DOCSLIB.ORG

Broadside, $2 Prepaid

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Broadside, $2 Prepaid NEWSLETTER OF THE THEATRE LIBRARY ASSOCIATION Volume 23, No. 1 Summer 1995 GEORGE FREEDLEY/THEATRE LIBRARY ASSOCIATION BOOK AWARDS On Wednesday, May 31, the Theatre Library Association held the George Freedley-TLA Awards ceremony at Lincoln Center Library for the Performing Arts in the Bruno Walter Auditorium. Two critics, a film director and an actress presented awards to authors of outstanding books on Theatre, Film, and Television. The winners were Richard Abel, Neal Gabler, Faye E. Dudden and Simon Trussler. Michael Musto, writer for the Wage Voice and "gossip guru," presented the first award, the Theatre Library Association's honorable mention, to Neal Gabler's book WncheZZ: Gossip, Power and the Culture of Celebrity Faye E. Dudden, Estelle Parsons (Knopf). Accepting the award on behalf of Neal Gabler was Gary Stevens. Stevens read Gabler's remarks which was good, and he wasn't afraid to Trussler for his book Cambridge thanked the Theater Library Association pronounce his opinion." Illustrated History of British Theatre. and acknowledged the New York Public Barnes began by saying that people Library at Lincoln Center where most of Thierry PathC, NYU professor and often ask "How do you remember all the research for the Winchell book had director of documentaries for theatre that stuff?" "Well" he said "we don't. We been done. Gabler mentioned his and television, presented the 1994 TLA use reference books." He'went on to say special kinship with TLA for its support Award for outstanding Film book to that there aren't many books that of his book An Empire of Their Own: Richard Abel for The Cine Goes to illustrate world theatre history. How the Jews Invented Hollywood Town: French Cinema, 1896-1914 Accepting the award for Trussler was (Crown), the winner of the 1988 Theatre (University of California Press). His Peter-John Leone from Cambridge Library Association Award for most award was accepted by Eileen Bowser, University Press. He said that Simon outstanding film book of the year. In former film curator at The Museum of Trussler was deeply honored and that accepting the award, Gary Stevens, a Modern Art. She thanked TLA and "we at Cambridge would like to thank press agent who knew Winchell, said she was honored to accept the the jury for their kind recognition." remembered the man who invented award on behalf of Richard Abel. gossip: "he was electric; he knew in a The last presenter of the evening was few seconds whether or not something Clive Barnes presented the George Estelle Parsons who began her career as Freedley honorable mention to Simon a production assistant on the "Today" Volume 23, No. 1 Summer 1995 4 show, and made her Broadway debut in Happy Hunting. Along with her many theater credits, Parsons also won an Oscar for portraying Blanche in BONNIE AND CLYDE. She now is more popularly known as Roseanne's mother and Shelley Winter's daughter. Estelle Parsons presented the George Freedley award for the best Theatre book of 1994 to Faye E. Dudden for Women and The American Theatre, 1790-1870 (Yale University Press). Parsons said she enjoyed the book because it was one of the few times she had a chance to read something good. She also went on to say that there was a lot in the book about women who played men's roles as women. That is, they got dressed up in men's costumes but the audience still knew they were Freedley winner, Faye E. Dudden and Book Awards chairman, Steve Vallillo women. It was very popular because it gave men a chance to see women in something more revealing than a dress. College), Richard Wall (Queens (Simon & Schuster/Macmillan), 1995. College), and Don B. Wilmeth (Brown $35.00, cloth. ISBN 0028708326. Accepting the award was the author University). The TLA jurors were Faye E. Dudden She said that "history Barbara Stratyner (The New York Jonson, Ben. The Alchemist and other tells us something about the present. Public Library for the Performing plays. New York: Oxford University, Looking at theatre is very important to Arts), Steven Higgins (The Museum of 1995. $7.95, paper. ISBN 0192822527. understanding the past. I'm not a Modern Art) and James Poteat (former (World's Classics) theatre person, I'm really just a TLA president). The Awards historian." Therefore, she was doubly chairperson was Stephen M. Vallillo (St. McTeague, James H. Playwrights and honored to have her work recognized by John's University). --Michael Acting: Acting Methodologies for Brecht, theatre historians and librarians. She Cunningham Ionesco, Pinter, and Shepard. Westport, went on to say that she wrote the book CT: Greenwood Press, 1994. $49.95, for historians but surprisingly the people BOOKS RECEIVED cloth. ISBN 0313289751. [Contributions who have liked the book have been in Drama and Theatre Studies, ISSN theatre people. Dudden thanked her Darling, Jean. A Peek at the Past. 01633821, no. 591. husband for being so patient and the Jiigesheim, Germany: Hamling, 1995. Theatre .Collection at Lincoln Center Distributed by Aunty Poppy Ltd., 294 Malamud, Randy. mere the Words are where she did much of her research. South Cirular Road, Dublin 8, Eire. IR Valid: T.S. Eliot's Contmunities of She urged everyone to support the f ll/DM25/U.S. $18, paper. Drama. Westport, CT: Greenwood, National Endowment for the [Autobiography of child star of "Our 1994. $49.95, cloth. ISBN 0313278180. Humanities, which gave her the funding Gang" comedies.] [Contributions in Drama and Theatre for this project. She said if it wasn't for Studies, ISSN 01633821, no. 581. the funds from the NEH the book Ganzl, Kurt. Ganzl's Book of the would not have been possible. Broadway Musical: 75 Favorite Shows Pereira, Kim. August Wsort and the from H.M.S. Pinafore to Sunset African-American Odyssey. Urbana and The jurors for the George Freedley Boulevard. New York: Schirmer Books Chicago: University of Illinois, 1995. Award were James Fisher (Wabash Volume 23, No. 1 Summer 1995 2 $29.95, cloth. ISBN 0252021371. [Also, persona of the clown has influenced the clown's clash with oppression. This $12.95, paper. ISBN 0252064291.1 (and been influenced by) art and politics link helps him to establish the significant in such diverse regions as Bali, thematic similarities among these artists. Playwright versus Director: Authorial Lithuania, South Africa, Italy, Japan and As chapters explore the political satires Intentions and Performance the U.S. Immersing himself in each produced by the Vilnius State Theatre, Interpretations, edited by Jeane Luere. particular culture, Jenkins (who is or the "terrifying" comedies of Westport, CT: Greenwood Press, 1994. trained as a clown himself) provides the Johannesburg's Prince Dubu in South $55.00, cloth. ISBN 0313286795. closest thing to an insider's view while Africa, or Japan's Taishu engeki, or [Contributions in Drama and Theatre illuminating the complicated nature of America's Bread and Puppet Theatre, Studies, ISSN 01633821, no. 541. the comic tradition. or, in the strongest chapter, Italy's Dario Fo and Franca Rame, Jenkins persuades A Singular Elegance: The Photographs In his first chapter, "Urban Slapstick and the reader that the clown can give of Baron Adolph de Meyer. [Published Survival," Jenkins traces the origins of "audiences common ground for laughter in conjunction with an exhibition the postmodern clown to Charlie and free them from the isolation that organized by The International Center Chaplin, the first comic genius of the pervades so much of modern life." of Photography, New York, 10 Dec. twentieth century. Weaving Chaplin's (p.208) 1994-12 Feb. 19951. San Francisco: screen art together with his politics, Chronicle Books, 1994. Price na., cloth. Jenkins describes a performer driven to Subversive Laughter is lucid, well-argued, ISBN 0811808300. comment on the ills of the society within and often compelling; the reader is which he operates. Chaplin believed consistently aware of the precariousness Whitmore, Jon. William Saroyan: A that "Ridicule is an attitude of defiance. of the lives of those who must play the Research and Production Sourcebook. We must laugh at our helplessness clown (and of Jenkins himself, whose Westport, CT: Greenwood Press, 1994. against the forces of nature or go own awareness of potential violence is $69.50, cloth. ISBN 0313292507. insane." (p.3) Jenkins believes that always present). In "America's Comedy [Modern Dramatists Research and Chaplin's on-screen assault on all forms of Detachment," the book's capstone Production Sourcebooks, ISSN of authority, mixed with his criticism of chapter, Jenkins concludes that the 1055999X, no. 61. social injustice off-screen, reveals his "through line that connects all these true theatrical persona. This merger of comic traditions goes beyond Chaplin's character and actor is necessary for 'attitude of defiance' to a deeper BOOK REVIEW Chaplin to emerge as the subversive function of humor that can turn an national court jester Jenkins describes. audience of individuals into a Subversive Laughter. The Liberating community ...the things that strike us as Power of Comedy, by Ron Jenkins. Jenkins's images of contemporary funny have the power to set us free." (p. (New York: Free Press, 1994. ISBN O- clowns leads him to test his theory that 208) What more could be asked from 02-916405-2) "Popular comedy can be a call for any theatrical form? Jenkins perseverance in the face of tyranny, convincingly illuminates the universality Ron Jenkins offers an insightful account death and oppression ... For an audience and timelessness of the subversive of several of the most elusive with its back against the wall a clown is clown.-James Fisher (Wabash College) politically-inspired clowns and comic a metaphysical escape artist, a Houdini theatres of our time in Subversive of the soul." (p.11) Throughout the CALL FOR PAPERS Laughter.
Load more

Recommended publications
  • The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
    UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community.
    [Show full text]
  • 2015 United Solo Festival Guide
    GREETINGS FROM UNITED SOLO Dear Friends, Welcome to the world of theatre; where a diverse body of artists brings innovative interpretations of the shared currency of human life! Entering its sixth year, United Solo has come to represent a unique landmark on the New York City theatrical map by offering a selection of one hundred fifty productions from six continents, staged over the course of ten weeks. We unite renowned artists and emerging talents, curate collections of scripts at Indie Theater Now, present an international showcase overseas, fundraise for the Actors Fund, and feature companies returning by popular demand in our special Encore category. United Solo thrives as the world’s largest solo theatre festival thanks to the commitment of a global family of patrons, artists, business associates, and supporters. I am deeply grateful to them for making it possible again this year! This Festival guide is an open invitation to a world of exciting stories. Enjoy this world through United Solo. Stay united! Omar Sangare, Ph.D. Artistic Director UNITED SOLO unitedsolo.org THE WORLD’S LARGEST SOLO THEATRE FESTIVAL (3) 2015 FACTS & FIGURES UNITED SOLO TEAM the world’s largest solo theatre festival OMAR SANGARE MICHAEL MILLER Artistic Director Literary Advisor 150 productions from 6 continents [email protected] [email protected] September 17 – November 22, 2015 ILYA KHODOSH MARCIN LIPINSKI PERFORMANCES AT TICKETS THROUGH Associate Artistic Director General Manager [email protected] [email protected] JULIA KWINTO TERRY TAMM 410 WEST 42nd STREET www.telecharge.com Creative Director Dramaturg [email protected] NEW YORK CITY 212-239-6200 [email protected] SPECIAL THANKS TO ANDREA DUQUETTE DIANE R.
    [Show full text]
  • Ceremony Opens Plaza Art Exhibit Committee to Pick Grad Speaker
    Volume 3, Number IS College At Lincoln Center, Fordham University, New York November 16-December 6,1983 CLC Blood Drive Nets SSA IS .«, » i irw" ^;:-:- 100 Pints By Marie Reres More than 100 pints of blood were collected in the CLC Blood Drive, held on November 7, 8 and 9 in the Pope Auditorium, according to Registered Nurse and Unit Manager of the Blood Drive, Alex- •^? : *i. *. ' • Win ander Mamon. The Blood Drive was sponsored by members of The Greater New York Blood Program. Studen! clubs Circle K and Res Ipsa Loquitur organized the event. "I was surprised to see such a good turnout, con- sidering the lack of student involvement in other events," said Bill Finneran, Vice President of Circle K. As donors came into the auditorium, they were greeted by a member of the Greater New York Blood Program who filled out an information sheet for each person. Next, a registered nurse took a Judith Brown's "Steel Images" will remain on exhibit for one year Photo Bv Doris Suen short medical history from each donor which in- cluded questions concerning hepatitis, malaria and general health. A blood sample was taken from the donor's finger to test for iron. Temperature and Ceremony Opens Plaza Art Exhibit blood pressure were taken, as well. Donors each gave one pint of blood and were then led to the can- By Doris Suen teen, where they were able to relax and have Judith Brown's metallic and menacing sculpture exhibition on the CLJC Plaza has been the talk refreshments. ' The official opening of artist Judith Brown's of the school lately.
    [Show full text]
  • ESTELLE PARSONS & NAOMI LIEBLER  Monday, April 13
    SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WITH THE NATIONAL ARTS CLUB THE ENGLISH-SPEAKING UNION THE LAMBS, NEW YORK CITY ESTELLE PARSONS & NAOMI LIEBLER Monday, April 13 For this special gathering, the GUILD is delighted to join forces with THE LAMBS, a venerable theatrical society whose early leaders founded Actors’ Equity, ASCAP, and the Screen Actors Guild. Hal Holbrook offered Mark Twain Tonight to his fellow Lambs before taking the show public. So it’s hard to imagine a better THE LAMBS setting for ESTELLE PARSONS and NAOMI LIEBLER to present 3 West 51st Street a dramatic exploration of “Shakespeare’s Old Ladies.” A Manhattan member of the American Theatre Hall of Fame and a PROGRAM 7:00 P.M. former head of The Actors Studio, Ms. Parsons has been Members $5 nominated for five Tony Awards and earned an Oscar Non-Members $10 as Blanche Barrow in Bonnie and Clyde (1967). Dr. Liebler, a professor at Montclair State, has given us such critically esteemed studies as Shakespeare’s Festive Tragedy. Following their dialogue, a hit in 2011 at the New York Public Library, they’ll engage in a wide-ranging conversation about its key themes. TERRY ALFORD Tuesday, April 14 To mark the 150th anniversary of what has been called the most dramatic moment in American history, we’re pleased to host a program with TERRY ALFORD. A prominent Civil War historian, he’ll introduce his long-awaited biography of an actor who NATIONAL ARTS CLUB co-starred with his two brothers in a November 1864 15 Gramercy Park South benefit of Julius Caesar, and who restaged a “lofty Manhattan scene” from that tragedy five months later when he PROGRAM 6:00 P.M.
    [Show full text]
  • Spring Spring
    what to do • where to go • what to see May 22–June 4, 2006 The Officficialial GuGuideide to BOSBOSTONTON THE Spring Issue PLUS: Where to see Ben Affleck, Bruce Springsteen and live music under the stars wwwwww.panoramamagazine.com.panoramamagazine.com contents DEPARTMENTS 6 around the hub 6 NEWS & NOTES 10 STYLE COCOVERVER STORY 12 ON EXHIBIT 14 NIGHTLIFE 18 Spring is in the Air 15 DINING 16 KIDS CORNER From riding the Swan Boats to 17 ON STAGE shopping on Newbury Street, Panorama gives its best bets 23 the hub directory for fun springtime activities 26 CURRENT EVENTS in the Hub 36 CLUBS & BARS in the Hub 39 MUSEUMS & GALLERIES 44 MAPS 50 SIGHTSEEING 54 EXCURSIONS 56 FREEDOM TRAIL 58 SHOPPING 64 RESTAURANTS 80 NEIGHBORHOODS 94 5 questions with… Author JODI PICOULT on the cocover:ver: Samantha of Maggie Inc. enjoys some splendor in the grass at Boston’s Public Garden. Photo: Bob Perachio. IN BLOOM: TulipsTulips blossom in Hair and Make-up: the Public Garden, the nation’s Rachael Berkowitz. first public botanical garden. Refer to story,story, page 18. PrProducedoduced by Heather Burke. PHOTO BY B OB PERACHIO ___ MAY 22–JUNE 4, 2006 3 The Official Guide to BOSTON www.panoramamagazine.com May 22–June 4, 2006 Volume 55 • Number 26 Jerome Rosenfeld • CHAIRMAN Tim Montgomery • PRESIDENT/PUBLISHER Christine Celli • EDITOR Scott Roberto • ART/PRODUCTION DIRECTOR Josh B. Wardrop • ASSOCIATE EDITOR Sharon Hudak Miller • ASSOCIATE ART DIRECTOR Heather S. Burke • PHOTO EDITOR Marketa Hulpachova • EDITORIAL ASSISTANT Della Huff, Matt Kalinowski, Bob Perachio, Juliann Rubijono, John Savone • CONTRIBUTING PHOTOGRAPHERS Alex Harris, Jinnie Lee, LaTanya McQueen, Kamie Richard • EDITORIAL INTERNS Jacolyn Ann Firestone • VICE PRESIDENT, ADVERTISING Rita A.
    [Show full text]
  • 159 Years After Dred Scott Decision, Descendants of Scott and Chief Justice Taney Meet on Stage
    (For immediate release—with photo) 159 years after Dred Scott decision, descendants of Scott and Chief Justice Taney meet on stage. Theinfamous Dred Scott decision that led to the Civil War is the focus of a contemporary dialogue in a new play by Kate Taney Billingsley presented by The Actors Studio in New York under the direction of Estelle Parsons, Oscar winner and a stage and screen presence for more than 60 years. The play, A Man of His Time, is part The Community Project, a series of original one-act productions the studio (at 432 West 44th St.) is offering at 7 p.m. May 13-14 and May 19-21 with a 2 p.m. matinee May 21(Saturday) Admission is free. For reservations, e- mail [email protected]. The playwright, Taney Billingsley, is a descendant of Chief Justice Roger B. Taney, author of the Supreme Court ruling that both declared Dred Scott property as well as nullifying the Missouri Compromise, making slavery legal in the western territories.Her dramatization is a etaphor for today’s disourse o rae, preseted as a oersatio oer offee etee Taney and Scott family members. Following the nightly curtain May 14, two family descendants—Charlie Taney of Norwalk, CT, the playright’s father, ad Lye M. Jackson, great-great-granddaughter of Scott, and founder of the Dred Scott Heritage Foundation of St. Louis, MO—will take the stage to engage in a discussion of race relations then and now. Estelle Parsons is a member of the American Theatre Hall of Fame and at 88 is still a vibrant figure in the theater.
    [Show full text]
  • Bam 2016 Annual Report
    BAM 2016 2 1ANNUAL REPORT 0 6 BAM’s mission is to be the home for adventurous artists, audiences, and ideas. 3—6 Community, 31–33 GREETINGS DanceMotion USASM, 34–35 Chair Letter, 4 Visual Art, 36–37 President & Executive Producer’s Letter, 5 Membership, 38 BAM Campus, 6 Membership, 37—39 7—35 40—47 WHAT WE DO WHO WE ARE 2015 Next Wave Festival, 8–10 BAM Board, 41 2016 Winter/Spring Season, 11–13 BAM Supporters, 42–45 Also On Stage, 14 BAM Staff, 46–47 BAM Rose Cinemas, 15–20 48—50 First-run Films, 16 NUMBERS BAMcinématek, 17–18 BAM Financial Statements, 49–50 BAMcinemaFest, 19 HD Screenings, 20 51—55 BAMcafé Live, 21–22 THE TRUST BAM Hamm Archives, 23 BET Chair Letter, 52 Digital Media, 24 BET Donors, 53 Education & Humanities, 25–30 BET Financial Statements, 54–55 2 TKTKTKTK Cover: Urban Bush Women in Walking with ‘Trane| Photo: Julieta Cervantes Greetings GREETINGS 3 TKTKTKTK 2016 Winter/Spring | Royal Shakespeare Company in Henry IV Part I | Photo: Richard Termine Change is anticipated, expected, welcomed. — Alan H. Fishman Dear Friends, As you all know, and perhaps celebrated (!), Anne Bogart, Ivo van Hove, Long time trustee Beth Rudin Dewoody As I end my leadership role, I want to I stepped down as chairman of this William Kentridge, and many others. became an honorary trustee. Mark Jackson express my thanks to all I have met and miraculous institution effective December and Danny Simmons, both great trustees, worked with along the way. Together we have 31, 2016.
    [Show full text]
  • ANNA MAGNANI the GOLDEN COACH.1953 [Commedia Del’Arte] DIR RENOIR the FUGITIVE KIND.1959
    Acting Styles Film List All the films and actors are part of film history that you should be aware of. They all contain a differing acting “style” and often have a different “method” within each film. Follow up any film and actor that interests you. Don’t feel you have to finish any you are not enjoying. My priority choices in red ANNA MAGNANI THE GOLDEN COACH.1953 [commedia del’arte] DIR RENOIR THE FUGITIVE KIND.1959. T.W .BRANDO . JOANNA WOODWARD, MAUREEN STAPLETON. THE ROSE TATTOO. 1955 T.W. BURT LANCASTER WILD IS THE WIND.1957 ANTHONY QUINN. FRANCIOSA. DIR GEORGE CUKOR. BETTE DAVIS NOW VOYAGER. 1942 CLAUDE RAINS ALL ABOUT EVE. 1950. ANNE BAXTER. MARILYN MONROE WHAT EVER HAPPENED TO BABY JANE? 1962. JOAN CRAWFORD. GERALDINE PAGE. SUMMER & SMOKE. 1961. T.W. LAWRENCE HARVEY SWEET BIRD OF YOUTH 1962. T,W. PAUL NEWMAN MONTGOMERY CLIFT. A PLACE IN THE SUN. 1951 .ELIZABETH TAYLOR YOUNG LIONS. 1958 MARLON BRANDO FROM HERE TO ETERNITY 1953. BURT LANCASTER. FRANK SINATRA. SUDDENLY LAST SUMMER 1959. T.W. ELIZABETH TAYLOR KATHERINE HEPBURN THE MISFITS. 1961. MARILYN MONROE, CLARK GABLE GRETA GARBO QUEEN CHRISTINA. 1933. JOHN GILBERT. CAMILLE 1936. ROBERT TAYLOR. DIR. GEORGE CUKOR ELIZABETH TAYLOR/BURTON WHO’S AFRAID OF VIRGINIA WOOLF. 1956 THE TAMING OF THE SHREW 1967. DIR ZEFFERELLI CAT ON A HOT TIN ROOF T.W. 1958. PAUL NEWMAN REFLECTIONS IN A GOLDEN EYE. 1967. BRANDO. DIR. JOHN HUSTON GIANT 56 JAMES DEAN. ROCK HUDSON VIVIEN LEIGH________ A STREETCAR NAMED DESIRE. T.W. 1951. BRANDO. KIM STANLEY DIR. ELIA KAZAN THE ROMAN SPRING OF MRS STONE.
    [Show full text]
  • Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia
    Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia Lill Eilertsen & Arne Bugge Amundsen (eds) EuNaMus Report No 3 Museum Policies in Europe 1990–2010: Negotiating Professional and Political Utopia (EuNaMus Report No. 3) Lill Eilertsen & Arne Bugge Amundsen (eds) Copyright The publishers will keep this document online on the Internet – or its possible replacement – from the date of publication barring exceptional circumstances. The online availability of the document implies permanent permission for anyone to read, to download, or to print out single copies for his/her own use and to use it unchanged for noncommercial research and educational purposes. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional upon the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law, the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its www home page: http://www.ep.liu.se/. Linköping University Interdisciplinary Studies, No. 15 ISSN: 1650-9625 Linköping University Electronic Press Linköping, Sweden, 2012 URL: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-81315 Copyright © The Authors, 2012 This report has been published thanks to the support of the European Union’s Seventh Framework Programme for Research - Socio-economic Sciences and Humanities theme (contract nr 244305 – Project European National Museums: Identity Politics, the Uses of the Past and the European Citizen).
    [Show full text]
  • 03 Man-Of-La-Mancha
    2017 2018 IN THIS ISSUE DECEMBER 2017 Title Page . 2 Cast . 3 Musical Numbers . 4 Letter from Artistic Director David Ivers . 5 Letter from Managing Director Billy Russo . 6 Director’s Note . 7 The Cast . 8 The Creative Team . 14 Executive Leadership . 19 About Arizona Theatre Company . 21 ATC Board of Trustees . 22 Donors . 23 ATC Staff . 30 Theater Information . 32 The Herberger Theater Center, Arizona Theatre Company’s home in downtown Phoenix. Cover art by: ESSER DESIGN 1 2017 2018 David Ivers Billy Russo Artistic Director Managing Director MAN OF LA MANCHA BY DALE WASSERMAN MUSIC BY MITCH LEIGH LYRICS BY JOE DARION ORIGINAL PRODUCTION STAGED BY ALBERT MARRE ORIGINALLY PRODUCED BY ALBERT W. SELDEN AND HAL JAMES David Bennett ........................................................ Director Kathryn Van Meter .............................................. Choreographer Tim Symons ................................................... Music Supervisor Greg Fulton ...................................... Associate Music Director, Arranger William Bloodgood ............................................. Scenic Designer Melanie Burgess .............................................. Costume Designer Mary Louise Geiger ............................................ .Lighting Designer Abe Jacob .................................................... Sound Designer Brian Jerome Peterson .................................... Resident Sound Designer William Kirkham ...................................... Associate Lighting Designer Geoff Josselson, CSA ................................................
    [Show full text]
  • 1/137 Research Report 1997-1999 One of the Vital Activities of Any National Museum Is Research. the Myriad Public Functions of A
    Research Report 1997-1999 One of the vital activities of any national museum is research. The myriad public functions of a modern museum are dependent on sound knowledge of the objects in the museum's care. Research allows the Victoria and Albert Museum to play a role with the creative industries; it underpins education programmes that render the collections meaningful to school children, students and distance learners; it enables the giving of pleasure to a mass audience. Scholarship, alongside collections management and conservation, guarantees the continued prosperity of the nation's heritage. This report covers a three-year period in which hundreds of exhibitions, books, journal articles and electronic publications have made available a vast amount of scholarly material. Victoria and Albert Museum specialists on the art and design of the last thousand years, across all continents, have continuously published ground-breaking research in significant quantities. Apart from the individual efforts of the Museum's major scholars, perhaps a particularly impressive aspect of the research effort in this period has been the collaborative projects undertaken with universities and museums in Britain and abroad. They include topics as varied as Gothic art, historic tapestries, Anglo-Indian furniture, the Victorians, modern product design and electronic media. As research becomes more interdisciplinary, and technology becomes more central, so the methods of research progress. This report shows that a powerful and varied research culture remains one of the distinguishing characteristics of the V&A. It reports on the last years of the 20th century. I think we can all be assured that the research effort will continue and will enlighten the new century as much as it did the old one.
    [Show full text]
  • MIRACLE on 42ND STREET” a Documentary About Manhattan Plaza
    Media Press Kit “MIRACLE ON 42ND STREET” A documentary about Manhattan Plaza LOG LINE The story oF Manhattan Plaza - a housing complex in New YorK City For people in the perForming arts, and how it led to the revitalization of midtown Manhattan. Miracle on 42nd Street is the First film to focus on the story of affordable housing for artists. SYNOPSIS Miracle on 42nd Street is a one-hour documentary about the untold history and impact of the Manhattan Plaza apartment complex in New YorK City. Starting with the bacKground of the blighted Hell's Kitchen neighborhood and the building’s initial commercial Failure in the mid- 1970s, the story recounts how – in a moment oF bold inspiration or maybe desperation - the buildings were “re-purposed” as subsidized housing For people who worKed in the perForming arts, becoming one of the First intentional, government supported, afFordable housing For artist residences. The social experiment was a resounding success in the lives oF the tenants, and it led the way in the transformation of the midtown neighborhood, the Broadway theater district and local economy. The Film makes a compelling case For the economic value of the arts and artists in America. The success oF Manhattan Plaza has become a role model For similar experiments, which the Film Features, around the country, in places like Ajo, Arizona, Providence, Rhode Island and Rahway, New Jersey. Narrated by acclaimed actor/writer Chazz Palminteri, Miracle on 42nd Street features on-camera interviews with people whose lives were positively impacted by the complex, including Alicia Keys, Terrence Howard, Donald Faison, Larry David and Samuel L JacKson, Angela Lansbury, Giancarlo Esposito, and many others.
    [Show full text]