DOCSLIB.ORG

Film Fiction | Oktyabr, №2 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Film Fiction | Oktyabr, №2 1 Film Fiction | Oktyabr, №2 1 sasa Film Fiction | Oktyabr, №2 2 FİLM FİCTİON Oktyabr, №2 №2 Hörmətli oxucular, artıq ikinci say ixtiyarınıza verildi. Bu sayı ərsəyə gətirmək üçün həqiqətən çox çalışdıq. Elə günlər olurdu ki, saatlarla araşdırmalara, tərcümələrə vaxt ayırırdıq. Əlimizdən gələni etdik. Bütün bunlar sizinçündür. Məqsədimiz sizə filmlər barədə az da olsa hər ay məlumat vermək, sizdə filmlərə maraq artırmaqdır. Ötən sayımız bir az qısa olmuşdu. Çünki ilk dəfə idi bunu edirdik. Və insanlar jurnala münasibəti Film Fiction / Oktyabr, №2 maraqlı idi bizə. Müsbət rəylər bizi daha da həvəsləndirdi. Üz qabığındakı simalar: Bred Pitt və Edvard Düşündüyümüzdən də çox film Norton həvəskarı gördük. Və bir şeyi həqiqətən də anladıq: “Belə bir film jurnalının KORREKTOR Gülarə Abdullayeva olması doğurdan da vacibdir”. DİZAYN Ferat Ötən saydan fərqli olaraq bu dəfə YAZARLAR Şahin Xəlil jurnal daha həcmlidi. Daha çox və Ferat, Məcid Məcidov fərqli film məlumatları ilə zəngindi. Bu TƏRTİBAT Ferat saydan başlayaraq “Müəllif filmləri” REDAKTOR Şahin Xəlil rubrikasına və kinoman, kinoşünastların köşə yazılarında da yer veriləcək. Və ən nahəyət bu saydan etibarən jurnalımız hər sayı bir kino fədaisinə həsr olunacaq. e-mail: [email protected] Bu say Azərbaycan kinosunun və facebook səhifəsi: çəkinmədən deyərdim ki, dünya facebook.com/fiction.magazine kinosunun ən gözəl aktyorlarından biri, twitter hesabı: twitter.com/filmfiction mərhum Fazil Salayevə həsr olunur! informasiya dəstəyi: kinoklik.com Dangahead p r o d u c t i o n Film Fiction | Oktyabr, №2 3 İÇİNDƏKİLƏR Alejandro Gonzalez İnnaritu (Şahin Xəlil) ..........................................................................4 Natali Portman (Şahin Xəlil).................................................................................................6 Leonardo DiCaprio (Şahin Xəlil)..........................................................................................8 TOP 30 (Şahin Xəlil)............................................................................................................10 Maraqlı Faktlar (Ferat & Məcid Məcidov)...........................................................................13 Sitatlar (Ferat).......................................................................................................................15 Fazil Salayev (Seymur Elsevər)............................................................................................17 Nouvelle Vague (Şahin Xəlil)...............................................................................................20 The Cannes İnternational Film Festival (Ferat & Məcid Məcidov)......................................21 Hər şey yaxşılığa doğru (Şahin Xəlil)...................................................................................24 Dublyajımız niyə bəyənilmir? (Orxan Məmmədov).............................................................25 Dogme 95 (Gümüş Fətulllayeva)..........................................................................................26 Cəfərli Qorqud (Şahin Xəlil).................................................................................................28 Edward Norton / Brad Pitt (Samir Əlizadə)..........................................................................30 Trilogiyalar (Mətləb Muxtarov)............................................................................................36 The Curious Case of Benjamin Button (Ferat & Məcid Məcidov).......................................39 Dolls (Şahin Xəlil).................................................................................................................40 Children of Heaven (Ferat)....................................................................................................41 Son Bahar (Şahin Xəlil).........................................................................................................42 All the İnvisible Children (Şahin Xəlil).................................................................................43 Elephant Man (Şahin Xəlil)...................................................................................................44 Afişa (Ferat)...........................................................................................................................45 Viktorina................................................................................................................................49 Film Fiction | Oktyabr, №2 4 2001-ci ildə “Ən yaxşı xarici film” nominasiyasında Oskara namizəd olur. ALEJANDRO “Kann” kino festivalında mükafata layiq görülür. “11 sentyabr” film proyektindən sonra İnarritu “Ölüm” trilogiyasının ikinci filmini GONZALEZ çəkir. “21 qram”(21 Gram) adlanan film də tənqidçilər tərəfindən müsbət qarşılanır. Venetsiya kino festivalında filmin baş rol İNNARİTU ifaçılarından Şon Penn “ən yaxşı aktyor” laureatı olur. Benissio Del Toro və Naomi Uotss isə “Tamaşaçı simpatiyası prizi” qazanırlar. Bundan əlavə Naomi Uotss “Ən yaxşı baş rol”, Del Toro isə “Ən yaxşı ikinci dərəcəli” rol nominasiyasında Oskara namizəd görülür. 2006-cı ildə rejissor trilogiyanın sonuncu- üçüncü filmini təqdim edir. “Babil”(Babel) adlanan film rejissora “Qızıl qlobus” qazandırır və ikinci dəfə Oskara Alexandro Qomes İnarritu 16 avqust nominant edir. Ümumilikdə film 7 1963-cü ildə Mexiko şəhərində anadan olub. nominasiyada Oskara namizəd olur və bir 1984-cü ildə Meksikanın ən populyar radio nominasiyada Oskarı qazanır. 2007-ci ildə dalğalarından biri olan WFM-də DJ Kann kino festivalı üçün hazırlanan “Hər kəsin fəaliyyətinə başlayır. Tezliklə elə həmin öz kinosu” proyektində “Anna” adlanan qısa dalğada musiqi prodüseri vəzifəsinə keçir. metrajla iştirak edir. Üç il sonra, yəni 2010-cu 1988-90 cı illərdə 6 tam metrajlı filmə ildə rejissor sayca dördüncü olan tam metrajlı prodüserlik edir. 1990-cı ildə Meksikanın ən filmini- “Biutiful”-u çəkir. Xavier Bardemin böyük telekanalı olan “Televisa”nın bədii baş rol aldığı film rejissoru üçüncü dəfə rəhbəri vəzifəsinə təyin olunur. 1991-ci ildə Oskara nominant edir. Kann festivalında isə özünün “Zeta Film” prodüserlik Bardem filmdə yaratdığı obraza görə ən yaxşı kompaniyasını açır. Elə həmin ərəfələrdə aktyor olur. rejissorluqla maraqlanmağa başlayır. İlk Göründüyü kimi 11 il ərzində dörd film sınaqlarını reklam roliklərində edir. 1995-ci bir rejissor üçün çox azdı, amma əgər ildə debüt olaraq orta metrajlı “Pula İnarrtudan söhbət gedirsə bunu ona görə”(Detras del dinero), 1996-cı ildə isə qısa bağışlamaq olur. Çünki, rejissor öz filmlərinin metrajlı “Deviz”(El timbre) filmlərini çəkir. üstündə həssaslıqla işləməyi sevir. Ona görə Dörd il sonra isə özünün ilk tam metrajlı hələ ki heç bir filmi mükafatsız və tərifsiz filmini tamamlayır. “İt sevgisi”(Amorres qalmayıb. Çox uzatmadan sizə rejissorun ən Perros) adlanan film rejissora böyük uğur maraqlı müsahibələrindən birini təqdim edirik. gətirir. Bir çox mükafatlara layiq görülür. Film Fiction | Oktyabr, №2 5 -“Biutiful” niyə səhv yazılıb? -Səhv deyil. Mən istədim belə yazılmasını. Gözəllik elə gözəllikdi. Ona necə baxılmasından asılı olmayaraq. Film də tamaşaçıya bunu deyir. -Bardemlə işləmək necə idi? -Əla! Bardem əsl aktyordu. Biz bir-birimizdən razı qaldıq. -Bəs Bardemə alternativ kim ola bilərdi? -Heç kim! Doğurdan deyirəm. Ssenarini yazanda ağlımda bu rolda Bardem idi və alternativ variant düşünməmişdim. -Nə əcəb Qarsiya Bernal üçün bir rol tapılmadı filmdə... -Bernal bu rol üçün çox cavandı. Ümumiyyətlə bu filmdə Bernala aid bir rol yox idi. Təkrar edirəm, Bernal çox, çox cavandı. “Baxın biz sizinlə burda danışırıq, amma haralardasa milyonlarla insan əziyyət çəkir!” -Barselonın “qara həyatı” haqda sizə kim danışdı? -Heç kim. Bunun üçün mənim öz gözlərim, ayaqlarım və gördüklərimi analiz edə biləcək düşüncəm var. Bir il bu Avropa ölkəsində yaşadım. Və bir ilə gördüklərim məndə unudulmaz təəsüratlar yaratdı. Barselonada mən Afrika və Asiya məhəllələrində çox gəzdim. Heç kim mənə heç nə demirdi. Filmdə gördükləriniz real insanlardı. - “Biutiful” digər filmlərinizdən tərzinə görə fərqləndi. - Bəli. Sözün düzü bezdim qarışıq talelərin toqquşmasından və bircə taleyə müraciət etdim. Amma deyim ki, bu film məhz bu cür çəkilməli idi. Yəni maraq bunda idi. Başqa cür çəkmək istəmədim. Bütün diqqəti yeganə taleyə topladım və onun daxili aləmini bütövlükdə çatdırmağa çalışdım. Hər halda düzdü... Bu mənim tərzim deyil. - Sizin bütün filmlərinizdə hökmən obrazlar əziyyət çəkir. Həmdə xırda şeylər faciə olacaq qədər böyüyür. Hər şey yəni belə pisdi? -Düzdü trilogiyada olan filmlər sırf ölüm haqda olduğundan sözsüz ki, orda faciə olmalı idi. Bir söz deyim... Baxın sizinlə burda danışırıq, amma haralardasa milyonlarla insan əziyyət çəkir. Mənim missiyam filmlərim vasitəsilə həqiqəti çatdırmaqdı. Özünüzün də dediyiniz kimi xırda səbəblər böyüyüb faciə yaradır. Bunun qarşısını ala bilmərəm. Heç kim ala bilməz. Amma çalışanlar var və o çalışanlardan biri də mənəm. “Biutiful” filmində isə humanizm var. İnsan anlayır ki, onun ömrünə az qalıb. O isə nə ağlayır, nə də bunun fikrini edir. O sadəcə hər şeyi öz yerində görmək istəyir. Yəni biz insanlar əslində özümüz üçün yox, kimin üçünsə yaşayırıq, kimin üçünsə də ölürük. Filmlərimə faciə yox, reallıq desəniz daha ədalətli olar. -Son sual. Nə vaxtsa sizdən həyat dolu, pozitiv film görəcəyik? -Söz verirəm. Mütləq. Baxın söz verdim. Ha ha ha... Film Fiction | Oktyabr, №2 6 Natali Portman Natali Portman iyun 1981-ci ildə İsrailin Qüds şəhərində anadan olub. Atası Avner Herşlaq ixtisasca endokrinoloqdu. Anası Şelli Stivensen isə evdar xanım olsa
Load more

Recommended publications
  • Phoenix Films 1999-2019/20 Sorted by Film Title 10
    Phoenix Films 1999-2019/20 Sorted by Film Title Film Date Rating(%) 2046 1-Feb-2006 68 120BPM (Beats Per Minute) 24-Oct-2018 75 3 Coeurs 14-Jun-2017 64 35 Shots of Rum 13-Jan-2010 65 45 Years 20-Apr-2016 83 5 x 2 3-May-2006 65 A Bout de Souffle 23-May-2001 60 A Clockwork Orange 8-Nov-2000 81 A Fantastic Woman 3-Oct-2018 84 A Farewell to Arms 19-Nov-2014 70 A Highjacking 22-Jan-2014 92 A Late Quartet 15-Jan-2014 86 A Man Called Ove 8-Nov-2017 90 A Matter of Life and Death 7-Mar-2001 80 A One and A Two 23-Oct-2001 79 A Prairie Home Companion 19-Dec-2007 79 A Private War 15-May-2019 94 A Room and a Half 30-Mar-2011 75 A Royal Affair 3-Oct-2012 92 A Separation 21-Mar-2012 85 A Simple Life 8-May-2013 86 A Single Man 6-Oct-2010 79 A United Kingdom 22-Nov-2017 90 A Very Long Engagement 8-Jun-2005 80 A War 15-Feb-2017 91 A White Ribbon 21-Apr-2010 75 Abouna 3-Dec-2003 75 About Elly 26-Mar-2014 78 Accident 22-May-2002 72 After Love 14-Feb-2018 76 After the Storm 25-Oct-2017 77 After the Wedding 31-Oct-2007 86 Alice et Martin 10-May-2000 All About My Mother 11-Oct-2000 84 All the Wild Horses 22-May-2019 88 Almanya: Welcome To Germany 19-Oct-2016 88 Amal 14-Apr-2010 91 American Beauty 18-Oct-2000 83 American Honey 17-May-2017 67 American Splendor 9-Mar-2005 78 Amores Perros 7-Nov-2001 85 Amour 1-May-2013 85 Amy 8-Feb-2017 90 An Autumn Afternoon 2-Mar-2016 66 An Education 5-May-2010 86 Anna Karenina 17-Apr-2013 82 Another Year 2-Mar-2011 86 Apocalypse Now Redux 30-Jan-2002 77 Apollo 11 20-Nov-2019 95 Apostasy 6-Mar-2019 82 Aquarius 31-Jan-2018 73
    [Show full text]
  • Tape ID Title Language Type System
    Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year
    [Show full text]
  • 1,000 Films to See Before You Die Published in the Guardian, June 2007
    1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation.
    [Show full text]
  • Oakwood Ill I1 3111 1115711111111 4111 11 00706I Ill 1111111 6837
    Department: Oakwood Ill I1 311 11157111111111 4111 1100706 I Ill 111111111111 168371111111111111 1111 PS571 .S8 02 2009 c.2 Published by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange, 2009 1 Oakwood, Vol. 3, Iss. 3 [2009], Art. 1 " " .;- * ·, �"' 1\� � :�½{�: Oakwood 2009 https://openprairie.sdstate.edu/oakwood/vol3/iss3/1 2 Hll TON M. BRIGGS LIBRARY Department: Oakwood loble of Contents Ars Poetica. Poetry 8 Oakwood is a South Dakota State Megan Boule University production of creative arts and literature. Sunflower. Poetry 10 Don Nguyen Editors Sara Olivier Spinning Thoughts. Visual Art 12 Kathleen Grode Chelsey Mccuen Amber Jensen Siri Boy lights in a Huddle. Poetry 13 Sumin Lee Reading Board Dallas Sargent 14 Mitch Leclair my grandma, who didn't believe in capitals, Poetry Laurene Adkins Sheryl Kurylo Amber Easton left Hand. Visual Art 15 Literary Advisor Chelsey Mccuen Christine Stewart-Nunez Department Head. English American Lights. Poetry Dr. Kathleen Donovan Amber Easton Executive Art Director A Silver Pearl, Fiction 17 Ryan Velgersdyk Lori Jacobson Graphic Designer Little Eyes, Poetry 24 Katie VanWyhe Patricia Murrill Graphic Design Advisors The ClosedChest Method, Poetry 26 Randy Clark Dan Nguyen M. Timothy Steele lye Soaked Hands. Poetry 27 Department Head, Vlsual Arts Megan Boule Dr. Norman Gambill · Tribute to Mom 2. Visual Art 28 Chelsey Mccuen Special Thanks SDSU Student Association Kathie Prahl Ghazal After ReadingEmerson's Plea for Poets Dr. Jerry D. Jorgensen to Declare: "It is in me and shall out!", Poetry 29 Amanda Rose S,ara Olivier Published by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange, 2009 3 Oakwood, Vol.
    [Show full text]
  • The Films of Theo Angelopoulos: a Voyage in Time
    The Films of Theo Angelopoulos: A Voyage in Time Evangelos Makrygiannakis Thesis submitted for the degree of Doctor of Philosophy The University of Edinburgh 2008 Abstract This thesis provides a critical enquiry into the films of Theo Angelopoulos. Dividing his films into two periods—the one running through the seventies and the other starting with the advent of the eighties—I will examine the representation of history in the first period of Angelopoulos and the metaphor of the journey in his subsequent films. Furthermore, I will trace the development of an aesthetic based on long takes which evokes a particular sense of time in his films. This aesthetic, which is based on the internal rhythm of the shot, inscribes a temporality where past, present, and future coexist in a contemporaneous image. Being free from the requirements of an evolving plot, this image is an autonomous image which allows the passing of time to be felt. Autonomy, which I will define after philosopher Cornelius Castoriadis as an immanent movement towards change, can be also used to describe the process of changing oneself or a given society from within. In exploring the resonances autonomy has, I will make a connection between the social and the cinematic; an attempt which is informed by what Angelopoulos’ films do of their own accord. In this way, I will suggest that Angelopoulos is important not only for the history of film but also for one’s modus vivendi. iii iv Acknowledgements I would like to deeply thank my supervisors, the late Professor Dietrich Scheunemann, Professor Martine Beugnet and Professor John Orr, for all their precious feedback and support throughout the years.
    [Show full text]
  • Creative Europe' in the Spotlight at 65Th Cannes Film Festival
    EUROPEAN COMMISSION - PRESS RELEASE MEDIA and 'Creative Europe' in the spotlight at 65th Cannes Film Festival Brussels, 16 May 2012 - Eighteen films supported by the European Commission's MEDIA programme are in the Cannes Film Festival's 'Official Selection' this year, of which seven are in competition for the Palme d’Or, notably "Amour" by Michael Haneke, "The Angel's Share" by Ken Loach and "Jagten" (The Hunt) by Thomas Vinterberg (full list in annex). During the Festival, Androulla Vassiliou, the European Commissioner for Education, Culture, Multilingualism and Youth, will award the first 'Prix MEDIA' to Iranian film-maker Asghar Farhadi and will also discuss the Commission's proposed new 'Creative Europe' programme, which includes MEDIA, with film directors and professionals. The new programme, which focuses on the cultural and creative sectors, has received strong support from EU Culture and Audiovisual Ministers. "I am delighted that, once again, European films are out in force in Cannes. This is the best reward for our efforts and shows that Europe can, by means of targeted investment, bring considerable added value to the audiovisual and culture sectors," said Commissioner Vassiliou. "Our future 'Creative Europe' programme will help the European film industry to meet the challenges of digitisation and globalisation and will continue to safeguard and promote Europe's cultural and linguistic diversity. I am delighted that professional associations in the cinema sector, including renowned directors and actors, have given their support to our future programme." On 20 May, Ms Vassiliou will award the 2012 'Prix MEDIA' for the best European film project to the Iranian film-maker Asghar Farhadi and his French producer Memento Films Production (IP/12/353).
    [Show full text]
  • Twelve Masters: Film As Art Jak Şalom & (Guest Lecturer: Hakkı Başgüney) 2017-2018/2 Week 1 – 2018-02-06 Introduction Week 2 – 2018-02-13 Sergei M
    Twelve Masters: Film as art Jak Şalom & (Guest lecturer: Hakkı Başgüney) 2017-2018/2 Week 1 – 2018-02-06 Introduction Week 2 – 2018-02-13 Sergei M. Eisenstein Week 3 – 2018-02-20 John Ford Week 4 – 2018-02-27 Akira Kurosawa Week 5 – 2018-03-06 Satyajit Ray Week 6 – 2018-03-13 Luchino Visconti Week 7 – 2018-03-20 Ken Loach Week 8 – 2018-03-27 Luis Buñuel Week 9 – 2018-04-03 Jean-Luc Godard Week 10 – 2018-04-10 Rainer Werner Fassbinder Week 11 – 2018-04-24 Theo Angelopoulos Week 12 – 2018-05-01 Ingmar Bergman Week 13 – 2018-05-08 Nuri Bilge Ceylan 1 Twelve masters: Film as art Week 1 Introduction Course description: In this course, we aim to recover twelve master directors from twelve different countries and cultures. These directors are significant in the history of cinema because of the themes they developed in their movies as well as the novelties they brought to the form. Angelopulos, Eisenstein, Bergman, Bunuel, Ceylan, Fassbinder, Ford, Godard, Kurosawa, Loach, Ray and Visconti: all of them produced masterpieces of the film history and their production may be defined as turning points in the evolution of cinema as an artistic realm. We think that their works can be analyzed and identified from many perspectives as they are most relevant to define the main purposes of film as art. Native place-making and universal, developed and underdeveloped, East and West, conventional and avant-garde, national and international, all of these dualities profoundly elaborated in human and social sciences will also be important for us to think about and discuss leading work of arts of these authors.
    [Show full text]
  • How-Movies-Help-Make-The-World
    y friend the architect Colin Fraser Wishart says that the purpose of his craft is to help people live better. There’s beautiful simplicity, but also Menormous gravity in that statement. Just imagine if every public building, city park, urban transportation hub, and home were constructed with the flourishing of humanity - in community or solitude - in mind. Sometimes this is already the case, and we know it when we see it. Our minds and hearts feel more free, we breathe more easily, we are inspired to create things - whether they be new thoughts of something hopeful, or friendships with strangers, or projects that will bring the energy of transformation yet still into the lives of others. If architecture, manifested at its highest purpose, helps We comprehend...that nuclear power is us live better, then it is also easy to spot architecture that is divorced from this purpose. a real danger for mankind, that over- In our internal impressions of a building or other space made to function purely within crowding of the planet is the greatest the boundaries of current economic mythology - especially buildings made to house the so-called “making” of money - the color of hope only rarely reveals itself. Instead we danger of all. We have understood that are touched by melancholy, weighed down by drudgery, even compelled by the urge to the destruction of the environment is get away. But when we see the shaping of a space whose stewards seem to have known another enormous danger. But I truly that human kindness is more important than winning, that poetry and breathing matter believe that the lack of adequate beyond bank balances and competition (a concert hall designed for the purest reflection imagery is a danger of the same of sound, a playground where the toys blend in with the trees, a train station where the magnitude.
    [Show full text]
  • Ten Reasons to Love Or Hate Mexican Cinema
    Ten Reasons to Love or Hate phenomenon, the principal historian of Mexican Mexican Cinema silent cinema, Aurelio de los Reyes, writes without hesitation in 1977: This first Mexican cinema constituted Mexico's principal contribution to world cinema. As time Paulo Antonio Paranaguti went by, this cinema has become doubly important. Firstly, because it showed images of the Revolution that no literary practice could match. Secondly, because its faithfulness to the geographic and chronological sequence of events and its desire to record 'historical events' was a local vernacular form of presenting newsreels ... Allow me to use the first person to emphasise the particular importance of this volume. Although I am In face, during its initial nomadic phase, travelling Brazilian by birth, Mexican cinema interests me, noc camera operators carried the cinema all over Mexico . because of Latin American solidarity (which is all too These projectionist-operator s thus acquired ofcen reduced to a kind of sacrosanct rhetoric to important experience (decentralisation had not yet commemorate the dead) , buc for a series of reasons become fashionable). In 1910, on the eve of the lisced below that stir up the whole spectrum of armed insurrection against the dictatorship, emotions, ranging from delight to depression . production and exhibition were nationally controlled. The foreign presence was limited to a few I . Undoubtedly for the first time in Latin America, if distributors and to technological dependence . The not in the world, Mexico witnessed the birth of a film business enjoyed its first boom in 1906 with the contemporary political cinema directly Linked to major opening of the first real movie theatres.
    [Show full text]
  • The Deterritorialization of Home and Identity in Brian Chikwava’S Harare North and Chris Cleave’S the Other Hand
    THE DETERRITORIALIZATION OF HOME AND IDENTITY IN BRIAN CHIKWAVA’S HARARE NORTH AND CHRIS CLEAVE’S THE OTHER HAND A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY İSMAİL KAYGISIZ IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF ENGLISH LITERATURE AUGUST 2020 Approval of the thesis: THE DETERRITORIALIZATION OF HOME AND IDENTITY IN BRIAN CHIKWAVA’S HARARE NORTH AND CHRIS CLEAVE’S THE OTHER HAND submitted by İSMAİL KAYGISIZ in partial fulfillment of the requirements for the degree of Master of Arts in English Literature, the Graduate School of Social Sciences of Middle East Technical University by, Prof. Dr. Yaşar KONDAKÇI Dean Graduate School of Social Sciences Prof. Dr. Çiğdem Sağın ŞİMŞEK Head of Department Foreign Language Education Assoc. Prof. Dr. Elif Öztabak-AVCI Supervisor Foreign Language Education Examining Committee Members: Assoc. Prof. Dr. Hülya Yıldız-BAĞÇE (Head of the Examining Committee) Middle East Technical University Foreign Language Education Assoc. Prof. Dr. Elif Öztabak-AVCI (Supervisor) Middle East Technical University Foreign Language Education Assist. Prof. Dr. Mustafa KIRCA Çankaya University Translation and Interpreting Studies PLAGIARISM I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last Name: İsmail KAYGISIZ Signature: iii ABSTRACT THE DETERRITORIALIZATION OF HOME AND IDENTITY IN BRIAN CHIKWAVA’S HARARE NORTH AND CHRIS CLEAVE’S THE OTHER HAND KAYGISIZ, İsmail M.A., The Department of English Literature Supervisor: Assoc.
    [Show full text]
  • Cinema 2: the Time-Image
    m The Time-Image Gilles Deleuze Translated by Hugh Tomlinson and Robert Caleta M IN University of Minnesota Press HE so Minneapolis fA t \1.1 \ \ I U III , L 1\) 1/ ES I /%~ ~ ' . 1 9 -08- 2000 ) kOTUPHA\'-\t. r'Y'f . ~ Copyrigh t © ~1989 The A't1tl ----resP-- First published as Cinema 2, L1111age-temps Copyright © 1985 by Les Editions de Minuit, Paris. ,5eJ\ Published by the University of Minnesota Press III Third Avenue South, Suite 290, Minneapolis, MN 55401-2520 f'tJ Printed in the United States of America on acid-free paper 1'::>55 Fifth printing 1997 :])'''::''531 ~ Library of Congress Number 85-28898 ISBN 0-8166-1676-0 (v. 2) \ ~~.6 ISBN 0-8166-1677-9 (pbk.; v. 2) IJ" 2. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or othenvise, ,vithout the prior written permission of the publisher. The University of Minnesota is an equal-opportunity educator and employer. Contents Preface to the English Edition Xl Translators'Introduction XV Chapter 1 Beyond the movement-image 1 How is neo-realism defined? - Optical and sound situations, in contrast to sensory-motor situations: Rossellini, De Sica - Opsigns and sonsigns; objectivism­ subjectivism, real-imaginary - The new wave: Godard and Rivette - Tactisigns (Bresson) 2 Ozu, the inventor of pure optical and sound images­ Everyday banality - Empty spaces and stilllifes - Time as unchanging form 13 3 The intolerable and clairvoyance - From cliches to the image - Beyond movement: not merely opsigns and sonsigns, but chronosigns, lectosigns, noosigns - The example of Antonioni 18 Chapter 2 ~ecaPitulation of images and szgns 1 Cinema, semiology and language - Objects and images 25 2 Pure semiotics: Peirce and the system of images and signs - The movement-image, signaletic material and non-linguistic features of expression (the internal monologue).
    [Show full text]
  • 300 Greatest Films 4 Black Copy
    The goal in this compilation was to determine film history's definitive creme de la creme. The titles considered to be the greatest of the great from around the world and throughout the history of film. So, after an in-depth analysis of respected critics and publications from around the globe, cross-referenced and tweaked to arrive at the ranking of films representing, we believe, the greatest cinema can offer. Browse, contemplate, and enjoy. Check off all the films you have seen 1 Citizen Kane 1941 USA 26 The 400 Blows 1959 France 51 Au Hasard Balthazar 1966 France 76 L.A. Confidential 1997 USA 2 Vertigo 1958 USA 27 Satantango 1994 Hungary 52 Andrei Rublev 1966 USSR 77 Modern Times 1936 USA 3 2001: A Space Odyssey 1968 UK 28 Raging Bull 1980 USA 53 All About Eve 1950 USA 78 Mr Hulot's Holiday 1952 France 4 The Rules of the Game 1939 France 29 L'Atalante 1934 France 54 Sunset Boulevard 1950 USA 79 Wings of Desire 1978 France 5 Seven Samurai 1954 Japan 30 Annie Hall 1977 USA 55 The Turin Horse 2011 Hungary 80 Ikiru 1952 Japan 6 The Godfather 1972 USA 31 Persona 1966 Sweden 56 Jules and Jim 1962 France 81 The Apartment 1960 USA 7 Apocalypse Now 1979 USA 32 Man With a Movie Camera 1929 USSR 57 Double Indemnity 1944 USA 82 Discreet Charm of the Bourgeoisie 1972 France 8 Tokyo Story 1953 Japan 33 E.T. the Extra-Terrestrial 1982 USA 58 Contempt (Le Mepris) 1963 France 83 The Seventh Seal 1957 Sweden 9 Taxi Driver 1976 USA 34 Star Wars Episode IV 1977 USA 59 Belle De Jour 1967 France 84 Wild Strawberries 1957 Sweden 10 Casablanca 1942 USA 35
    [Show full text]