DOCSLIB.ORG

From Broadway to Bel Canto...Featuring

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
From Broadway to Bel Canto...Featuring From Broadway to Bel Canto...featuring: KRISTA WIGLE & JOE MEYERS Friday, September 3, 2021 @ 8:00 pm Joe Meyers and Krista Wigle sing some of their favorite tunes ranging from popular musical theater num- bers to epic operatic arias and duets. They are performing with the incredible Daniel Lockert on piano! Come and enjoy this vast array of vocal and keyboard stylings by these beloved Bay Area artists! KRISTA WIGLE Krista is thrilled and honored to be performing on this concert series! In the past few seasons, she has been fortunate enough to perform at Woodminster as Rosie in Mamma Mia!, Jack’s Mother in Into the Woods, and Grandma in Billy Elliot. Other companies for which she has worked include: San Jose Playhouse, Cinnabar Theater, Pocket Opera, Sierra Repertory Theater, Brava Opera, Opera Parallele, Opera Santa Barbara, Liver- more Valley Opera, Festival Opera and many others. Recent roles include: Saraghina(Nine), Berta(The Barber of Seville), Miss Jessel(The Turn of the Screw), Hucklebee(The Fantasticks), The Princess Puffer(The Mystery of Edwin Drood), Chayesel/Dobrisch(People in the Picture), Soprano/Jazz Trio(Trouble in Tahiti), Cleo(The Most Happy Fella), Dame Quickly(Falstaff), Marcellina(The Marriage of Figaro), Jenny(The ThreePenny Opera), and Carlotta/Confidante/Wild Woman(The Phantom of the Opera: San Francisco and Las Vegas prod.). Krista is also a vocal teacher; she has her own private voice studio, is an Artist-in-Residence at the Ruth Asawa School of the Arts(R.A.S.O.T.A.), and is a Musical Theater/Cabaret Instructor at the Young Conservatory of the Ameri- can Conservatory Theater(A.C.T.). Future engagements include: Miss Spink in Coraline with West Edge Opera, and Jack’s Mother in Into the Woods, Betty Gold in Thanks for Playing the Game Show Show!, and Nurse/ Mrs./Harriet Pawling in Sunday in the Park with George, all with San Jose Playhouse. JOE MEYERS California native, tenor, Joseph Meyers has performed from Shanghai to New Jersey. You might remember Joe’s previous engagements with Woodminster; Mr. Snow in Carousel and Nicely Nicely in Guys and Dolls. Some of his favorite roles include: Piangi in The Phantom of the Opera-First National Tour and The Opera Singer in the 2009 Oscar winning movie “Milk.” Other roles/performances include: Andres in Wozzeck and Howard Boucher in Dead Man Walking with Opera Parallèle, West Side Story Suite with San Francisco Ballet Orchestra, Seven DeadlySins and Carmina Burana with Symphony Silicon Valley, the Governor in Candide and Nicely Nicely in Guys and Dolls with Oakland Symphony, Marquis/ Prince in Lulu and the Rector/Mosquito in The Cunning Little Vixen with West Edge Opera, Canio in I Pagliacci and Hoffmann in The Tales of Hoffmann with Pocket Opera. Most recent: Dec 2017/18 -Vain Man/Snake in The Little Prince with Opera Parallèle, April 2017-The Golden Age of Operetta with Rogue Valley Chorale Feb 2017/18-Multiple roles- Snapshot(New Opera Works) with West Edge Opera, March 2018-Carmina Burana with Sacramento Ballet. May 2018- Men- delssohn Die Erste Walpurgisnacht with Master Sinfonia Chamber Orch. April/August 2019-Carmina Burana (Davies Symphony Hall) and Rossini Petite Messe Solennelle with San Francisco Choral Society, Snapshot(New Opera Works) with West Edge Opera in February 2020, and Little Victor in Elizabeth Cree with West Edge Opera in July 2021. Future engagements include: Mr. Bobo in Coraline with West Edge Opera, Summer 2022. DANIEL LOCKERT Pianist, Coach, Collaborator Daniel Lockert, pianist, was born in San Diego, California, where he began his piano studies at the age of five. After receiving his Bachelor of Music in Piano Performance with a minor in Organ from Loma Linda University, he attended the University of Southern California. It was there that he was awarded an advanced degree in the spe- cialized area of accompanying, studying with the renowned Gwendolyn Koldofsky, the pioneer teacher in the field of accompanying and the pedagogue to many distinguished accompanists. While at USC, he also studied instrumental accompanying with Brooks Smith, accompanist to Jascha Heifeitz and Jenny Tourel. In his role as coach and teach- er, Daniel has been on the staffs and faculties of the Juilliard School, the San Francisco Opera, Opera San Jose, the San Francisco Conservatory of Music, Chapman University and the Aspen Music Festival, and Cal State East Bay. He is currently professor of Collaborative Piano at Notre Dame de Namur University in Belmont, and Staff Accompanist at Mills College, Oakland. He has been the musical director for many shows and theatrical productions, including I Do! I Do! And Fiddler on the Roof, both in Los Angeles and New York. Daniel has a particular passion for Stephen Sondheim, and has had the opportunity to be the musical director for several Sondheim reviews at the Marin Theatre Company, includ- ing Summer Nights of Sondheim, Side by Side by Sondheim, and You’re Gonna Love Tomorrow. For the Pleasanton Children’s Theatre, he musically directed Into the Woods as well as at Notre Dame de Namur Uni- versity. For the same university he musically directed The Light in the Piazza. For the main stage at Marin Theatre Company he made his conducting debut with Sondheim’s Company directed by the late Albert Taka- zaukus. Since then, he has musically directed and accompanied several shows for their “Words and Music” series, including Love is in the Air, Pure Gershwin, Bernstein on Broadway, September Song, the Great Broad- way-Sing-a-Long, a Berlin Kabarett with soprano Angelina Reaux and Frostiana by Randall Thompson, con- ducted by Daniel’s wife, Jenny Matteucci. For the same company he collaborated on a 2-piano version of Kurt Weill’s Lady in the Dark. For the San Francisco Performances series, “Salons at the Hotel Rex”, he per- formed a recital of the solo piano pieces of George Gershwin. In 2005, Daniel musically directed and per- formed with some of the Bay Area’s leading musical theatre and cabaret performers, including Lisa Vroman, in a 75th birthday celebration for Stephen Sondheim. The live concert, Simply Sondheim, has been recorded and is available on i-tunes. He has collaborated with noted composer Craig Bohmler on several productions: for the Willows Theatre he assisted the composer on Mountain Days: the John Muir Musical, performed at the Concord Pavillion and for the San Jose Repertory Theatre, Bohmler’s the Haunting of Winchester. In addi- tion, he was music director for Bohmler’s Enter the Guardsman, which was performed aboard the cruise ship QE2. (Subsequently, Mr. Lockert developed and directed a Broadway review, also featured on this cruise line.) Most recently, Mr. Lockert was music director for a staged reading of Bohmler’s All the More to Love, the real life story of the “colorful” dress shop of the same name, formerly owned by Daniel’s wife, Jenny Matteucci. Daniel has taught and coached students for special Sondheim projects at the American Conserva- tory Theatre in San Francisco and has been a vocal coach for the summer Music Theatre Conservatory at Notre Dame de Namur in Belmont, CA. Daniel is active as a cabaret pianist and singer, having collaborated with many San Francisco Bay area performers at the former Plush Room, the New Conservatory theater, 42nd Street Moon, Martuni’s, Society Cabaret (SF and San Jose) and Feinstein’s. With his wife, Jenny Matteucci, they perform and sing together as the Mattlock Duo with music ranging from Fats Waller to Ricky Ian Gordon. Incidentally, another musical. .
Load more

Recommended publications
  • Leonard Bernstein
    TuneUp! TuneUSaturday, October 18th, 2008 p! New York Philharmonic Young People’s Concert® elcome to a new season of Young People’s Concerts! Throughout history, there have been special times when music flowered in specific cities—Capitals of Music—that for a while W became the center of the musical world. Much of the music we know today comes from these times and places. But how did these great flowerings of music happen? That’s what we’ll find out this year as we discover the distinctive sounds of four of these Capitals. And where better to start than right here in New York? After the Second World War, our city became a cultural capital of the world. Leonard Bernstein—who became Music Director of the New York Philharmonic 50 years ago this fall—defined music in New York in his roles as composer, conductor, and teacher. So what was it like in New York back then? Let’s find out from a child of that time—Leonard Bernstein’s BERNSTEIN’S NEW YORK daughter Jamie! THE PROGRAM: BERNSTEIN “The Great Lover” from On the Town COPLAND “Skyline” from Music for a Great City (excerpt) GERSHWIN “I Got Rhythm” from Girl Crazy BERNSTEIN “America” from West Side Story Suite No. 2 COPLAND Fanfare for the Common Man Jamie Bernstein, host BERNSTEIN On the Waterfront Symphonic Suite (excerpt) Delta David Gier, conductor SEBASTIAN CURRIER “quickchange” from Microsymph Tom Dulack, scriptwriter and director BERNSTEIN Overture to Candide 1 2 3 5 4 CAN YOU IDENTIFY EVERYTHING IN AND AROUND LEONARD BERNSTEIN’S NEW YORK STUDIO? LOOK ON THE BACK PAGE TO SEE WHETHER YOU’RE RIGHT.
    [Show full text]
  • Sunday Playlist
    November 25, 2018: (Full-page version) Close Window “I was obliged to be industrious. Whoever is equally industrious will succeed equally well.” — Johann Sebastian Bach Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, Watkinson/King's Chamber 00:01 Buy Now! Handel Ombra mai fu ~ Serse (Xerxes) Sony Classical 89370 696998937024 Awake! Orchestra/Malgoire 00:05 Buy Now! Beethoven Piano Sonata No. 18 in E flat, Op. 31 No. 3 "Hunt" Wilhelm Kempff DG 429 306 n/a 00:27 Buy Now! Hanson Symphony No. 1 in E minor, Op. 21 "Nordic" Nashville Symphony/Schermerhorn Naxos 8.559072 636943907221 01:01 Buy Now! Gershwin Lullaby for String Quartet Manhattan String Quartet Newport Classics 60033 N/A 01:09 Buy Now! Bach Brandenburg Concerto No. 1 in F, BWV 1046 Il Giardino Armonico/Antonini Teldec 6019 745099844226 01:29 Buy Now! Dvorak Violin Concerto in A minor, Op. 53 Luca/Saint Louis Symphony/Slatkin Nonesuch 79052 07559790522 02:00 Buy Now! Duffy Three Jewish Portraits Milwaukee Symphony/Macal Koss Classics 1022 021299710388 String Quartet No. 14 in D minor, D. 810 "Death and the 02:11 Buy Now! Schubert Amadeus Quartet DG 410 024 028941002426 Maiden" 02:51 Buy Now! Gottschalk The Dying Poet Robert Silverman Marquis Classics 161 774718116123 03:00 Buy Now! Schumann String Quartet in A, Op. 41 No. 3 St. Lawrence String Quartet EMI 56797 724355679727 03:33 Buy Now! Foote Second Suite for Piano, Op. 30 Virginia Eskin Northeastern 223 n/a 03:47 Buy Now! Still Miniatures Powers Woodwind Quintet White Pine Music 215 700261334110 Suzuki/Orlovsky/Indianapolis 03:59 Buy Now! Canning Fantasy on a Hymn by Justin Morgan Decca 458 157 028945845725 SO/Leppard 04:11 Buy Now! Telemann Trumpet Concerto No.
    [Show full text]
  • PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2004 the Leonard Bernstein School Improvement Model: More Findings Along the Way by Dr
    PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2004 The Leonard Bernstein School Improvement Model: More Findings Along the Way by Dr. Richard Benjamin THE GRAMMY® FOUNDATION eonard Bernstein is cele­ brated as an artist, a CENTER FOP LEAR ll I IJ G teacher, and a scholar. His Lbook Findings expresses the joy he found in lifelong learning, and expounds his belief that the use of the arts in all aspects of education would instill that same joy in others. The Young People's Concerts were but one example of his teaching and scholarship. One of those concerts was devoted to celebrating teachers and the teaching profession. He said: "Teaching is probably the noblest profession in the world - the most unselfish, difficult, and hon­ orable profession. But it is also the most unappreciated, underrat­ Los Angeles. Devoted to improv­ There was an entrepreneurial ed, underpaid, and under-praised ing schools through the use of dimension from the start, with profession in the world." the arts, and driven by teacher each school using a few core leadership, the Center seeks to principles and local teachers Just before his death, Bernstein build the capacity in teachers and designing and customizing their established the Leonard Bernstein students to be a combination of local applications. That spirit Center for Learning Through the artist, teacher, and scholar. remains today. School teams went Arts, then in Nashville Tennessee. The early days in Nashville, their own way, collaborating That Center, and its incarnations were, from an educator's point of internally as well as with their along the way, has led to what is view, a splendid blend of rigorous own communities, to create better now a major educational reform research and talented expertise, schools using the "best practices" model, located within the with a solid reliance on teacher from within and from elsewhere.
    [Show full text]
  • West Side Story
    West Side Story West Side Story is an American musical with a book rary musical adaptation of Romeo and Juliet . He prpro-o- byby Arthur Laurents, mmususiic bbyy Leonard Bernstein,, posed that the plot focus on the conflict between an Irish libretto/lyrics by Stephen Sondheim, and conception and Catholic family and a Jewish family living on the Lower choreography byby Jerome Robbins..[1] It was inspired by East Side ofof Manhattan,,[6] during the Easter–Passover William Shakespeare's play Romeo and Juliet .. season. The girl has survivvived the Holocaust and emi- The story is set in the Upper West Side neighborhood grated from Israel; the conflict was to be centered around in New York City in the mid-1950s, an ethnic, blue- anti-Semitism of the Catholic “Jets” towards the Jewish “Emeralds” (a name that made its way into the script as collar ne neighighborhood. (In the early 1960s much of thethe [7] neineighborhood would be clecleared in anan urban renewal a reference). Eager to write his first musical, Laurents project for the Lincoln Center, changing the neighbor- immediately agreed. Bernstein wanted to present the ma- hood’s character.)[2][3] The musical explores the rivalry terial in operatic form, but Robbins and Laurents resisted between the Jets and the Sharks, two teenage street gangs the suggestion. They described the project as “lyric the- of different ethnic backgrounds. The members of the ater”, and Laurents wrote a first draft he called East Side Sharks, from Puerto Rico, are taunted by the Jets, a Story. Only after he completed it did the group realize it white gang.[4] The young protagonist, Tony, a former was little more than a musicalization of themes that had member of the Jets and best friend of the gang leader, alreadybeencoveredinin plaplaysys liklikee Abie’s Irish Rose.
    [Show full text]
  • Teacher Resource Guide
    TEACHER RESOURCE GUIDE Pittsburgh Ballet Theatre School Instructional Performances | March, April 2018 | Teacher Resource Guide Choreography by Jerome Robbins The instructional performances have been made possible by the generosity of the Jerome Robbins Foundation and a donor who wishes to remain anonymous. PBT gratefully acknowledges the following organizations for their commitment to our education programming: Allegheny Regional Asset District Henry C. Frick Educational Fund of The Buhl Anne L. and George H. Clapp Charitable Foundation Trust BNY Mellon Foundation Highmark Foundation Claude Worthington Benedum Foundation Peoples Natural Gas Eat ‘n Park Hospitality Group Pennsylvania Council on the Arts Edith L. Trees Charitable Trust Pennsylvania Department of Community ESB Bank and Economic Development Giant Eagle Foundation PNC Bank Grow up Great The Grable Foundation PPG Industries, Inc. Hefren-Tillotson, Inc. Richard King Mellon Foundation James M. The Heinz Endowments and Lucy K. Schoonmaker 2 CONTENTS 4 The Choreographer—Jerome Robbins Fast Facts 5 The Composer— Leonard Bernstein 6 Robbins’ Style of Movement 7 A look into the instructional performance: Classical Ballet—Swan Lake excerpts Neo-classical Ballet—The Symphony 8 Robbins’ Ballet—West Side Story Suite 9 Exploring West Side Story: Lesson Prompts Connections to Romeo and Juliet Entry Pointes Characters and Story Elements 11 Communication and Technology 12 Group Dynamics 13 Conflict, Strategies and Resolutions 15 Pedestrian Movement and Choreography Observing and Developing Movement 16 Social Dances 17 Creating an Aesthetic 18 Musical Theater/Movie/Ballet PBT celebrates the 100th birthday of Jerome Robbins with its May 2018 production of In the Night, Fancy Free and West Side Story Suite.
    [Show full text]
  • News from the Jerome Robbins Foundation Vol
    NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries.
    [Show full text]
  • For Immediate Release
    National & NYC Press Contact: Dan Dutcher Public Relations National Press Contact: Cohn Dutcher Associates Dan Dutcher | 917.566.8413 | [email protected] Dan Dutcher | 917.339.7157 | [email protected] Lois Cohn | 917.339.7187 | [email protected] New Jersey Press Contact: Brittnee Walker | 917.339.7183 | [email protected] Victoria McCabe, NJSO Communications and External Affairs New Jersey Press Contact: 973.735.1715 | [email protected] Victoria McCabe, NJSO Communications and External Affairs 973.624.3713, ext. 234 | [email protected] FOR IMMEDIATE RELEASE NEW JERSEY SYMPHONY ORCHESTRA ANNOUNCES 2014–15 SEASON MUSIC DIRECTOR JACQUES LACOMBE LEADS A SEASON OF GREAT ORCHESTRAL WORKS FEATURING RENOWNED ARTISTS WINTER FESTIVAL ‘SOUNDS OF SHAKESPEARE’ TO FEATURE BARD-INSPIRED MUSIC STAR VIOLINIST SARAH CHANG PERFORMS WEST SIDE STORY SUITE IN ALL SIX NJSO VENUES DURING TWO-WEEK RESIDENCY OPENING NIGHT CELEBRATION FEATURES CARMINA BURANA—THE MASTERWORK THAT INTRODUCED LACOMBE TO NEW JERSEY NEW JERSEY ROOTS PROJECT: NJSO GIVES WORLD PREMIERES OF WORKS BY CONE AND KUBIAN, LAUNCHES COMPOSITION INSTITUTE DISTINGUISHED GUEST ARTISTS INCLUDE MARC-ANDRÉ HAMELIN, ANDRÉ WATTS, XIAN ZHANG, GIL SHAHAM, STEFAN JACKIW, KIRILL GERSTEIN NJSO PRESENTS PROGRAMS IN COMMUNITIES ACROSS THE STATE NEWARK, NJ (January 27, 2014)—The New Jersey Symphony Orchestra (NJSO) today announced its programs for the 2014–15 concert season, conductor Jacques Lacombe’s fifth year as the Orchestra’s Music Director. Fulfilling its mission as a statewide orchestra, the NJSO brings subscription programs to venues in Newark, New Brunswick, Princeton, Morristown, Red Bank and Englewood, with 14 weeks of subscription classical programs, four pops programs and three family concerts, as well as several special concerts.
    [Show full text]
  • Dance Brochure
    Boosey & Hawkes Music Publishers Limited Dance 2006 Edition Also see www.boosey.com/downloads/dance06icolour.pdf Figure drawings for a relief mural by Ivor Abrahams (courtesy Bernard Jacobson Gallery) The Boosey & Hawkes catalogue contains many of the most significant and popular scores in the dance repertoire, including original ballets (see below) and concert works which have received highly successful choreographies (see page 9). To hear some of the music, a free CD sampler is available upon request. Works written as ballets composer work, duration and scoring background details Andriessen Odyssey 75’ Collaboration between Beppie Blankert and Louis Andriessen 4 female singers—kbd sampler based on Homer’s Odyssey and James Joyce’s Ulysses. Inspired by a fascination with sensuality and detachment, the ballet brings together the ancient, the old and the new. Original choreography performed with four singers, three dancers and one actress. Argento The Resurrection of Don Juan 45’ Ballet in one act to a scenario by Richard Hart, premiered in 1955. 2(II=picc).2.2.2—4.2.2.1—timp.perc:cyms/tgl/BD/SD/tamb— harp—strings Bernstein The Dybbuk 50’ First choreographed by Jerome Robbins for New York City Ballet 3.3.4.3—4.3.3.1—timp.perc(3)—harp—pft—strings—baritone in 1974. It is a ritualistic dancework drawing upon Shul Ansky’s and bass soli famous play, Jewish folk traditions in general and the mystical symbolism of the kabbalah. The Robbins Dybbuk invites revival, but new choreographies may be created using a different title. Bernstein Facsimile 19’ A ‘choreographic essay’ dedicated to Jerome Robbins and 2(II=picc).2.2(=Ebcl).2—4.2.crt.2.1—timp.perc(2)— first staged at the Broadway Theatre in New York in 1946.
    [Show full text]
  • News from the Jerome Robbins Foundation Vol. 4, NO. 2
    NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 4, NO. 2 (2017) 2018 is the year the world comes together to celebrate the 100th birth- The Division created deadlines throughout the fellowship cycle to track prog- day of Jerome Robbins (1918–1998). One of the first events of the ress, and Library staff offered their expertise to foster a supportive environment. Centennial celebration will be the Jerome Robbins Symposium, taking Each Fellow had a meeting in September with Curator Linda Murray to discuss place January 26, 2018 at the New York Public Library for the Performing the progress they were making. Each Fellow brought a specific research skill set Arts at Lincoln Center. to the group; some knew how to navigate the Library’s catalog exceptionally well, which would in turn yield the most material from the collection, while others were just beginning their journey. Supervising Librarian Phil Karg met with several of the Fellows to instruct them on how use the catalog more effectively. The following are examples of three of the Fellowship projects: • Dance photographer Julie Lemberger offers a creative approach to her project. In her presentation and written piece, “What He Saw / What She Saw — West Side Story and Other Views of Dance and Dancers Behind the Scenes: Discovering Photography by Jerome Robbins and Martha Swope,” Julie is looking at “how two photographers in 1957 with different back- grounds and perspectives recorded and reacted to the making of West Side Story; what photographer Henri Cartier-Bresson called the decisive moment, when everything changed, what brought these two together and The Jerome Robbins how it shaped their careers.” • Robert Greskovic, who writes about dance for the Wall Street Journal, has previously presented his work at our public presentations in the Bruno Dance Research Fellowship Walter Auditorium, and can be spotted frequently in our special collections by Kathleen Leary reading room working on a variety of projects.
    [Show full text]
  • OFFICIAL PROGRAM for BROADWAY in DETROIT at the FISHER THEATRE Student Artists Find the BOLD
    OFFICIAL PROGRAM FOR BROADWAY IN DETROIT AT THE FISHER THEATRE Student Artists Find the BOLD Word Search WORDS! Alumni Laura Juncker s e c p m i n illustrated the book cover for The Art: Frost and Flame a d i m u l o by David T. Newman r u m v s l i Student radio station WBFH.FM can be heard t c a b i u t online at www.wbfh.fm and on the “Biff Radio” app s a r a c s a Bloomfield Hills Schools e t e r a t t voted 2014 Best Communi- h i c e l r s ties for Music education by the NAMM Foundation c o y p a a o Anna Hemsworth received r n h o a t i the Scholastic Silver Key Art Award for a ceramic tile o u f l b e d that she made r t l m g d a Alumni Justine Aronson, soprano, appeared as Solo w o d a h s r Niña in Ainadamar with Opera Philadelphia Conant Elementary celebrated Earth Day with an Environmental 4th grade musical Deaf & Hard of Hearing staff interpreters shadow inter- Eight High School students were preted the student rendition winners of the 2014 National Scholastic of “High School Musical” Art Awards Competition Bloomfield Hills Schools www.bloomfield.org • (248) 341-6303 Discover the infinite opportunities we provide to make dreams possible. 3 DOROTHY in Andrew Lloyd Webber’s new THE WIZARD OF OZ is… WINDSOR’S DANIELLE WADE brilliant and everyone has her f her mother hadn’t suggested they take a performance in their mind,” four-hour drive to Toronto for her first pro- Wade says.
    [Show full text]
  • Pittsburgh Ballet Theatre Celebrates Jerome Robbins & Leonard
    FOR IMMEDIATE RELEASE Contact: Meghan Swartz Associate Director of Communications 412-454-9117 [email protected] *High-res photos available upon request Pittsburgh Ballet Theatre Celebrates Jerome Robbins & Leonard Bernstein Centennials with Three Company Premieres ‘UPMC Presents West Side Story Suite + In the Night + Fancy Free’ PITTSBURGH, PA (March 20, 2018) — ​This spring ​Pittsburgh Ballet Theatre (PBT) ​ joins in international centennial celebrations for choreographer Jerome Robbins and composer Leonard Bernstein with an all-Robbins program featuring three company premieres. “UPMC Presents West Side Story Suite + In the Night + Fancy Free” with the PBT Orchestra takes the stage May 4-6, at the Benedum Center. Both Robbins (1918-1998) and Bernstein (1918-1990) would have celebrated their 100th birthdays in 2018, which has inspired a worldwide celebration of their work. The duo famously collaborated on a number of ballets and Broadway hits beginning in the 1940s. Among the Robbins and Bernstein collaborations represented in PBT’s centennial tribute are their first and most famous collaborations —​ “Fancy Free,” which inspired the ​ ​ ​ Broadway hit “On the Town,” and “West Side Story Suite,” which Robbins excerpted from the full-length “West Side Story.” “I had the privilege of working with Jerry when I was principal dancer and then ballet ​ master for American Ballet Theatre. I’ll never forget his genius for the details that make a masterpiece​,” said PBT Artistic Director Terrence S. Orr. ‘West Side Story Suite’ will ​ push our dancers outside their comfort zones with its drama, its choreography and especially its singing scenes. I love its contrast with ‘In the Night,’​ ​which shows us Robbins’ classical side.
    [Show full text]
  • TRIO GALA Saturday, February 22Nd, 2014 at 7:00Pm Symphony Hall
    TRIO GALA Saturday, February 22 nd , 2014 at 7:00pm Symphony Hall Emil de Cou, conductor Ballet Arizona Arizona Opera The Phoenix Symphony Manuel De Falla El Amor Brujo, Ritual Fire Dance 5:00 (1876 – 1946) Leo Delibes Les Filles de Cadix 4:50 (1836 -- 1891) Sarah Coburn, Soprano Arizona Opera Ludwig Minkus Selections from La Bayadere 15:00 (1826 – 1917) Golden Idol Indian Dance Pas d’action Four Women Dance Solo Variation Gamzatti Variation Coda Ballet Arizona Leonard Bernstein West Side Story, Suite No. 2 15:00 (1918 -- 1990) I Feel Pretty Jet song America Tonight Andrea Shokery as Maria, Beth Lytwynec as Anita, David Margulis as Tony, Chris Carr as Riff, Calvin Griffin as Bernardo, Rhea Miller as Francisca, Marina Dominique Lozez as Rosalia Arizona Opera John Williams “Theme” from Schindler’s List 3:40 (b. 1932) Steven Moeckel, violin Ballet Arizona Agustin Lara Granada 3:30 (1900-1970) Patrick O’Halloran, tenor Arizona Opera Chabrier España 10:00 Georges Bizet Selections from Carmen 10:00 (1838-1875) Prelude Aragonaise Intermezzo Les tringles des sistres tintaient; Danse Boheme Beth Lytwynec as Carmen Rhea Miller as Frasquita Maria Dominique Lopez as Mercedes Arizona Opera Ballet Arizona 80:00 Total including 10 minutes of talking Defalla 2[1.pic] 1 2 1 —2 2 0 0 — Timp - kybd [pf] - str Delibes 1 1 2 1 —0 2 0 0 — timp+1-perc - str Minkus 2 2 2 2 -- 4 4 3 1 --- Timp+2-perc – hp - str Bernstein 3[1/pic.2/pic.3/pic] 1 3[1/eb.2.3/bcl] 1 -- 2 3 2 0 --- Timp+4-perc- kybd[pf;celeste] – Extra[elec.
    [Show full text]