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The New York City Jazz Record

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THE NEW YORK CITY JAZZ RECORD BEST OF 2018 BEST OF 2018 BEST OF 2018 BEST OF 2018 BEST OF 2018 BEST OF 2018 MISCELLANEOUS CATEGORIES OF THE YEAR UNEARTHED GEMS BOXED SETS TRIBUTES JOHN COLTRANE— ART ENSEMBLE OF CHICAGO— FRANK KIMBROUGH—Monk’s Dreams: The Complete Both Directions At Once: The Lost Album (Impulse-Verve) And Associated Ensembles (ECM) Compositions of Thelonious Sphere Monk (Sunnyside) JOHNNY MBIZO DYANI—African Bass (Solo Concert: FRANK KIMBROUGH—Monk’s Dreams: The Complete GREGORY LEWIS—Organ Monk Blue (s/r) Willisau Jazz Festival 1978) (Sing a Song Fighter) Compositions of Thelonious Sphere Monk (Sunnyside) DAVE LIEBMAN/JOHN STOWELL— THELONIOUS MONK—Mønk (Gearbox) DON RENDELL/IAN CARR QUINTET— Petite Fleur: The Music of Sidney Bechet (Origin) WES MONTGOMERY— The Complete Lansdowne Recordings (1965-1969) (Jazzman) BRIAN MARSELLA TRIO— In Paris: The Defnitive ORTF Recording (Resonance) TEDDY WILSON—Classic Brunswick & Columbia Teddy Outspoken: The Music of the Legendary Hasaan (Tzadik) ALEXANDER VON SCHLIPPENBACH/AKI TAKASE— Wilson Sessions (1934-1942) (Mosaic) MILES OKAZAKI—WORK (The Complete Compositions Live at Café Amores (NoBusiness) VARIOUS ARTISTS—The Savory Collection 1935-1940 (Mosaic) of Thelonious Monk) (s/r) LATIN RELEASES ORIGINAL ALBUM ARTWORK DEBUTS FERNANDO GARCíA—Guasábara Puerto Rico (zOHO) IDRIS ACKAMOOR & THE PYRAMIDS—An Angel Fell (Strut) JOHAN GRADEN—Olägenheter (Moserobie) CARLOS HENRIQUEZ—Dizzy Con Clave JOHN McLAUGHLIN & THE 4TH DIMENSION ADAM HOPKINS—Crickets (Out of Your Head) (Live From Dizzy’s Club Coca-Cola) (RodBros Music) (WITH JIMMY HERRING & THE INVISIBLE WHIP)— MATTIAS RISBERG—Stamps (Clean Feed) Live in San Francisco (Abstract Logix) ARTURO O’FARRILL & THE AFRO LATIN JAZZ PHIL STEWART—Melodious Drum (Cellar Live) ORCHESTRA—Fandango at the Wall: A Soundtrack for The RAFAL SARNECKI—Climbing Trees (Outside In Music) GABRIEL ZUCKER—Weighting (ESP-Disk´) United States, Mexico and Beyond (Resilience Music Alliance) SONS OF KEMET—Your Queen Is A Reptile (Impulse) FRAN VIELMA AND HIS VENEZUELAN VARIOUS ARTISTS— JAZZ COLLECTIVE—Tendencias (Papelón) A Day in the Life: Impressions of Pepper (Impulse) REISSUES DAVID VIRELLES—Igbó Alákorin (The Singer’s Grove) ART ENSEMBLE OF CHICAGO— Vol. I & II (Pi/El Tivoli Music) LIVE ALBUMS A Jackson In Your House (AECO) ALAN BRAUFMAN—Valley of Search CYRILLE AIMéE—Cyrille Aimée Live (Mack Avenue) (India Navigation-Valley of Search) VOCAL RELEASES ARILD ANDERSEN—In-House Science (ECM) CYRILLE AIMéE—Cyrille Aimée Live (Mack Avenue) JOE McPHEE—The Willisau Concert JOHN McLAUGHLIN & THE 4TH DIMENSION (hatHUT-Corbett vs. Dempsey) TONY BENNETT & DIANA KRALL— (WITH JIMMY HERRING & THE INVISIBLE WHIP)— MISHA MENGELBERG—Pech Onderweg (BVHaast-ICP) Love is Here to Stay (Verve/Columbia) Live in San Francisco (Abstract Logix) KAT EDMONSON—Old Fashioned Gal (Spinnerette) MISHA MENGELBERG, PETER BRÖTZMANN, GARD NILSSEN’S ACOUSTIC UNITY— EVAN PARKER, PETER BENNINK, PAUL RUTHERFORD, CHAMPIAN FULTON—The Stylings of Champian (s/r) Live in Europe (Clean Feed) DEREK BAILEY, HAN BENNINK— CéCILE McLORIN SALVANT—The Window (Mack Avenue) EVAN PARKER/BARRY GUY/PAUL LYTTON— Groupcomposing (ICP-Corbett vs. Dempsey) Music for David Mossman (Live at Vortex London) (Intakt) LARGE ENSEMBLE RELEASES JAZZ BOOKS ORRIN EVANS AND THE CAPTAIN BLACK BIG BAND— SOLO RECORDINGS Art Kane Harlem 1958: 60th Anniversary Edition Presence (Smoke Sessions) SIGURD HOLE—Elvesang (Elvesang) (Wall of Sound Editions) MICHAEL LEONHART ORCHESTRA— MILES OKAZAKI—WORK (The Complete Compositions of History of European Jazz (Edited by Francesco Martinelli) The Painted Lady Suite (Sunnyside) Thelonious Monk) (s/r) (Equinox Publishing) JIM McNEELY/FRANKFURT RADIO BIG BAND— BARRE PHILLIPS—End To End (ECM) Jazz in China: From DanCe Hall MusiC to Individual Freedom of Barefoot Dances and Other Visions (Planet Arts) MARTIAL SOLAL—My One and Only Love (Intuition) Expression by Eugene Marlow (University Press of Mississippi) HENRY THREADGILL 14 OR 15 KESTRA: AGG— LISA ULLéN—Piano Works (Disorder) Sophisticated Giant: The Life and Legacy of Dexter Gordon Dirt... And More Dirt (Pi) by Maxine Gordon (University of California Press) ALEXANDER VON SCHLIPPENBACH Tropical Riffs: Latin America and the Politics of Jazz GLOBE UNITY ORCHESTRA— by Jason Borge (Duke University Press) Globe Unity: 50 Years (Intakt) HONORABLE MENTIONS—NEW RELEASES Juhani Aaltonen/Raoul Björkenheim—Awakening (Eclipse Music) • ABIAH—ABIAH sings NINA (Madoh Music Group) • JD Allen—Lovestone (Savant) • AMM—An Unintended Legacy (Matchless) • Hearts and Minds—Electroradiance (Astral Spirits) • Angles 3—Parede (Clean Feed) • Bad Luck—Four (Origin) Duck Baker—Plays Monk (Triple Point) • Tim Berne/Matt Mitchell—Angel Dusk (Screwgun/Knuckles) • Samuel Blaser—Early in the Mornin’ (OutNote/Outhere) • Jakob Bro—Returnings (ECM) • Aaron Burnett—Digital Light (moreismore) • David Byrd-Marrow/Peter Evans—Eye of the Mind (moreismore) Daniel Carter/William Parker/Matthew Shipp—Seraphic Light (AUM Fidelity) • David Chesky—Aural Paintings (Chesky) • Chicago Edge Ensemble—Insidious Anthem (Trost) • Musæum Clausum—En/Musæum Clausum (Umlaut) • Steve Coleman and Five Elements—Live at the Village Vanguard, Vol. 1 (Pi) Jeremiah Cymerman—Decay of the Angel (5049 Records) • Andrew Cyrille/Wadada Leo Smith/Bill Frisell—Lebroba (ECM) • Benoît Delbecq 4—Spots on Stripes (Clean Feed) • Michael Dessen Trio—Somewhere in the Upstream (Clean Feed) • Robert Dick/Tiffany Chang—Raise the River (Rogue Art) Pierre Dørge—Soundscapes (SteepleChase) • Hamid Drake/Ralph M. Jones/Adam Rudolph—Karuna (META) • Marty Ehrlich—Trio Exaltation (Clean Feed) • Wendy Eisenberg—The Mechanic Unconscious (Tzadik) • Peter Evans—The Veil (moreismore) • Peter Evans/Cory Smythe—Weatherbird (moreismore/Tundra) Fire!—The Hands (Rune Grammofon) • Bill Frisell—Music IS (OKeh) • Satoko Fujii/Joe Fonda—Mizu (Long Song) • Satoko Fujii/Joe Fonda/Gianni Mimmo—Triad (Long Song) • Full Blast—Rio (Trost) • Benito Gonzalez/Gerry Gibbs/Essiet Okon Essiet—Passion Reverence Transcendence (Whaling City Sound) Georg Graewe/Damon Smith/Michael Vatcher—Unhesitating (Nuscope) • Mats Gustafsson/Jason Adasiewicz—Timeless (Corbett vs. Dempsey) • Barry Guy—Blue Horizon: Barry Guy@70 (Fundacja Słuchaj) • Mary Halvorson/Bill Frisell—The Maid with The Flaxen Hair: A Tribute to Johnny Smith (Tzadik) Tigran Hamasyan—For Gyumri (Nonesuch) • Here’s To Us—Animals, Wild and Tame (Hoob) • Fred Hersch Trio—Live in Europe (Palmetto) • Hobby Horse—Helm (Auand/Rous) • Per-Åke Holmlander It’s Never Too Late Orchestra—Carliot (Not Two) • Hot Heros—Folkjazz from Finland (Eclipse Music) Hungry March Band—Running Through with the Sadness (Imaginator) • Kaze—Atody Man (Libra) • Kyoko Kitamura’s Tidepool Fauna—Protean Labyrinth (s/r) • Martin Küchen & Landæus Trio—Vinyl (Moserobie) • James Brandon Lewis/Chad Taylor—Radiant Imprints (Off-Record) Dave Liebman/Tatsuya Nakatani/Adam Rudolph—The Unknowable (RareNoise) • Fredrik Lundin—5 Go Adventuring Again (Stunt) • Harold Mabern—The Iron Man: Live at Smoke (Smoke Sessions) • Mark Masters Ensemble—Our Métier (Capri) • Peter McEachern Trio—Bone Code (Clean Feed) The Miyumi Project—Reduction Ensemble (Asian Improv) • Louis Moholo-Moholo’s Five Blokes—Uplift the People (Ogun) • Mopo—Mopocalypse (We Jazz) • Roberto Negro—Kings and Bastards (CAM Jazz) • NES—Ahlam (ACT Music) • Lucas Niggli—Alchemia Garden (Intakt) No Fast Food—Settings for Three (Corner Store Jazz) • Adam O’Farrill’s Stranger Days—El Maquech (Biophilia) • Aruán Ortiz Trio—Live in Zurich (Intakt) • Kathrin Pechlof Trio—Toward the Unknown (Pirouet) • Ken Peplowski Big Band—Sunrise (Arbors) • Pulverize The Sound—Sequel (moreismore) Quoan—Fine Dining (Orenda) • Stephen Riley—Hold ‘em Joe (SteepleChase) • Jacob Sacks—Fishes (Clean Feed) • Samo Salamon/Tony Malaby/Robert Dani—Traveling Moving Breathing (Clean Feed) • Susana Santos Silva—All the Rivers (Clean Feed) • Winged Serpents—Six Encomiums for Cecil Taylor (Tzadik) Kavita Shah & François Moutin—INTERPLAY (Dot-Time) • Andy Sheppard Quartet—Romaria (ECM) • Mako Sica/Hamid Drake—Ronda (Astral Spirits-Feeding Tube) • Josh Sinton’s Predicate Trio—making bones, taking draughts, bearing unstable millstones pridefully, idiotically, prosaically (Iluso) Soft Machine—Hidden Details (MoonJune) • Günter Baby Sommer/Till Brönner—Baby’s Party (Intakt) • Sonar—Live At Moods (7D Media) • Tyshawn Sorey—Pillars (Firehouse 12) • Jason Stein’s Locksmith Isidore—After Caroline (Northern Spy) • Subtle Degrees—A Dance That Empties (New Amsterdam/NNA Tapes) Craig Taborn/Kris Davis—Octopus (Pyroclastic) • Hans Teuber & Jeff Johnson—Deuce (Origin) • The Liquid Trio—Plays Bernoulli (Fundacja Słuchaj) • The Necks—Body (Northern-Spy) • This Is It!—1538 (Libra) • Ken Thomson—Sextet (New Focus) • Henry Threadgill—Double Up, Plays Double Up Plus (Pi) Valk/Mahnig/Manderscheid/Sternal—POP (JazzHausMusik) • Various Artists—A Day in the Life: Impressions of Pepper (Impulse) • Alexander von Schlippenbach/Dag Magnus Narvesen—Interweaving (Not Two) • Dan Weiss—Starebaby (Pi) • Randy Weston—SOUND (African Rhythms) Mars Williams—An Ayler Xmas, Vol. 2 (Soulwhat/ESP-Disk’) • Stéphane Wrembel—The Django Experiment III (Water Is Life) • Yokada—Stillness & Sirens (Plugged) • Jeppe Zeeberg—Eight Seemingly Unrelated Pieces of Piano Music (Barefoot) • John Zorn—The Garden of Earthly Delights (Tzadik) Tuesday, January 22 • Art Lillard’s Heavenly Big Band with Frank Perowsky, Gene Coleman, Michael Hashim, • Kevin Blancq Big Band Swing 46 8:30
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  • Cecil Mcbee Mutima Mp3, Flac, Wma

    Cecil Mcbee Mutima Mp3, Flac, Wma

    Cecil McBee Mutima mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Mutima Country: Japan Released: 2010 Style: Contemporary Jazz, Avant-garde Jazz MP3 version RAR size: 1271 mb FLAC version RAR size: 1902 mb WMA version RAR size: 1762 mb Rating: 4.6 Votes: 671 Other Formats: AIFF APE AUD FLAC AA TTA VOC Tracklist Hide Credits 1 From Within 11:21 2 Voice Of The 7th Angel 2:02 Life Waves 3 Alto Saxophone – Allen Braufman*Bells – Lawrence KillianPercussion – Jimmy HoppsTenor 9:13 Saxophone, Soprano Saxophone – George AdamsTrumpet – Tex Allen 4 Mutima 13:41 A Feeling 5 2:38 Drums – Allen Nelson Tulsa Black 6 6:10 Electric Bass – Cecil McBee, Jr. Companies, etc. Manufactured By – Bomba Records, Inc. Distributed By – Bomba Records, Inc. Licensed From – Strata-East Records, Inc. Recorded At – Minot Sound Credits Bass, Arranged By, Composed By, Producer – Cecil McBee Congas – Lawrence Killian Design [Cover] – Lucia Haskell McBee Drums – Jimmy Hopps Engineer – Ron Carran Engineer [Mixing] – Richard Adler* Flugelhorn – Tex Allen Flute – Art Webb Gong, Percussion – Michael Carvin Liner Notes – 悠雅彦* Percussion, Cymbal – Jaboli Billy Hart* Piano, Electric Piano – Onaje Allen Gumbs* Transferred By [Digital Transfer] – Duncan Stanbury Vocals – Dee Dee Bridgewater Notes Recorded May 8, 1974 at Minot Studios, White Plains, NY Other versions Category Artist Title (Format) Label Category Country Year Cecil Mutima (LP, SES-7417 Strata-East SES-7417 US 1974 McBee Album) Everland Jazz Cecil Mutima (LP, Everland Jazz Everland Jazz Netherlands 2018
  • Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa

    Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa

    STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach.
  • Baltimore: “Music City” of the Future?

    Baltimore: “Music City” of the Future?

    December 2015 Baltimore: “Music City” of the Future? . 1 BCJS at BMA: Don Braden Quintet featuring Vanessa Rubin . 4 BALTIMORE JAZZ ALLIANCE Member Notes, Discounts and Merchandise . 6 Dave Douglas at An die Musik . 7 An Interview with Nico Sarbanes . 8 Jazz Jam Sessions . 10 Ad Rates and Member Sign-up Form . 11 VOLUME XII ISSUE XI THE BJA NEWSLETTER WWW.BALTIMOREJAZZ.COM Baltimore: “Music City” of the Future? By Ken Avis On October 25th the Music Cities Conference in Washington, DC brought together 200 musicians, presenters, and city ad - ministrators from around the world to share experiences con - cerning the value of active music communities and ways to make them thrive. Something is happening out there. In re - cent years, at the city and at national levels, data are being collected, action plans are being implemented, and “live music offices” are being staffed. The evidence is conclusive. Under the right conditions a vibrant music scene positively affects community and economic development. Link it to tourism and it can really bring in the dollars and jobs. Austin, Nashville, New Orleans, and Berlin are clearly “music cities” where festivals, clubs and the supporting in - dustries provide jobs and attract tourist dollars. Austin has been America’s fastest-growing city for the last nine years. Its “cool music city” factor has been key to its success in attract - ing creative talent for the expanding high tech and creative What about Baltimore? Could Baltimore harness its jazz industries. At the other end of the spectrum, Johannesburg, legacy and active arts scene to ramp up quality of life Bogota, and at the national level, Venezuela are actively pur - and attract talent and jobs to revitalize the city ? suing music education and performance programs to address problems of crime and poverty and to develop healthier com - searchable by date, location, and genre, are front and center.