Kate Millet Delivers Highly Charged Lecture
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And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. And any prices are sure to be out of date. This is just a beginning to document this important field of study. [email protected] ------------------------------ KEN 1984-02-22 P --------- 1984-02-22 / KEN CP022572 / CP022572 Ruin at Kennel Club - Philadelphia, PA Venue: Kennel Club Items: Original poster KEN / CP022572 / CP022572 (8-1/2 x 11) Performers: 1984-02-22: Kennel Club Ruin ------------------------------ KEN 1984-03-01 P --------- 1984-03-01 / KEN CP022615 / CP022615 Sleaze-A-Rama at Kennel Club - Philadelphia, PA Venue: Kennel Club Items: Original poster KEN / CP022615 / CP022615 (8-1/2 x 11) Performers: 1984-03-01: Kennel Club ------------------------------ KEN 1984-03-15 P --------- 1984-03-15 / KEN CP022614 / CP022614 Sleaze-A-Rama at Kennel Club - Philadelphia, PA Venue: Kennel Club Items: Original poster KEN / CP022614 / CP022614 (8-1/2 x 11) Performers: 1984-03-15 1984-03-18: Kennel Club ------------------------------ KEN 1984-05-17 P --------- 1984-05-17 / KEN CP022622 / CP022622 Igor and Melissa at Kennel Club - Philadelphia, PA Artist: Jim Meneses Venue: Kennel Club Items: Original poster KEN / CP022622 / CP022622 (8-1/2 x 11) Performers: 1984-05-17: Kennel Club Igor and Melissa ------------------------------ KEN 1984-06-21 -
Black Monday Magazine
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TWO LOUIES, July 1999 - Page 3 Bodybag; Together Again at the Tonic Lounge July 24Th
Y 1999 OREGON MUSIC / JUL SUNN BACK CONFESSION NO FERNANDO LIVE ARTHUR o k u B o t o TIM ELLIS ph STUDIO/MASTERING GUIDE In celebration of one hundred years of advocating for musicians’ rights in this business that we call MUSIC, the American Federation of Musicians, Local #99 and AT&T have put together some of the greatest minds and organizations to present to YOU the most up-to- the-minute information on MUSIC AND THE INTERNET What: A two-day intensive that deals with issues that affect a musician and sales of musical product on the Internet. Day 1 Topics Include: *Intellectual Property and Copyrights *Performance Issues and Protections *Are Big Labels Relevant in the Internet Era *Distribution, PR and Marketing on the Net Day 2: *In-depth, hands-on opportunities in the areas of net technology with the leading tech. experts! Cost: Free to Local #99 members! (make the best investment of the year, join today!) Information on Local #99 and on the Music and the Internet Seminar, contact us at 235-8791 or via e-mail ROSE GARDEN at www.afm99.org Friday, July 2nd vs Arizona Rattlers 7:00PM Friday, July 15th vs Buffalo Destroyers 7:00PM AFM, LOCAL #99 Celebrating a Centennial of Advocacy in the Arts AFM, LOCAL #99 ready to work for today’s musicians. (If we don’t do it, who else will?) Guitarist Chris Newman’s catchy-tunes and Jimi- tones made him an underground favorite in the local club scene of the late 70’s, early 80’s A regular at the Club Long Goodbye, Newman’s break came at an opening slot for X at the Euphoria Tavern in 1981. -
The Curationist Moment “Experiences”—Shows That, Due to the Primacy of Their Overarching Concept, Make the Curator, Rather Than the Artists, the Star
ADHOC manifests itself in the proliferation of exhibitions packaged as The Curationist Moment “experiences”—shows that, due to the primacy of their overarching concept, make the curator, rather than the artists, the star. This explains the celebrity status of curators like the Serpentine Gallery’s Hans Ulrich Obrist and MoMA PS1’s Klaus Biesenbach. The former, known for his interviews with notable artists as well as multi-faceted group exhibitions like 2014’s Extinction Marathon: Visions of the Future, serves as Balzer’s chief subject; the book’s prologue is titled “Who is HUO?” and posits Obrist’s jet-setting, star-making career as the pinnacle of curationism. The latter curator is well-known in New York and elsewhere for his ambitious 2015 was full of electronic music curatorial concepts, like 2015’s multimedia Björk exhibition at MoMA or “curators,” but Oneohtrix Point 2014’s expansive Rockaway! exhibition, which featured large projects by Never’s ’90s culture-inspired Patti Smith, Adrián Villar Rojas, and Janet Cardiff, plus a group show, all Garden of Delete went beyond throughout Rockaway Beach. name-checking. Is there a Hans Ulrich Obrist or Klaus Biesenbach, then, of music? Not necessarily, but we certainly see the “curationist” phenomenon at work in music, too. Contemporary musicians and industry workers “curate” everything from music festivals to videos to playlists. Within the Everyone’s a curator these days. their own agency or identity—a electronic music milieu this year, the curationist impulse also led to the It’s an observation that spurred practice that seems necessary as we release of numerous multi-faceted, collaboration-heavy albums—“curated” art critic David Balzer to write spend more and more of our time group exhibitions, if you will, which, furthermore, often included plenty Curationism, a late 2014 book that online, interfacing with others under of “curated” extra-musical material, from videos to performances to art aims to break down the when, why, the guise of social media avatars objects to pop-up shops. -
State Grant Helps JSU Teach About Little River Has Threesummer Workshops Planned
Vol. 39 No. 25 The ChanticleerJacksonville State University March 26,1992 State grant helps JSU teach about Little River has threesummer workshops planned. one plant found only around Little Eric G. Mackey "One will be for science teachers from River. She was granted$3,000by the Editor in Chief the area, a second will be for students Faculty Research Committee to study from high schools in the area, and one the plant and compare it to its nearest JSU biologists got a host Thurs- will target families with small chil- cousin not found here. day when U.S. Rep. Tom Bevill (D- dren," Whetstone said. She is also working on a brochure Jasper) announced his legislation to Tem Dobson, a graduate student about the summer programs to send set aside 15,000acres of Alabama for who will help teach the courses, en- to area schools. She expects good a national preserve had passed the joys studying thecanyonand wants to interests for workshops, especially House Interior Subcommittee. promoteit"becauseLitt1eRiver needs the one for teachers. "I think that The Little River Canyon National to be a national preserve. It would would probably be a well-attended heserve would protect pristine areas bring a lot of economic improvement workshop because it is professional of Cherokee and DeKalb Counties to the area, a lot of tourism," she said. development." from dangerous development and She wants people to understand what She also says Little River must be exploitation. Even though the an- a valuable resource might be plun- protected becauseof its valuable fresh nouncement was received with joy dered away if it is not protected now. -
These Albums Contain Worthwhile Lyrics
Love Songs * * from Elation Bliss SUB POP * Joy Peace Beauty Unity Divinity Hope -¥•-¥•**-¥-•¥- * *-¥--¥• * * Sebadoh » Come* Beat Happening • Unrest» Steven Jesse Bernstein Green River » Codeine » Afghan Whigs » Smashing Pumpkins • Seaweed » Vaselines » Rev. Horton Heat« BiUy Childish & Kyra • ************* CD/CASS Fuck alternative. KILL BRATMOBILE SOME VELVET SIDEWALK COURTNEY LOVE NATION OF ULYSSES UNWOUND MECCA NORMAL NIRVANA HEAVENS To BETSY JAD FAIR ROCK BIKINI KILL WITCHYPOO MELVINS KICKING GIANT FITZ OF DEPRESSION INFAMOUS MENAGEREE STEVE FISK STARS SEVEN YEAR BITCH KEfEVISS The International Pop Underground Convention happened in August 1991 in Olympia, Washington. It was presented by K Records and Sound Out Northwest. All of the bands on this compact disc performed at the International Pop Underground Convention or are from OLYMPIA, the birthplace of rock. DISTRIBUTED EXCLUSIVELY IN CANADA BY JlWM.JlJMfiffi ZEPPELI SOPHIE B.HAWKINS m FEATURING THE HIT SINGLE "DAMN I WISH I WAS YOUR LOVER" WITH SPECIAL GUEST SUNDAY, SEPTEMBER 20 EARLY SHOWTIME - 9PM COMMODORE BALLROOM • • • • • ^*9 U-____J Hm m \\W} _•• ^^J 0 WITH GUESTS THE UNSTOPPABLE SEX MACHINE • • Thursday October 1 # T-SHIRTS OF THIS AD, 100% COTTON, XL, BLACK OR WHITE. good news praise him halleluliah GOOD NEWSMl FREE SNOT OF JESUS H BOOGERS OF OUR LORD & MESSIAH SCIENTIFIC FACT! $jk BIBLICAL PROOF! JESUS L LORD OF 'CHRIST" LORDS! SCIENCE PROVEN! SCRIPTURAL PROOF! SEND FIVE DOLLAR LOVE GIFT TO INTERNATIONAL SECULAR ATAVISM IN CANADA: P.O. BOX 1776 STN.'A" VANCOUVER, B.C. -
The Second Coming of Industrial Music
The History of Rock Music - The Nineties The History of Rock Music: 1989-1994 Raves, grunge, post-rock History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Second Coming of Industrial Music (These are excerpts from my book "A History of Rock and Dance Music") Chicago's Industrial Music, 1989-92 Towards the end of the 1980s, Chicago became the epicenter of the new industrial genre (Ministry's, not Throbbing Gristle's), thanks to a plethora of bands. The most infernal atmosphere and beats were packed on Disco Rigido (1989), the debut album by Die Warzau (1). Chicago also benefited by the work of former Killing Joke's drummer Martin Atkins, whose supergroup Pigface (1) interpreted industrial music as a producer's product, not unlike the producer of hip-hop: rhythm and noise form the foundation for a slew of guest vocalists such as Chris Connelly, Trent Reznor (Nine Inch Nails), Nivek Ogre (Skinny Puppy), Mary Byker (Gaye Bykers On Acid) and En Esch (KMFDM) to deliver shocking lyrics on albums such as Fook (1992). From this fertile soil Trent Reznor's Nine Inch Nails (12) were born, and the fate of industrial music changed dramatically. Reznor created a persona that was a cross of Dostoevsky's "demons", Goethe's Werther, Nietzsche's "ueber-mensch", and De Sade's perverts. -
Gijottjs JTION SWINGERS THAT PUNK RAWK MAGAZINE from Citr 101.9 Fm LIVE at 86 ST
FEBRUARY 1992 FREE • •' i ~* 'GIJOTtJS JTION SWINGERS THAT PUNK RAWK MAGAZINE FROM CiTR 101.9 fm LIVE AT 86 ST. MUSIC HALL Psychedelic Furs With Special Guests Pale Divine Friday F«b 14 Doors'8 pm Presented By CiTR 101.9 fM TICKETS ON SALE AT ALL ^g^ffi****** OUTLETS C R OR CHARGE BY PHONE 280-4444. VITH THE FAMILY DiScORDER ENNDYE FEBRUARY 1992 ISSUE #109... In other words not to get it wrong, it's , pointless to walk when it's past time to run. Secured under the ( weight of watchful eyess, lulled to , sleep under clear expansive skies. i - fugazi i IRREGULARS SWERVEDRIVER INTERESTEDINTHISACTOF LOVE THIS PROOF." GIVE GROTUS ME EVERYDAY LIFE-EN U.G.L.Y. You Ain't Got No Alibi You're Just HANCING CONSISTENT ACTION SWINGERS CHARM OLD BEAN GIVE Tarzan's Of The Rock N' Roil Jungle TIME ATTENTIVENESS IN NED'S ATOMIC DUSTBIN QUIRE AS TO THE STATE OF •y Grown Out Of Those Crimpin MY HEALTH OHO WRITE ME DELIGHTFUL LETTERS RE LATE YOUR MISFORTUNES IN AN EDIFYING OR ESPE 3 VANCOUVER SPECIAL....21 CIALLY A HILARIOUS MAN ...5-6 UNDER REVIEW 22-23 NER ID DO THE SAME FOR ...8-9 REAL LIVE ACTION ....11 SPINLIST ....20 ONTHEDIAL OF HABIT (IVE KNOWN DEAR OLD HORACE FOR YEARS) OR CONVENIENCE (SAME AGE, SAME LOOK, SAME SIZE. LET S SWAP DOOR MONEY by Gary Wildeman.... • CLOTHES DIG MY BOY- STUPID DUMMYHEDS...by Rob Adamson .. EVERYTHINGS DUCKY ....by Blaine Thur. JUNKFLESH...by Bryce Thing CHARI "; HAS NARDWUAR CHARW ING PEOPLE MAKE Yd WANT TO DO THINGS AC QUIRE ABILITIES SEE TH YOU HAVE THE ORDER TO DANCE OFFICE USE ONLY FEBRUARY ONL Kr SHELL BOOK YOUR OWN SHOCK FRIENDLY SLAMMING ALLOWED 99$ DRAFT BEER mm%*wm*wim $1.75 HIGHBALLS UNCI HYPER-ACTIVE ALTERNATIVE HDK+ALTERHi HUE ME ICE J TRACKS NEW AND OLD BATTLE OF THE D.J.S BZZR BASH $1.25 CAGED GMO DANCERS #7 ALEXANDER STREET GASTOWN 682-8550 between Twerdocleb and Atomic 61, tainer but not a prophet, he is not P.S. -
A3c83af5d72dd886b43e7eab88
ADHOC Editorial Senior Editor: Joe Bucciero Founding Editors: Emilie Friedlander& Ric Leichtung Copy Editor: Tyler Richman Contributing Writers: Miguel Gallego& Steven Spoerl Designer: Jesse Hlebo Events Events Director: Ric Leichtung Marketing Manager: Tyler Richman Letter Can streaming services be fair to artists? Is it worth paying for playlists? Vinyl keeps selling, but now major labels are fooding the vinyl market— so will the vinyl market implode? As long-stable relationships between consumers, artists, and music companies continue to break down, listeners and artists are being thrust, stylistically and physically, into a confusing new musical environment. Call us optimists, but the chaos appears to be prompting people to put the pieces together in myriad new ways.. These days, it can seem like cultures form not around what we’re listening to but how we’re listening to it—from audio source to social context. We can’t really defne 2015 by any specifc stylistic trends, after all. Arca and Lotic share immaculate industrial sonic palettes, but the former’s Mutant and the latter’s Agitations and Heterocetera more importantly share an impact on the wider listening culture. They open up dancefoors and dancers alike to new sounds, but also new identities and approaches to discourse. On the pop side of the spectrum, Justin Bieber and Carly Rae Jepsen both sing over increasingly of-the-times productions, but more exciting than the resultant music itself is the abundance of young listeners learning to love subtly daring pop compositions and innovative vocal processing. Contrary to what some critics have said, it’s not that the mainstream and the underground have collapsed into one another; they probably never will (or should). -
T~X• the Rr\1 1
T~X• The rr\1 1 VOLUME 81, NUMBER 3 WE'RE OUT OF INK SEPTEMBER 3, 1993 GALORicR objectes to ROTC'Threshes conflict with university policry by Sara Maurer Board of Governors Trustee J. Evans Atwell confirmed that the letter was sent to him but said he had not yet Rice administrators had no re- read it and could not comment. Other sponse this week to students protest- trustees were unavailable for com- ing that Rice's Naval ROTC conflicts ment with university policy of nondiscrimi- Capt Quentin Masters, head of nation on the basis of sexual prefer- the Naval Science Department, said it ence. is up to the university to make any Attention was called to the contro- decisions. versial issue in a letter sent to Presi- The naval science classes are open dent Malcolm Gillis and all seven trust- to everyone at Rice, even those who ees of the Board of Governors by the aren't in ROTC," Masters said. "Per- Gays and Lesbians of Rice. sonally, from that standpoint I don't The letter, also published in the see any conflict" Aug. 27 Thresher, stated that since the Masters also pointed out that ap- ROTC's exclusion of homosexuals vio- plicants to ROTC must apply to ROTC lates university policy, "Rice is obli- and the university separately. gated to take action to either correct The Naval Policy Book does not or eliminate the offending program." refer to sexual orientation, but ROTC Rice's policy states, There is no is subject to Department of Defense discrimination whatsoever on the ba- regulations. -
TWO LOUIES, March 2000
OREGON MUSIC / MARCH 2000 SLOWRUPTURE LEGEND OF SWEATY HICKS LACKS LATE EIGHTIES JEFF LABANSKY photo Buko OREGON VENUE GUIDE 28 IF Sam Henry of Napalm Beach. photo David Wilds Page 2 - TWO LOUIES, March 2000 December 1979 to 1999 One Long Journey Through The Portland Music Scene By SP Clarke Part Four: The Late ‘80s Blixeth, who spoke often and broadly of big plans trouble finding lucrative gigs in their home town, After the wild roller coaster that was 1986, it for his acts, with lots of money for support. But despite having a hit album. The same could be said seemed only natural that 1987 would be a year of nothing ever came of the man’s talk and he quickly for Curtis Salgado and Paul DeLay, though they transition and retrenchment in the Portland mu- disappeared back into the woodwork from whence fared somewhat better in the Portland clubs. Local sic scene. Still, it was the year 1987 that saw the birth he came, venues were quickly being overtaken by a new en- and rapid growth of new bands that would later go Portland, often viewed as remote and ingenu- ergy that was emanating out of one club in par- on to flourish through the end of the decade and ous by the rest of the world, was the regular victim ticular. well into the ‘90s, becoming forces in the local scene of low-grade scams. Earlier in the decade a reptil- Satyricon, swinging into its fourth year of ex- for some time hence. ian charlatan huckster known as Carlo Trentadue istence, had spawned a vibrant alternative scene. -
The WTUL Music Guide
Vox Humana ... The WTUL Music Guide Volume 7, Number 2 New Orleans, Louisiana March 1992 Editorial: Upcoming show: Whatever Happened to "Alternative?" L7: More Than Just Grungy Women Former college radio darling, R.E.M.' s last three albums have Do women have a place in the nebulous "grunge rock" genre gone multi-platinum. The band is now considered one ofMTV's of music? Hell, yes!! L 7 is a band that delivers a no-hold-barred biggest superacts, and six Grammy nominations have solidified this onslaught of intensely thrashy guitar work and bludgeoning newfound reputation. Jane's Addiction, a band that four years ago drum beats. maintained cult status among a devoted and limited fan group, Hailing from California, Jennifer Finch, Suzi Gardner, Dee headlined last year's star-studded Lollapalooza extravaganza. This Plakas and Donita Sparks give new meaning to the word "over tour has been described as one of the most successful alternative bearing." The term "foxcore" has been coined to describe bands concert promotions ever and was the most popular package show of predominantly female make-up who play heavy music about last summer (although Clash of the Titans rocked). For years, Top little talked about issues. But L 7 does not sing about issues, they 40 radio all but ignored the quirky B-52's, but with the release of sing about raw, unadulterated feminine attitude. Cosmic Thing, the band found stardom, and three different cuts Signed to Sub-Pop, L7 released a six-song EP entitled Smell from the album became frequent sing-a-longs at Audubon Tavern II.