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Live, Laugh, Limerence
Live, Laugh, Limerence An Opera Buffa in four acts Libretto by Marijke De Roover 2019 De Roover’s introductory notes: The performance needs the naturalism of the text. All characters exist all at once all as one. The landscape in which the experience is set could be a metropolitan studio apartment, an AA meeting, a deep dream or a dead star (more chance of it being a karaoke booth tbh). The I in the text is collective, the time suggestive. The simultaneity of the four parts of the text can be portrayed any which way. Me to me: You have a responsibility towards your audience. Please keep all the ducks in a row! The ducks: 1 CAST OF CHARACTERS When reading this story out loud, please use the following voices: ELETTRA: fast-paced, sweet, melodic. LOTTE (V.O.): distant but sensitive, straight forward. TURANDOT (V.O.): wild but judgemental (but their friendship is like this). → darlin’, this kind of love is not viable (I can just see it with this fat american country accent lol) Or (Marilyn is so sweet and Jane is much more rough/tough) NARRATOR (V.O.): voice of god (distant), ironic, calm . 2 SCENES PROLOGUE: IN WHICH THE NARRATOR EXPRESSES HER DOUBTS ACT ONE: THE DAY I STOPPED DRINKING I BECAME A PLAYWRIGHT THAT JUST SITS IN COFFEE BARS Which introduces us to the tragedy and its Scene 1: protagonist A brief encounter Scene 2: I took a deep breath and listened to the old bray Scene 3: of my heart. I am. I am. I am A realistic portrayal of someone using love as an Scene 4: escapist drug ACT TWO: A KISS. -
The Meaning of Romantic Love in Contemporary Society
Linfield University DigitalCommons@Linfield Senior Theses Student Scholarship & Creative Works 5-28-2020 The Evolution of Love: The Meaning of Romantic Love in Contemporary Society Jessica Salas Linfield College Follow this and additional works at: https://digitalcommons.linfield.edu/soanstud_theses Part of the Gender and Sexuality Commons, Race and Ethnicity Commons, and the Sociology of Culture Commons Recommended Citation Salas, Jessica, "The Evolution of Love: The Meaning of Romantic Love in Contemporary Society" (2020). Senior Theses. 13. https://digitalcommons.linfield.edu/soanstud_theses/13 This Thesis (Open Access) is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Thesis (Open Access) must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. Running head: ROMANTIC ATTITUDES AT THE INTERSECTION OF GENDER, RACE, AND SOCIOECONOMIC STATUS SALAS 1 The Evolution of Love: The Meaning of Romantic Love in Contemporary Society Jessica Salas Linfield College Department of Sociology and Anthropology 28 May 2020 THESIS COPYRIGHT PERMISSIONS Please read this document carefully before signing. If you have questions about any of these permissions, please contact the DigitalCommons Coordinator. Title of the Thesis: _____________________________________________________________ Author’s Name: (Last name, first name) _____________________________________________________________ Advisor’s Name _____________________________________________________________ DigitalCommons@Linfield (DC@L) is our web-based, open access-compliant institutional repository for digital content produced by Linfield faculty, students, staff, and their collaborators. -
This May Be the Author's Version of a Work That Was Submitted/Accepted for Publication in the Following Source: Hayes, Sharon
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Hayes, Sharon & Jeffries, Samantha (2013) Why do they keep going back? Exploring women’s discursive experiences of intimate partner abuse. International Journal of Criminology and Sociology, 2, pp. 57-71. This file was downloaded from: https://eprints.qut.edu.au/59218/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.6000/1929-4409.2013.02.6 1 Why do they keep going back? Exploring women’s discursive experiences of intimate partner abuse Sharon Hayes1 Samantha Jeffries2 Word Count: 9610 (excluding references and abstract) 1 Dr Sharon Hayes is a Senior Lecturer in the School of Justice, Queensland University of Technology, GPO Box 2434, Brisbane, Australia, Email: [email protected], Ph: +61 7 313 87119 (corresponding author) 2 Dr Samantha Jeffries is a Senior Lecturer in the School of Criminology and Criminal Justice, Griffith University. -
Love at First Sight
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Frontiers - Publisher Connector OPINION published: 28 July 2016 doi: 10.3389/fpsyg.2016.01113 Love at First Sight James A. Grant-Jacob * Faculty of Physical Sciences and Engineering, University of Southampton, Southampton, UK Keywords: interpersonal attraction, love, emotion, interpersonal relationships, perception Evolved traits such as intuitive skills have allowed individuals to quickly evaluate a suitable sexual partner in about 100 ms (Olson and Marshuetz, 2005; Willis and Todorov, 2006; Todorov, 2008). Having determined that someone is attractive at first sight, an individual may become emotionally attached to that person and communicate their affection via a copulatory gaze, in which the individual gazes into the other person’s eyes for many seconds (Fisher, 1992). In this opinion piece, I discuss why an individual can become attracted to and emotionally attached to another person in an instant at first sight and I propose how such feelings may be requited and thus how love at first sight between two people can occur if the receiver of such attraction has similar attributes to the individual. A person’s perceived attractiveness can vary depending on the individual who is perceiving their attractiveness. Studies on attraction have shown that people are strongly sexually attracted to lookalikes in physical appearance (Folkes, 1982; Alvarez and Bolívar, 2004; Malin, 2004), with researchers having found that subjects rated pictures of faces morphed with their own face as being more attractive (Penton-Voak et al., 1999). In work by Zaidel et al. (2003), subjects found that those faces that were more attractive, were also more trustworthy. -
Love at First Sight
Love at First Sight Science is exploring the “mystery” of love at first sight. As it turns out, our search for Mr. or Mrs. Right might simply be an exercise, albeit a risky one, in the power of suggestion. STEPHEN BERTMAN 26 Volume 32, Issue 6 SKEPTICAL INQUIRER he song “Some Enchanted Evening” from Rodgers and Hammerstein’s T South Pacific warns us that when it comes to explaining love at first sight, “Fools give you reasons. Wise men never try.” Notwith standing this lyrical warning, more and more psychologists are trying to solve this age-old mystery. According to a recent survey by marketing expert Earl Naumann (2001), almost two out of three Americans believe in love at first sight. Over half of them claim to have actually experi- enced it, and over half of those went on to marry the person they had instantly fallen in love with (Naumann 2001). In addition, 75 percent of those couples were still married at the time of Naumann’s study, a figure far higher than the national average. The theory of love at first sight goes all the way back to the days of the ancient Greeks, who worshiped the love goddess Aphrodite (the Romans would later call her Venus). Aphrodite Studies have shown that people who are in love look alike—more so than could overwhelm mere mortals with her immense power and chance would allow. take control of their lives by overriding both common sense and conscience. In one legendary case, a handsome Trojan prince into so many leather wallets and echoed with passion in the lyrics named Paris fell in love with a beautiful Spartan queen named of so many love songs. -
Love (Components) Zahra Sattaur, Lisa Lashley, Charles Golden Nova
Love (Components) Zahra Sattaur, Lisa Lashley, Charles Golden Nova Southeastern University, College of Psychology Several theories have emerged over the years to explain love. These theories have emerged in order to understand the nature of one’s experience of love in daily life. The two dominating theories on love are those proposed by John Alan Lee and Robert Sternberg. Lee’s model suggested a model which includes six styles of love, three which are primary, and three that are considered secondary. The primary styles of love are Eros or passionate love, Ludus or game-playing love, and Storge which is friendship-based love. The secondary styles of love are Pragma or practical love, Mania which is possessive love, and Agape which is altruistic love. Lee sought to describe the styles of loving in a relationship as opposed to describing types of people in the relationship. Sternberg’s triangular theory of love suggests that love can be explained via three components forming the ends of a triangle. At the top of the triangle is intimacy, while passion makes up the bottom left corner of the triangle, and decision and commitment make up the bottom right corner of the triangle. The position of these elements within the triangle has no significant relevance, but it useful to explain the overall model. This newer model of love has been proven in research to be more reliable and is more generally accepted, as it includes factors that are included in other models. Within this theory, the intimacy component refers to feeling close and connected in a relationship. -
What Kind of Love Is Love at First Sight? an Empirical Investigation: WHAT IS
University of Groningen What kind of love is love at first sight? An empirical investigation Zsok, Florian; Haucke, Matthias; de Wit, Cornelia; Barelds, Dick Published in: Personal Relationships DOI: 10.1111/pere.12218 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2017 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Zsok, F., Haucke, M., de Wit, C., & Barelds, D. (2017). What kind of love is love at first sight? An empirical investigation. Personal Relationships, 24(4), 869-885. https://doi.org/10.1111/pere.12218 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 26-09-2021 Personal Relationships, 24 (2017), 869–885. Printed in the United States of America. Copyright © 2017 IARR; DOI: 10.1111/pere.12218 What kind of love is love at first sight? An empirical investigation FLORIAN ZSOK, MATTHIAS HAUCKE, CORNELIA Y. -
Spring Literary Review 2021
SPRING 2021 THE JESUIT REVIEW OF FAITH AND CULTURE SPRING LITERARY REVIEW 2021 An American Catholic Pilgrimage Daniel Hornsby talks about his debut novel Jon M. Sweeney p8 Caroline Gordon’s Neglected Catholic Opus p14 Revisiting Following Christ in a Consumer Society p26 Mary Gordon Asks: What Kind of Catholic Are You? p58 1 | AMERICAMAGAZINE.ORG SPRING 2021 AMERICA | PB ADVERTISEMENT 2 | AMERICAMAGAZINE.ORG SPRING 2021 AMERICA | 3 ’ Welcome to Spring Books 2021 In the spring of 2015, I was blessed fiction; John Irving and Joseph Heller members an erudite scholar who took with the opportunity to travel to and Donna Tartt novels galore; a Chi- a blowtorch to our consumer culture El Salvador for the beatification nese-language original of Mao’s Little in 1981 (and again in 2006). ceremony of St. Óscar Romero (he was Red Book, of which I can’t read a word; There is much more in this issue: canonized in 2018). The Mass was an ten million books about Bob Dylan. reviews of new books, visits to old fa- intense and electric ceremony on its ¿Santo subito? vorites and forgotten treasures, po- own—hundreds of thousands packed There are a few books mentioned etry and more. We are also delighted the capital city’s Plaza Salvador del in this special issue I want to add to to have once again one of my favorite Mundo—but equally powerful were that collection, however, starting with writers, Mary Gordon, in our pages. the days before and after. Did you Daniel Hornsby’s Via Negativa. Jon Her “Last Word” column for this issue know that one can visit the saint’s M. -
2004 Dr. FUN's Stupid Cupid Awards
2004 Dr. FUN’s Stupid Cupid Awards These mass media portrayals illustrate the 12 media myths and stereotypes of my Dr. FUN’s Mass Media Love Quiz©. It’s OK to enjoy them, but make sure you’re aware of the unhealthy models they promote. For each myth, see the comparable Dr. Galician’s Prescription™ in the Realistic Romance Awards listing. Dr. FUN’s Stupidest Cupid Award “Just Married” As evidenced by the number of nominations, this mean-spirited movie (a top- grosser in more ways than one!) promoted nearly all 12 harmful myths — from the notion that your perfect partner is pre-destined and nobody can separate you to the dangerous belief that bickering and fighting mean that you’re really passionate about each other. However, despite totally different values, Aston Kutcher and Brittany Murphy reunite for a “happy” ending. Myth No. 1: Your perfect partner is cosmically predestined, so nothing/nobody can ultimately separate you. Awardee: “Sleepless in Seattle” The only realistic line in this movie is Rosie O’Donnell’s (to Meg Ryan): “You want to be in love in a movie.” Of course, that movie is the equally absurd sentimentalized “soul mates” classic, “An Affair to Remember,” which is actually part of the plot of this very tired Meg Ryan-Tom Hanks vehicle. Insisting Tom is “the one,” Meg breaks her engagement to pursue this “fated” relationship, which is based on nothing but Tom’s radio voice. Wake me when it’s over! Myth No. 2: There’s such a thing as “love at first sight.” Awardee: Pop song “Love At First Sight” (Kylie Minogue) The title (repeated in the chorus) says it all – though a more apt description would be “lust” at first sight. -
What Is Love?
What is Love? “Make a Marriage Last” http://www.Relationship-Insurance.com No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, without the prior written permission of the Publisher. Requests should be addressed to Visionary Publications, Inc., 3070 Dick Wilson Drive, Sarasota, FL 34240, 941 379-5221. (Nobody likes to read this kind of stuff. We wish we didn’t have to do it.) LIMIT OF LIABILITY/DISCLAIMER OF WARRANTY: THE PUBLISHER AND THE AUTHOR MAKE NO REPRESENTATIONS OR WARRANTIES WITH RESPECT TO THE ACCURACY OR COMPLETENESS OF THE CONTENTS OF THIS WORK AND SPECIFICALLY DISCLAIM ALL WARRANTIES, INCLUDING WITHOUT LIMITATION WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE. THE ADVICE AND STRATEGIES CONTAINED HEREIN MAY NOT BE SUITABLE FOR EVERY SITUATION. THIS WORK IS SOLD WITH THE UNDERSTANDING THAT THE PUBLISHER IS NOT ENGAGED IN RENDERING PROFESSIONAL SERVICES. IF PROFESSIONAL ASSISTANCE IS REQUIRED, THE SERVICES OF A COMPETENT PROFESSIONAL PERSON SHOULD BE SOUGHT. NEITHER THE PUBLISHER NOR THE AUTHOR SHALL BE LIABLE FOR DAMAGES ARISING HEREFROM. THE FACT THAT AN ORGANIZATION OR WEBSITE IS REFERRED TO IN THIS WORK AS A POTENTIAL SOURCE OF FURTHER INFORMATION DOES NOT MEAN THAT THE AUTHOR OR THE PUBLISHER ENDORSES THE INFORMATION OR THE RECOMMENDATIONS IT MAY MAKE. READERS SHOULD BE AWARE THAT INTERNET WEBSITES LISTED IN THIS WORK MAY HAVE CHANGED OR DISAPPEARED BETWEEN WHEN THIS WORK WAS WRITTEN -
Against Love Also by Laura Kipnis
AGAINST LOVE ALSO BY LAURA KIPNIS Bound and Gagged: Pornography and the Politics of Fantasy in America Ecstasy Unlimited: On Sex, Capital, Gender, and Aesthetics A GAl NST LOVE A POLEMIC Laura Kipnis Pantheon Books, New York Copyright© 2003 by Laura Kipnis All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Pantheon Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Pantheon Books and colophon are registered trademarks of Random House, Inc. Portions previously appeared in Critical Inquiry, Harper's, and The New York Times Mag azine. Library of Congress Cataloging-in-Publication Data Kipnis, Laura. Against love : a polemic I Laura Kipnis. p. em. Includes bibliographical references. ISBN 0-37 5-42189-0 r. Adultery. I. Title HQ8o6.K48 2003 306.73'6-dc21 2003042022 www.panthe onbooks.com Book design by M. Kristen Bearse Printed in the United States of America First Edition 4 6 8 9 7 5 To the only begetter -Shakespeare, Sonnets CONTENTS Reader Advisory 3 Prologue 5 Chapter One Love's Labors I I Chapter Tw o Domestic Gulags 52 Chapter Three The Art of Love I05 Chapter Four ...And the Pursuit of Happiness I43 Selected Bibliography 203 AGAINST LOVE READER ADVISORY Please fasten your seatbelts: we are about to encounter con tradictions. The subject is love, and things may get bumpy. To begin with, who would dream of being against love? No one. Love is, as everyone knows, a mysterious and all controlling force, with vast power over our thoughts and life decisions. -
LOVE at FIRST SIGHT and World Traveler”
WINTER 2016–2017 his book titles. The oldest GSG trib- ute bench dates back to 1995. The dedications at GSG are sweet, charming, and loving. The children of Robert E. Lee (Bob) Adamson dedicated his memorial bench to “Mr. Wonderful, Journalist LOVE AT FIRST SIGHT and World Traveler”. I bet Mr. Won- Photo by Kathy Trichel; all rights reserved Photo by Kathy Trichel; derful had many a story to tell. On HERE IS A PSYCHOLOGICAL condi- GSG. I thought it was a place devel- their wedding anniversary the chil- T tion called “Fall Hard, Fall Fast: oped just to make me happy. Num- dren and grandchildren of Betty and Love-At-First-Sight Syndrome.” It ber seven of “love-at-first sight syn- Edde Greenstein presented them has eleven signs. Usually it has drome” is “you tend to obsess over with a tribute bench to celebrate to do with meeting someone who things.” It fit me perfectly. “62 years of love.” The inscription piques your interest. I believe it also My dear administrative assistants invites you “to sit here with Mama applies to places or things, perhaps had taken over a bench near the ga- and Papa.” They married on May even ice cream flavors. I experi- zebo. They papered it with a sign 30, l946. Mary shared that Mr. and enced love-at-first sight the first declaring the bench “dedicated to Mrs. Greenstein used to walk the time I visited Green Spring Gardens the best boss”. They didn’t write my paths of GSG almost daily. Mr. (GSG).