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Renata Kamińska PROCURATORES – IMPERIAL AGENTS OR
ZESZYTY NAUKOWE UNIWERSYTETU RZESZOWSKIEGO SERIA PRAWNICZA ZESZYT 108/2019 PRAWO 27 DOI: 10.15584/znurprawo.2019.27.6 Renata Kamińska The Cardinal Wyszyński University in Warsaw ORCID: 0000-0003-3357-1734 PROCURATORES – IMPERIAL AGENTS OR CURATORS’ ASSISTANTS? The period of the Principate was characterised by a number of changes in nearly all areas of public life, i.e. in the political, economic, social and reli- gious sphere. These occurred as an unavoidable, and in some cases absolutely natural result of systemic transformations. The new model of government, initiated by Augustus, where power was in the hands of the ruler with little involvement of other state authorities, required appropriate principles to be introduced for the functioning of both the office of Princeps and other co- -governing centres. Although Augustus sought to abandon the republican order, he was well aware of the fact that he would only succeed if his power was se- cured within the frames of this system1. Hence, he maintained Plebeian As- semblies and the Senate, as well as most of the clerical positions, although he divested all of those bodies of many of their previous powers. This was par- ticularly clear in the case of the magistrates whose functions he assumed him- self or delegated to offices which he established2. The principles in accordance with which these were exercised differed in almost every respect from the models existing in the Republic. This applied in the same way to rotation in office, collegiality, gratuitousness and eligibility. Different rules were also followed in selecting candidates for the specific positions. Seeking to limit the power of the Senate, Augustus decided to establish a counter-measure for this body by filling imperial offices mainly with representatives of Ordo Equester3. -
The Reception of Agrippina, Mother of Nero, in Handel's Opera Agrippina
In die Skriflig / In Luce Verbi ISSN: (Online) 2305-0853, (Print) 1018-6441 Page 1 of 6 Original Research Agrippina as prima donna: The reception of Agrippina, mother of Nero, in Handel’s opera Agrippina Author: This article examines the way in which Agrippina, the mother of the emperor Nero, is depicted 1 Betine van Zyl Smit in Handel’s opera Agrippina. The opera’s libretto, written by Cardinal Vincenzo Grimani, Affiliation: draws upon the historical information in Suetonius’ biography of Claudius and upon the 1Department of Classics and events described in books 12 to 14 of Tacitus’ Annals. The article shows how Grimani juggled Archaeology, University of the chronology, events and relationships among the characters to omit the tragic and gruesome Nottingham, Nottingham, details, and to create a satirical comedy of succession. United Kingdom Keywords: Georg Friedrich Handel; Vincenzo Grimani; Agrippina Opera; Emperor Nero; Corresponding author: Betine Smit, Emperor Claudius; Empress Agrippina; Suetonius’ Biography of Claudius; Tacitus Annals [email protected] 12–14; Opera Libretto; Poppaea Sabina; Otho. Dates: Received: 07 June 2019 Accepted: 25 July 2019 Introduction Published: 31 Oct. 2019 The relationships and events at the heart of the Roman Empire in the middle years of the 1st century AD1 contain plenty of drama and intrigue. The accounts of Tacitus in his Annals and in the How to cite this article: Van Zyl Smit, B., 2019, biographies of the emperors Claudius and Nero by Suetonius, depict a series of marriages and ‘Agrippina as prima donna: murders that would make material for the most lurid fiction. Such events occurred at the courts The reception of Agrippina, of Claudius (41–54) and Nero (54–64). -
ACCOUNTING and AUDITING in ROMAN SOCIETY Lance Elliot
ACCOUNTING AND AUDITING IN ROMAN SOCIETY Lance Elliot LaGroue A dissertation thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2014 Approved by: Richard Talbert Fred Naiden Howard Aldrich Terrence McIntosh © 2014 Lance Elliot LaGroue ALL RIGHTS RESERVED II ABSTRACT Lance LaGroue: Accounting and Auditing in Roman Society (Under the direction of Richard Talbert) This dissertation approaches its topic from the pathbreaking dual perspective of a historian and of an accountant. It contributes to our understanding of Roman accounting in several notable ways. The style and approach of Roman documents are now categorized to reflect differing levels of complexity and sophistication. With the aid of this delineation, and by comparison with the practices of various other premodern societies, we can now more readily appreciate the distinct attributes present at each level in Roman accounting practices. Additionally, due to the greater accessibility of Roman accounting documents in recent years – in particular, through John Matthews’ work on the Journey of Theophanes, Dominic Rathbone’s study of the Heroninos archive, and the reading of the Vindolanda tablets -- it becomes easier to appreciate such differences among the few larger caches of accounting documents. Moreover, the dissertation seeks to distinguish varying grades of accountant. Above all, it emphasizes the need to separate the functions of accounting and auditing, and to gauge the essential characteristics and roles of both. In both regards, it is claimed, the Roman method showed competency. The dissertation further shows how economic and accounting theory has influenced perceptions about Roman accounting practices. -
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L'ab Epistulis E L'a Libellis Nel Ii Secolo D
Università degli Studi di Cagliari DOTTORATO DI RICERCA Fonti scritte della Civiltà mediterranea Ciclo XXVII LA PAROLA SCRITTA AL SERVIZIO DELL'IMPERATORE E DELL'IMPERO: L'AB EPISTULIS E L'A LIBELLIS NEL II SECOLO D.C. Settore scientifico disciplinare di afferenza L-ANT/03 Presentata da: Tiziana Carboni Coordinatore Dottorato Prof. ssa Giovanna Granata Tutor Prof. Antonio M. Corda Esame finale anno accademico 2014 – 2015 INDICE Premessa ....……………………………………………………......................... 3 I. L'amministrazione equestre ..............................……………........................... 7 I. 1. Domande .......................................................................................... 15 II. Le Persone …………………………………….............................................. 19 IIa. Adriano …………………………………............................. 21 IIb. Antonino Pio …………………………................................. 35 IIc. Marco Aurelio …………………………............................... 48 IId. Commodo ……………………………................................. 68 IIe. I Severi .................................................................................. 84 II.1. Sommario ......................................................................................... 112 III. I Documenti ………………………………….............................................. 113 IIIa. Adriano …………………………........................................ 117 IIIb. Antonino Pio …………………………………................... 136 IIIc. Marco Aurelio ………………………………..................... 160 IIId. Commodo …………………………………........................ 179 IIIe. I -
Clodia, Fulvia, Livia, Messalina: What Can We Really Learn About the Elite Women of Rome?
Clodia, Fulvia, Livia, Messalina: what can we really learn about the elite women of Rome? ‘A dissertation submitted to the University of Wales Trinity Saint David in fulfilment of the requirements for the degree of Master of Arts’ 29001652 Jacqueline Margaret Meredith 2014 Master’s Degrees by Examination and Dissertation Declaration Form. 1. This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Name: J M Meredith Date: 21 March 2014 2. This dissertation is being submitted in partial fulfilment of the requirements for the degree of Master of Arts. Name: J M Meredith Date: 21 March 2014 3. This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Name: J M Meredith Date: 21 March 2014 4. I hereby give consent for my dissertation, if accepted, to be available for photocopying, inter-library loan, and for deposit in the University’s digital repository. Name: J M Meredith Date: 21 March 2014 Supervisor’s Declaration. I am satisfied that this work is the result of the student’s own efforts. Name: …………………………………………………………………………... Date: ……………………………………………………………………………... Contents Abstract ...................................................................................................... 5 Introduction and literature review ........................................................... 6 Women in the Late Republic ................................................................. -
The Slave and Freedman 'Cursus' in the Imperial Administration1
74 HUGH LLOYD-JONES Marmaric War, but this usage does not look like a late one, and if he employed it it is likely that he took it from much earlier authors. In an important study of Nonnus' language that will soon appear, Dr Giuseppe Giangrande has amply demonstrated that Nonnus did not take the liberties with Greek words that some have incautiously ascribed to him. The address to the Horai, appropriate when a Kocipds is in question (see Robert, pp. 15 f.), must be preceded by a full stop, so that oO cannot be relative to anything in the preceding sentence; nor is Wilhelm's notion that it is relative to the following nauCTocviav at all probable. We must read ou and point the sentence as a question; it will then mean,' Did not the moment that relieved Pausanias of his priesthood prove to be one of hard drinking?' If we keep iaxEv the words could bear this sense; but «TXEV would be very curious, and I feel little doubt that it has been incised by mistake for EOKEV. For instances of such confusion, see J. M. R. Cormack in B.S.A. LVIII (1963), 21, n. 3; in this case the mistake would have been made easier by the occur- rence of the x of X^'S Just before. In the third line of the verses the iro has been duplicated, and that may not be the writer's only error. The middle TttxuaduEvos is less natural than the active Trarucrocc. would have been. But the use of the middle in such cases in the last part of the pentameter is a mannerism of the epigram-style, and in this case the poet will have wished to introduce the pun already underlined in the prose introduction (cf. -
The Annals of Imperial Rome
The Annals of Imperial Rome 321 The Annals of Imperial Rome Tacitus (A.D. c.56-c.120), the greatest of the Roman historians, chronicles the early Roman Empire, from the death of the first emperor Augustus (in A.D. 14) up to the years of the First Jewish-Roman War (A.D. 63-73). The Annals is his final work. It portrays the pathological souls of tyrants, the psychology of power politics, and the preciousness and precariousness of liberty. 323 Tacitus Book I The city of Rome was originally in the hands of kings; liberty and the consulship were instituted by Lucius Brutus. Dictatorships were as- sumed temporarily. The Board of Ten did not exercise control beyond a two-year period, nor was the military tribunes’ consular authority long prevalent. Neither Cinna’s regime nor Sulla’s was lengthy. The power of Pompey and Crassus quickly gave way to Caesar, likewise the armies of Lepidus and Antony to Augustus, who as ‘first citizen’ re- ceived everything, weary as it was from civil strife, into his command. For the Roman people of old – their successes and misfortunes – writ- ers of renown produced a record, and the tale of Augustus’ times did not lack reputable talents until the spread of flattery proved a deter- rent. The affairs of Tiberius and Gaius, Claudius and Nero, in their prosperity, were falsified through fear and after their fall were written with hatreds still fresh. Thus my plan is to report a few final things about Augustus, then Tiberius’ principate and the rest, without anger or favour, from whose causes I consider myself distant. -
Anglo-Saxon Constitutional History
ROMAN LAW IMPERIAL CONSTITUTIONS AS A SOURCE OF LAW CODIFICATION WHAT DOES IT ALL ADD UP TO? I. SOURCES OF LAW (IMPERIAL CONSTITUTIONS) 1. Gaius tells us that “An imperial constitution is what the emperor by decree, edict, or letter ordains.” ‘Constitution’ (constitutio) is the generic term; the word means simply something established or decided. ‘Decree’ (decretum, plural decreta), ‘edict’ (edictum, plural edicta), and ‘letter’ (episutla, plural epistulae) are more specific. The terminology reflects, to some extent, the development of the bureaucracy of the imperial chancery, but also the different contexts in which the emperor might write. a. Edicta. The emperor was a Republican magistrate with imperium. As such, he had the power to issue edicts. Hadrian issued some. The Constitutio Antoniniana of Caracalla is one. Perhaps the most famous is one that probably never was issued: Luke 2:1. b. Decreta are technically judicial decisions of the emperor either at first instance or on appeal. As we have noted previously, appeal was something new. It became possible with the extraordinaria cognitio when the judge himself became a public official. c. Epistulae are letters to a magistrate, very occasionally to a private citizen. If the letter answered a question it was called a rescriptum (‘rescript’, literally a ‘writing back’). d. Subscriptiones were written under a letter coming from a private citizen or on a libellus, a petition from a private citizen. They remained in the imperial archives but the author received a copy. These were also called ‘rescripts’. e. Mandata are instructions from the emperor on imperial administrative matters. 2. -
Control Marks and Mint Administration in the Fourth Century Ad
Johan van HEESCH *1 CONTROL MARKS AND MINT ADMINISTRATION IN THE FOURTH CENTURY AD Abstract – Control marks are omnipresent on 4th century billon coins. e purpose of this contribution is to examine if these marks enable us to gain insight in the ad- ministration of mints and if marking and administration were controlled centrally or not. From the emergence of the system of marking at the end of the 3rd century, it seems clear that mintmarks and the speed of their change were managed by a central authority. is also implies that detailed records were kept and that impressive archi- ves once existed. Together with the uniformity of the coinage and the homogeneous metal content of the billon coinage over the whole empire, it illustrates the impor- tance attached to a stable coinage and the awareness of the economic consequences of an untrustworthy system. ough much was ordered from above, the actual ela- boration of the marks was determined at the level of the mints. e empirewide reduction of the number of workshops under Julian (c. 363) seems to suggest that these were not indispensable, but rather inefficient and costly. It is suggested that the minters belonged to a class or guild characterized by privileges that were considered inappropriate at that time. n ancient greece and rome communication was, by modern stan- dards, primitive. How else can one describe a society where most of the I public announcements were chiseled out in marble letter by letter in order to inform its subjects about prices or tax regulations? However, does this imply that administration, government and the economy were equally basic? [1] In this paper I will argue that during the Later Roman Empire the administration of coinage was as sophisticated and well managed as was the administration of the Empire as a whole, and that the rhythm of coinage production and its con- trol, as reflected in the system of successive mint marks and the number of officinae in action, were sometimes (if not always) regulated on an empire- wide level. -
WOMENANDLEADERSHIP AGRIPPINA Tacitus
WOMEN AND LEADERSHIP AGRIPPINA st nd Tacitus Annales 12 selections (1 -2 century CE). 1 The execution of Messalina shook the imperial household: for there followed a conflict among the freedmen, who should select a consort for Claudius, with his impatience of celibacy and his docility under wifely government. Nor was competition less fierce among the women: each paraded for comparison her nobility, her charms, and her wealth, and advertised them as worthy of that exalted alliance. The question, however, lay mainly between Lollia Paulina, daughter of the consular Marcus Lollius, and Julia Agrippina, the issue of Germanicus. The latter had the patronage of Pallas; the former, of Callistus; while Aelia Paetina, a Tubero by family, was favored by Narcissus. The emperor, who leaned alternately to one or the other, according to the advocate whom he had heard the last, called the disputants into council, and ordered each to express his opinion and to add his reasons. 2 Narcissus discoursed on -
Britannicus, Tragédie
BRITANNICUS TRAGÉDIE RACINE, Jean 1670 Publié par Gwénola, Ernest et Paul Fièvre, Septembre 2015 - 1 - - 2 - BRITANNICUS TRAGÉDIE Jean Racine À PARIS, Chez CLAUDE BARBIN, au Palais, sur le second perron de la Sainte Chapelle. M. DC LXX. AVEC PRIVILÈGE DU ROI - 3 - À MONSEIGNEUR LE DUC DE CHEVEREUSE MONSEIGNEUR, Vous serez peut-être étonné de voir votre nom à la tête de cet ouvrage ; et si je vous avais demandé la permission de vous l'offrir, je doute si je l'aurais obtenue. Mais ce serait être en quelque sorte ingrat que de cacher plus longtemps au monde les bontés dont vous m'avez toujours honoré. Quelle apparence qu'un homme qui ne travaille que pour la gloire se puisse taire d'une protection aussi glorieuse que la vôtre ? Non, MONSEIGNEUR, il m'est trop avantageux que l'on sache que mes amis mêmes ne vous sont pas indifférents, que vous prenez part à tous mes ouvrages, et que vous m'avez procuré l'honneur de lire celui-ci devant un homme dont toutes les heures sont précieuses. Vous fûtes témoin avec quelle pénétration d'esprit il jugea l'économie de la pièce, et combien l'idée qu'il s'est formée d'une excellente tragédie est au-delà de tout ce que j'ai pu concevoir. Ne craignez pas, MONSEIGNEUR, que je m'engage plus avant, et que n'osant le louer en face, je m'adresse à vous pour le louer avec plus de liberté. Je sais qu'il serait dangereux de le fatiguer de ses louanges, et j'ose dire que cette même modestie, qui vous est commune avec lui, n'est pas un des moindres liens qui vous attachent l'un à l'autre.