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Of Film Film MIPTV2007-Cover.qxd 3/28/07 4:10 PM Page 1 THETHE tmtm MIPTV 2007 SPECIAL FILM FILM ISSUE & PRODUCT OF OF GUIDE BUSINESSBUSINESSFINANCE • DISTRIBUTION • MARKETING • APRIL 2007 MIPTV2007-Cover.qxd 3/28/07 4:11 PM Page 2 MIPTV2007 Main.qxd 3/28/07 4:05 PM Page 1 April [contents] View The Magazine On-Line THE BUSINESS OF FILM @ www.thebusinessoffilm.com FEATURES 2007RIEFS ( Cont.) MIP TV B Not Content Programming • Wild Talk Africa Unveils 8 Leverage & Relationships Second Event In New August Slot The international television distribution arena is a complex Time of the Writer Festival In synergy of programming, slots, quotas, cable TV, Free TV, • VOD, DVD, mobile TV, Internet TV, hardware, software, and Durban Celebrates 10th Year an essential component in the global engine: relationships. • Hip-Hop Kidz It's a Beautiful Thing One would be hard-pressed to find anyone other than Herb From Foothill Entertainment Lazarus, President of Carsey-Werner International, the international sales and distribution arm of Carsey-Werner • Yang Signs First Look Deal With FME Distribution, who in 2007 celebrates 53 years in the • Indian Film Festival Los Angeles television business and has successfully - it seems Celebrates Five Years effortlessly - built that engine of relationships that work. • Japan Leads Asia In Acquiring Fostering The Indigenous Path French Programming 12 Of Our Worldwide Culture • RDF Snags Creative Director South African based documentary Feature filmmakers Damon From Granada and Craig Foster are an extraordinary ensemble. Over the past 15 years Documentary Feature Films have gained a • Italy Takes Front Seat At MIPTV considerable foothold and become part of the mainstream for • Saving Shiloh Debuts At MIPTV audiences worldwide. The most recent example, Al Gore's An Inconvenient Truth, demonstrates that global audiences will • Sony Acquires Animated Project support and champion documentary features. South Africa is Across Multi Platforms renown for its long legacy of documentaries on wild life and documentary filmmakers from the region. • Meerkat Manor Hits Third Series Run • Medical Mysteries Get In The Zone 4-20 MIP TV BRIEFS • Law & Order: Special Victims Unit Russian • Keller Entertainment Group Format Version Wins Overall In Timeslot Unleash An Eye For An Eye • Wadah Khanfar, Director General of Al Jazeera • In the Pink NBDtv In The P!nk Keynote Speaker at MIPDOC • Regent Broadens Base • 11th Edition Of Cartoon On The Bay MIP TV 2007 PRODUCT GUIDE • All3Media Launch Educational Slate 21-64 The indispensible Guide to Television Product Available At MIP TV • Cinando Enters Into B2B Digital Alliances THE BUSINESS OF FILM’S • MIP TV 2007 PRODUCT GUIDE Clear concise guide to products available at MIP TV 2007. See unabridged version at www.thebusinessoffilm.com. Over 3000 titles listed. APRIL 2007 No 222 Head Office: London 64 Baker Street London WIU 7GB Tel: 44-207-372-9992 Fax: 44-207-372-9993 Los Angeles Office: 5150 Wilshire Boulevard, Suite 509, Los Angeles CA 90036 Tel: 323-935-8228 Fax: 323-935-8229 Publisher & Editor-in-Chief Elspeth Tavares The Business of Film Media Foundation Training Programme Josephine McDiarmid. Contributors Miles Fielder (BoF Alumni), Allison McKenzie, Elizabeth Joseph. Product Guides Betsy Pearson. Assistant to Elspeth Tavares Norma Dalke. Accounting (London) Barbara Bogatko. Graphic Designer/Production Joao L. Santos Contact Email addresses: press releases: [email protected], Product Guide listings: [email protected] or go to www.thebusinessoffilm.com, click on Media Kit, then click on Product Guide Submission Forms The Business of Film has freelance contributors in: LOS ANGELES, CANADA, AUSTRALIA, NEW ZEALAND, SOUTH AFRICA, IRELAND FRANCE & ITALY Eastern Europe: Leposava Bukavac, Senjacka 10, 11000 Beograd, Yugoslavia. Tel: 381-11-650-188 Fax: 381-11-369-1648 The Business of Film is available by subscription only. The Business of Film is published 15 times per annum including daily during the Cannes Film Festival under license from Elspeth Tavares. Website: www.thebusinessoffilm.com. No portion of this publication, either on-line or printed, including text and graphics, shall be reproduced without written permission from the publisher. Entire contents copyright © 2007 Elspeth Tavares. All Rights Reserved. MIPTV2007 Main.qxd 3/28/07 4:05 PM Page 2 COMMENT [MIPTV] Elspeth Tavares 2007Publisher & Editor in Chief Where Have All the Good Television Programs Gone? here is no doubt that as broadcasters, buyers, and the rest of the the environment that it embraces, and whether you show I Love Lucy ancillary interest that come together at MIPTV, the definition of in America or Bangladesh (subtitles, please, not dubbed) identical Ttelevision (not in its purest sense) as we know it has changed emotions are evoked in the audience worldwide. Third Rock From The beyond recognition. Or has it? We could argue today that the moving Sun, The West Wing, and Joan of Arcadia (to name but a few) are all images broadcast over the internet is television, and further when you stellar examples of great writing and great television that would do look at the You TUBE and MYSPACE sites and others of that ilk, one likewise. may pause to wonder: 'Have we lost the plot? ost of us spend at least some time on the road, and the n the 1950's we would not have been far off the mark in thinking sameness of the reality shows and program scheduling in that, apart from bringing us information on events happening Mgeneral is trite and simply boring. If one assumes the Iaround the globe, national television was a way to sell product to scheduler is keen to program his/her station's prime time viewing to the local market. I recall growing up seeing advertisements for eclipse another station's prime time, is there an assumption that, with household items. Today, a preponderance of advertising (in the US in 24 hours of television available worldwide, during the rest of the particular) is for Viagra, Claritin, and assorted other medications all of evening the audience is not watching other time slots? Inevitably, you which if taken, could initiate the onset of all manner of ills (many life- end up switching channel to channel to an endless rotation of threatening!). Along that line of thinking, one could assume that hackneyed C & D programs from the 80's era. today's television programming might be more geared to baby boomers, but broadly speaking it's not. ompanies like Regent have carved out a niche supplying movies to fill those other hours and give their buyers good n the US, whilst one understands the dynamics of the ratings (given Cmarket share, but the world is a big place and television is a the demographics of the majority of advertising), one cannot help hungry animal that needs to be fed. Niche television is growing in Ibut wonder why have great shows like Third Rock From The Sun, leaps and bonds, from people who like game shows to others who want The West Wing, Deadwood, Joan of Arcadia - all well scripted clever to watch golf. For the majority of audiences worldwide more good shows, vanished from the air? Granted that currently Grey's Anatomy, niche programming is needed. Clearly we are not feeding the animal an amazingly well scripted series is the toast of Hollywood. Additional what it needs to sustain itself. In the case of the UK's ITV, it's not just to the great writing, is the diversity of the superb cast, structured by the issue of advertising. The channel has gone downhill with its creator Shona Rhimes, an African American woman, who crafted unoriginal approach to what it expects its viewers to watch. It was Grey's to reflect a microcosm of society at large . refreshing to hear Michael Grade blast the channel for being insipid, and lacking in verve and originality. hile the powers-that-be at the networks are surprised and ecstatic with the ratings, it really should not be such a herein lies the tale, Grays Anatomy works because it is Wsurprise. There is a wealth of writers - many of them extraordinarily original, and can play for years to come. It's a female, many African American, Hispanic, and Asian - who write great Tslice of everyday life that's excellently written and delivered television. We live in a society that is multi cultural, multi racial, and with wit and verve. Elsewhere in this issue Herb Lazarus tells us that multi societal. When television was introduced into our homes world the library of Carsey-Werner, will continue providing for the creators' wide, the stereotypical family consisted of mom, dad, two kids, one grandchildren's grandchildren, There may be one or two misses, (and pet, one home, and two cars. These days, society is all of the I would venture to add they stepped outside of being original or preceding, and more. It's diverse, it's interesting, it's challenging, and perhaps they were too ahead of the time), but the majority of their its culturally rich. And it's a diversity that should be embraced, shows extend into the future because they are well written, and well acknowledged, enjoyed, and celebrated. Grey's Anatomy is ultimately cast. a true reflection of the society we now live in. And perhaps that is the root of its success. Diversity is the new Money, and the decision venture to say that it is the Internet - our 'new television' - that sees makers who grasp that paradigm in both television and film will enrich everyone hither and yon, and off course, with too many factors to audiences worldwide. Iprocess. Immediacy has become the tool of the moment. The problem is that there is very little or no experience to back it up, and merican television and film remain King of the castle so we argue: “Do we need to back it up? And the same wheel turns in commercially.
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