Representation of Cultural Values and Javanese Aristocracy in Para Priyayi, Canting, and Gadis Tangsi Novels (Study of Culture , Hegemony, and Character Education)
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Lampiran SINOPSIS SRI SUMARAH Sri Sumarah Merupakan Nama Asli
101 Lampiran SINOPSIS SRI SUMARAH Sri Sumarah merupakan nama asli dari Bu Martokusumo, sebelum menikah dengan seorang Mantri guru bernama Martokusumo. Sri seorang keturunan priyayi meskipun bukan priyayi kaya. Orangtuanya meninggal sejak ia masih kecil, kemudian ia diasuh oleh embahnya sampai dewasa. Embahnya mendidik dan memelihara Sri dengan baik. Sri disekolahkan hingga tingkat Sekolah Kepandaian Putri (SKP), setelah lulus ia dinikahkan. Sebelumnya, ia dibekali embahnya ilmu kesempurnaan berumah tangga dan memberi wejangan supaya membiasakan diri mengkonsumsi kencur dan kunyit mentah serta jamu supaya kesegaran tubuhnya tetap terjaga. Pernikahan Sri dengan Martokusumo dikaruniai satu putri bernama Tun. Beberapa tahun kemudian, saat Tun berumur 4 tahun suami Sri meninggal karena kecapekan mengurusi penderita eltor di desanya. Sejak itulah Sri mulai hidup mandiri, memenuhi kebutuhan keluarga sendiri. Ia berusaha menjadi ibu yang baik dengan tetap mendidik, memelihara, dan berusaha memberikan putrinya yang terbaik. Sri bekerja sebagai tukang jahit, menerima pesanan pisang goreng, dan terakhir menjadi tukang pijit. Pekerjaan-pekerjaan itulah yang menjadi sumber penghasilan Sri dalam menjalani kehidupan. Sri menikahkan Tun, putri tunggalnya dengan Yos, laki-laki yang telah menghamili Tun sebelum menikah. Keduanya dikarunia satu putri bernama Ginuk. Kebahagiaan Sri menjadi lengkap karena ia bisa memangku cucu seperti harapannya dulu. Namun, setelah beberapa lama kebahagiaan itu berkurang setelah Sri mengetahui bahwa menantu dan putrinya terlibat dalam pemberontakan PKI. Yos akhirnya terbunuh dan Tun menyerahkan diri kepada negara untuk mendapatkan hukuman yang setimpal yaitu penjara. Sejak itulah Sri menjadi orangtua bagi Ginuk, cucunya semata wayang. Ia merawat Ginuk dengan baik. Untuk memenuhi kebutuhan Ginuk, Sri bekerja 102 menjadi tukang pijit panggilan, langganannya semakin banyak. -
Batik Nitik's Existence in the Postmodern
7/20/2020 Batik Nitik’s Existence in the Postmodern Era | Atlantis Press PROCEEDINGS | JOURNALS | BOOKS Search Series: Advances in Social Science, Education and Humanities Research Proceedings of the 3rd International Conference on Arts and Arts Education (ICAAE 2019) PROCEEDINGS OF THE 3RD INTERNATIONAL CONFERENCE ON ARTS AND ARTS EDUCATION (ICAAE 2019) Batik Nitik’s Existence in the Postmodern Era Authors Aida Roihana Zuhro, I Ketut Sunarya, Wiga Nugraheni Corresponding Author Aida Roihana Zuhro Available Online 3 July 2020. DOI https://doi.org/10.2991/assehr.k.200703.001 How to use a DOI? Keywords existence, Batik Nitik, motif, geographical indication Abstract The visual form of a work of art is something that receives a lot of attention in the postmodern era. As a result, many works of art continuously experience development and upgrades that are adjusted to the artists’ self- expression. Nitik Batik is the oldest Batik style in Yogyakarta which has signicantly developed in its visual form. This study aims to examine the existence of Nitik Batik in the postmodern era using a qualitative method and phenomenology approach. The research setting is in Bantul, Yogyakarta. Data were obtained through observations, interviews, and documentation. The analysis was done through data reduction, presentation, and drawing conclusions. The ndings reveal that the existence of Nitik Batik in the https://download.atlantis-press.com/proceedings/icaae-19/125941649 1/4 7/20/2020co c us o s e d gs eBatike aNitik’ ts Existenceat t ein thee Postmodernste -
Bahasa Dan Susastra Dalam Gunting N
BAHASA DAN SUSASTRA DALAM GUNTING N NOMOR 169 AGUSTUS 1999 PERPUSTAKAAN PUSAT PEMBINAAN DAN PENGEMBANGAN BAHASA Ja an Oaksmapali Bara! IV Ja arta 13220. Telepon 4896558, 4706287, 4706288 - DAFTAR ISI BAHASA BAHASA DAERAH-ULASAN "Perkembangan Bahasa Nusantara Bel urn Memperoleh Lahan Segar" . 1 "Ayip Rosyidi: Bahasa Daerah Merana" 2 "Ajip Rosjidi 'Rancang'" 3 "Bahasa Daerah tak Ganggu Bahasa Indonesia" 4 BAHASA INDONESIA-PEMBINAAN "Wisata Bahasa: Hal-hal Kecil yang terabaikan (1)" 5 "Wisata Bahasa: Hal-hal Kecil yang Terabaikan (2)" 6 "Wisata Bahasa: Hal-hal Kecil yang Terabaikan (3)" 7 "Bingung oleh 'Pun' Pisah, 'Pun' Sambung, dan 'Per'" 8 "Wisata Bahasa: Bentuk Kata Hiperkorek" 10 BAHASA INDONESIA-ISTILAH "Kosakata Hari Ini" 11 "Isti 1 ah Ekonomi " 14 BAHASA INDONESIA-ULASAN "Bambang Kaswanti, Jatuh Cinta pada Linguistik" 19 "Perkembangan Bahasa Indonesia tak Perlu Dirisaukan" 21 "Bahasa Indonesia ala Soeharto" 23 "Membaca Memelihara Kemampuan Berbahasa" . 24 BAHASA LISAN-ULASAN "Sul it Berbahasa Lisan" 26 BAHASA POLITIK-ULASAN "Selamat Datang Bahasa Politik Orde Reformasi" 27 SASTRA CERPEN INDONESIA-ULASAN "Tiga Dunia dalam 'Derabat'" 30 KESUSASTRAAN INDONESIA-ULASAN "A1 bum" 33 "Linus 'Masih' di Yogya" 33 Aksi Peduli Linus Membaca'Pengakuan Pariyem" 35 Menapak Imajinasi dan Petualangan Motinggo" 37 Kolom Umar Kayam: Linus" *. 33 Pembacaan Puisi: Guyon Sang Darmanto" 40 Kritik Sastra Harus Ikuti Perkembangan Sastra" 42 Guru Ujung Tombak Tingkatkan Apresiasi Sastra Anak Didik" .. 43 Navis Raih Penghargaan Sastra Anak Unesco" 44 Mengenang Linus Suryadi AG" *. * 45 Mochtar Lubis: Usia Tak Mengubah Semangatnya" 48 Linus Suryadi AG Budaya (Juga Kerusuhan Etnis dan Strategi" 50 Lirik-lirik Linus Suryadi Ag." 54 Linus dan Pariyem" 56 'Horison' Lirik Guru dan Pelajar" 58 Para Pengarang Yogya Berharap Penerbit Perhatikan Sastra" . -
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Advances in Social Science, Education and Humanities Research, volume 306 International Symposium on Social Sciences, Education, and Humanities (ISSEH 2018) Javanese Local Colours in the Fictions of Umar Kayam Hartono Hartono, Suroso Suroso Faculty of Languages and Arts Universitas Negeri Yogyakarta Yogyakarta, Indonesia [email protected] Abstract—One of the phenomena of writing literary works in since the last few decades is the tendency to promote regional Indonesia since the last few decades are the tendency to promote culture in accordance with the socio-cultural background of the regional culture in accordance with the socio-cultural author. One of the regional cultures that has been raised to the background of the author. The purpose of this study is to explain surface is Javanese culture [5]. Modern Indonesian literature the form of local colours represented by Umar Kayam in his has never broken its connection with traditional literature [2]. fiction works. This study, the sociological approach is used as a There is continuity between traditional literature and old social reflection of the community. There are two novels by Umar literature with modern Indonesian literature. Kayam which become the subject of this study, namely Para Priyayi (1992) and Jalan Menikung (1999). Data is collected by In the 80s the tendency to boost local colours in Indonesian reading repeatedly and intensively to find data in the form of literature began to strengthen. One of the triggers is the birth of phrases or sentences and discourses that reveal the discussion of two phenomenal novels, namely Ronggeng Dukuh Paruk by local Javanese colours. -
Multiculturalism and Javanese Ways of Behaving As Reflected in Umar Kayam’S Works of Fiction
ISSN 2411-9598 (Print) European Journal of Jan-Apr 2017 ISSN 2411-4103 (Online) Language and Literature Studies Vol.7, Nr. 1 Multiculturalism and Javanese Ways of Behaving as Reflected in Umar Kayam’s Works of Fiction Suroso Faculty of Languages and Arts, Yogyakarta State University Abstract This study aimed to describe the construction of multiculturalism in Umar Kayam's works of fiction in terms of the forms of multiculturalism, the factors causing multiculturalism and the effects of multiculturalism. This study used sociology of literature approach that sees literature as a reflection of society. There were three short stories and two novels that became the subjects of this study. They were Seribu Kunang-kunang di Manhattan (1988), Sri Sumarah, Bawuk (1988), Para Priyayi (1991), and Jalan Menikung (1993). The results showed that (1) the forms of multiculturalism found in Umar Kayam’s works are recognition of difference, democracy, justice and equality before the law, cultural values and ethos, unity in diversity, respect for other’s ethnicity and nationality as well as religious belief, implementation of cultural philosophy, appreciation of the private and public domain, respect for human rights and freedom to choose culture in a community; (2) the causes of multiculturalism are migration, intra-ethnic and inter-ethnic marriage, occupation, and devotion to somebody/"ngenger", (3) the effects of multiculturalism are reflected in the tolerant nature, respect for individual or group of people, surrendered life, willingness to help others, humility, and respect for religious beliefs. Keywords: Multiculturalism, fiction, Sociology of Literature Introduction Literary work is a literary response to the surrounding world. -
Travel, Textiles, & Tradition
Travel, Textiles, & Tradition b y S u s a n S t o v e r TOP: Row of canting tools in Java, 2015. BOTTOM: Fabric at a textile market in Bali, 2015. RIGHT: SUSAN STOVER Where is My Allegiance? Indigo-dyed silk, encaustic, mixed media on panel, 47" x 54" x 3", 2015. All photos by Susan Stover, ©2015. 6 ©2015 Surface Design Association, Inc. All rights reserved. Surface Design Journal Reproduction without permission is strictly prohibited. Travel can greatly impact an artist’s work. It can influence, be a catalyst for change, or further catapult the journey already started. In the absence of familiar surroundings, it can magnify what captures the eye and the emotions. All is new, exciting, and exhilarating. Both making art and traveling have opened up new experiences and challenged me in unique ways. There is so much to be inspired by—the tatmosphere in the landscape, hues and textures of a traditional market, shrines and temples, and environments of living and creating. I recently returned from my second trip to Indonesia in the last 15 months. As the experiences and inspirations linger in my subconscious, they continue to influence my artwork. My love of textiles was rekindled as a result of these travels. Fabrics abundantly adorn shrines and temples, are used as offerings, typify ceremonial dress, and are displayed as consumer goods. I am inspired not only by the beauty of the fabrics, but also how they function in a society where art, life, and spiritual- ity are all connected. Nowhere is this more evident than in Bali. -
1 Hipogramatik Cerita Wayang Dalam Karya Sastra
HIPOGRAMATIK CERITA WAYANG DALAM KARYA SASTRA INDONESIA MODERN Ahmad Bahtiar UIN Syarif Hidayatullah Jakarta [email protected] Abstrak Sebuah karya sastra tidak hadir atau dicipta karena kekosongan budaya termasuk semua konvensi dan tradisi di masyarakat. Oleh karena itu, karya sastra tidak dapat lepas dari hal-hal yang menjadi latar penciptaan tersebut, baik secara umum maupun khusus.Karya sastra yang dijadikan dasar penulisan bagi karya sastra yang kemudian disebut hipogram. Salah satu tradisi yang dikenal baik oleh masyarakat Indonesia adalah wayang.Cerita wayang merupakan hasil karya seni yang adi luhung, monumental, dan sangat berharga, bukan saja karena kehebatan cerita dan unsur-unsur lainnya tetapi tetapi juga filosofi dan ajaran-ajarannya tidak ternilai sehingga saat kini. Cerita wayang yang dijadikan latar dalam penulisan sastra tersebut diolah secara kreatif sehingga karya sastra yang diciptakan tersebut merupakan respons atau tanggapan pengarang. Karena pada hakikatnya, karya sastra merupakan respons (serapan, olahan, mosaik kutipan, transformasi) terhadap apa yang telah ada dalam karya sastra lain. Pengangkatan cerita wayang tidak hanya mengenalkan wayang kemasyarakat yang lebih luas tetapi membuktikan bahwa tradisi-tradisi lama dapat memperkaya kesusastraan Indonesia modern baik puisi, prosa, maupun drama. Kata kunci : hipogramatik, wayang, sastra Indonesia PENDAHULUAN Untuk memberikan makna secara lengkap atau penuh sebuah karya sastra harus dilihat karya-karya yang ditulis dan diciptakan sebelumnya. Karya tersebut biasanya, berdasar pada karya yang sebelumnya, baik secara langsung maupun tidak langsung, dengan cara meneruskan maupun menyimpangi (menolak, memutarbalikkan esensi) konvensi. Pemunculan sebuah karya sastra sering ada kaitannya dengan unsur kesejarahannnya. Sehingga pemberian maknanya akan lebih lengkap jika keseluruhan makna digali dan diungkap secara tuntas dalam kaitannya dengan unsur kesejarahan tersebut. -
The Nineteenth Century (History of Costume and Fashion Volume 7)
A History of Fashion and Costume The Nineteenth Century Philip Steele The Nineteenth Century Library of Congress Cataloging-in-Publication Data Copyright © 2005 Bailey Publishing Associates Ltd Steele, Philip, 1948– Produced for Facts On File by A history of fashion and costume. Bailey Publishing Associates Ltd The Nineteenth Century/Philip Steele 11a Woodlands p. cm. Hove BN3 6TJ Includes bibliographical references and index. Project Manager: Roberta Bailey ISBN 0-8160-5950-0 Editor:Alex Woolf 1. Clothing and dress—History— Text Designer: Simon Borrough 19th century. 2. Fashion—History— Artwork: Dave Burroughs, Peter Dennis, 19th century. Tony Morris GT595.S74 2005 Picture Research: Glass Onion Pictures 391/.009/034—dc 22 Consultant:Tara Maginnis, Ph.D. 2005049453 Associate Professor of the University of Alaska, Fairbanks, and creator of the website,The The publishers would like to thank Costumer's Manifesto (http://costumes.org/). the following for permission to use their pictures: Printed and bound in Hong Kong. Art Archive: 17 (bottom), 19, 21 (top), All rights reserved. No part of this book may 22, 23 (left), 24 (both), 27 (top), 28 be reproduced or utilized in any form or by (top), 35, 38, 39 (both), 40, 41 (both), any means, electronic or mechanical, including 43, 44, 47, 56 (bottom), 57. photocopying, recording, or by any information Bridgeman Art Library: 6 (left), 7, 9, 12, storage or retrieval systems, without permission 13, 16, 21 (bottom), 26 (top), 29, 30, 36, in writing from the publisher. For information 37, 42, 50, 52, 53, 55, 56 (top), 58. contact: Mary Evans Picture Library: 10, 32, 45. -
Design and Developement of Semi Automatic Canting Tool (Body Design and Mechanism)
DESIGN AND DEVELOPEMENT OF SEMI AUTOMATIC CANTING TOOL (BODY DESIGN AND MECHANISM) MOHAMMAD MUAZ BIN NORDIN Thesis submitted in fulfillment of the requirements for the award of the degree of Bachelor of Manufacturing Engineering Faculty of Manufacturing Engineering University Malaysia Pahang JUNE 2012 vi ABSTRACT This thesis deals with the design and developement of new tool for making batik. The process of making batik are of two method, batik canting (hand drawn batik) and batik “chop” (batik stamp). Conventionally, in batik canting process, the molten wax are drawn onto fabric using a wooden, copper sprout tool which known as the “canting” or “tjanting”. Since Malaysia government are serious in promoting the industry of batik internationally, and there is need to strengthen the Small and Medium Industry (SME) of Malaysia, this project then is carried on. The main purpose of the project are to design and develop a new semi automatic canting tool. The term semi automatic is subjected to the combination of several processes in batik making process into a single tool. The idea is to have tool that enable the electrical heating and the drawing process done simultaneously. This will eliminate the process of conventional heating process using stove and the process of transferring the molten wax into the canting tool before the drawing process started. This study started by collecting all the information related to batik making process such as the canting tool, the steps on producing batik, and also the raw material related to batik making process. The information are collected through visit and also interview session. -
Batik, a Beautiful Cultural Heritage That Preserve Culture and Support Economic Development in Indonesia”
“BATIK, A BEAUTIFUL CULTURAL HERITAGE THAT PRESERVE CULTURE AND SUPPORT ECONOMIC DEVELOPMENT IN INDONESIA” Evi Steelyana Accounting Departement, Faculty of Economics and Communication, BINUS University Jln. K.H. Syahdan No. 9, Palmerah, Jakarta Barat 11480 [email protected] ABSTRACT Batik is an icon nation for Indonesia. Batik has awarded as cultural heritage from UNESCO on October 2nd, 2009and it is significantly affected to batik industry afterward.The raising of batik industry caused some multiplier effects to economics and socio cultural in Indonesia. In many areas of industry, banking role has always beenthe man behind the scene. Banking role in Indonesia also gives some encouragement and be part of batik industry development. Many national event has been created by some banks to encourage SME in batik industry to market their product internationally. This paper will give a simple explanation how banking industry and batik industry get along together in Indonesia, especially in financial sector to enhance economics development and to preserve a nation culture.Research methodology in this paper is quantitative method. This paper will give a simple analysis through comparative analysis based on export value from batik industry, domestic use of batik,batik industry development and microcredit or loan from banking industry to SME in batik industry.Many people wearing batik to show how they do appreciate and belong to a culture.Batik also gives other spirit of nationalism which represent in Batik Nationalis.The role of batik in international diplomacy and in the world level gives significant meaning for batik as a commodity which preserve Indonesian culture. In a piece of batik cloth, embodied socio-cultural and economic values that maintain the dignity of a nation. -
Community Service to Improve Regional Product Development in Tuban, East Java Indonesia
Advances in Social Sciences Research Journal – Vol.6, No.10 Publication Date: Oct. 25, 2019 DoI:10.14738/assrj.610.7229. Widiana, M. E., Retnowati, N., & Slamet, A. (2019). Community Service to Improve Regional Product Development in Tuban, East Java Indonesia. Advances in Social Sciences Research Journal, 6(10) 239-248. Community Service to Improve Regional Product Development in Tuban, East Java Indonesia Muslichah Erma Widiana School of Management, Bhayangkara University, Indonesia Nova Retnowati School of Management, Bhayangkara University, Indonesia Agus Slamet School of Ecology, Sepuluh Nopember Institute of Technology, Indonesia ABSTRACT Batik has been designated by UNESCO as a Humanitarian Heritage for Oral and Non- Buddhist Culture (Masterpieces of the Oral and Intangible Heritage of Humanity). Tuban is one of the cities in Indonesia that produces superior Gedog batik products. Batik is a fabric drawn with a night that has certain peculiarities. The Regional Superior Product Development Program is a community service program with the aim of advancing the Tuban area through its batik products. The problem of partners in this production is the production process, marketing, operational activities, market penetration and also community resources. The results of this activity are (1) Counseling, practice, and assistance in increasing knowledge in the field of coloring and design. (2) Counseling, practice, and assistance in enhancing knowledge in the operational functions of HR management, Marketing, Finance and information and production. Knowledge and ability to manage a business with the knowledge of operational functions of basic knowledge management that is very necessary in managing businesses that must be owned by all organizational structures in the company. -
Making of Stamped Batik by Machined Batik Stamp Pattern Made from Hand Made Design Batik Image
International Journal of Innovative Research in Advanced Engineering (IJIRAE) ISSN: 2349-2763 Issue 03, Volume 3 (March 2016) www.ijirae.com Making of Stamped Batik by Machined Batik Stamp Pattern Made from Hand Made Design Batik Image Suryanto1 Suharto2 VS Tri Priyo3, 1Mechanical Engineering Dept., 2Mechanical Engineering Dept., 3Business Administration Dept.; Semarang State Polytechnic, Semarang State Polytechnic, Semarang State Polytechnic, Semarang, Indonesia Semarang, Indonesia Semarang, Indonesia 4 5 6 Sarana , Iwan Hermawan Agus Suwondo 4Acounting Dept., 5Business Administration Dept., 6Acounting Dept., Semarang State Polytechnic, Semarang State Polytechnic, Semarang State Polytechnic, Semarang, Indonesia Semarang, Indonesia Semarang, Indonesia Abstract— The objective of this practical research is to produce salable stamped batik by low cost production, especially on the making of the batik stamp stand. The method applied are operating varies spindle speeds and cutter diameters, applying selected simplest software prior to the programmable CNC Milling Machine, and testing the resulted stamped batiks by expert judgement. The use of spindle speed of 4775 rpm (6 mm cutter dia.) and 8550 rpm (3 mm cutter dia.) performed normal cutter condition and fine cutting lines of the work pieces at cutting motion of 0,03 to 0,09 mm/cycle. Prior to operating the machine the use of software Vectric Aspire 4.0 can easily convert handmade batik image for the making of tool paths. Based on practical purposes of the resulted batik stamped is stated that these stamped batiks are salable. Keywords— stamped batik, machined batik stamp pattern I. INTRODUCTION There are two traditional type of batiks, first called There are two traditional type of batiks, first called as ‘batik tulis’ (written batik), and the second called as ‘batik cap’ (stamped batik).