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In a Lonely Cabin (6/6/20) After months of isolation in their deluxe cabin, John & Jessica still marvel at the view from their front porch while, at the same time, longing for the the bright lights and bustle of the big city. But until that’s safe to go there again, they’ll continue sheltering in the woods, by the lake, enjoying home-cooked comfort food…and comfort music. Nina Simone - Black Is the Color of My True Love's Hair (Wild Is the Wind) James Taylor - Shed a Little Light (New Moon Shine) Christiian McBride Trio - Hallelujah Time (Out There) Judy Garland - I Happen to Like New York (The London Sessions) Judy Garland - Zing! Went the Strings of My Heart (Judy at Carnegie Hall) Shawn Colvin - American Tune (Uncovered) Jerry Douglas & Mumford & Sons - The Boxer (Traveler) Chet Baker - Look for the Silver Lining (Chet Baker Sings) Catherine Russell - Blue Turning Grey Over You (Harlem on My Mind) Bob Dorough - Love (Webster's Definition) (To Communicate) Bob Dorough - Polka Dots and Moonbeams (Devil May Care) Bob Dorough - Devil May Care (Devil May Care) Zoot Sims - Oh, Lady Be Good (Zoot Sims & the Gershwin Brothers) Fred Astaire/Oscar Peterson - New Sun in the Sky (The Astaire Story) Pat Metheny - From This Place (From This Place) Kate McGarry - The Times They Are A-Changin' (If Less Is More then Nothing Is Everything) Ella Fitzgerald & Louis Armstrong - I'm Putting All My Eggs in One Basket (Ella and Louis Again) Tony Bennett & Bill Evans - Some Other Time (The Tony Bennett / Bill Evans Album) Benny Green & Veronica Swift - For Regulars Only (Then and Now) Margaret Whiting - Long Ago and Far Away (Margaret Whiting Sings the Jerome Kern Song Book) John Pizzarelli - You've Got to Be Carefully Taught (live radio performance) Rosemary Clooney - Time Flies (Demi-Centennial) Ella Fitzgerald (1957) - Oh, Lady Be Good (Pure Ella) Carmen McRae - Trav'lin' Light (Carmen McRae Sings Lover Man and Other Billie Holiday Classics) Frank Sinatra - Lonely Town (Where Are You?) Bucky Pizzarelli & Frank Vignola - Don't Blame Me (Don't Blame Me) .

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Wheel of Hurt Liner Notes.Pdf
o one quite had a N career to parallel Margaret Whiting’s. Most major stars of her genera- tion followed a pattern sim- ilar to the Great American Songbook itself: they had hit singles in their 20s and 30s, then made deeper and, gener- ally, more artistically profound albums in their 40s and 50s, and, by the time they were in their 60s and upwards, had become elder statesmen. With Whiting, it was if much of the middle section – Act II – was missing. She was revered, by younger singers especially, as something even more than an elder stateswoman, but she was a highly accessible, super friendly, incredibly down-to- earth living legend. I’ve often witnessed the look on a young singer’s face when she real- ized that Queen Margaret was in the house – it was, indeed, like a royal audience – but Maggie’s own pres- ence was never intimidating. She made it her business to know every singer in the jazz and cabaret rooms in New York even into the 21st century, and she inspired and encouraged all of them. Yet one wonders, how much did they actually know about Margaret Whiting? She was a major role model to them, but compared to comparable figures from the swing and early post- war era, like Jo Stafford or Peggy Lee, singers and indeed, listen- ers in the last few decades of Whiting’s life had relatively few opportunities to actually listen to the full expanse of Whiting’s recorded work. The young sing- ers who tried to impress her at Margaret, Jo Stafford, Peggy Lee Danny’s Skylight Room on West 46th Street undoubtedly had heard “My Ideal” or “Moonlight in Vermont,” but, unlike Stafford or Lee, there was remarkably little Maggie easily avail- able in the long-playing era, few greatest hits anthologies and even fewer original albums.
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John Pizzarelli and Freddy Cole: Celebrating the Centenary of Nat
TD Jazz Concerts John Pizzarelli and Freddy Cole: Celebrating the centenary of Nat King Cole @ 100 Thursday, February 14, 2019 at 8:00pm Pre-concert Talk at 7:00pm This is the 913th concert in Koerner Hall John Pizzarelli, vocals & guitar Mike Karn, bass Konrad Paszkudzki, piano Freddy Cole, piano & vocals Elias Bailey, bass Randy Napoleon, guitar Quentin Baxtor, drums John Pizzarelli World-renowned guitarist and singer John Pizzarelli, established as one of the prime contemporary interpreters of the Great American Songbook, has expanded that repertoire by including the music of Paul McCartney, Joni Mitchell, Neil Young, Tom Waits, Antônio Carlos Jobim, and The Beatles. Having concentrated on the music of Paul McCartney, Johnny Mercer, and Frank Sinatra over the last two years, Pizzarelli has returned to the bossa nova of Jobim with his 2017 release Sinatra & Jobim @ 50. With co- vocalist Daniel Jobim, grandson of the legendary Brazilian composer, the two explore songs Sinatra and Jobim recorded, as well as add new songs flavoured with the spirit of the classic Francis Albert Sinatra and Antonio Carlos Jobim album. Pizzarelli has toured North America, South America, Asia, and Europe, performing shows centered on Frank Sinatra’s centennial, the songs of Johnny Mercer, and a McCartney program, in which his quartet is joined by strings and a horn section. He also tours on a double bill with pianist Ramsey Lewis. While plenty of jazz greats influenced his work, Nat King Cole has been Pizzarelli’s hero and foundation over the last 25 years. He devoted two albums to his music, Dear Mr.
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Gazette the LEADER in PROPERTY TAX REDUCTION Sign up Today
________________ GLEN COVE _______________ Reassessing property taxes (one house at a time ) SPRING FORWARD for nearly 30 years. at 2 a.m. on Sunday. HERALD Remember to change your smoke detector batteries. Gazette THE LEADER IN PROPERTY TAX REDUCTION Sign up today. It only takes seconds. ‘Richard III’ Getting ready for the Apply online at mptrg.com/herald18/21 itc FG or call 516.479.9176 Hablamos Español reinterpreted St. Pat’s Day parade Demi Condensed Maidenbaum Property Tax Reduction Group, LLC Page 15 Page 2 483 Chestnut Street, Cedarhurst,Page NY 11516xx Vol. 28 No. 10 MARCH 7-13, 2019 $1.00 1016600 MB_99945_NassHerald_3x3Note_OneHouse.indd 1 Don’t forget, 2/25/19 4:25 PM school bond vote is Tuesday Glen Cove residents will have Deasy School, the addition of a the opportunity on Tuesday to second- floor restroom at Grib- vote on a bond proposed by the bin School, parking lot drainage Glen Cove City School District at Connolly School and four new to complete a variety of renova- classrooms at Landing School. tions in the district’s six schools. Additionally, Finley Middle If passed, each school would School would receive improve- see improvements in security; ments to Wunsch Auditorium, in its heating, ventilation and and the Glen Cove High School air conditioning systems; and in cafeteria, and many of its class- its compliance with the stan- rooms would undergo complete dards of the Americans with overhauls. Disabilities Act, as well as other The bond is projected to cost needed renovations. Four build- roughly $84.6 million. Taxes on a ings would receive new addi- Glen Cove household worth tions, such as classrooms or ele- $500,000 would increase by Roni Chastain/Herald Gazette vators.
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Song of Songs Case SS Class Part 7
Solomon and Sinatra: The Song of Songs and Romance in the Church Robert Case A Sunday School Class Faith Presbyterian Church Tacoma, Washington 2016 Part 7 Turning to an allegory from the American Songbook, I have two selections: “Ghost Riders in the Sky” "Ghost Riders in the Sky" is an allegorical song written in 1948 by the prolific Stan Jones. Members of the Western Writers of America chose it as the top western song of all time! Those of us from Ellensburg love this song. The song tells the allegorical folk tale of a lone cowboy who has a vision of “red-eyed, steel-hooved” cattle thundering across the sky, being chased by the spirits of Hell-bound cowboys. One cowboy warns our loner, like Dives in Luke 16:27, that “if he does not change his ways today,” he will be doomed to join them, forever "trying to catch the Devil's herd across these endless skies". The song lyrics also have a faint echo of Deuteronomy 33:26, “There is none like God, O Jeshurun, who rides through the heavens to your help, through the skies in his majesty.” I Kings 8:47, “if they turn their heart in the land to which they have been carried”; “Psalm 68:33, “to him who rides in the heavens, the ancient heavens; behold, he sends out his voice, his mighty voice.” and Psalm 7:12, “If he does not turn, [God] will whet his sword; he hath bent his bow, and made it ready.” Mr. Jones also wrote the music for the popular John Wayne western films The Horse Soldiers, The Searchers, Rio Grande and the television series Cheyenne, starring the Christian actor, Clint Walker.
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100 Years: a Century of Song 1950S
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Pioneers of the Concept Album
Fancy Meeting You Here: Pioneers of the Concept Album Todd Decker Abstract: The introduction of the long-playing record in 1948 was the most aesthetically signi½cant tech- nological change in the century of the recorded music disc. The new format challenged record producers and recording artists of the 1950s to group sets of songs into marketable wholes and led to a ½rst generation of concept albums that predate more celebrated examples by rock bands from the 1960s. Two strategies used to unify concept albums in the 1950s stand out. The ½rst brought together performers unlikely to col- laborate in the world of live music making. The second strategy featured well-known singers in song- writer- or performer-centered albums of songs from the 1920s, 1930s, and 1940s recorded in contemporary musical styles. Recording artists discussed include Fred Astaire, Ella Fitzgerald, and Rosemary Clooney, among others. After setting the speed dial to 33 1/3, many Amer- icans christened their multiple-speed phonographs with the original cast album of Rodgers and Hammer - stein’s South Paci½c (1949) in the new long-playing record (lp) format. The South Paci½c cast album begins in dramatic fashion with the jagged leaps of the show tune “Bali Hai” arranged for the show’s large pit orchestra: suitable fanfare for the revolu- tion in popular music that followed the wide public adoption of the lp. Reportedly selling more than one million copies, the South Paci½c lp helped launch Columbia Records’ innovative new recorded music format, which, along with its longer playing TODD DECKER is an Associate time, also delivered better sound quality than the Professor of Musicology at Wash- 78s that had been the industry standard for the pre- ington University in St.
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Vocal Jazz in the Choral Classroom: a Pedagogical Study
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-2019 Vocal Jazz in the Choral Classroom: A Pedagogical Study Lara Marie Moline Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Moline, Lara Marie, "Vocal Jazz in the Choral Classroom: A Pedagogical Study" (2019). Dissertations. 576. https://digscholarship.unco.edu/dissertations/576 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 LARA MARIE MOLINE ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School VOCAL JAZZ IN THE CHORAL CLASSROOM: A PEDAGOGICAL STUDY A DIssertatIon SubMItted In PartIal FulfIllment Of the RequIrements for the Degree of Doctor of Arts Lara Marie MolIne College of Visual and Performing Arts School of Music May 2019 ThIs DIssertatIon by: Lara Marie MolIne EntItled: Vocal Jazz in the Choral Classroom: A Pedagogical Study has been approved as meetIng the requIrement for the Degree of Doctor of Arts in College of VIsual and Performing Arts In School of Music, Program of Choral ConductIng Accepted by the Doctoral CoMMIttee _________________________________________________ Galen Darrough D.M.A., ChaIr _________________________________________________ Jill Burgett D.A., CoMMIttee Member _________________________________________________ Michael Oravitz Ph.D., CoMMIttee Member _________________________________________________ Michael Welsh Ph.D., Faculty RepresentatIve Date of DIssertatIon Defense________________________________________ Accepted by the Graduate School ________________________________________________________ LInda L. Black, Ed.D. Associate Provost and Dean Graduate School and InternatIonal AdMIssions Research and Sponsored Projects ABSTRACT MolIne, Lara Marie.
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Oshman Family JCC Welcomes the John Pizzarelli Quartet
MEDIA ALERT Oshman Family JCC Welcomes the John Pizzarelli Quartet Who: Famed jazz guitarist and singer John Pizzarelli, one of the prime interpreters of the Great American Songbook. What: Performing in concert When: Friday, December 11 | 8:00 PM Where: Schultz Cultural Arts Hall of the Oshman Family JCC in Palo Alto, CA Why: Pizzarelli has been called “madly creative” by the Los Angeles Times and “the genial genius of the guitar” by the Toronto Star. After his smash success with the Boston Pops, he was hailed by the Boston Globe for “reinvigorating the Great American Songbook and re-popularizing jazz.” The Seattle Times called him “a tour de force” and “a rare entertainer of the old school.” Using performers like Nat “King” Cole, Frank Sinatra and Joao Gilberto and the songs of composers from Richard Rodgers, George Gershwin to James Taylor, Antonio Carlos Jobim and Lennon & McCartney as touchstones, John Pizzarelli has established himself as one of the prime interpreters of the Great American Songbook and beyond, bringing to his work the cool jazz flavor of his brilliant guitar playing and singing. In addition to being a bandleader and solo performer, John has been a special guest on recordings for major pop artist such as James Taylor, Natalie Cole, Kristin Chenoweth, Tom Wopat, Rickie Lee Jones and Dave Von Ronk, as well as leading jazz artists like Rosemary Clooney, Ruby Braff, Johnny Frigo, Buddy DeFranco, Harry Allen and, of course, Bucky Pizzarelli. He was featured opposite Donna Summer, Jon Secada and Roberta Flack on the GRAMMY® Award-winning CD, Songs from the Neighborhood: The Music of Mr.
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June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
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Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
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1 POPULAR MUSIC in the MERCER ERA, 1910-1970 Building Bridges
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Ilfilfihletter
P.O. Box 240 Ojai Calif. ilfilfihletter 93024—O24-O May 1990 Vol. 9 N0. 5 Baker of the New York Times wrote that a more appropriate Mail Bag response from George Bush would have been something to the effect of "I have more important things on my mind." The last person I ever expected to read about in your other- wise very special Jazzletter is Roseanne Barr. Quel dommage. Gene Lees’ attack on The Star Spangled Banner is way off Ernie Furtado, New York City key. He makes the mistake of allowing his dissatisfaction with I agree, with delight! I’ve long been musically embarrassed those abominable lyrics to color his opinion of the melody, by The Star Spangled Banner, even though I still feel vestiges which in itself is perfectly adequate or better. When Sarah of pompous pride stir in my blood when I’m required to play Vaughan sang The Star Spangled Banner, it became a thing of it. (The bass line is better than the melody.) After all, I sang beauty -- especially if you didn’t understand English. It did1i’t it daily as an innocent school child, with a good singing voice, matter to her that the song is rangy, nor should Gene have .might add. I was always the one in every group who could allowed this to confuse his judgment of the melody. Did sing the whole thing right. The song came to represent my anyone ever complain that Memories of You was beyond the home connection, even though I always loved America the capability of many singers because of its range? And how Beautifizl more as a song and as a poem.
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