DOCSLIB.ORG

2021 CT Classic Schedule

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

2021 CT Classic Schedule SATURDAY 8:15 doors open/30 min. warm-up POD #1 9:00-10:00 Sat West Jersey Youth Ballet 1 Liana Bruzzi 9 Youth Variation from Sleeping Beauty 2 Lauren Kim 10 Youth Variation from Giselle 3 Sarah Jurema 10 Youth Variation from The Fairy Doll 4 Natalie Fischer 11 Youth Variation from Harlequinade 5 Paola Montes 12 Junior Variation from La Bayadere 6 Gillian Conk 13 Junior Variation from Graduation Ball 7 Gabriela Jurema 13 Junior Variation from Paquita 8 Lilah Mason 13 Junior Variation from Sleeping Beauty 9 Amanda Mulligan 13 Junior Variation from La Esmeralda 10 Olivia Sarubbi 15 Senior Variation from Sleeping Beauty 11 Emma Fisher 15 Senior Variation from Sleeping Beauty 12 Lauren Kim 10 Youth Variation from Sleeping Beauty 13 Paola Montes 12 Junior Variation from Sleeping Beauty 14 Lilah Mason 13 Junior Variation from La Bayadere 15 Amanda Mulligan 13 Junior Variation from Le Corsaire 16 Olivia Sarubbi 15 Senior Variation from Paquita 17 Emma Fisher 15 Senior Variation from Le Corsaire 9:30 /30 min. warm-up POD #2 10:00-11:00 Sat Festival Ballet Providence 20 Cullen Gamache 13 Junior Variation from Giselle 21 Anya Floru 15 Senior Variation from Raymonda 22 Maisie McLaughlin 15 Senior Variation from Sleeping Beauty 23 Bianca Heatwole 15 Senior Variation from Giselle 24 Samantha Shorr 16 Senior Variation from Coppelia 25 Madeline Colesano 17 Senior Variation from Diana and Acteon Evjen Academy Of Performing Arts 26 Nola McCormick 9 Youth Variation from Sleeping Beauty 27 David Medvedovski 11 Youth Variation from Paquita 28 Madeline Baldwin 12 Junior Variation from Giselle 29 Cecilia Davis 16 Senior Variation from Don Quixote 1 Festival Ballet Providence 30 Madeline Colesano 17 Senior Variation from Don Quixote 10:30 /30 min. warm-up POD #3 11:00-12:00 Sat Starship Dance Studio 31 Antoinette Lowy 13 Junior Variation from Don Quixote 32 Haley Mazzucco 14 Junior Variation from Les Sylphides Dance Progressions 33 Autumn Wagner 9 Youth Variation from Sleeping Beauty 34 Linnaea Kraus 11 Youth Variation from Napoli 35 Madilynn Skehan 11 Youth Variation from The Fairy Doll 36 Remy Socha 12 Junior Variation from Don Quixote 37 Brianna Sweeney 13 Junior Variation from Coppelia 38 Sofia Salinas 13 Junior Variation from Sleeping Beauty 39 Jaya Pichay 14 Junior Variation from Paquita 40 Charlotte Hursty 14 Junior Variation from Le Corsaire 41 Larissa Partenio 16 Senior Variation from La Esmeralda 42 Billy Kasheta 18 Senior Variation from La Bayadere Starship Dance Studio 43 Haley Mazzucco 14 Junior Variation from Les Sylphides 12:00-1:00 Lunch 12:30 /30 min. warm-up POD #4 1:00-2:00 Sat Woodbury Ballet 45 Sophie Solory 13 Junior Variation from The Talisman 46 Bianca Taviera 14 Junior Variation from Le Corsaire 47 Rachel Tang 15 Senior Variation from Paquita 48 Celia Frissora 15 Senior Variation from La Esmeralda New England Academy of Dance 49 Olivia Carofano 12 Junior Variation from La Fille Mal Garde 50 Ella Kurtz 13 Junior Variation from Swan Lake 51 Alexondra Banford 15 Senior Variation from Sleeping Beauty 52 Avery Baumel 16 Senior Variation from La Bayadere Woodbury Ballet 53 Sophie Solory 13 Junior Variation from Don Quixote 54 Bianca Taviera 14 Junior Variation from Coppelia 2 55 Rachel Tang 15 Senior Variation from Giselle 56 Celia Frissora 15 Senior Variation from Paquita New England Academy of Dance 57 Olivia Carofano 12 Junior Variation from Paquita 58 Alexondra Banford 15 Senior Variation from Raymonda 1:30/ 30 min. warm-up POD #5 2:00-3:00 Sat Rockwell Dance Center 60 Katherine Madar 11 Youth Variation from Sleeping Beauty 61 Olivia Kish 11 Youth Variation from Sleeping Beauty 62 Sydney Laganza 13 Junior Variation from La Fille Mal Garde 63 Maya Minella 13 Junior Variation from La Fille Mal Garde 64 Zoe Sommer 15 Senior Variation from Paquita Hartt School Community Division 65 Mackenzie Donelson 13 Junior Variation from Raymonda 66 Brooke Fallon 14 Junior Variation from Sleeping Beauty 67 Virginia Hargraves 15 Senior Variation from Raymonda 68 Talia Gordon Wexler 16 Senior Variation from Sleeping Beauty 69 Bella Theodorou 16 Senior Variation from Raymonda 70 Georgia Randall 18 Senior Variation from Don Quixote 2:30/ 30 min. warm-up POD #6 3:00-4:00 Sat Ballet Forte New Jersey 71 Katelyn Power 16 Senior Variation from Giselle Ocean State Ballet 72 Pilar Ramirez 11 Youth Variation from The Fairy Doll 73 Isobel Lewis 12 Junior Variation from Sleeping Beauty 74 Mila Corey 13 Junior Variation from Le Corsaire 75 Violet Orth 13 Junior Variation from Sleeping Beauty 76 Sophia Cicerone 13 Junior Variation from Paquita 77 Romy Gellman 14 Junior Variation from Sleeping Beauty 78 Grace Ellis 15 Senior Variation from Paquita Ballet des Ameriques 79 Sophia Geraci 16 Senior Variation from Sleeping Beauty Ballet Forte New Jersey 80 Katelyn Power 16 Senior Variation from Raymonda 3 3:30/ 30 min. warm-up POD #7 4:00-5:00 French-American Ballet Theatre 81 Jasmine Alcantara 12 Junior Variation from The Fairy Doll 82 Isabella Saviolis 15 Senior Variation from Don Quixote Paula Meola Dance 83 Anastasia Serating 15 Senior Variation from Raymonda 84 Frances Watson 16 Senior Variation from The Talisman Dance Etc School for Performing Arts 85 Aubrey Street 13 Junior Variation from Le Corsaire 86 Hannah Metrena 15 Senior Variation from Don Quixote French-American Ballet Theatre 87 Isabella Saviolis 15 Senior Variation from Paquita SUNDAY 8:15 doors open/30 min. warm-up POD #8 9:00-10:00 Sun Turning Pointe Dance Studio 90 Savannah Hanflig 11 Youth Variation from Don Quixote 91 Taleena Gonneea 13 Junior Variation from La Bayadere 92 Airlie Santos 14 Junior Variation from Coppelia 93 Amelia Moesman 14 Junior Variation from Don Quixote 94 Madeline Sabens 15 Senior Variation from Le Corsaire 95 Lillian Palmer 15 Senior Variation from Coppelia 96 Sarah Murray 15 Senior Variation from Paquita 97 Bethany Sawyer 15 Senior Variation from Paquita 98 Mia Hanflig 16 Senior Variation from Sleeping Beauty 99 Darien Santos 16 Senior Variation from La Bayadere 100 Breanna Cole 16 Senior Variation from Paquita 101 Charlotte Bridges 16 Senior Variation from Paquita 102 Skyler Falcone 16 Senior Variation from La Bayadere 103 Lindsay McKeon 16 Senior Variation from Giselle 104 Ella Hayes 17 Senior Variation from Coppelia 105 Cole Allenby 17 Senior Variation from Swan Lake 106 Mia Hanflig & Darien Santos 16 Pas De Deux from Sleeping Beauty 9:30/ 30 min. warm-up 4 POD #9 10:00-11:00 Sun Massachusetts Academy of Ballet 107 Charlotte O'Shea 15 Senior Variation from The Talisman 108 Sydney Mager 15 Senior Variation from Don Quixote 109 Hannah King 16 Senior Variation from Swan Lake The Dance Conservatory 110 Scarlett Secord 10 Youth Variation from The Fairy Doll 111 Sofia Dreyer 13 Junior Variation from Paquita American Ballet Academy 112 Quinn Dellinger 10 Youth Variation from The Fairy Doll 113 Jordan Fredericks 10 Youth Variation from La Fille Mal Garde 114 Allegra Catanese 11 Youth Variation from Le Corsaire 115 Nadia Gabriel 12 Junior Variation from Flower Festival at Genzano 116 Samantha Irons 13 Junior Variation from The Talisman 117 Taegan Moran 14 Junior Variation from Le Corsaire The Dance Project 118 Brianna Taylor 13 Junior Variation from Don Quixote 119 Averie Brooks 14 Junior Variation from Grand Pas Classique 10:30/ 30 min. warm-up POD #10 11:00-12:00 Sun Independent 120 Hannah Lambie 9 Youth Variation from Paquita Hanover Conservatory 121 Leland Pierce 14 Junior Variation from Don Quixote Independent 122 Emersyn Giordano 14 Junior Variation from Paquita 123 Greta Nusimovich-Mateo 14 Junior Variation from Giselle 124 Lauren Besso 16 Senior Variation from Raymonda 125 Emily Bowser 17 Senior Variation from Le Corsaire Aprille’s Danceprints LLC 126 Trinity LaBrecque 13 Junior Variation from Paquita 127 Jillian Miller 13 Junior Variation from Raymonda 128 Julia Buceivicius 17 Senior Variation from Sleeping Beauty 129 Madison Vale 17 Senior Variation from The Pharaoh’s Daughter AMA Dance Theatre 130 Gemma Ratib Eixarch 11 Youth Variation from The Fairy Doll 5 131 Sienna Hirschhorn 12 Junior Variation from Sleeping Beauty 132 Nadia Ratib Eixarch 13 Junior Variation from Giselle Hanover Conservatory 133 Leland Pierce 14 Junior Variation from Sleeping Beauty Independent 134 Greta Nusimovich-Mateo 14 Junior Variation from Paquita 135 Emily Bowser 17 Senior Variation from Raymonda 12:30-1:30 Lunch 2:00 - Youth Awards 3:00 - Junior Awards 4:00 - Senior awards 6.
Recommended publications
  • Pre Competitve Classical Top 15

    Pre Competitve Classical Top 15

    PRE COMPETITVE CLASSICAL TOP 15 1. BRADY FARRAR VARIATION FROM SATANELLA - Stars Dance Company 2. CATHERINE ROWLAND DULCINEA VARIATION DON QUIXOTE - Magda Aunon School of Classical Ballet 3. ASHLEY VALLEJO KITRI VARIATION FROM DON QUIXOTE - Stars Dance Company 4. SCARLETT BARONE BLACK SWAN VARIATION - Impac Youth Ensemble 5. ROMI BRITTON VARIATION FROM LA ESMERALDA - Meg Segreto's Dance Center 6. ERICA AVILA VARIATION FROM LA ESMERALDA - Meg Segreto's Dance Center 7. PABLO MANZO THE NUTCRACKER MALE VARIATION - Vladimir Issaev School of Classical Ballet 8. DESTANYE DIAZ VARIATION FROM GRADUATION BALL - Stars Dance Company 9. MONIQUE MADURO LA FILLE MAL GARDEE – Pointe Centro de Danzas 10. MADISON BROWN PRINCESS FLORINE VARIATION SLEEPING BEAUTY – Lents Dance Company 11. VERONICA MERINO LA FILLE MAL GARDEE - Pointe Centro de Danzas 12. KACI WILKINSON SILVER FAIRY VARIATION SLEEPING BEAUTY – Backstage Dance Academy 13. KAITLYN SILOT DON QUIXOTE VARIATION - Artistic Dance Center 14. SORA TERAMOTO BLUE BIRD VARIATION - Baller Elite Dance Studio 15. RACHEL LEON LA FILLE MAL GARDEE - Stars Dance Company PRE COMPETITVE CONTEMPORARY TOP 15 1. DIANA POMBO BECOMING - TPS (The Pombo Sisters) 2. BRADY FARRAR RESILIENT - Stars Dance Company 3. DESTANYE DIAZ IMPACT - Stars Dance Company 4. ASHLEY VALLEJO TAKE ME - Stars Dance Company 5. RACHEL LEON MOONLIGHT SONATA - Stars Dance Company 6. MADISON BROWN NOUVEAU TANGO - Lents Dance Company 7. ERICA AVILA MIND HEIST - Meg Segreto's Dance Center 8. SCARLETT BARONE HAND IN HAND - Impac Youth Center 9. MONIQUE MADURO CONFUSED - Pointe Centro de Danzas 10. CATHERINE ROWLAND THE GENIE - Magda Aunon School of Classical Ballet 11. ANGELINA SIERRA EVERYTHING MUST CHANGE - Ballet East 12.
  • Cesare Pugni: Esmeralda and Le Violon Du Diable

    Cesare Pugni: Esmeralda and Le Violon Du Diable

    Cesare Pugni: Esmeralda and Le Violon du diable Cesare Pugni: Esmeralda and Le Violon du diable Edited and Introduced by Robert Ignatius Letellier Cesare Pugni: Esmeralda and Le Violon du diable, Edited by Edited and Introducted by Robert Ignatius Letellier This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by Edited and Introducted by Robert Ignatius Letellier and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-3608-7, ISBN (13): 978-1-4438-3608-1 Cesare Pugni in London (c. 1845) TABLE OF CONTENTS Introduction ............................................................................................................................... ix Esmeralda Italian Version La corte del miracoli (Introduzione) .......................................................................................... 2 Allegro giusto............................................................................................................................. 5 Sposalizio di Esmeralda ............................................................................................................. 6 Allegro giusto............................................................................................................................
  • Don Quixote Press Release 2019

    Don Quixote Press Release 2019

    January 2019 Carlos Acosta’s celebrated production of Don Quixote returns Friday 15 February – Thursday 4 April 2019 Live Cinema relay: Tuesday 19 February 2019 #ROHDonQ Federico Bonelli and Sarah Lamb in Don Quixote, ©ROH/Johan Persson, 2013 Carlos Acosta’s vibrant dance production of Miguel de Cervante’s classic tale Don Quixote returns to the Royal Opera House this Spring. Created specially for The Royal Ballet in 2013, this stunning production tells the story of the bumbling knight Don Quixote and his ever-faithful squire Sancho Panza, and their efforts to help the young lovers Kitri and Basilio. This revival features exciting debuts from Lauren Cuthbertson, Yasmine Naghdi and Mayara Magri as Kitri and Matthew Ball, Alexander Campbell and Marcelino Sambé as Basilio. Don Quixote For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media includes a number of spectacular solos and pas de deux as well as outlandish comedy and romance as the dashing Basilio steals the heart of the beautiful Kitri. Don Quixote will be live streamed to cinemas on Tuesday 19 February as part of the ROH Live Cinema Season. Carlos Acosta previously danced the role of Basilio in many productions of Don Quixote. He was invited by Kevin O’Hare Director of The Royal Ballet, to re-stage this much-loved classic in 2013. Acosta’s vibrant production evokes sunny Spain with designs by Tim Hatley who has also created productions for the National Theatre and for musicals including Dreamgirls, The Bodyguard and Shrek. Acosta’s choreography draws on Marius Petipa’s 1869 production of this classic ballet and is set to an exuberant score by Ludwig Minkus arranged and orchestrated by Martin Yates.
  • Historie a Vývoj Baletní Scény Mariinského Divadla

    Historie a Vývoj Baletní Scény Mariinského Divadla

    Univerzita Hradec Králové Pedagogická fakulta Katedra ruského jazyka a literatury Historie a vývoj baletní scény Mariinského divadla Diplomová práce Autor: Bc. Andrea Plecháčová Studijní program: N7504 – Učitelství pro střední školy Studijní obor: Učitelství pro střední školy – základy společenských věd Učitelství pro střední školy – ruský jazyk a literatura Vedoucí práce: Mgr. Jaroslav Sommer Oponent práce: prof. PhDr. Ivo Pospíšil, DrSc. Hradec Králové 2020 Prohlášení Prohlašuji, že jsem tuto diplomovou práci vypracovala (pod vedením vedoucího diplomové práce) samostatně a uvedla jsem všechny použité prameny a literaturu. V Hradci Králové dne … ………………………… Bc. Andrea Plecháčová Poděkování Ráda bych poděkovala svému vedoucímu panu Mgr. Jaroslavu Sommerovi za odborné vedení a cenné rady při vypracovávání diplomové práce. Dále děkuji paní Mgr. Jarmile Havlové za pomoc při korektuře gramatické stránky práce. Anotace PLECHÁČOVÁ, Andrea. Historie a vývoj baletní scény Mariinského divadla. Hradec Králové: Pedagogická fakulta Univerzity Hradec Králové, 2020. 66 s. Diplomová práce. Práce se zaměřuje na historii a vývoj baletní scény Mariinského divadla po současnost. Věnuje se také nejslavnějším osobnostem a inscenacím baletní scény Mariinského divadla v Petrohradě. Klíčová slova: balet, divadlo, Petrohrad, umění, Leningrad, Kirovovo divadlo opery a baletu, Mariinské divadlo. Annotation PLECHÁČOVÁ, Andrea. History and Development of the Mariinsky Ballet. Hradec Králové: Faculty of Education, University of Hradec Králové, 2020. 66 pp. Diploma Dissertation Degree Thesis. The thesis focuses on the history and development of the ballet stage of the Mariinsky Theatre up to the present. It is also dedicated to the most outstanding personalities and stagings of the Mariinsky Theatre in Petersburg. Keywords: ballet, theatre, Saint Petersburg, art, Leningrad, Kirov Theatre, The Mariinsky Theatre.
  • Classical Repertoire List for Junior Division

    Classical Repertoire List for Junior Division

    CLASSICAL REPERTOIRE LIST FOR JUNIOR DIVISION 12-14 years of age Must be 12 by January 1, 2019 Dancers must perform a variation from the approved senior category list below. Variation must be performed on pointe. We strongly advise our participants to choose the variation that is appropriate to their age and skill level. Classical solos may not be longer than 2:30. Ballet (Choreographer) • Coppelia (A. St. Leon) Pas de Deux and all Variations • Diana & Acteon (A. Vaganova) Pas de Deux and Variations • Don Quixote (M. Petipa) Pas de Deux and all Variations • Fairy Doll (S. Legat) • Flower Festival at Genzano (A. Bournonville) Pas de Deux and all Variations • Giselle (J. Perrot, J. Coralli) Variation of Giselle, Act I Peasant Pas de Deux and Variations, Pas de Deux Variations from Act II • Harlequinade (M. Petipa) Pas De Deux and Variations • La Bayadere (M. Petipa) Three Shade Variations, Act III; Gamzatti Variation, Pas de Deux and Variations, Bronze Idol, Nikia Variation (Nikia Variation is not accepted for competition, unless under 2:30 minutes.) Please note: Gamzatti Temple Variation (Choreography - N. Makarova) - is NOT accepted (or judges can lower your score). • La Esmeralda (M. Petipa) Pas de Deux and all Variations • La Fille Mal Gardee (B. Nijinska, D. Romanoff) Pas de Deux and all Variations • La Sylphide (A. Bournonville) Pas de Deux and all Variations • Laurencia (V. Chabukiani) • Le Corsaire (M. Petipa) Pas d'Esclave and Variations, Odalisque Variations, Jardin Anime, Act III Pas de Deux and Variations • Les Sylphides/Chopiniana (M. Fokine) Male and Female Mazurkas, Waltz # 7 and Waltz # 11, Prelude • Napoli (A.
  • Spotlight Ballet Rules* Ballet Students Who Will Be Attending a Dance

    Spotlight Ballet Rules* Ballet Students Who Will Be Attending a Dance

    Spotlight Ballet Rules* Ballet students who will be attending a dance program away from home and outside of Southern California during the Spotlight year and whose parent(s) still live in Southern California may participate in Spotlight as long as they attend auditions, rehearsal and final performance if advancing to Grand Finale Performance. Proof of study will be required from dance program. You may not be an apprentice or full time member of a professional ballet company and participate in Spotlight. What’s required of me for my Ballet Preliminary 1 video audition? All students begin with a Preliminary 1 video audition. Those scoring highest will advance to Preliminary 2 live auditions in February 2019. Those scoring highest after Preliminary 2 will advance to the Semifinals Please record yourself performing one solo from the required list below If selected to advance to Preliminary 2, you will perform two solos for your live audition. You can change your variations if you advance to Preliminary 2 In choosing a variation for your video recording, we encourage you to choose a solo that best reflects your current stage of technical and artistic abilities. It is not necessary to perform an Etoile or Principal variation if you are not quite ready to tackle it. Choose a solo variation that best fits where you are in your studies and allows you to shine! Some examples of soloist variations that might be good choices are: Princess Florine from The Sleeping Beauty Act lll or any of The Sleeping Beauty fairies, the Peasant pas de deux from Giselle (Act I) or Cupid from Paquita, Friends of Kitri from Don Quixote (Act I), Fairy Doll, Harlequinade, Odalisques from Le Corsaire (Act I), Flames of Paris or the pas de trois from Swan Lake (Act I).
  • JUNE 3-13 Baumgartner Center for Dance on Demand Milwaukeeballet.Org

    JUNE 3-13 Baumgartner Center for Dance on Demand Milwaukeeballet.Org

    JUNE 3-13 Baumgartner Center for Dance On Demand milwaukeeballet.org THE 2020-21 SEASON IS SPONSORED BY DONNA & DONALD BAUMGARTNER Lahna Vanderbush. Photo Timothy O’Donnell This program was supported in part by a grant from Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. LETTER FROM THE ARTISTIC DIRECTOR Dear friends, Welcome to Encore, which we proudly present in our lovely home, Baumgartner Center for Dance. I’ve curated cherished works from our archives to celebrate all we have accomplished together this season, despite the challenges. Thank you for joining our celebration. The classical variations in this program span the most beloved scenes in the ballet world: Don Quixote, Raymonda, Giselle. You will also enjoy excerpts from both a luminary and a rising star in contemporary dance: Trey McIntyre returns with A Day in the Life and Aleix Mañé shares his ExiliO, which won our international Genesis competition. In this program, we also celebrate our friend Jimmy Gamonet, who passed earlier this year from COVID-19. Jimmy is most notable for his longtime tenure as Miami City Ballet’s founding resident choreographer and ballet master. He staged three of his works here, the most well-known being Nous Sommes, which we warmly present as an affectionate tribute to his memory. On behalf of the entire organization, I would like to thank our season sponsors, Donna and Donald Baumgartner, as well as United Performing Arts Fund, for their unwavering support. We will announce our upcoming season in only a few short weeks and hope you will join us at Marcus Performing Arts Center this fall.
  • Full Production and Guest Artist Details Don Quixote

    Full Production and Guest Artist Details Don Quixote

    Full Production and Guest Artist Details Don Quixote A THRILLING TALE OF HANDSOME BULLFIGHTERSAND UNBRIDLED PASSION Bursting with gravity-defying jetes, fearless lifts, and impressive fouette turns, Nina Ananiashvili’s exuberant Don Quixote features Spanish matadors and spirited ballerinas performing some of the most technically demanding choreography in classical ballet. The chivalrous noble, Don Quixote, sets off on an adventure with his loyal squire, Sancho Panza, while lovers Kitri and Basilio battle against all odds to unite in true love. Based on Cervantes' iconic Spanish novel, Don Quixote is a must-see ballet for all the family—a glorious dance spectacle packed with virtuoso dancing, stunning costumes, a fanciful storyline and a lively cast of characters. Choreography Marius Pepita, Alexander Gorsky Additional Choreography Nina Ananiashvili Music Ludwig Minkus Set & Costume Design Thomas Mika Lighting Design Billy Chan Live Accompaniment City Chamber Orchestra of Hong Kong Conductor Judith Yan GRAND THEATRE, HONG KONG CULTURAL CENTRE Live Accompaniment OPENING NIGHT 30 OCT 2020 Fri 7:30pm 31 OCT–1 NOV 2020 Sat–Sun 2:30pm & 7:30pm $1,000 (Limited VIP Tickets), $680, $480, $280, $140 Suitable for ages 3 and above The Nutcracker THE WORLD’S MOST POPULAR HOLIDAY BALLET This sparkling Christmas tradition receives a new lease on life in Terence Kohler’s beloved production, returning once again to Hong Kong! Join Clara and Fritz on their unforgettable journey as they valiantly battle the villainous Rat King, and the Nutcracker Prince
  • Study Guide Table of Contents Pre-Performance Activities and Information

    Study Guide Table of Contents Pre-Performance Activities and Information

    For Grades K - 12 STUDY GUIDE TABLE OF CONTENTS PRE-PERFORMANCE ACTIVITIES AND INFORMATION TEKS Addressed 3 Attending a ballet performance 5 The story of The Nutcracker 6 The Science Behind The Snow 13 The Artists Who Created Nutcracker: Choreographers 16 The Artists Who Created Nutcracker: Composer 17 The Artists Who Created Nutcracker: Designer 18 Animals Around The World 19 Dancers From Around The World 21 Look Ma, No Words 22 Why Do They Wear That? 24 Ballet Basics: Fantastic Feet 25 Ballet Basics: All About Arms 26 Houston Ballet: 1955 To Today 27 Appendix A: Mood Cards 28 Appendix B: Set Design 29 Appendix C: Costume Design 30 Appendix D: Glossary 31 Program Evaluation 33 2 LEARNING OUTCOMES Students who attend the performance and utilize the study guide will be able to: • Identify different countries from around the world; • Describe the science behind the snow used in The Nutcracker; • Describe at least one dance from The Nutcracker in words or pictures; • Demonstrate appropriate audience behavior. TEKS ADDRESSED §112.11. SCIENCE, KINDERGARTEN (6) Force, motion, and energy. The student knows that energy, force, and motion are related and are a part of their everyday life §117.112. MUSIC, GRADE 3 (1) Foundations: music literacy. The student describes and analyzes musical sound. §117.109. MUSIC, GRADE 2 (1) Foundations: music literacy. The student describes and analyzes musical sound. (6) Critical evaluation and response. The student listens to, responds to, and evaluates music and musical performances. §117.106. MUSIC, ELEMENTARY (5) Historical and cultural relevance. The student examines music in relation to history and cultures.
  • ABSTRACTS Keywords: Ballet, Performance, Music, Musical

    ABSTRACTS Keywords: Ballet, Performance, Music, Musical

    ABSTRACTS Yuri P. Burlaka PAQUITA GRAND PAS AND LE CORSAIRE GRAND PAS: COMPARATIVE ANALYSIS The article explores the origin of creation and the production history of such masterpieces as Grand pas from Paquita and Grand pas Le Jardin Animé from Le Corsaire by Marius Petipa. The analysis proves the fact that with the invention of these choreographic structures the Romantic Pantomime Ballet turn into the Grand Ballet of the second half of the 19th century. In Petipa’s mature works the plot of the ballet is revealed not only in pantomime but through dance as well. Keywords: Marius Petipa, Paquita, Le Corsaire, history of Russian Ballet, ballet dramaturgy. Anna P. Grutsynova MOSCOW DON QUIXOTE: ON THE WAY TO ST. PETERSBURG The article is devoted to one of M. Petipa’s the most famous ballets called Don Quixote which was shown in Moscow and St. Petersburg versions in 1869 and 1871 respectively. The primary Moscow choreography is in a focus. Musical dramaturgy of the ballet is analyzed as well as connections between musical dramaturgy and drama plot are traced. Besides, the article contains a brief comparative analysis of music from Moscow and St. Petersburg choreographies of Don Quixote. Keywords: ballet, performance, music, musical dramaturgy, libretto, Don Quixote, M. Petipa, L. Minkus. Grafi ra N. Emelyanova P. TCHAIKOVSKY’S AND M. PETIPA’S THE SLEEPING BEAUTY IN K. SERGEYEV’S AND YU. GRIGOROVITCH’S VERSIONS The article is focused on preservation of the classical ballet heritage. An example of this theme is The Sleeping beauty ballet by M. Petipa and P. Tchaikovsky in K.
  • Competition Schedule

    Competition Schedule

    Sunday, April 14th, 2019 John R. Armstrong Performing Arts Center 24600 F.V. Pankow Building Clinton Township, MI 48036 ~Dedicated to the Memory of the Cecchetti Council of America Charter Board~ It is with great respect and admiration that we remember our Charter Board. Their dedication and love of the Cecchetti method lives on in every CCA member. Jack Bickle Olga Fricker Sylvia Hamer Marjorie Hassard Gertrude Edwards-Jory Leona Lucas Jane Caryl Miller Chula (Harriet) Morrow Phyllis Peterson-Thorne Enid Ricardeau Virgiline Simmons Theodore Smith Competition Schedule Please be advised this is a live competition and the schedule may shift. Dancers need to be prepared to dance sooner or later than the time listed below. 8:30am Building opens/Check-in Begins Teachers must check in dancers in at the registration desk upon arrival. Check in will be one hour prior to the start of each category. Doors open at 8:30am. 9:15-9:30am Junior Contemporary Open Stage 9:30-10:15am Junior Contemporary Competition 10:15-10:30am Senior Contemporary Open Stage 10:30-11:45am Senior Contemporary Competition 11:45-12:15pm Break 12:15-12:30pm Junior Classical Open Stage 12:30-1:30pm Junior Classical Competition 1:30-1:45pm Senior Classical Open Stage 1:45-3:15pm Senior Classical Competition 3:15-3:30pm Break 3:30-4:15pm Ensemble Competition 4:15-5:00pm Deliberation 5:00pm Awards Ceremony 1 Participating Studios Dear Participants, Parents and Teachers, Welcome to the first Cecchetti Classical Ballet Competition! We are thrilled that you are taking part in this competition and hope that you will learn from each other and the feedback that you receive.
  • Boston Ballet School Presents Annual Next

    Boston Ballet School Presents Annual Next

    MEDIA CONTACT: Jill Goddard, 617.456.6236, [email protected] BOSTON BALLET SCHOOL PRESENTS ANNUAL NEXT GENERATION PERFORMANCE FEATURING CHRISTOPHER WHEELDON’S THE AMERICAN, MARIUS PETIPA’S RAYMONDA, AND A NEW WORK BY IGOR BURLAK May 2, 2018 (BOSTON, MA) – Boston Ballet School (BBS) proudly presents its ninth annual Next Generation performance featuring Christopher Wheeldon’s The American, Act III of Raymonda by Marius Petipa with additional choreography by Boston Ballet Artistic Director Mikko Nissinen, and a new work by BBS faculty member Igor Burlak. The program opens with Les Passages, which features dancers of all levels of the Pre-Professional program in pieces choreographed by BBS faculty members. This one-night-only performance takes place June 6 at the Boston Opera House. “Next Generation shines a spotlight on the incredible young talent that we have the pleasure of developing,” said Boston Ballet Artistic Director Mikko Nissinen. “Boston Ballet School is dedicated to providing the highest quality of training of dancers to ensure the success of our students who will contribute their many gifts to this living art form.” Boston Ballet School’s Pre-Professional program is committed to training top talent who aspire to professional careers with Boston Ballet and other major companies. Currently, over 20 percent of Boston Ballet’s dancers are graduates of the Pre-Professional program, and 95 percent of Trainee graduates secure jobs with professional ballet companies, a percentage that has increased annually. “This program showcases the next generation of talented and dedicated dancers. Each piece was specifically selected to highlight the individual strengths of our students and emphasize our rigorous curriculum,” said Boston Ballet School Director Margaret Tracey.