3046 BOECKHORST, JOHANN (Münster 1604

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Gemälde Alter Meister 3046 3046 BOECKHORST, JOHANN - Vlieghe, H.: Nicht Jan Boeckhorst, son- Sibylle noch ein weiteres Gemälde aus dieser (Münster 1604 - 1668 Antwerpen) dern Jan van den Hoecke, in: Lorenz, A. / Serie bekannt, das eine Cumäische Sibylle zeigt Darstellung einer Sibylle. Um 1650-53. Rittmann, A.: Beiträge zum internationalen und sich heute in deutschem Privatbesitz befin- Öl auf Leinwand. Colloquium „Jan Boeckhorst - Maler der det (Öl auf Leinwand, 104,4 x 82,5 cm; siehe Oben rechts bezeichnet: IACEBIT IN FOEN Rubenszeit“ im Westfälischen Landesmuseum Galen 2012, S. 138, Nr. 42). Die Identifizierung AGNUS (Liegen wird im Heu das Lamm). Münster, Westfalen LXVIII, November 1990, der Dargestellten ist in der Wissenschaft nicht 101,2 x 80,8 cm. S. 167, Anm. 6. eindeutig geklärt. Während M. L. Hairs davon - McGrath, E.: Sibyls, Sheba and Jan Boeck- ausgeht, dass es sich um die Erythräische Sibylle Provenienz: horst‘s „Part of the World“, in: Balis, Arnout u. handelt, wofür die Inschrift und das Attribut des - Galerie Matthiesen, Berlin, 1928. a. (Hg.): Florissant. Bijdragen tot de kunstge- Lammes sprechen, vermutet H. Lahrkamp eine - Kunsthandel Anthony Reyre, London, 1953 schiedenis der Niederlanden, Liber Amoricum Darstellung der Samischen Sibylle, worauf die (als Anthony van Dyck). Carl van de Velde, Brüssel 2005, S. 357 und Inschrift und ihren Hinweis auf das Kind in der - Schweizer Privatsammlung über mehrere 359, Abb. 7. Krippe hindeuten (siehe Literatur). Generationen. - Galen, Maria: Johann Boeckhorst. Gemälde und Zeichnungen, Hamburg 2012, S. 136-138, Johann Boeckhorst, Sohn des Bürgermeisters Literatur: Nr. 41 (mit Abb.). von Münster und Kleriker, ging 1626 nach - Foulon, N.: Johan Boeckhorst 1605-1668. Zijn Antwerpen und lernte das Handwerk der Histo- Leven en zijn Werk, Gent 1972, S. 77, Nr. S 23 Das kürzlich in einer Schweizer Privatsammlung rienmalerei bei Jacob Jordaens (1593 - 1678) und (als Hl. Agnes). wiederentdeckte Gemälde war der Verfasserin Anthony van Dyck (1599 - 1641). In den 1630er - Ostrand, J.: Johann Boeckhorst. His life and der Monographie zu Johann Boeckhorst, Maria Jahren arbeitete er zudem eng mit Peter Paul his work, Diss. University of Missouri, Colum- Galen, bislang nur als Schwarz-Weiss-Abbildung Rubens (1577 - 1640) zusammen und 1640 beauf- bia 1975, S. 158-159, Nr. A 30 (als Hl. Agnes, bekannt. Nach Studium von aktuellen Farbfo- trage ihn dessen Witwe, Hélène Fourment, die mit falscher Provenienzangabe). tografien bestätigt sie die Autorschaft, wofür unvollendeten Gemälde seines Mannes fertigzu- - Hairs, M. L.: Dans le sillage de Rubens, Lüt- wir ihr danken. Galen hebt hervor, dass unser stellen. Bereits zu Lebzeiten war Boeckhorst ein tich 1977, S. 78. Gemälde als Teil eines Zyklus von zwölf Sibyl- sehr gefragter Maler in Antwerpen und sein Er- - Lahrkamp, H.: Der „Lange Jan“. Leben und len-Darstellungen entstand, die Johann Boeck- folg ermöglichte es ihm, eine eigene bedeutende Werk des Barockmalers Johann Bockhorst aus horst um 1650-1653 schuf. Eine solche Folge des Kunstsammlung zusammenzutragen. Münster, in: Westfalen, LX, 1982, S. 110, Nr. Künstlers ist im Nachlassinventar von Jeremias 64 (mit Abb.). Wildens, Sohn des Malers Jan Wildens, aus CHF 7 000 / 10 000 dem Jahr 1653 erwähnt. Bisher ist neben dieser EUR 6 500 / 9 300 | 54.

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ubens kocht het pand in november 1610, kort na zijn R huwelijk met Isabella Brant. Eind 1608, na een achtjarig verblijf in Italië, keerde hij naar Antwerpen terug en ging wonen in de Sint-Michielsstraat, de huidige KloosterstraaL In een brief van 10 april 1609 aan Johan Faber schrijft hij dat hij nog twijfelt of hij zich blijvend in de Scheldestad zou vestigen of definitief naar Rome zou terugkeren. Met aantrekkelijke aanbiedingen hadden de aartshertogen erop aangedrongen dat hij zou blijven. Maar Rubens voelde er weinig voor om opnieuw hoveling te worden. Aan Antwerpen kon hij wel wennen, maar het heimwee naar Rome was groot. Anderzijds was hij toch ook oog voor de gunstige conjunctuur onder het beleid van Albrecht en Isabella. De bekrachtiging van het Twaalfjarig Bestand (1609-1621), een rustpauze in de lange oorlog tegen het opstandige Noorden, bood hem een gunstig perspectief, het vooruitzicht op vrede en de daaraan verbonden welvaart. Ondanks zijn huiver voor het hofleven, trad Rubens op 23 september 1609 als hofschilder in dienst van de aartshertogen. Aan deze functie waren een aantal niet te versmaden rechten en voordelen verbonden zoals een jaargeld, vrijstelling van belastingen, alsook van gilde- en militieverplichtingen. Bovendien kon hij bedingen dat hij zich niet aan het Brusselse hof moest ophouden, maar zich in Antwerpen mocht vestigen en er ook voor eigen rekening kon werken. Dit laatste was ongetwijfeld een doorslaggevend argument. Hij besloot te blijven. Spoedig bleek welk een uiterst gunstig klimaat om zich te ontplooien Antwerpen hem te bieden had. Door zijn huwelijk met de dochter van Jan Brant, die stadssecretaris was, wist hij de oude bindingen van zijn familie met het stadspatriciaat te bestendigen.
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