Pixels Vs. Papers Is the Death of Newsprint Just Media Hype?
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Underpainter
Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 212, Spring 212 Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Judy Brown (Reviews), Joël Castonguay-Bélanger (Francophone Writing), Glenn Deer (Poetry), Laura Moss (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New (1977–1995), Eva-Marie Kröller (1995–23), Laurie Ricou (23–27) Editorial Board Heinz Antor University of Cologne Alison Calder University of Manitoba Cecily Devereux University of Alberta Kristina Fagan University of Saskatchewan Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University -
The Dynamics of Ethno-Linguistic Mobilisation in Canada: a Case Study of Alliance Québec
UNIVERSITÉ D'OTTAWA UNIVERSITY OF OTTAWA TEEDYNNCS OF ETHNO-WGmSTIC MOBILISATIONIN CANADA: A CASE STUDY OFALLlANCE QUEBEC A Thesis Submitted to The School of Graduate Studies and Research In Candidacy for the Degree of Master of Artç Department of Politid Science Paul Prosperi University of Ottawa e (c)Paul Prosperi, Ottawa, Canada, 1995 BibliotMque nationale du Canada Aguisitions and Acquisitions et Bibliographie Services seMces bibliographiques 395 Wellington Street 395. rue Wellington Mtawa ON KIA ON4 Ottawa ON KIA ON4 Canada Canada The author has granted a non- L'auteur a accordé une Iicence non exclusive licence allowing the exclusive permettant à la National Lhrary of Canada to Bibliothèque nationale du Canada de reproduce, loan, distri'bute or seil reproduire, prêter, distrr'buer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfichelfilm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts Eom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. 1 am exfremeIy grateful ta several people without whom this work could not have been compIeted. My thesis director J.A. Laponce, whose invaluable knowledge, patience and encouragement made the research and writing of the thesis most enjoyable. 1 would aiso like to thank John Trent and J.F. -
Alternative North Americas: What Canada and The
ALTERNATIVE NORTH AMERICAS What Canada and the United States Can Learn from Each Other David T. Jones ALTERNATIVE NORTH AMERICAS Woodrow Wilson International Center for Scholars One Woodrow Wilson Plaza 1300 Pennsylvania Avenue NW Washington, D.C. 20004 Copyright © 2014 by David T. Jones All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of author’s rights. Published online. ISBN: 978-1-938027-36-9 DEDICATION Once more for Teresa The be and end of it all A Journey of Ten Thousand Years Begins with a Single Day (Forever Tandem) TABLE OF CONTENTS Introduction .................................................................................................................1 Chapter 1 Borders—Open Borders and Closing Threats .......................................... 12 Chapter 2 Unsettled Boundaries—That Not Yet Settled Border ................................ 24 Chapter 3 Arctic Sovereignty—Arctic Antics ............................................................. 45 Chapter 4 Immigrants and Refugees .........................................................................54 Chapter 5 Crime and (Lack of) Punishment .............................................................. 78 Chapter 6 Human Rights and Wrongs .................................................................... 102 Chapter 7 Language and Discord .......................................................................... -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Literary Review of Canada a Journal of Ideas NOW AVAILABLE from HOUSE of ANANSI PRESS RIDGERUNNER
MARK NKALUBO NABETA Unrest MORGAN CAMPBELL Race and the Media DAN DUNSKY China’s Moment SHEREE FITCH Writing through Grief july | August 2020 Literary Review of Canada A journAl of ideAs NOW AVAILABLE FROM HOUSE OF ANANSI PRESS RIDGERUNNER THE HIGHLY ANTICIPATED FOLLOW-UP TO THE OUTLANDER, BY GIL ADAMSON “RIDGERUNNER IS A BRILLIANT LITERARY ACHIEVEMENT . I LOVED EVERY PAGE OF IT.” — Michael Redhill, Scotiabank Giller Prize–winning author of Bellevue Square “TRULY MAGNIFICENT.” — Robert Olmstead, award-winning author of Coal Black Horse and Savage Country “RIDGERUNNER IS A WILD ADVENTURE SPUN IN EXALTED PROSE: THE BOOK I’VE BEEN WANTING TO READ FOR YEARS.” — Marina Endicott, award-winning author of Good to a Fault and The Difference ALSO AVAILABLE: THE OUTLANDER @HOUSEOFANANSI ANANSI PUBLISHES HOUSEOFANANSI.COM VERY GOOD BOOKS july | august 2020 ◆ volume 28 ◆ number 6 a journal of ideas first word the argument playtime Summer School China’s Moment Snuffed Torch Kyle Wyatt Reckoning with an empire state of mind Can the Olympic myth survive? 3 Dan Dunsky Laura Robinson 13 26 the public square False Notions pandemic the arts Yes, certain conditions continue to exist A Northern Light North and South Mark Nkalubo Nabeta Nunavut’s hope to avoid the outbreak Cuba’s Orwellian mystery 5 Sarah Rogers Amanda Perry 15 28 Under the Guise of Research Science and subjugation compelling people literature John Baglow 6 National Personality Trying Situations The legacy of Marcel Cadieux A new collection from David Bergen An Act of Protest Bruce K. Ward David Staines Desmond Cole says his piece 16 30 Morgan Campbell 8 bygone days An Urgent Realm Harsh Treatment Mallory Tater’s dark debut this and that Cecily Ross Perspectives on internment 31 Waiting on Tables J. -
Unsettling the White Noise: Deconstructing the Nation-Building
Unsettling the White Noise: Deconstructing the Nation-Building Project of CBC Radio One’s Canada Reads By Emily M. Burns A thesis submitted to the Graduate Program in the Department of Gender Studies in conformity with the requirements for the Degree of Master of Arts Queen’s University Kingston, Ontario, Canada August, 2012 Copyright @ Emily M. Burns, 2012 Abstract The Canadian Broadcasting Corporation’s Canada Reads program, based on the popular television show Survivor, welcomes five Canadian personalities to defend one Canadian book, per year, that they believe all Canadians should read. The program signifies a common discourse in Canada as a nation-state regarding its own lack of coherent and fixed identity, and can be understood as a nationalist project. I am working with Canada Reads as an existing archive, utilizing materials as both individual and interconnected entities in a larger and ongoing process of cultural production – and it is important to note that it is impossible to separate cultural production from cultural consumption. Each year offers a different set of insights that can be consumed in their own right, which is why this project is written in the present tense. Focusing on the first ten years of the Canada Reads competition, I argue that Canada Reads plays a specific and calculated role in the CBC’s goal of nation-building: one that obfuscates repressive national histories and legacies and instead promotes the transformative powers of literacy as that which can conquer historical and contemporary inequalities of all types. This research lays bare the imagined and idealized ‘communities’ of Canada Reads audiences that the CBC wishes to reflect in its programming, and complicates this construction as one that abdicates contemporary responsibilities of settlers. -
Media Release After Hours Conversation with Marina Endicott and Jacqueline Baker: a Starfest Event
Media Release February 19, 2020 FOR IMMEDIATE RELEASE After Hours Conversation with Marina Endicott and Jacqueline Baker: a STARFest event St. ALBERT—Marina Endicott, local favourite and one of Canada’s most critically acclaimed and beloved storytellers, returns to STARFest with The Difference, a sweeping novel set on board a Nova Scotian merchant ship sailing through the South Pacific in 1912. Marina Endicott will be in conversation with Jacqueline Baker at this special STARFest event on Friday, March 13 at 7:00 p.m. in Forsyth Hall at the downtown St. Albert Public Library. The Difference opens with a three-masted barque from Nova Scotia sailing the trade winds to the South Pacific. On board, young Kay feels herself not wanted on her sister’s long-postponed honeymoon voyage. But Thea will not abandon her young sister, so Kay too embarks on a life-changing voyage to the other side of the world. At the heart of The Difference is a crystallizing moment in Micronesia: forming a sudden bond with a young boy from a remote island, Thea takes him away as her son. The repercussions of this act force Kay, who considers the boy her brother, to examine her own assumptions—increasingly at odds with those of society around her—about what is forgivable, and what is right. Madeleine Thien, Giller Prize-winning author of Do Not Say We Have Nothing, says this about The Difference: “Marina Endicott allows her characters to exist without being afraid of their (and our) moral dilemmas and failures, or the gap between our intentions and our understanding. -
Literary Review of Canada a JOURNAL of IDEAS “TRULY MAGNIFICENT” — Robert Olmstead, Award-Winning Author of Coal Black Horse
$7.95 0 2 MAGDALENA MIŁOSZ A Polish Bestseller GAYATRI KUMAR Polar Latitudes 0 2 R IAN SMILLIE Philanthropy SARAH SHEEHAN Cartooning with Duncan E B M E C E D Literary Review of Canada A JOURNAL OF IDEAS “TRULY MAGNIFICENT” — Robert Olmstead, award-winning author of Coal Black Horse FINALIST for the Scotiabank Giller Prize and the Writers’ Trust Fiction Prize “A WILD ADVENTURE SPUN IN EXALTED PROSE: THE BOOK I’VE BEEN WANTING TO READ FOR YEARS.” — Marina Endicott, award- winning author of The Difference “A BRILLIANT LITERARY ACHIEVEMENT.” — Michael Redhill, Scotiabank Giller Prize–winning author of Bellevue Square @HOUSEOFANANSI ANANSI PUBLISHES HOUSEOFANANSI.COM VERY GOOD BOOKS DECEMBER 2020 ◆ VOLUME 28 ◆ NUMBER 10 A JOURNAL OF IDEAS FIRST WORD NOTEBOOK THE ARTS The Hole Truth This Is Not the End of the Story Collected Thoughts Kyle Wyatt The lasting promise of section 35 Self-portrait of a curator 3 Ian Waddell Keith Garebian 15 30 FURTHERMORE Bronwyn Drainie, Robin Sears, INDIGENEITY PANDEMIC David Schatzky, Jeannie Marshall, Sanaz Title Role Don’t Kid Yourself Harland, Darren Alexander, Evan Bedford, A failure of imagination A ruling on the rules Joel Henderson, Diana Dunbar Tremain, Jonathan Yazer Jessica Duffin Wolfe Kevin Keystone, Christopher Moore 18 5 31 The Canadian Conversation LITERATURE THE PUBLIC SQUARE A Polish journalist’s perspective Socially Distant Magdalena Miłosz Lonely Hearts Club Settling in with Helen Humphreys Maybe the problem with Facebook is us 21 Katherine Ashenburg Dan Dunsky AROUND THE WORLD 7 32 Mennonite -
Armchair Books and Penguin Random House Welcome These Authors to the Whistler Readers and Writers Festival
Welcome Welcome to the 14th annual Whistler Writers Festival. Each year we strive to bring the very best Canadian and international authors to Whistler for a weekend packed with readings, workshops, and opportunities for you to meet some of your favourite authors. This year our theme is fledgling to flight, which celebrates our ongoing commitment to feature both emerging and established authors on the same stage, each showcasing and supporting the other. Thursday October 15th will feature Comedy Quickies, a night of bite-sized comedy that takes writers’ humorous humdingers to the stage. A panel of judges will pre-select their 10 favourite written submissions to bring to life in the beautiful Millennium Place Theatre. Cash and prizes will be awarded for Best Comedy Writing, and of course, The People’s Choice award (chosen by our audience) will go to the best act of the evening. Our special guest will be comedian, humourist and author, Charlie Demers from CBC’s The Debaters and This is That. On Friday night our Chefs’ Reception will feature star chefs Emily Wight (Well Fed, Flat Broke) and award-winning poet and author Susan Musgrave (A Taste of Haida Gwaii). James Nevison, prize-winning author of the best selling book, (Had A Glass 2015) will join in to talk about some of the best and least expensive wine pairings. There will be samples of appetizers to try and you’ll be able to meet all three authors and hear them discuss their featured recipes and books. The Reception will be followed by the Literary Cabaret. -
Read Ebook {PDF EPUB} Open Arms by Marina Endicott ISBN 13: 9781550548402
Read Ebook {PDF EPUB} Open Arms by Marina Endicott ISBN 13: 9781550548402. Freehand Books is pleased to be bringing back to print the widely acclaimed first novel by the author of the Giller-shortlisted Good to a Fault, Marina Endicott. Open Arms is a contemporary quest story set in Saskatoon and featuring a protagonist whose spirit is as strong as her heart is broken. Seventeen-year-old Bessie Smith Connolly, the daughter of a rock-singer mother and absentee poet father, must navigate grief and betrayal, making her way through her exploded family and out into the world. Open Arms was a finalist for the 2002 Amazon-Books in Canada First Novel Award and broadcast on CBC Radio's Between the Covers. "synopsis" may belong to another edition of this title. Marina Endicott’s second novel, Good to a Fault (Freehand Books, 2008), was declared a “Must Read” by The Globe and Mail and shortlisted for the Scotiabank Giller Prize. Endicott lives in Edmonton and teaches Creative Writing at the University of Alberta. Excerpt. � Reprinted by permission. All rights reserved. : My mother drives her van as if she’s sailing, leaning her weight against each turn to keep an even keel in this stiff breeze. Sometimes when I go with her through the dark streets I fall asleep on the bundles of newspapers in the back, and wake to see her shoulders and head arched black against the windshield, some song slipping out under her breath. On my grandmother’s piano there’s a photograph of my mother hiking far out over the waves, one hand on the tiller and the other on the spinnaker line. -
Is Canadian Literature Still “National”? Twenty-First-Century Canadian Literature in Spatial Perspective
Is Canadian Literature Still “National”? Twenty-First-Century Canadian Literature in Spatial Perspective Sabine Milz orLit, the successor to CanLit, is about money,” writ- er and literary journalist Stephen Henighan proclaims in “ a chapter of When Words Deny the World: The Reshaping of CanadianT Writing that carries the title “Vulgarity on Bloor: Literary Institutions From CanLit to TorLit” (159). In this chapter, Henighan argues that in the 1960s and 1970s a national literature came into life in Canada through the wide distribution and “laudable accessibility” (158) of Canadian-authored titles produced in distinctly regional settings. The national literary climate was one of “comfortable collegiality where everyone knew everyone else through their work, even though they might not have met” (158). To a significant degree, Henighan notes, this interactive environment and collegiality was fostered by governmental and arm’s-length granting agencies that supported a national dissemina- tion infrastructure, and by literary journals, as well as by the national media, that were and still are largely centred in Ontario, and especially in Toronto. While Canadian publishing was (and still is) primarily regional — and Henighan emphasizes that the “southern Ontario com- mercial presses are no exception to this” (160) — the widely distributed literary product was distinctly Canadian: national. “With the advent of the globalized 1990s”, Henighan writes, this balance of regional produc- tion and national distribution/exposure got undone as English Canada’s publishing centre, Toronto,1 “was plugged into the global marketplace,” leaving other English-Canadian publishers “corralled within their own regions” (159). Nowadays, these regional publishers “scrape by within their regional markets” (159) as consistent national distribution and media attention have largely disappeared — and with them, a truly (i.e., grassroots) national Canadian literature. -
Freehand Books Spring 2 0 1 8
FREEHAND BOOKS SPRING 2 0 1 8 1 Message from the publisher In 2018, Freehand Books is turning 10! We started off with a bang in 2008 when our very first book, Marina Endicott’s Good to a Fault, was a finalist for the Scotiabank Giller Prize and selected for Canada Reads. We’ve gone on to do exciting things since then. Karyn L. Freedman’s brave memoir One Hour in Paris: A True Story of Rape and Recovery won the BC National Award for Canadian Non-Fiction. Sarah Leavitt’s Tangles: A Story about Alzheimer’s, My Mother, and Me was the first work of graphic literature to be shortlisted for the Writers’ Trust Non-Fiction Prize. Ian Williams’ Personals was a finalist for the Griffin Poetry Prize, and we’ve had books on the Amazon.ca First Novel Award shortlist for two consecutive years. Our innovative, beautiful book design has been honoured by the Alcuin Society. We’re very proud to publish debut books by future literary stars like Saleema Nawaz and Clea Young, and the latest works from literary legends like Lorna Crozier. Over the years, we’ve been guided by the dual nature of the word freehand: drawing freehand may be expressive of both unfettered creativity and exquisite control. This season, as we publish our fiftieth book from our little office in Calgary, we’re celebrating our storied past. But more than anything, we’re excited about our future. Here’s to our next decade of punching above our weight! kelsey attard Managing Editor, Freehand Books 2 r e c e n t a w isbn 978-1-988298-12-2 $16.95 CDN/ US isbn 978-1-55481-303-4 $21.95 CDN *