Boston Symphony Orchestra Concert Programs, Season 126, 2006-2007

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Season 126, 2006-2007 2006-2007 SEASON BOSTON SYM PHONY ORCHESTRA KKa j( : .. L . 1 Lead a richer life, Jwiigg h''|f[n»rtl rtJf^JHfRfi. ''" ; ' :: ; ' ^* ^X-~-n^ John Hancock is proud to support the Boston Symphony Orchestra. A CH Manulife Financial Company w ^ hf/ /p the future is yours A World-Class Alcohol and Drug Treatment Program View from The McLean Center, Princeton, MA E McLEAN CENTER A comprehensive residential treatment program. Expertise in treating co-occurring psychiatric disorders. Highly discreet and individualized care for adults. Exceptional accommodations in a peaceful, rural setting. McLean Hospital: A Legacy of Compassionate Care and Superb Clinical Treatment www.mclean.harvard.edu • 1-800-906-9531 McLean Hospital is a psychiatric teaching facility Partners. ofHarvard Medical School, an affiliate of Healthcare Massachusetts General Hospital and a member of Partners HealthCare. REASON #75 transplan exper s It takes more than just a steady hand to perform a successful organ transplant. The highly complicated nature of these procedures demands the utmost in experience and expertise. At Beth Israel Deaconess Medical Center, we offer one of the most comprehensive liver, kidney and pancreas transplant programs available today. Our doctors' exceptional knowledge and skill translate to enhanced safety and care in transplant surgery - and everything that goes into it. For more information on the Transplant Center, visit www.bidmc.harvard.edu or call 1-800-667-5356. A teaching hospital of Beth Israel Deaconess Harvard Medical School Medical Center | Hospital of the Sox Affiliated with Joslin Clinic | A Research Partner of Dana-Farber/Harvard Cancer Center Official Boston Red James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 126th Season, 2006-2007 Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman John F. Cogan, Jr., Vice-Chairman Robert P. O'Block, Vice-Chairman Diddy Cullinane, Vice-Chairman Roger T. Servison, Vice-Chairman Edmund Kelly, Vice-Chairman Vincent M. O'Reilly, Treasurer George D. Behrakis Cynthia Curme Robert J. Mayer, M.D. Arthur I. Segel Gabriella Beranek William R. Elfers Nathan R. Miller Thomas G. Sternberg Mark G. Borden Nancy J. Fitzpatrick Richard P. Morse Wilmer J. Thomas, Jr. Alan Bressler Charles K. Gifford Ann M. Philbin, Stephen R. Weber Jan Brett Thelma E. Goldberg ex-officio Stephen R. Weiner Samuel B. Bruskin Stephen Kay Carol Reich Robert C. Winters Paul Buttenwieser George Krupp Edward I. Rudman Eric D. Collins Shari Loessberg, ex-officio Hannah H. Schneider Life Trustees E. Harlan Anderson James F. Cleary Avram J. Goldberg Peter C. Read Vernon R. Alden Julian Cohen Edna S. Kalman Richard A. Smith David B. Arnold, Jr. Abram T. Collier George H. Kidder Ray Stata J. P. Barger Mrs. Edith L. Dabney R. Willis Leith, Jr. John Hoyt Stookey Leo L. Beranek Nelson J. Darling, Jr. Mrs. August R. Meyer John L. Thorndike Deborah Davis Berman Nina L. Doggett Mrs. Robert B. Newman Dr. Nicholas T. Zervas Peter A. Brooke Mrs. John H. Fitzpatrick William J. Poorvu Helene R. Cahners Dean W. Freed Irving W Rabb Other Officers of the Corporation Mark Volpe, Managing Director Thomas D. May, Chief Financial Officer Suzanne Page, Clerk of the Board Board of Overseers of the Boston Symphony Orchestra, Inc. Shari Loessberg, Chairman William F. Achtmeyer Joseph F. Fallon Robert Kleinberg Dr. Tina Young Poussaint Diane M. Austin Thomas E. Faust, Jr. Farla H. Krentzman James D. Price Lucille M. Batal Judith Moss Feingold Peter E. Lacaillade Claire Pryor Maureen Scannell Steven S. Fischman Renee Landers Patrick J. Purcell Bateman John F. Fish Robert J. Lepofsky John Reed Linda J.L. Becker Lawrence K. Fish Christopher J. Lindop Donna M. Riccardi George W. Berry Myrna H. Freedman John M. Loder Susan Rothenberg James L. Bildner Carol Fulp Edwin N. London Alan Rottenberg Bradley Bloom Dr. Arthur Gelb Jay Marks Joseph D. Roxe Anne F. Brooke Stephanie Gertz Jeffrey E. Marshall Kenan Sahin Gregory E. Bulger Robert P. Gittens Carmine Martignetti Ross E. Sherbrooke William Burgin Michael Gordon Joseph B. Martin, M.D. Gilda Slifka Ronald G. Casty Paula Groves Thomas McCann Christopher Smallhorn Rena F. Clark Michael Halperson Joseph C. McNay John C. Smith Carol Feinberg Cohen Carol Henderson Albert Merck Charles A. Stakely Mrs. James C. Collias Brent L. Henry Dr. Martin C. Mihm, Jr. Patricia L. Tambone Charles L. Cooney Susan Hockfield Robert Mnookin Samuel Thorne Ranny Cooper Osbert M. Hood Paul M. Montrone Albert Togut James C. Curvey Roger Hunt Robert J. Morrissey Diana Osgood Tottenham Tamara P. Davis William W Hunt Evelyn Stefansson Nef Joseph M. Tucci Mrs. Miguel de Braganca Ernest Jacquet Robert T. O'Connell Paul M. Verrochi Disque Deane Everett L. Jassy Susan W Paine Robert S. Weil Paul F. Deninger Charles H. Jenkins, Jr. Joseph Patton David C. Weinstein Ronald M. Druker Darlene Luccio Jordan, Ann M. Philbin James Westra Alan J. Dworsky Esq. May H. Pierce Mrs. Joan D. Wheeler Alan Dynner Paul L. Joskow Claudio Pincus Richard Wurtman, M.D. Ursula Ehret-Dichter Stephen R. Karp Joyce L. Plotkin Dr. Michael Zinner John P. Eustis II Brian Keane Dr. John Thomas Potts, Jr. D. Brooks Zug Pamela D. Everhart Douglas A. Kingsley Overseers Emeriti Helaine B. Allen Mrs. Thomas Mrs. Gordon E Kingsley John Ex Rodgers Marjorie Arons-Barron Galligan, Jr. David I. Kosowsky Mrs. Jerome Rosenfeld Caroline Dwight Bain Mrs. James Garivaltis Robert K. Kraft Roger A. Saunders Sandra Bakalar Jordan Golding Benjamin H. Lacy Lynda Anne Schubert Mrs. Levin H. Campbell Mark R. Goldweitz Mrs. William D. Larkin Mrs. Carl Shapiro Earle M. Chiles John Hamill Hart D. Leavitt L. Scott Singleton Joan P. Curhan Deborah M. Hauser Frederick H. Lovejoy, Jr. Mrs. Micho Spring Phyllis Curtin Mrs. Richard D. Hill Diane H. Lupean Patricia Hansen Strang Betsy P. Demirjian Marilyn Brachman Mrs. Charles P. Lyman Robert A. Wells JoAnne Walton Dickinson Hoffman Mrs. Harry L. Marks Mrs. Thomas H.P. Phyllis Dohanian Lola Jaffe Barbara Maze Whitney Goetz B. Eaton Michael Joyce John A. Perkins Margaret Williams- Harriett Eckstein Martin S. Kaplan Daphne Brooks Prout DeCelles George Elvin Mrs. S. Charles Kasdon Robert E. Remis Mrs. Donald B. Wilson J. Richard Fennell Richard L. Kayet Mrs. Peter van S. Rice Mrs. John J. Wilson Peter H.B. Frelinghuysen tDeceased Officers of the Boston Symphony Association of Volunteers Ann M. Philbin, President William S. Ballen, Executive Richard Dixon, Executive Vice-President/Tanglewood Vice-President/Administration Sybil Williams, Secretary Howard Cutler, Executive Gerald Dreher, Treasurer Vice-President/Fundraising Leah Weisse, Nominating Chair Patty Geier, Education and Pat Kavanaugh, Membership Beverly Pieper, Hall Services Outreach Rosemary Noren, Symphony Shop Janis Su, Public Relations Mary Gregorio, Special Projects Staffing Table of Contents BSO News 5 On Display in Symphony Hall 7 BSO Music Director James Levine 10 The Boston Symphony Orchestra 12 This Week's Boston Symphony Orchestra Program 15 Notes on the Program 17 Featured Artists 35 Future Programs 60 Symphony Hall Exit Plan 62 Symphony Hall Information 63 This week's Pre-Concert Talks are given by Elizabeth Seitz of The Boston Conservatory. Program copyright ©2007 Boston Symphony Orchestra, Inc. Cover design by Sametz Blackstone Associates, Boston Cover photograph by Michael J. Lutch Administration Mark Volpe, Managing Director Eunice and Julian Cohen Managing Directorship, fully funded in perpetuity Anthony Fogg, Artistic Administrator Peter Minichiello, Director of Development Marion Gardner-Saxe, Director of Human Resources Kim Noltemy, Director of Sales, Marketing, Ellen Highstein, Director of Tanglewood Music Center and Communications Center Directorship, Tanglewood Music endowed in honor of Caroline Taylor, Senior Advisor to the Edward H. Linde by Alan S. Bressler and Edward I. Rudman Managing Director Director Bernadette M. Horgan, of Media Relations Ray F. Wellbaum, Orchestra Manager Thomas D. May, Chief Financial Officer ADMINISTRATIVE STAFF/ARTISTIC Bridget P. Carr, Archivist-Position endowed by Caroline Dwight Bain • Vincenzo Natale, Chauffeur/Valet • Suzanne Page, Assistant to the Managing Director /Manager of Board Administration • Benjamin Schwartz, Assistant to the Artistic Administrator ADMINISTRATIVE STAFF/ PRODUCTION Christopher W. Ruigomez, Director of Concert Operations Meryl Atlas, Assistant Chorus Manager • Amy Boyd, Orchestra Personnel Administrator • Felicia A. Burrey, Chorus Manager • H.R. Costa, Technical Supervisor • Keith Elder, Production and Touring Manager • Jake Moerschel, Assistant Stage Manager • John Morin, Stage Technician • Mark C. Rawson, Stage Technician • Leslie D. Scott, Assistant to the Orchestra Manager BOSTON POPS Dennis Alves, Director ofArtistic Programming Sheri Goldstein, Personal Assistant to the Conductor Margo Saulnier, Artistic Coordinator • Jeff Swallom, Administrative Coordinator BUSINESS OFFICE Sarah J. Harrington, Director of Planning and Budgeting Pam Wells, Controller Wendy Gragg, Budget Assistant • Michelle Green, Executive Assistant to the Chief Financial Officer • Karen Guy, Accounts Payable Supervisor • Minnie Kwon, Payroll Assistant • John O'Callaghan, Payroll Supervisor • Mary Park, Budget Analyst • Harriet Prout, Accounting Manager • Theany Uy, Staff Accountant • Teresa Wang, Staff Accountant • Audrey Wood, Senior Investment Accountant DEVELOPMENT Nancy Baker, Director of Major and Planned Giving Alexandra Fuchs, Director ofAnnual Funds Nina Jung,
Recommended publications
  • A Culture of Recording: Christopher Raeburn and the Decca Record Company
    A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
    [Show full text]
  • Guildhall School Gold Medal 2020 Programme
    Saturday 26 September 7pm Gold Medal 2020 Finalists Soohong Park Ben Tarlton Ke Ma Guildhall Symphony Orchestra Richard Farnes conductor Guildhall School of Music & Drama Founded in 1880 by the City of London Corporation Chairman of the Board of Governors Vivienne Littlechild Principal Lynne Williams am Vice Principal & Director of Music Jonathan Vaughan Please visit our website at gsmd.ac.uk Guildhall School is part of Culture Mile: culturemile.london Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation Gold Medal 2020 Saturday 26 September, 7pm The Gold Medal, Guildhall School’s most prestigious award for musicians, was founded and endowed in 1915 by Sir H. Dixon Kimber Bt MA Guildhall Symphony Orchestra Finalists Richard Farnes conductor Soohong Park piano During adjudication, Junior Guildhall Rachmaninov Piano Concerto No 2 in violinist Leia Zhu performs Ravel’s C minor Op 18 Tzigane with pianist Kaoru Wada. Leia’s Ben Tarlton cello performance was recorded in January 2020. Elgar Cello Concerto in E minor Op 85 The presentation of the Gold Medal will Ke Ma piano take place after Leia’s performance. Tchaikovsky Piano Concerto No 1 in B-flat minor Op 23 The Jury Jonathan Vaughan Vice-Principal & Director of Music Richard Farnes Conductor Emma Bloxham Editor, BBC Radio 3 Nicholas Mathias Director, IMG Artists Performed live on Friday 25 September and recorded and produced live by Guildhall School’s Recording and Audio Visual department. Gold Medal winners
    [Show full text]
  • Preface the Arranger: Sir Eugene Goossens
    Preface The Arranger: Sir Eugene Goossens (1893–1962) Sir Eugene Goossens‘ orchestration of Handel‘s Messiah was composed in 1959, and the score is in his and his Born in London as the son of the Belgian violinist Eugène companion Pamela Main‘s handwriting. The initiative Goossens, he also frst trained as a violinist and played for this venture came from Goossens’ former mentor Sir in Sir Thomas Beecham’s Queens Hall Orchestra before Thomas Beecham, who wished to record the work with a changing to conducting. He conducted the British premiere twentieth-century symphony orchestra. He chose Goossens of Le Sacre du Printemps and subsequently lived in the US as a composer of symphonies, operas and oratorio who and Australia until 1956. After being caught at the Sydney was also an internationally celebrated conductor. He was airport with what was considered to be “pornographic to orchestrate the main body of the work but not to include material” (photos, books, rubber masks and such) in those numbers known as Appendix, which are usually connection with his intense love afair with Rosaleen omitted in performance. Norton, the so-called “Witch of Kings Cross”, he was forced to resign from all public positions. Goossens died in England It would seem that Beecham had miscalculated the overall in 1962. timing, and presumably had to introduce the Appendix in order to make a reasonably-flled concluding vinyl disc. But there were no matching orchestrations available, and time was pressing. Whatever the reason, Sir Thomas regrettably Note on the Edition resorted to a sublimely concealed hotch-potch, using some Ebenezer Prout orchestrations, and also Straussian The aim of paladino music is to produce practical songs written for him in 1947 by the then-young conductor modern editions that also provide historical insight.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1991, Tanglewood
    /JQL-EWOOD . , . ., An Enduring Tradition ofExcellence In science as in the lively arts, fine performance is crafted with aptitude attitude and application Qualities that remain timeless . As a worldwide technology leader, GE Plastics remains committed to better the best in engineering polymers silicones, superabrasives and circuit board substrates It's a quality commitment our people share Everyone. Every day. Everywhere, GE Plastics .-: : ;: ; \V:. :\-/V.' .;p:i-f bhubuhh Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President T Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, V ice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Mrs. Eugene B. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr.
    [Show full text]
  • November 2016
    November 2016 Igor Levit INSIDE: Borodin Quartet Le Concert d’Astrée & Emmanuelle Haïm Imogen Cooper Iestyn Davies & Thomas Dunford Emerson String Quartet Ensemble Modern Brigitte Fassbaender Masterclasses Kalichstein/Laredo/ Robinson Trio Dorothea Röschmann Sir András Schiff and many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–X Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – X AAAA AAAA Lowest price This brochure is available in alternative formats.
    [Show full text]
  • Sir Colin Davis Anthology Volume 1
    London Symphony Orchestra LSO Live Sir Colin Davis Anthology Volume 1 Sir Colin Davis conductor Colin Lee tenor London Symphony Chorus London Symphony Orchestra Hector Berlioz (1803–1869) – Symphonie fantastique, Op 14 (1830–32) Recorded live 27 & 28 September 2000, at the Barbican, London. 1 Rêveries – Passions (Daydreams – Passions) 15’51’’ Largo – Allegro agitato e appassionato assai – Religiosamente 2 Un bal (A ball) 6’36’’ Valse. Allegro non troppo 3 Scène aux champs (Scene in the fields) 17’16’’ Adagio 4 Marche au supplice (March to the Scaffold) 7’02’’ Allegretto non troppo 5 Songe d’une nuit de sabbat (Dream of the Witches’ Sabbath) 10’31’’ Larghetto – Allegro 6 Hector Berlioz (1803–1869) – Overture: Béatrice et Bénédict, Op 27 (1862) 8’14’’ Recorded live 6 & 8 June 2000, at the Barbican, London. 7 Hector Berlioz (1803–1869) – Overture: Les francs-juges, Op 3 (1826) 12’41’’ Recorded live 27 & 28 September 2006, at the Barbican, London. Hector Berlioz (1803–1869) – Te Deum, Op 22 (1849) Recorded live 22 & 23 February 2009, at the Barbican, London. 8 i. Te Deum (Hymne) 7’23’’ 9 ii. Tibi omnes (Hymne) 9’57’’ 10 iii. Dignare (Prière) 8’04’’ 11 iv. Christe, Rex gloriae (Hymne) 5’34’’ 12 v. Te ergo quaesumus (Prière) 7’15’’ 13 vi. Judex crederis (Hymne et prière) 10’20’’ 2 Antonín Dvořák (1841–1904) – Symphony No 9 in E minor, Op 95, ‘From the New World’ (1893) Recorded live 29 & 30 September 1999, at the Barbican, London. 14 i. Adagio – Allegro molto 12’08’’ 15 ii. Largo 12’55’’ 16 iii.
    [Show full text]
  • The Founding Years Sir Thomas Beecham Conducts the London Philharmonic Orchestra
    THE FOUNDING YEARS SIR THOMAS BEECHAM CONDUCTS THE LONDON PHILHARMONIC ORCHESTRA MOZART Symphony No.35 Haffner CHABRIER España Excerpts from: SIBELIUS The Tempest MOZART Mass in C minor HANDEL Israel in Egypt SIR THOMAS BEECHAM AND THE LONDON PHILHARMONIC ORCHESTRA AT THE 1934 LEEDS FESTIVAL Though few realised it, the 1930s would see A Mass of Life (and the première of Walton’s the end of many of the great British provincial Belshazzar’s Feast, although he handed that choral festivals, at least in the way in which over to assistant conductor Malcolm Sargent). they had held sway in England for a couple of Another bonus was that, as the choral pieces hundred years. Some, like the Three Choirs, were prepared by local chorus masters, he had dated back to the early eighteenth century and, more time to prepare orchestral works and at the beginning of the twentieth, important he could invite eminent soloists. Orchestrally, festivals were still being held in Birmingham, the 1934 festival was especially rich, with Leeds, Norwich and Sheffield. They were Schnabel in Brahms’s Second Piano Concerto gargantuan affairs: although generally and Szigeti playing Mozart’s Violin Concerto lasting less than a week, with morning as No.4, while the symphonies included both well as evening concerts the musical ground Brahms’s and Sibelius’s Second; there was covered was formidable. Sir Thomas Beecham Tchaikovsky’s Third Orchestral Suite, Delius’s (1879-1961), who had known them all his Paris, Strauss’s Till Eulenspiegel and – of life, was inclined to write disparagingly of outstanding interest – the first performance them, especially their orchestral standards, in England of Sibelius’s incidental music but he was being no more than truthful for The Tempest, among the most recent when he described how ‘within three or works to come from the composer’s pen.
    [Show full text]
  • Of the Reader If Possible.” Check out His Blog – It's Great! “
    of the reader if possible.” Check out his Blog Britten, Tippett, Walton as they were writing – it’s great! their masterieces and being able to discuss “A lot of modern critics employ double them with the composers. I’ve met many of standards. If it’s a new piece they go for it, in the most famous musicians: Messiaen, Nono, the old days they’d have gone at it!” Stockhausen, Strauss.” Ever lighthearted John then told me a Meeting Richard Strauss face to face is criticism joke about Sarasate. “Sarasate last described as “one of the most climactic mom - Tuesday left all criticism behind him, as he did ents in my life”. “It was during the Beecham/ the orchestra.” Strauss Festival in Drury Lane. I was working Sir Thomas Beecham was also reported to for Beecham then and went to see him arriv - be quite a wit and a bit of a joker: wasn’t it ing at the same time as Strauss. The door was Dame Kiri te Kanawa Beecham, who, when asked if he had ever locked and Strauss turned and looked me conducted any Stockhausen, said, “No, but I straight in the eye and shouted loudly, “diese once trod in some.”? verdammen Tür”. I was too shocked to say efugees are grateful people and Georg Solti “Beecham only ever told me one joke in all anything. Fortunately someone came and Rnever forgot how many people helped him the years I worked for him, he needed to have opened it.” to get work with letters of recommend ation, an audience or an orchestra in front of him to “Stockhausen was an hour late for a TV including Arturo Toscanini with whom he had become entertaining.
    [Show full text]
  • 2016/17 Season Preview and Appeal
    2016/17 SEASON PREVIEW AND APPEAL The Wigmore Hall Trust would like to acknowledge and thank the following individuals and organisations for their generous support throughout the THANK YOU 2015/16 Season. HONORARY PATRONS David and Frances Waters* Kate Dugdale A bequest from the late John Lunn Aubrey Adams David Evan Williams In memory of Robert Easton David Lyons* André and Rosalie Hoffmann Douglas and Janette Eden Sir Jack Lyons Charitable Trust Simon Majaro MBE and Pamela Majaro MBE Sir Ralph Kohn FRS and Lady Kohn CORPORATE SUPPORTERS Mr Martin R Edwards Mr and Mrs Paul Morgan Capital Group The Eldering/Goecke Family Mayfield Valley Arts Trust Annette Ellis* Michael and Lynne McGowan* (corporate matched giving) L SEASON PATRONS Clifford Chance LLP The Elton Family George Meyer Dr C A Endersby and Prof D Cowan Alison and Antony Milford L Aubrey Adams* Complete Coffee Ltd L American Friends of Wigmore Hall Duncan Lawrie Private Banking The Ernest Cook Trust Milton Damerel Trust Art Mentor Foundation Lucerne‡ Martin Randall Travel Ltd Caroline Erskine The Monument Trust Karl Otto Bonnier* Rosenblatt Solicitors Felicity Fairbairn L Amyas and Louise Morse* Henry and Suzanne Davis Rothschild Mrs Susan Feakin Mr and Mrs M J Munz-Jones Peter and Sonia Field L A C and F A Myer Dunard Fund† L The Hargreaves and Ball Trust BACK OF HOUSE Deborah Finkler and Allan Murray-Jones Valerie O’Connor Pauline and Ian Howat REFURBISHMENT SUMMER 2015 Neil and Deborah Franks* The Nicholas Boas Charitable Trust The Monument Trust Arts Council England John and Amy Ford P Parkinson Valerie O’Connor The Foyle Foundation S E Franklin Charitable Trust No.
    [Show full text]
  • RCA Victor LD/LDS Soria Series, Uses the LM/LSC Numbering System
    RCA Discography Part 29 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor LD/LDS Soria Series, Uses the LM/LSC numbering system. LD/LDS 2346 – The Vienna of Johann Strauss – Herbert Von Karajan and Wiener Philharmoniker [1959] Die Fledermaus: Overture/Annen Polka, Op. 117/Delirien Waltz, By Josef Strauss/Gypsy Baron: Overture/Auf Der Jagd Polka/Tales From The Vienna Woods LD/LDS 2347 – Symphony No 104 in D (Haydn)/Symphony No. 40 in G Minor K. 550 (Mozart) – Karajan and the Vienna Philharmonic Orchestra [1959] LD/LDS 2348 – Symphony No. 7 (Beethoven) – Herbert von Karajan and the Vienna Philharmonic Orchestra [1959] LD/LDS 2351 – Symphony No. 1 in C Minor Op. 68 (Brahms) – Herbert Von Karajan and Vienna Philharmonic Orchestra [1959] LD/LDS 2384 – Don Quixote (Strauss) – Antonio Janigro, Milton Preves, Fritz Reiner and the Chicago Symphony Orchestra [1960] LD/LDS 2385 – La Voix Humaine (Poulenc) – Denise Duval, Georges Pretre and Orchestre du Theatre National de L’Opera-Comique [1960] LD/LDS 2447 – Messiah (Handel) – Jennifer Vyvyan, Monica Sinclair, Jon Vickers, Giorgio Tozzi Sir Thomas Beecham and the Royal Philharmonic Orchestra and Chorus [1960] LD/LDS 2513 – Concerto for Violin and Cello, in A Minor Op. 102 (Brahms) – Jascha Heifetz, Gregor Piatigorsky, Alfred Wallenstein and Orchestra [1961] LD/LDS 2554 – Sonata No. 2 in B Flat Minor, Op. 58/Sonata No. 3 in B Minor Op. 58 (Chopin) – Artur Rubinstein [1961] LD/LDS 2560 - Golden Age Of English Lute Music - Julian Bream [1961] Two Almaines (R. Johnson)/Fantasia (J. Johnson)/Walsingham (Cutting)/Mignarda (Dowland)/Almaine (Cutting)/Galliard (Rosseter)/Greensleeves (Cutting)/Galliard (Dowland)/Pavan (Morley)/Carman's Whistle (R.
    [Show full text]
  • Catalogue @ 01.01.2017
    1 CRQ EDITIONS – CATALOGUE @ 01.01.2017 Verdi: Ernani (abridged) Iva Pacetti / Antonio Melandri / Gino Vanelli / Corrado Zambelli / Ida Mannarini / Aristide Baracchi / Giuseppe NessiChorus and Orchestra of La Scala, Milan / Lorenzo Molajoli Recorded in Milan in 1930 by the Columbia Graphophone Company. A superb example of operatic performance in Milan during the inter-war years - never before released on CD. Classic Record Quarterly Editions CRQ CD001 (1 CD) Tchaikovsky: Symphony No. 6 in B minor, ‘Pathétique’, Op. 74 London Philharmonic Orchestra / Sir Adrian Boult The 1959 Miller International recording, with correct stereo channels applied. Boult in masterly form in repertoire not recorded by him elsewhere. Classic Record Quarterly Editions CRQ CD002 (1 CD) Homage to Mogens Wöldike Danish State Radio Chamber Orchestra / Mogens Wöldike J. C. Bach: Sinfonia in B flat major Op. 18 No. 2; F. J. Haydn: Divertimento in G major; F. J. Haydn: Six German Dances; W. A. Mozart: Symphony No. 14 in A major, K. 114; K. D. von Dittersdorf: Symphony in C major Originally recorded by Decca and HMV. A representative programme demonstrating the genius of one of the early pioneers of period performance practice. Classic Record Quarterly Editions CRQ CD003 (1 CD) Verdi: Macbeth Margherita Grandi, Walter Midgley, Francesco Valentino, Italo Tajo Glyndebourne Festival Chorus, Scottish Orchestra / Berthold Goldschmidt, conductor Recording of the performance of 27th August 1947 given by Glyndebourne Festival Opera at the first Edinburgh Festival, First issued on ‘The Golden Age of Opera’ LPs by Ed Smith The ethos of the Weimar Republic’s Verdi revival, Glyndebourne’s exacting musical standards, and the occasion of the first Edinburgh Festival combine to create a memorable evening.
    [Show full text]
  • 2017-18 Season Brochure with Links
    2017-2018 SEASON 2017-2018 SEPTEMBER 2017 – JULY 2018 SEPTEMBER 2017 – JULY Director: John Gilhooly OBE, HonRAM, HonFGS, HonRCM, HonFRIAM 36 Wigmore Street, London W1U 2BP www.wigmore-hall.org.uk Box Office Tel: 020 7935 2141 The Wigmore Hall Trust, Registered Charity Number 1024838 2017/18 Season September 2017 – July 2018 Design and print www.graphicimpressions.co.uk 2 • Welcome to our new look Wigmore Hall Season Brochure. I hope that you find it informative, clear and easy to use. Our season will include residencies from, amongst others, Isabelle Faust, Christian Tetzlaff, Sir András Schiff, Jörg Widmann and Sonia Prina. The season will include a 17-concert survey of Haydn’s string quartets with all of Haydn’s quartets from the Op. 20s onwards, and Cuarteto Casals will present a complete cycle of Beethoven’s string quartets, alongside new works by living composers. Vocal highlights include a performance of Winterreise by Mark Padmore and Mitsuko Uchida, and Director’s Roderick Williams’s first performances of Die schöne Mullerin, Winterreise and Schwanengesang, as well as recitals from Ian Bostridge, Sarah Connolly, Joyce Introduction DiDonato, Christian Gerhaher, Philippe Jaroussky and Simon Keenlyside. The Nash Ensemble will dedicate its 2017/18 Season to an exploration of French chamber music, performing repertoire by Debussy, Ravel, Faure and Poulenc. Other chamber concerts include appearances by Renaud Capuçon, Julia Fischer Quartet, Quatuor Ebène, the Takács Quartet, Alisa Weilerstein, Leila Josefowicz, and a performance by Leonidas Kavakos and Yuja Wang. The London Pianoforte Series includes performances from Francesco Piemontesi, who will continue his Mozart piano sonata cycle; Nelson Freire, who will mark the 50th anniversary of his Wigmore Hall debut with a recital on the exact day on 17 February 2018; and Daniil Trifonov with Rachmaninov and Chopin, as well as recitals from Jonathan Biss, Imogen Cooper, Bertrand Chamayou, Ingrid Fliter, Kirill Gerstein, Ivana Gavrić, Richard Goode, Igor Levit and Steven Osborne.
    [Show full text]