685 3月9日 3Gatu9ka藤巻 亮太 Ryouta原田 大雪 Fujimaki Hiroyuki Harada ウィンズスコアWSL-07-0052005年秋に放送されたフジテレビ系ドラマ「1リットルの涙」の挿入歌レミオロメン歌 1164 6つのカノン風ソナタ オーボエ2重奏Six Canonic Sonatas6 Canonicゲオルク・フィリップ・テレマン SonatasGeorg ウィリアム・シュミットPhilipp TELEMANNWilliam Schmidt Western International Music 470 吹奏楽のための第2組曲 1楽章 行進曲Ⅰ.March from Ⅰ.March2nd Suiteグスタフ・ホルスト infrom F for 2ndGustav Military Suite Holst
    [Show full text]
  • Louise Bourgeois: Ma Maison À Easton
    Louise Bourgeois: Ma Maison à Easton The neatly ordered jars set in the oak cupboard were a great comfort to Louise Bourgeois in the summer of 1942. Food rationing had begun that same year as the Second World War heavily burdened US supply chains. Government posters encouraged women to preserve local harvests and help feed their families, but Louise did more than set up food storage. She literally preserved the image of her kitchen pantry, and captured that moment in time through the lines and colors of her printmaking. Within her design, she reveals something of herself with the symbolic use of red-a color that signaled complex emotions for the artist. Bourgeois, Louise, During the War: Shortage of Food in Easton, 1942-44, woodcut on paper, © The Easton Foundation As a new mother of three young boys, she had all the concerns one would expect of a parent facing economic challenges, only for her, there were added anxieties: the traumatic memories of her childhood and the horrors she witnessed during the First World War in France. On top of deep seated fears of harm and abandonment were layers of guilt and shame at having left behind her family and friends in Europe. Here in Connecticut, she found a measure of safety that allowed her to reflect on these feelings and use the creative process to liberate herself from the disquiet that plagued her. Often, she would sit at the kitchen table for hours carving into wood with a small knife creating blocks for printing and sculptural forms. Her sons would marvel at how she worked with her hands as diligently as any typical mother might have been knitting.
    [Show full text]
  • An Analysis of Twentieth-Century Flute Sonatas by Ikuma Dan, Hikaru
    Flute Repertoire from Japan: An Analysis of Twentieth-Century Flute Sonatas by Ikuma Dan, Hikaru Hayashi, and Akira Tamba D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Daniel Ryan Gallagher, M.M. Graduate Program in Music The Ohio State University 2019 D.M.A. Document Committee: Professor Katherine Borst Jones, Advisor Dr. Arved Ashby Dr. Caroline Hartig Professor Karen Pierson 1 Copyrighted by Daniel Ryan Gallagher 2019 2 Abstract Despite the significant number of compositions by influential Japanese composers, Japanese flute repertoire remains largely unknown outside of Japan. Apart from standard unaccompanied works by Tōru Takemitsu and Kazuo Fukushima, other Japanese flute compositions have yet to establish a permanent place in the standard flute repertoire. The purpose of this document is to broaden awareness of Japanese flute compositions through the discussion, analysis, and evaluation of substantial flute sonatas by three important Japanese composers: Ikuma Dan (1924-2001), Hikaru Hayashi (1931- 2012), and Akira Tamba (b. 1932). A brief history of traditional Japanese flute music, a summary of Western influences in Japan’s musical development, and an overview of major Japanese flute compositions are included to provide historical and musical context for the composers and works in this document. Discussions on each composer’s background, flute works, and compositional style inform the following flute sonata analyses, which reveal the unique musical language and characteristics that qualify each work for inclusion in the standard flute repertoire. These analyses intend to increase awareness and performance of other Japanese flute compositions specifically and lesser- known repertoire generally.
    [Show full text]
  • Innovate 4 Water a Matchmaking Forum for Sustainable Development
    E WIPO /I NN /H20/ GE/1 7/INF/ 1 ORIGINAL: ENGLISH JUNE 9, 201 7 Innovate 4 Water A Matchmaking Forum for Sustainable Development Organized by Waterpreneurs, WaterVent and the World Intellectual Property Organization (WIPO) Geneva, Switzerland, June 7 to 9, 2017 WIPO Headquarters, Rooms AB 13.1, B and A PROGRAM prepared by the Secretariat Sponsors Open Challenges Sponsor WIPO/INN/H20/GE/17/INF/1 page 2 Confirmed participants include expert representatives from the following organizations: WIPO/INN/H20/GE/17/INF/1 page 3 Wednesday, June 7, 2017 COACHING SESSIONS (ROOM AB 13.1) 14.00 – 18.00 For all entrepreneurs pitching on June 8 16:00 – 16:30 Coffee break WIPO/INN/H20/GE/17/INF/1 page 4 Thursday, June 8, 2017 MATCHMAKING DAY (ROOM B ) Moderators: Mr. Ulf Leonhard, Founder, WaterVent, Berlin Mr. Nicolas Lorne, Director and Cofounder, Waterpreneurs, Geneva, Switzerland 08.15 – 09.00 Coffee and Registration 09.00 – 09.20 Opening and Welcome Speaker: Mr. Minelik Alemu Getahun, Assistant Director General, Global Issues Sector, World Intellectual Property Organization (WIPO) 09.20 – 09.30 Speakers: Mr. Ulf Leonard Mr. Nicolas Lorne 09:30 – 10:00 Different Ways of Dealing with Water Issues Speakers: Ms. Sally Gutierrez, Director, Environmental Technology Innovation Cluster Development and Support Program, Environmental Protection Agency (EPA), Cincinnati, United States of America Mr. Booky Oren, CEO, Booky Oren Global Water Technologies, Tel Aviv, Israel 10:00 – 10.15 Panel I: Statement on Water by a Senior Insider Speaker: Mr. Herbert Oberhänsli, Former Vice President, Economics and International Relations, Nestle, Vevey, Switzerland 10.15 – 10.45 Panel II: Universities and Researchers Speakers: Ms.
    [Show full text]
  • Stony Brook University
    SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations A Dissertation Presented by I-Te Rita Sung to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University August 2016 Stony Brook University The Graduate School I-Te Rita Sung We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. E. Ann Kaplan, Distinguished Professor, Dissertation Co-Advisor Cultural Analysis & Theory Krin Gabbard, Professor Emeritus, Dissertation Co-Advisor Cultural Analysis & Theory Jeffrey Santa Ana, Associate Professor, Chairperson of Defense Cultural Analysis & Theory and English Department Leo T.S. Ching, Outside Member, Duke University, Department of Asian and Middle Eastern Studies Aaron A. Gerow, Outside Member, Yale University, Department of East Asian Languages and Literatures This dissertation is accepted by the Graduate School Nancy Goroff Interim Dean of the Graduate School ii Abstract of the Dissertation Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations by I-Te Rita Sung Doctor of Philosophy in Comparative Literature Stony Brook University 2016 Since the beginning of the 21st century, the jun’ai (pure-love) genre has flourished in Japan, both in works of popular literature and in film. This phenomenon coincides with a time when the country is seen by the media as being characterized by soshitsukan (sense of loss).
    [Show full text]
  • Participant List
    Participant List 10/20/2019 8:45:44 AM Category First Name Last Name Position Organization Nationality CSO Jillian Abballe UN Advocacy Officer and Anglican Communion United States Head of Office Ramil Abbasov Chariman of the Managing Spektr Socio-Economic Azerbaijan Board Researches and Development Public Union Babak Abbaszadeh President and Chief Toronto Centre for Global Canada Executive Officer Leadership in Financial Supervision Amr Abdallah Director, Gulf Programs Educaiton for Employment - United States EFE HAGAR ABDELRAHM African affairs & SDGs Unit Maat for Peace, Development Egypt AN Manager and Human Rights Abukar Abdi CEO Juba Foundation Kenya Nabil Abdo MENA Senior Policy Oxfam International Lebanon Advisor Mala Abdulaziz Executive director Swift Relief Foundation Nigeria Maryati Abdullah Director/National Publish What You Pay Indonesia Coordinator Indonesia Yussuf Abdullahi Regional Team Lead Pact Kenya Abdulahi Abdulraheem Executive Director Initiative for Sound Education Nigeria Relationship & Health Muttaqa Abdulra'uf Research Fellow International Trade Union Nigeria Confederation (ITUC) Kehinde Abdulsalam Interfaith Minister Strength in Diversity Nigeria Development Centre, Nigeria Kassim Abdulsalam Zonal Coordinator/Field Strength in Diversity Nigeria Executive Development Centre, Nigeria and Farmers Advocacy and Support Initiative in Nig Shahlo Abdunabizoda Director Jahon Tajikistan Shontaye Abegaz Executive Director International Insitute for Human United States Security Subhashini Abeysinghe Research Director Verite
    [Show full text]
  • ASIAN SYMPHONIES a Discography of Cds and Lps Prepared By
    ASIAN SYMPHONIES A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis KOMEI ABE (1911-2006, JAPAN) Born in Hiroshima. He studied the cello with Heinrich Werkmeister at the Tokyo Music School and then studied German-style harmony and counterpoint with Klaus Pringsheim, a pupil of Gustav Mahler, as well as conducting with Joseph Rosenstock. Later, he was appointed music director of the Imperial Orchestra in Tokyo, and the musicians who played under him broadened his knowledge of traditional Japanese Music. He then taught at Kyoto's Elizabeth Music School and Municipal College of the Arts. He composed a significant body of orchestral, chamber and vocal music, including a Symphony No. 2 (1960) and Piccolo Sinfonia for String Orchestra (1984). Symphony No. 1 (1957) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) Sinfonietta for Orchestra (1964) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) NICANOR ABELARDO (1896-1934, PHILIPPINES) Born in San Miguel, Bulacan. He studied at the University of the Philippines Diliman Conservatory of Music, taking courses under Guy Fraser Harrison and Robert Schofield. He became head of the composition department of the conservatory in 1923. He later studied at the Chicago Musical College in 1931 under Wesley LaViolette. He composed orchestral and chamber works but is best-known for his songs. Sinfonietta for Strings (1932) Ramon Santos/Philippine Philharmonic Orchestra UNIVERSITY OF THE PHILIPPINES PRESS (2004) YASUSHI AKUTAGAWA (1925-1989, JAPAN) He was born in the Tabata section of Tokyo. He was taught composition by Kunihiko Hashimoto and Akira Ifukube at the Tokyo Conservatory of Music.
    [Show full text]
  • Trauma, Teatro Noh, Posguerra Nuclear Y Demonios En El Filme Onibaba (1964) De Kaneto Shindo
    Trauma, teatro Noh, posguerra nuclear y demonios en el filme Onibaba (1964) de Kaneto Shindo Pau Pascual Arte e Multimédia - FAH Universidade da Madeira (Portugal) [email protected] Resumen: El oscuro y expresionista largometraje Onibaba (1964) de Kaneto Shindo, se presenta como un modelo cinematográfico de una generación de artistas japoneses que compartieron todos el sufrimiento, miseria, miedo y desolación de la Segunda Guerra Mundial. Además de dicha película comprende aspectos del teatro Noh y de la mitología fantástica de su país, como es el oni -demonio- en distintos contextos. Palabras clave: Teatro Noh, Japón, mitología fantástica, cine, posguerra nuclear, Kaneto Shindo Abstract: Kaneto Shindo's dark and expressionist feature film Onibaba (1964) is presented as a model of a generation of Japanese artists who shared all the suffering, misery, fear and desolation of the Second World War. In addition to this film includes aspects of the Noh Theater and the fantastic mythology of his country, as is the oni - demon- in different contexts. Keywords: Noh theatre, Japan, fantastic mythology, cinema, nuclear postwar, Kaneto Shindo «¡No soy un demonio, soy un ser humano!» (Exclamación de la anciana en el largometraje Onibaba (1964) de Kaneto Shindo) Introducción Dicha frase extraída del filme Onibaba dirigido por Shindo, sintetiza en cierto modo este escrito. Sentimientos y pertinencias humanas no correspondidas en un cuerpo monstruoso, abyecto e infame de una enloquecida mujer. Ante tales arrebatos su compañera despavorida huye de ella en una secuencia nocturna inolvidable. La soledad como estigma y la muerte como castigo. La vieja bruja deformada como metáfora de la hecatombe nuclear japonesa.
    [Show full text]
  • A Prima Vista
    A PRIMA VISTA a survey of reprints and of recent publications 2011/1 BROEKMANS & VAN POPPEL Van Baerlestraat 92-94 Postbus 75228 1070 AE AMSTERDAM sheet music: + 31 (0)20 679 65 75 CDs: + 31 (0)20 675 16 53 / fax: + 31 (0)20 664 67 59 also on INTERNET: www.broekmans.com e-mail: [email protected] 2 CONTENTS A PRIMA VISTA 2011/1 PAGE HEADING 03 PIANO 2-HANDS 14 PIANO 4-HANDS 15 2 AND MORE PIANOS, HARPSICHORD 16 ORGAN 20 KEYBOARD 21 ACCORDION 22 BANDONEON 1 STRING INSTRUMENT WITHOUT AC COMPANIMENT: 22 VIOLIN SOLO 24 VIOLA SOLO, CELLO SOLO, DOUBLE BASS SOLO, VIOLA DA GAMBA SOLO 1 STRING INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 24 VIOLIN with accompaniment 26 VIOLIN PLAY ALONG 27 VIOLA with accompaniment, VIOLA PLAY ALONG 28 CELLO with accompaniment 29 CELLO PLAY ALONG, VIOLA DA GAMBA with accompaniment 29 2 AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: 33 FLUTE SOLO, OBOE SOLO, COR ANGLAIS SOLO, CLARINET SOLO, SAXOPHOHNE SOLO, BASSOON SOLO 34 TRUMPET SOLO, HORN SOLO, TROMBONE SOLO, TUBA SOLO 1 WIND INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 34 FLUTE with accompaniment 36 FLUTE PLAY ALONG, OBOE with accompaniment 37 OBOE PLAY ALONG, CLARINET with accompaniment 38 CLARINET PLAY ALONG, SAXOPHONE with accompaniment 39 SAXOPHONE PLAY ALONG 40 BASSOON with accompaniment, BASSOON PLAY ALONG 41 TRUMPET with accompaniment 42 TRUMPET PLAY ALONG, HORN with accompaniment 43 HORN PLAY ALONG, TROMBONE with accompaniment, TROMBONE PLAY ALONG 44 TUBA with accompaniment
    [Show full text]