Patty Williamson
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Vans Warped Tour Deck
IN PARTNERSHIP WITH WIFI HOTSPOT SPONSORSHIP OPPORTUNITY BRANDED WIFI LOUNGE “Verizon Zone” Pepsi Zone” etc. THE WARPED AUDIENCE///////////////////////////// The Warped fan is a highly sociable, tech savvy and influential young adult. Attendees are utilizing social networking to communicate their concert experiences to friends across the globe. The average attendee has been to Ages 15 ‐25 make up 91% Diversity Warped Tour 3 years and nearly of the VWT audience 90% of festival goers visit the sponsor and non-‐profit village 62% 22% ////////////////////////////////////////// 39% 52% 98% of fans take home everything // WHITE/ // LATINO they get from the tour CAUCASIAN // 15-17 // 18-25 ////////////////////////////////////////// 10% 6% Overall, 82.6% of fans are more Average Age: 17.9 years old likely to purchase or try a sponsor’s product due to their association // AFRICAN- with Warped Tour, indicating // ASIAN AMERICAN positive brand awareness. 47.9% 52.1% // MALE // FEMALE 2015 ROUTING///////////////////////////////////////// 6/19 // Pomona, CA 7/7 //Charlotte, NC 7/24 // Detroit, MI 6/20 // San Francisco, CA 7/8 // Virginia Beach, VA 7/25 // Chicago, IL 6/21 // Ventura, CA 7/9 // Pittsburgh, PA 7/26 // Shakopee, MN 6/23 // Mesa, AZ 7/10 // Camden, NJ 7/27 // Maryland Heights, MO 6/24 // Albuquerque, NM 7/11 // Wantagh, NY 7/28 // Milwaukee, WI 6/25 // Oklahoma City, OK 7/12 // Hartford, CT 7/29 // Noblesville, IN 6/26 // Houston, TX 7/14 // Mansfield, MA 7/30 // Bonners Spring, KS 6/27 // Dallas, TX 7/15 // Darien Center, NY 8/1 // Salt Lake City, UT 6/28 // San Antonio, TX 7/16 // Cincinnati, OH 8/2 // Denver, CO 7/1 // Nashville, TN 7/17 // Toronto, ON 8/5 // San Diego, CA 7/2 // Atlanta, GA 7/18 // Columbia, MD 8/7 // Portland, OR 7/3 // St. -
KWLC Fall Semester 2011
KWLC Fall Semester 2011 The Fall 2011 schedule is here! From Rock, to Dubstep, Classical to Jazz, KWLC is serving up a bit of everything on the platter of commercial-free radio broadcasting this semester. Shows marked with an asterisk are web-only and stream online at luther.edu/kwlc. Monday Wednesday Friday 8–9 PM: Mike Jungbluth (Rock)* 8 – 9P: Travis Houle (Rock)* *8 – 9P: Peter Jarzyna (Rock) 9-10 PM: Logan Langley and 9 – 10P: Erik Sand and Sam Zook *9 – 10P: Dylan Hinton (Rock) Andrew Meland (Variety Hour)* (Rock/Folk Rock)* 10 – 11P: Josh Bacon and Jamison 10-11 PM: Bianca Lutchen (Rock) 10 – 11P: Joe Thor (Rock) Ash (Rock) 11-12 AM: Cate Anderson (Rock) 11 – 12A: Kelsey Simpkins (Rock) 11 – 12A: Michaela Peterson 12-1 AM: Rahul Patle and Perran 12 – 1A: Carl Sorenson (Rock) (Rock) Wetzel (House/Dubstep) 12 – 1A: Marissa Schuh (Rock) Tuesday Thursday 9–10 PM: Kenza Sahir (Acoustic *9 – 10P: Ryan Castelaz (Rock) Rock)* 10 – 11P: Seth Duin (Rock) 10–11 PM: Quincy Voris (Rock) 11 – 12A: Katherine Mohr (Rock) 11–12 AM: Gunnar Halseth (Rock) 12 – 1A: Michael Crowe (Loud 12–1 AM: Georgia Windhorst Rock) (Rock) The AM | October 7th, 2011 2 KWLC Fall Semester 2011, cont. Saturday Sunday 7 – 8A: Lilli Petsch-Horvath (Classical) 7A – 12P: Sunday Services 8 – 9A: Hannah Strack (Broadway) 12 – 1P: Maren Quanbeck (Classical) 9 – 10A: Thando May (Afro-Pop) 1 – 2P: Alex Robinson (Classical) 10 – 11A: Marin Nycklemoe (Blues) 2 – 3P: Matt Lind (Classical) 11 – 12P: Noah Lange (Bluegrass/Folk) 3 – 4P: Michael Peterson (Classical) 12 – 12:50P: Margaret Yapp (Folk) 4 – 5P: Leif Larson (Jazz) 12:50 – 4:30P: Fall Football Coverage 5 – 6P: Kevin Coughenour (Jazz) 4:30 – 5P: Kyle Holder (Rock) 6 – 7P: Ted Olsen (Jazz) 5 – 6P: Cole Matteson (Folk/Bluegrass) 7 – 8P: Fred Burdine (Jazz) 6 – 7P: Ashley Urspringer (Rock) 8 – 9P: David Clair (Jazz) 7 – 8P: Rose Weselmann (Rock) 9 – 10P: Carl Cooley (Jazz/Rock) 8 – 9P: Gene Halverson (Rock) 10 – 11P: Emily Cochrane (Rock) 9 – 10P: Imsouchivy Suos (World) 11 – 12A: Matt Dickinson (Rock) 10 – 11P: Megan Creasey (Elec. -
BEST of 2011 – OUR FAVOURITE ALBUMS of the YEAR 1317 Commercial Drive Vancouver, BC Tel: 604-251-6964 Email: [email protected] Web: Highlifeworld.Com
HIGHLIFE Donec Egestas Scelerisque WORLD dolor: MUSIC BEST OF 2011 – OUR FAVOURITE ALBUMS OF THE YEAR 1317 Commercial Drive Vancouver, BC tel: 604-251-6964 email: [email protected] web: highlifeworld.com BEST OF 2011 BOMBINO Agadez Niger From the Saharan sands of Niger comes this recording by the brilliant guitarist/vocalist Bombino, who manages to create a distinctive desert blues style with echoes of both Ali Farka Toure and Tinariwen. An essential recording! TOM WAITS Bad As Me USA Gravelly-voiced poet and musical maverick Tom Waits returns with this strong batch of rocking blues stompers and tender ballads, joined by the likes of Keith Richards, Marc Ribot and David Hidalgo. Beginning with a train journey north to Chicago and ending in a bar on New Year’s eve (singing ‘Auld Lang Syne’ no less) this is a trip worth taking. Highly recommended! KIRAN AHLUWALIA Aam Zameen: Common Ground Canada Indo-Canadian vocalist Kiran Ahluwalia, known for her beautifully updated Ghazal music, this time does some continent hopping as she collaborates with desert blues sensations Tinariwen and Terakaft. From the opening take on Nusrat Fateh Ali Khan’s classic ‘Mustt Mustt’, propelled by handclaps and call and response vocals, we are in for an exciting cross-cultural musical feast. WILCO The Whole Love USA The 8th release by Jeff Tweedy and cohorts impressively reprises the various musical inclinations of this effortlessly creative group. From the off-kilter whirlwind of the opener to the epic beauty of the 12 minute closer, this is an album by a band at the top of their game. -
Album Review: Bon Iver's 22, a Million
Album Review: Bon Iver’s 22, a Million 22, a Million, the newest album by American indie folk band Bon Iver, leaves the listener with an overarching question: Is there any border left between acoustic and electronic music? Although ambiguous as to which category it falls into, Bon Iver manages to respect both genres with a rich, homogenous mixture of experimental and traditional instrumentation. However, the album is a motley of songs that—both individually and as a group—build to nowhere, like a fleeting thought that crosses the mind at one point, but leaves no lasting impression. Founded in 2007 by singer/songwriter Justin Vernon, Bon Iver has been the vanguard of the indie folk/experimental genre. Vernon—a Wisconsin native with deep ties to the American wilderness—is undeniably influenced by a guitar-and-voice acoustic sound that is reminiscent of childhood campfires, roasting s’mores, and long silences between experienced fishermen. Tracks like “29 #Strafford APTS” and “00000 Million” have obvious connections to the folk genre: banjo, acoustic guitar, three and four-part vocal harmonizing, and chatter and laughter among musicians before the start of the song. These elements anchor the album, preventing it from straying too far from the group’s previous releases. During the five-year gap between the album Bon Iver and 22, a Million, Bon Iver evidently delved into the uncharted territory of experimental music. The use of synthesizers, vocal filtration, extensive sampling, and static-ridden beats establishes a distinctive atmosphere of digital haziness, a complementary frame for Vernon’s midwestern accent-tinged voice. -
Feature • Haunted Cave------West Lafayette and Bloomington
--------------Feature • Karen Lenfestey ------------- Dramatic License Patrick Boylen a personal tragedy, he claims he’s ready to parent the daughter he abandoned five years Deep-thinking local author Karen Len- ago. Joely is more interested in Dalton, a festey writes about ordinary people who devoted father to his own son who offers to deal with extraordinary circumstances. She’s take care of her the way no man ever has. currently based out of Fort Wayne, but over Should Joely risk her daughter bonding with the years Lenfestey has made her home all someone new or with the man who broke her over the state, including Valparaiso, Goshen, heart? Kate and Joely must re-adjust their --------------- Feature • Haunted Cave -------------- West Lafayette and Bloomington. She says vision of what happiness looks like in order she started writing as a child for therapeutic to move on.” purposes. On the Verge, Lenfestey’s third book, is “When my parents would send me to my another story with a horrendously perplex- room (probably for something my brother ing dilemma. Early into their marriage, the did), I would write to entertain my- Eddie’s Got the Munchies self.” Lenfestey’s first book, A Sister’s By Mark Hunter Promise, has sold remarkably well. It’s sequel, What Happiness Looks Like, Think you’re brave? Then take a trip garnered great reviews and was listed through Fort Wayne’s Haunted Cave, a as a “Strong Pick” by Midwest Book place to test your mettle and scream your Review. When a childhood punish- lungs out. It’s okay to scream in the Haunted ment results in a career as a successful Cave. -
Pdf, 297.01 KB
00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under the Stairs. [Music continues under the dialogue, then fades out.] 00:00:05 Oliver Host Hello! I’m Oliver Wang. Wang 00:00:07 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:10 Oliver Host Every episode, we invite a guest to join us to talk about a heat rock. You know, an album that burns its way into our collective memory. And today, we’re gonna be letting the love rain shower down upon us. [Morgan chuckles.] To exclusively revisit the 2000 debut album Who is Jill Scott? Words and Sounds Vol. 1 by Jill Scott. 00:00:32 Music Music “Love Rain” from the album Who is Jill Scott? Words and Sounds Vol. 1 by Jill Scott. Love rain down on me, on me Down on me Love rain down on me, on me Down on me Love rain down on me, on me Down on me [Volume decreases and continues under the dialogue then fades out.] 00:00:50 Oliver Host Many of us were introduced to Jill Scott in the late nineties when The Roots rolled her out on the strength of their and Scott’s hit “You Got Me”. Even if she was taken off the eventual commercial version of the single in favor of Erykah Badu, Scott refused to stay behind the scenes. And come Y2K, we all got to bear witness to Scott in her full, resplendent glory on her debut. -
(You Gotta) Fight for Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena
(You Gotta) Fight For Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena. Against All Odds ± Phil Collins. Alive and kicking- Simple minds. Almost ± Bowling for soup. Alright ± Supergrass. Always ± Bon Jovi. Ampersand ± Amanda palmer. Angel ± Aerosmith Angel ± Shaggy Asleep ± The Smiths. Bell of Belfast City ± Kristy MacColl. Bitch ± Meredith Brooks. Blue Suede Shoes ± Elvis Presely. Bohemian Rhapsody ± Queen. Born In The USA ± Bruce Springstein. Born to Run ± Bruce Springsteen. Boys Will Be Boys ± The Ordinary Boys. Breath Me ± Sia Brown Eyed Girl ± Van Morrison. Brown Eyes ± Lady Gaga. Chasing Cars ± snow patrol. Chasing pavements ± Adele. Choices ± The Hoosiers. Come on Eileen ± Dexy¶s midnight runners. Crazy ± Aerosmith Crazy ± Gnarles Barkley. Creep ± Radiohead. Cupid ± Sam Cooke. Don¶t Stand So Close to Me ± The Police. Don¶t Speak ± No Doubt. Dr Jones ± Aqua. Dragula ± Rob Zombie. Dreaming of You ± The Coral. Dreams ± The Cranberries. Ever Fallen In Love? ± Buzzcocks Everybody Hurts ± R.E.M. Everybody¶s Fool ± Evanescence. Everywhere I go ± Hollywood undead. Evolution ± Korn. FACK ± Eminem. Faith ± George Micheal. Feathers ± Coheed And Cambria. Firefly ± Breaking Benjamin. Fix Up, Look Sharp ± Dizzie Rascal. Flux ± Bloc Party. Fuck Forever ± Babyshambles. Get on Up ± James Brown. Girl Anachronism ± The Dresden Dolls. Girl You¶ll Be a Woman Soon ± Urge Overkill Go Your Own Way ± Fleetwood Mac. Golden Skans ± Klaxons. Grounds For Divorce ± Elbow. Happy ending ± MIKA. Heartbeats ± Jose Gonzalez. Heartbreak Hotel ± Elvis Presely. Hollywood ± Marina and the diamonds. I don¶t love you ± My Chemical Romance. I Fought The Law ± The Clash. I Got Love ± The King Blues. I miss you ± Blink 182. -
African American Sheet Music Collection, Circa 1880-1960
African American sheet music collection, circa 1880-1960 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Title: African American sheet music collection, circa 1880-1960 Call Number: Manuscript Collection No. 1028 Extent: 6.5 linear feet (13 boxes) and 2 oversized papers boxes (OP) Abstract: Collection of sheet music related to African American history and culture. The majority of items in the collection were performed, composed, or published by African Americans. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. The use of personal cameras is prohibited. Source Collected from various sources, 2005. Custodial History Some materials in this collection originally received as part of the Delilah Jackson papers. Citation [after identification of item(s)], African American sheet music collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey, October 13, 2006. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. African American sheet music collection, circa 1880-1960 Manuscript Collection No. 1028 This finding aid may include language that is offensive or harmful. -
RND Sept. 21-2010
RaiderNet Daily G. Ray Bodley High School, Fulton, NY Volume 2, Number 11 Monday, October 4, 2010 Raiders erupt for Homecoming triumph At 0-4 on the season and down 14-0 to local that resulted in a 37 yard Raider score. left Oswego stranded on its own 10. By the rival Oswego mere minutes into their Home- It looked like anything but a happy ending time Oswego found the opposite end zone coming game and senior night, the Fulton Red for the Raiders as turnovers on Fulton’s first again, it was 28-14 Fulton. Raiders had every opportunity to pack it in. two possessions deflated the Homecoming “Brett pinned them down in there and we got Instead they picked it up and staged a come- crowd and buoyed the hopes of the 0-4 visi- good field position after a defensive stop and back for the ages with a 42-14 run past the tors. Oswego jumped to a quick 14-0 lead, scor- we got the opportunity to bring it back to 14-7 Bucs. ing more points than they had managed in the at that point,” Co-Coach Craig Halladay said Seniors Don Watson and Brett Williams first half of their previous four games combined of the kick that flew high into the Homecom- helped rush the Raiders into the victory col- with a ball control offense that ran right through ing sky to produce Fulton’s first big play of umn for the first time in five tries as Fulton the Raider defense. A fumble on the first pos- the game. -
The Bamboozle Festivals and Roadshow
For Immediate Release For More Information, Contact: Erin McCarty, (206) 270-4655 Patricia Bowles, (818) 549-5817 Or John Vlautin at Live Nation, (310) 867-7127 Jennifer Gery-Egan at 212-986-6667 WONKA® NAMED PRESENTING SPONSOR OF THIS YEAR’S THE BAMBOOZLE FESTIVALS AND ROADSHOW Magical Candy Maker Promises New Surprises at Festivals and Annual Roadshow (GLENDALE, Calif.) – March 24, 2009 – WONKA and Live Nation announced today that the candy maker has been named the presenting sponsor of The Bamboozle, a festival and tour born five years ago that connects artists and their fans like no other. The Bamboozle presented by WONKA is the only place to experience more than 200 of the most talked about bands in pop, punk, mainstream, emo and more, performing live on multiple stages. The Bamboozle presented by WONKA will be held at the Meadowlands Sports Complex in East Rutherford, N.J., on May 2 and May 3 with headliners Fall Out Boy and No Doubt, who will be performing their first show in five years. The Bamboozle Left presented by WONKA is set for The Festival Grounds at Verizon Wireless Amphitheater in Irvine, Calif., on April 4 and April 5 with headliners Fall Out Boy, 50 Cent and Deftones. A 22-market Bamboozle Roadshow presented by WONKA will take The Bamboozle’s unparalleled party experience across the country, with club dates scheduled nationally beginning on April 5 in Tucson, Ariz., culminating on April 30 in Farmingdale, N.Y., featuring We The Kings, Forever The Sickest Kids, The Cab, Never Shout Never and Mercy Mercedes. -
Shelleypaulson2018-Single
“I still remember the first photo Shelley sent to me, and how I caught my breath at the beauty she captured, but even more, how she was able to capture the relationship between my daughter and her horse. These photos are lifetime mementos that we will treasure always.” Marie Henn HEARTFELT EQUESTRIAN PORTRAITS so you will always remember The bond you share with your horse is special, and it’s a feeling you will always want to remember. The touch of their soft nose, the way they make you laugh, how it feels to ride together through golden fields at sunset… As a fellow horse lover, I understand what it’s like to love a horse so deeply and to want to freeze this moment forever. We never know how much time we have left to enjoy our beloved animals. Investing in beautiful, quality photography is a wonderful way to preserve our memories of them for years to come. SHELLEY PAULSON photographer and horse lover I can’t remember a time when I didn’t love horses. I was that horse-crazy girl who spent summers on horseback, falling in love over and over with these beautiful creatures. One by one I said goodbye to the horses of my youth and now have only photographs to remind me of my beloved childhood companions. Now I have my own little farm and get to be with my sweet horses every day. I can’t help but take photos of them as I watch warm evening light stream into the barn and kiss their fuzzy ears, or see perfectly formed snowflakes land on their velvety winter coats. -
PRINTS & PRODUCTS Enjoy Your Photos
“I still remember the first photo Shelley sent to me, and how I caught my breath at the beauty she captured, but even more, how she was able to capture the relationship between my daughter and her horse. These photos are lifetime mementos that we will treasure always.” Marie Henn HEARTFELT EQUESTRIAN PORTRAITS so you will always remember The bond you share with your horse is special, and it’s a feeling you will always want to remember. The touch of their soft nose, the way they make you laugh, how it feels to ride together through golden fields at sunset… As a fellow horse lover, I understand what it’s like to love a horse so deeply and to want to freeze this moment forever. We never know how much time we have left to enjoy our beloved animals. Investing in beautiful, quality photography is a wonderful way to preserve our memories of them for years to come. SHELLEY PAULSON photographer and horse lover I can’t remember a time when I didn’t love horses. I was that horse-crazy girl who spent summers on horseback, falling in love over and over with these beautiful creatures. One by one I said goodbye to the horses of my youth. I now have only the photographs from those days to bring me back into the moments and the horses that shaped me. Now I have my own little farm and get to be with my sweet horses every day. I can’t help but take photos of them as I watch warm evening light stream into the barn and kiss their fuzzy ears, or see perfectly formed snowflakes land on their velvety winter coats.