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Wheel of Hurt Liner Notes.Pdf
o one quite had a N career to parallel Margaret Whiting’s. Most major stars of her genera- tion followed a pattern sim- ilar to the Great American Songbook itself: they had hit singles in their 20s and 30s, then made deeper and, gener- ally, more artistically profound albums in their 40s and 50s, and, by the time they were in their 60s and upwards, had become elder statesmen. With Whiting, it was if much of the middle section – Act II – was missing. She was revered, by younger singers especially, as something even more than an elder stateswoman, but she was a highly accessible, super friendly, incredibly down-to- earth living legend. I’ve often witnessed the look on a young singer’s face when she real- ized that Queen Margaret was in the house – it was, indeed, like a royal audience – but Maggie’s own pres- ence was never intimidating. She made it her business to know every singer in the jazz and cabaret rooms in New York even into the 21st century, and she inspired and encouraged all of them. Yet one wonders, how much did they actually know about Margaret Whiting? She was a major role model to them, but compared to comparable figures from the swing and early post- war era, like Jo Stafford or Peggy Lee, singers and indeed, listen- ers in the last few decades of Whiting’s life had relatively few opportunities to actually listen to the full expanse of Whiting’s recorded work. The young sing- ers who tried to impress her at Margaret, Jo Stafford, Peggy Lee Danny’s Skylight Room on West 46th Street undoubtedly had heard “My Ideal” or “Moonlight in Vermont,” but, unlike Stafford or Lee, there was remarkably little Maggie easily avail- able in the long-playing era, few greatest hits anthologies and even fewer original albums. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Meet George Gershwin at the Keyboard: 16 Song Hits Arranged by the Composer Pdf
FREE MEET GEORGE GERSHWIN AT THE KEYBOARD: 16 SONG HITS ARRANGED BY THE COMPOSER PDF George Gershwin | 44 pages | 20 Jun 2006 | Faber Music Ltd | 9780571526772 | English | London, United Kingdom Meet George Gershwin At The Keyboard by Gershwin. George () | Lyndon Barnes Books View Larger Image. Ask Seller a Question. A Meet George Gershwin at the Keyboard: 16 Song Hits Arranged by the Composer collection of songs by George Gershwin that the composer has arranged as piano solos. Ideal for the intermediate pianist and a great insight into the mind of one America's greatest composers. Visit Seller's Storefront. Visa and Mastercard acceptable but only if ordered with abe who will process the transaction. Please do not send me your credit card details; when ordering please supply abe with your credit card details using their secure service. I will then process your order. If you wish to pay by PayPal please email me first before you order and I will send you an invoice with the correct amount including postage. Thank you. I also accept personal bank cheques made out to Lyndon Barnes to be drawn against a Orders usually ship within 2 business days. Shipping costs are based on books weighing 2. If your book order is heavy or oversize, we may contact you to let you know extra shipping is required. List this Seller's Books. Payment Methods accepted by seller. Home Gershwin. Stock Image. Save for Later. A near fine condition softback. Bookseller Inventory Ask Seller a Question. About this title Synopsis: A terrific collection of songs by George Gershwin that the composer has arranged as piano solos. -
Hello! My Baby Student Guide.Pdf
Goodspeed’s Student Guide to the Theatre is made possible through the generosity of GOODSPEED MUSICALS GOODSPEED GUIDE TO THE THEATRE Student The Max Showalter Center for Education in Musical Theatre HELLO! MY BABY The Norma Terris Theatre November 3 - 27, 2011 _________ CONCEIVED & WRITTEN BY CHERI STEINKELLNER NEW LYRICS BY CHERI STEINKELLNER Student Guide to the Theatre TABLE OF CONTENTS NEW MUSIC & ARRANGEMENTS BY GEORGIA STITT ABOUT THE SHOW: The Story...................………………………………………….3 LIGHTING DESIGN BY JOHN LASITER ABOUT THE SHOW: The Characters...........................……………………………5 ABOUT THE SHOW: The Writers....................…..…………………………………...6 COSTUME DESIGN BY ROBIN L. McGEE Listen Up: Tin Pan Alley Tunes................………………………………................7 SCENIC DESIGN BY A Few Composers + Lyricists..............................……………………………….....8 MICHAEL SCHWEIKARDT Welcome to the Alley!...............…………………………………………………...10 CHOREOGRAPHED BY Breaking into the Boys Club......…………………………………………………...11 KELLI BARCLAY New York City..............................…………………………………………………...12 DIRECTED BY RAY RODERICK FUN AND GAMES: Word Search........................................................................13 FUN AND GAMES: Crossword Puzzle….……………………………...................14 PRODUCED FOR GOODSPEED MUSICALS BY How To Be An Awesome Audience Member…………………......................15 MICHAEL P. PRICE The Student Guide to the Theatre for Hello! My Baby was prepared by Joshua S. Ritter M.F.A, Education & Library Director and Christine Hopkins, -
Starr-Waterman American Popular Music Chapter 4: “I Got Rhythm”: the Golden Age of Tin Pan Alley Song, 1920S and 1930S Student Study Outline
Starr-Waterman American Popular Music Chapter 4: “I Got Rhythm”: The Golden Age of Tin Pan Alley Song, 1920s and 1930s Student Study Outline I. Influential and Commercially Successful Songs a. Irving Berlin (1888‒1989) b. Richard Rodgers (1902‒1979) c. Cole Porter (1891‒1964) d. George Gershwin (1898‒1938) i. Al Jolson (1886‒1950) II. Tin Pan Alley Song Form a. AABA structure and verse-and-chorus forms b. Verse-refrain form i. Verse ii. Refrain III. Box 4.1: Irving Berlin a. Irving Berlin (1888‒1989) IV. Listening Guide: “’Deed I Do” a. Music by Fred Rose, lyrics by Walter Hirsch; performed by Ruth Etting (1926) i. Tin Pan Alley form: Intro (hook) + Verse + AABA Refrain V. What Were Tin Pan Alley Songs About? a. Popular songs and the musical plays and films in which they appear were designed to help people escape the pressures of daily life 1. Middle-class culture 2. Romantic love a. First-person lyrics b. Crooning VI. Listening Guide: “My Blue Heaven” a. Music by Walter Donaldson, lyrics by George Whiting; published 1924; performed by Gene Austin; recorded 1927 i. Crooners VII. Listening Guide: “April Showers” a. Music by Louis Silvers, lyrics by Buddy DeSylva; published 1921; performed by Al Jolson; recorded 1921 b. Music by Louis Silvers, lyrics by Buddy DeSylva; published 1921; performed by Al Jolson; recorded 1932 VIII. Listening Guide: “How Deep Is the Ocean?” a. Lyrics and music by Irving Berlin; performed by Bing Crosby; recorded 1932 b. Bing Crosby (1904‒1977) c. Minor key to major key IX. -
Billboard All-Time Adult Contemporary 1000 (Ms-Database Ver.) # C.I
Billboard All-Time Adult Contemporary 1000 (ms-database Ver.) # C.I. 10 Peak wks Peak Date Title Artist 1 124 64 1 17 1999/12/25 I Knew I Loved You Savage Garden 2 123 58 1 11 1998/04/11 Truly Madly Deeply Savage Garden 3 91 74 1 28 2003/06/07 Drift Away Uncle Kracker featuring Dobie Gray 4 94 75 1 11 2001/03/17 I Hope You Dance Lee Ann Womack 5 89 58 1 19 1999/05/29 You'll Be In My Heart Phil Collins 6 88 63 1 15 2001/12/08 Hero Enrique Iglesias 7 95 74 1 2 2001/10/06 If You're Gone matchbox twenty 8 77 67 1 18 2004/10/02 Heaven Los Lonely Boys 9 104 52 2 1 2000/10/07 I Need You LeAnn Rimes 10 92 51 2 5 2000/05/13 Amazed Lonestar 11 70 57 1 18 2005/08/20 Lonely No More Rob Thomas 12 87 58 2 8 2002/05/25 Superman (It's Not Easy) Five For Fighting 13 81 42 1 13 1996/08/10 Change The World Eric Clapton 14 70 50 1 17 2000/04/22 Breathe Faith Hill 15 64 57 1 19 2006/05/13 Bad Day Daniel Powter 16 63 52 1 22 2010/07/03 Hey, Soul Sister Train 17 81 54 1 4 2001/06/16 Thankyou Dido 18 60 52 1 24 2017/05/06 Shape Of You Ed Sheeran 19 81 42 1 8 1998/06/27 You're Still The One Shania Twain 20 82 36 1 12 1999/03/06 Angel Sarah McLachlan 21 85 51 1 1 1999/12/18 That's The Way It Is Celine Dion 22 64 48 1 21 2005/03/12 Breakaway Kelly Clarkson 23 77 47 1 6 2003/11/15 Forever And For Always Shania Twain 24 73 57 1 6 2001/09/29 Only Time Enya 25 58 52 1 20 2011/02/05 Just The Way You Are Bruno Mars 26 72 55 1 9 2006/01/21 You And Me Lifehouse 27 74 50 1 7 2002/09/21 A Thousand Miles Vanessa Carlton 28 57 54 1 18 2016/07/09 Can't Stop The Feeling! Justin -
Lazzletter PO Box 240, Ojai CA 93024-0240 Etu2008 Vd..25 I,{A 10
GerE Lrc ,M Libitwm & lazzletter PO Box 240, Ojai CA 93024-0240 etu2008 vd..25 I,{a 10 Anslinger was close to the Dupont family who were Pennies in a Stream opposed to the growing of hemp for the good reasons that all sorts of things can be made from it, including fabrics, in the chemical In the movies of my youth, women came in two kinds, good plastics, food, and fuels. The Duponts were was said that and bad, Madonna and Whore. The former were played by the tusiness. Anslinger lasted until1972, when it Kennedy' likes of Joan Leslie, Ann Rutherford, Gail Russell, and Janet he resigned. He had in fact been fired by Fresident "coincidences" that Blair. the latter by Lynn Bari, Nina Foch, and their wicked ilk. It is just another of those inconvenient Young mothers produced their progeny without Kennedy and Connally were shot together. preliminary protrusion and when the wife had to tell the The songs of the time reinforced the idea of Innocence Pearl Bailey was husbafrd that she was, in the ancient euphemism, in a family and Experience. Singers too were typecast. Anita O'Day was way, she could not say so directly. She would say something suggestive; Ella Fitzgerald was Innocent. Niessen was allusive, and the poor sap who had got her that way, would outright bad, as she was in real life; Gertrude what for reply, wide-eyed, "You mean, you're . uh, you mean we're naughty, singing I Wanna Get Married, containing in pajama going to . ?" In obedience to the movies' morality code, of the period was a pretty racy 1ine, "I wanna sleep her the time, husbands and wives wore pajamas or nightgowns tqps." Doris Day was Innocent, longing to make Les Brown' and occupied twin beds, although every kid in the world knew Sentimental Journey, written by her boss. -
The Great American Songbook Through the Lens of Judy Garland
The Great American Songbook Through the Lens of Judy Garland An Honors Thesis (MUSP 401) By Lindsey Stamper Thesis Advisor Dr. Jon Truitt Ball State University Muncie, Indiana December 2017 Expected Date of Graduation May 2018 0JpCo)} U ndc r.::J r c, a I he c 1 d. i'("; . ._ tJ c ( JP, Abstract r} ,..J... This thesis paper, as well as·the accompanying recital, delves into the topic of The Great American Songbook Through the Lens of Judy Garland. The Great American Songbook is a collection of American standard repertoire from the late nineteenth century to the middle of the twentieth. Judy Garland in particular is an exemplary performer of this period; her life parallels the troubles and careers of many other performers in this era. By exploring and performing songs that Garland performed during her career, this paper relates the history of American music to the life of the acclaimed Judy Garland. Acknowledgments I would like to thank Dr. Jon Truitt for the guidance, insight, advice, and training he has provided me with throughout this project and these past four years. His help with the many performance endeavors of my collegiate career has been invaluable. I would also like to thank my mom and dad for inspiring a curiosity and interest in music at a young age. Lastly, thank you to Julian for always listening with kind and encouraging ears. Process Analysis Statement Recitals, concerts, and cabarets are important events in a music educator's profession. These are the culmination of unseen efforts rehearsing music, planning logistics, and organizing personnel. -
M a R G a R E T W H It in G
A CELEBRATION OF HER LIFE IN SONG… HITI GARET W NG MAR “CHARMING AND CLASSY...FILLED WITH SWEET STORIES OF MARGARET WHITING’S CAREER AND CLASSIC SONGS.” – STEPHEN HANKS, BROADWAYWORLD.COM CONCEIVED BY DEBBI WHITING & KT SULLIVAN DIRECTED & WRITTEN BY JOHN FRICKE & DEBBI WHITING MUSICAL DIRECTION & ARRANGEMENTS BY TEX ARNOLD 240 West 44th Street, Suite 5 Think New York, NY 10036 REPRESENTATIVE: Wayne J. Gmitter 917-209-1148 • [email protected] Artists Agency www.thinkiconic.com With a cast drawn from the best of New York’s Broadway community, Songfully Yours…! celebrates the incomparable Margaret Whiting and the music and lyrics she made famous across a seven-decade career of chart-topping singles, a dozen Gold Records, and world-wide television, stage, and nightclub fame. “It Might As Well Be Spring,” “Moonlight in Vermont,” “That Old Black Magic,” “My Ideal,” “Slippin’ Around,” “A Tree in the Meadow,” and two dozen more timeless classics are interspersed with warm, witty, and insightful anecdotes delivered by daughter Debbi Whiting, the person who knew Margaret best and loved her most. Additionally, Margaret Whiting was “Hollywood Royalty,” the daughter of composer Richard Whiting, whose hits “Hooray for Hollywood,” “Beyond the Blue Horizon,” “On the Good Ship Lollipop,” and “Ain’t We Got Fun” also are included in Songfully Yours…! Originally produced at New York’s Carnegie Hall, the show brought a sell-out crowd to its feet in acclamation; it’s the very best of the Twentieth Century Great Popular Songbook – from Johnny Mercer, Jerome Kern, Rodgers & Hammerstein, and Frank Loesser to Hank Williams, Peter Allen, Carole Bayer Sager, and Rupert Holmes. -
Les Brown and His Band of Renown Best of the Capitol Years Mp3, Flac, Wma
Les Brown And His Band Of Renown Best Of The Capitol Years mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Best Of The Capitol Years Country: US Released: 2002 Style: Big Band, Swing MP3 version RAR size: 1119 mb FLAC version RAR size: 1994 mb WMA version RAR size: 1572 mb Rating: 4.6 Votes: 263 Other Formats: ASF AU MOD DMF FLAC MMF MP2 Tracklist 1 I've Got My Love To Keep Me Warm 2 On The Alamo 3 Perfidia 4 Moonlight In VBermont 5 The Continental 6 Midnight Sun 7 Lover 8 Harlem Nocturne 9 The Piccolino 10 Shine On Harvest Moon 11 Tangerine 12 Ridin' High 13 Nina Never Knew 14 My Blue Heaven 15 Stardust 16 Tea For Two 17 Swingin' Down The Line 18 Younger Than Spring Time 19 This Nearly Was Mine 20 Invitation 21 The Sweetheart Of Sigma Chi 22 Frenesi 23 Just You, Just Me 24 Leap Frog 25 Goodnight Sweetheart Companies, etc. Manufactured By – Capitol Records, Inc. Phonographic Copyright (p) – Capitol Records, Inc. Copyright (c) – Capitol Records, Inc. Credits Arranged By – Frank Comstock (tracks: 2 to 4, 6 to 8, 11 to 13, 17, 19 to 25), J. Hill (tracks: 10, 14 to 16), Les Brown (tracks: 18), Skip Martin (tracks: 1, 5, 9), Sonny Burke (tracks: 18) Notes (p) & (C) 2002 Captol Records Inc. All Tracks 24-Bit Digitally Remastered All tracks previously released: Tracks 1, 6, 20 & 24 rec. December 1958 (The Les Brown Sory) Tracks 2, 3, 7, 11 & 22 rec. May 1955 (Dance To The Bands / Band Of Renown Joins The Capitol Label [EP]) Tracks 4, 5, 8, 9,, 123, & 13 rec. -
R 24, L94l> THECASHBOX
r 24, l94l> Whiting For PtiK*" Smith's Show When Jack Smith's CBS program returns to the air in •he fall, Margaret Whiting will THE CASH BOX be featured with Smith on Mondays and Fridays. Dinah Shore will continue on the other three nights. Smith, now in Europe on vaca- tion with his wife and Mr. and Mrs. Frank DeVol, also said the show would be televised. "Don't Cry, Joe" (3*9) Whiting was, until a fe,wijionths back, featured on the "Cjffe 1 5" "Perhaps, Perhaps, Perhaps" (3:04) stanza. She replaces Martrjj^TilK GORDON JENKINS ORCH. with Smith. Before launching tin program August 22, Margaret (Decca 24720) will fly east for an "in person' tour of several weeks. The Smith- • The super b m U81CB1 mioiv.., Whiting- Shore show will again be maestrc Jenk ns, hard to match at sponsored by Oxydol. any time iplendor on this ft Cry, Joe" am i°"P crha s, Per- haps •ails the NEWEST TEAM to parlay their l> deck, k duty that is talents on records finds Maggie Hollywood, Calif. f talk'in the disk biz. Whiting, just bock from Tennes- Variety imping tune, with see, making duets with Bing f lyrics. On the other (C!r. D. 6.832) Crosby's uncle, Robert Hope, and rnd^'Von^'Bavaar steps to the mike to i,non the pleasure of "lVrhaps. the fun they're having revolves Musn- ops and fans alike are sure to around the shamroclted sweatshirt SEP U 1943 «, for this couplin! ite a spot worn by Billy May, who con- ssssss^sssss^i««»^ssssssia^e^s^sssssss» v v v in an\ machine. -
On Site Opera & Harlem Opera Theater Invite You to Take Cast
! ON SITE OPERA & HARLEM OPERA THEATER PRESENT GERSHWIN’S Blue Monday! ! PROGRAM MENU: Cast, Production Team and Orchestra | Program Notes | Artist Bi0s About On Site Opera | About Harlem Opera Theater About The Harlem Chamber Players | Special Thanks On Site Opera &more Harlem information: Opera osopera.orgTheater invite you to take On Site Opera & Harlem Opera Theater invite you to take a trip back to the roaring twenties as they present George Gershwin’s Blue Monday at the Cotton Club. Blue Monday A JAZZ OPERA BY GEORGE GERSHWIN LIBRETTO BY BUDDY DESYLVA JUNE 18-20, 2013 | THE COTTON CLUB 7PM: DANCING & COCKTAILS | 8PM: BLUE MONDAY CAST: IN ORDER OF VOCAL APPEARANCE MIKE, THE CLUB OWNER CLAYTON MATHEWS SAM, A CLUB EMPLOYEE ALVIN CRAWFORD TOM, THE CLUB HEADLINER LAWRENCE CRAIG VI, JOE’S GIRLFRIEND ALYSON CAMBRIDGE JOE, A GAMBLER CHASE TAYLOR DANCERS: SARITA ALLEN ELIJAH ISHMAEL AVRAHAM NICCO ANNAN AZAMA BASHIR MAHALIA LEOLA MAYS RAPHAEL THOMAS PRODUCTION TEAM: CONDUCTOR GREGORY HOPKINS STAGE DIRECTOR ERIC EINHORN CHOREOGRAPHER GEORGE FAISON COSTUME DESIGNER CANDIDA K. NICHOLS LIGHTING DESIGNER SHAWN KAUFMAN HAIR & MAKE-UP DESIGNER SHANNON HARRINGTON PRODUCER JESSICA KIGER FIGHT COORDINATOR SHAD RAMSEY ASSISTANT DIRECTOR AUDREY CHAIT PRE-SHOW DANCE COORDINATOR NATALIE DAVIDZON Orchestra: THE COTTON CLUB ALL STARS FLUTE/TENOR SAX: JAMES STEWART OBOE/ALTO SAX: ED PAZANT CLARINET/ALTO SAX: CRIS HEMMINGWAY TENOR SAX: JOHN SIMON BASSOON/BARITONE SAX: RAY JOHNSTON TRUMPET I: AL PAZANT TRUMPET II: MAC GOLLEHON TROMBONE I: TIM WILLIAMS TROMBONE II: ROBERT STRINGER PIANO: NORIKO KAMO BASS: STAN THOMPSON GUITAR: SOLOMON HICKS DRUMS: ELI FONTAINE THE HARLEM CHAMBER PLAYERS: VIOLIN I: MONICA DAVIS VIOLIN II: CHARLENE BISHOP VIOLA: ADAM HILL CELLO: LAWRENCE ZOERNIG Please be aware that live gunshots are used in this production.