Status of the Ivory-Billed Woodpecker Campephilus Principalis in Cuba: Almost Certainly Extinct
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Ivory-Billed Woodpecker Fact Sheet
Ivory-Billed Woodpecker Fact Sheet Common Name: Ivory-Billed Woodpecker Scientific Name: Campephilus principalis Wild Status: Critically Endangered - heavily believed to be extinct Habitat: Pine Forests, thick hardwood swamp areas Country: Southeastern United States, and a subspecies native to Cuba Shelter: Trees Life Span: Unknown - some speculate up to 20 years or more Size: Weighs about 1 pound on average, total length roughly 20 inches, with a typical 30 inch wingspan Details The Ivory-Billed Woodpecker is a very rare bird, native to the Southeast of the United States. They are one of the largest woodpeckers in the world, and noticeable by their distinct black and white pattern and red plumage near their head. Primarily due to habitat loss, as well as hunting to a lesser extent, the Ivory-Billed Woodpecker is classified as critically endangered. However, many associations and biologists believe the species to be functionally extinct, as true sightings and evidence of living specimens has not been published in over 10 years. The Ivory-Billed Woodpecker is believed to mate for life like many birds, and both parents would work together to create a nest for the young. Much of the woodpecker's diet consists of larvae and insects, as well as seeds and fruit. Cool Facts • They are sexually dimorphic - only the males have the red plumage on their head. • Four distinct vocal calls were noted in literature, and two of these calls were recorded in the 1930s. • While many unconfirmed reports still come in, this species was assessed as extinct in 1994. However, this was later altered to critically endangered on the belief that the species might have relocated from their native habitat. -
Mixed Folios
mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs -
Periodic and Transient Motions of Large Woodpeckers Michael D
www.nature.com/scientificreports Correction: Publisher Correction OPEN Periodic and transient motions of large woodpeckers Michael D. Collins Two types of periodic and transient motions of large woodpeckers are considered. A drumming Received: 3 July 2017 woodpecker may be modeled as a harmonic oscillator with a periodic forcing function. The transient Accepted: 12 September 2017 behavior that occurs after the forcing is turned of suggests that the double knocks of Campephilus Published: xx xx xxxx woodpeckers may be modeled in terms of a harmonic oscillator with an impulsive forcing, and this hypothesis is consistent with audio and video recordings. Wingbeats are another type of periodic and transient motion of large woodpeckers. A model for the fap rate in cruising fight is applied to the Pileated Woodpecker (Dryocopus pileatus) and the Ivory-billed Woodpecker (Campephilus principalis). During a brief transient just after taking of, the wing motion and fap rate of a large woodpecker may not be the same as in cruising fight. These concepts are relevant to videos that contain evidence for the persistence of the Ivory-billed Woodpecker. Drumming and wingbeats are two types of periodic motion of large woodpeckers. Tis paper discusses these behaviors and related transient motions that occur in evidence for the persistence of the Ivory-billed Woodpecker (Campephilus principalis)1–3. Most woodpeckers signal by drumming, which consists of a rapid series of blows with the bill. Audio S1 contains four drumming events by nearby and distant Pileated Woodpeckers (Dryocopus pileatus). Some members of the Campephilus genus do not engage in this type of drumming but instead signal with double knocks. -
Anatomical Evidence for Phylogenetic Relationships Among Woodpeckers
ANATOMICAL EVIDENCE FOR PHYLOGENETIC RELATIONSHIPS AMONG WOODPECKERS WILLIAM R. GOODGE ALT•tOUCr•the functionalanatomy of woodpeckershas long been a subjectof interest,their internal anatomyhas not been usedextensively for determiningprobable phylogeneticrelationships within the family. In part this is probablydue to the reluctanceto use highly adaptivefea- tures in phylogeneticstudies becauseof the likelihood of convergent evolution. Bock (1967) and othershave pointedout that adaptivehess in itself doesnot rule out taxonomicusefulness, and that the highly adaptivefeatures will probablybe the oneshaving conspicuous anatomical modifications,and Bock emphasizesthe need for detailedstudies of func- tion beforeusing featuresin studiesof phylogeny.Although valuable, functionalconclusions are often basedon inferencesnot backed up by experimentaldata. As any similaritybetween species is possiblydue to functionalconvergence, I believewhat is neededmost is detailedstudy of a numberof featuresin order to distinguishbetween similarities re- sultingfrom convergenceand thosebased on phylogenticrelationship. Simplestructures are not necessarilymore primitive and morphological trendsare reversible,as Mayr (1955) has pointedout. Individual varia- tion may occur and various investigatorsmay interpret structuresdif- ferently. Despite these limitations,speculation concerning phylogeny will continuein the future,and I believethat it shouldbe basedon more, rather than fewer anatomical studies. MATERIALS AND METItODS Alcoholic specimensrepresenting 33 genera -
Cuban Music Teaching Unit
Thesis Advisor: Frank Martignetti THE MUSIC AND DANCE OF CUBA: by Melissa Salguero Music Education Program Submitted in partial fulfillment of the requirements for the degree Master of Science in Elementary Education in the School of Education University of Bridgeport 2015 © 2015 by Melissa Salguero Salguero 2 Abstract (Table of Contents) This unit is designed for 5th grade students. There are 7 lessons in this unit. Concept areas of rhythm, melody, form, and timbre are used throughout the unit. Skills developed over the 7 lessons are singing, moving, listening, playing instruments, reading/writing music notation, and creating original music. Lesson plans are intended for class periods of approximately 45-50 minutes. Teachers will need to adapt the lessons to fit their school’s resources and the particular needs of their students. This unit focuses on two distinct genres of Cuban music: Son and Danzón. Through a variety of activities students will learn the distinct sound, form, dance, rhythms and instrumentation that help define these two genres. Students will also learn about how historical events have shaped Cuban music. Salguero 3 Table of Contents: Abstract……………………………………………..…………………………..2 Introduction……………………………………….……………………………4 Research…………………………………………..……………………………5 The Cuban Musical Heritage……………….……………………………5 The Discovery of Cuba…….……………………………………………..5 Indigenous Music…...…………………………………………………….6 European Influences……………………………………………….……..6 African Influences………………………………………………………...7 Historical Influences……………………….……………………………..7 -
Woodpeckers and Allies)
Coexistence, Ecomorphology, and Diversification in the Avian Family Picidae (Woodpeckers and Allies) A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Matthew Dufort IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY F. Keith Barker and Kenneth Kozak October 2015 © Matthew Dufort 2015 Acknowledgements I thank the many people, named and unnamed, who helped to make this possible. Keith Barker and Ken Kozak provided guidance throughout this process, engaged in innumerable conversations during the development and execution of this project, and provided invaluable feedback on this dissertation. My committee members, Jeannine Cavender-Bares and George Weiblen, provided helpful input on my project and feedback on this dissertation. I thank the Barker, Kozak, Jansa, and Zink labs and the Systematics Discussion Group for stimulating discussions that helped to shape the ideas presented here, and for insight on data collection and analytical approaches. Hernán Vázquez-Miranda was a constant source of information on lab techniques and phylogenetic methods, shared unpublished PCR primers and DNA extracts, and shared my enthusiasm for woodpeckers. Laura Garbe assisted with DNA sequencing. A number of organizations provided financial or logistical support without which this dissertation would not have been possible. I received fellowships from the National Science Foundation Graduate Research Fellowship Program and the Graduate School Fellowship of the University of Minnesota. Research funding was provided by the Dayton Fund of the Bell Museum of Natural History, the Chapman Fund of the American Museum of Natural History, the Field Museum of Natural History, and the University of Minnesota Council of Graduate Students. -
Visual Culture and Us-Cuban Relations, 1945-2000
University of New Mexico UNM Digital Repository History ETDs Electronic Theses and Dissertations 9-10-2010 INTIMATE ENEMIES: VISUAL CULTURE AND U.S.-CUBAN RELATIONS, 1945-2000 Blair Woodard Follow this and additional works at: https://digitalrepository.unm.edu/hist_etds Recommended Citation Woodard, Blair. "INTIMATE ENEMIES: VISUAL CULTURE AND U.S.-CUBAN RELATIONS, 1945-2000." (2010). https://digitalrepository.unm.edu/hist_etds/87 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. INTIMATE ENEMIES: VISUAL CULTURE AND U.S.-CUBAN RELATIONS, 1945-2000 BY BLAIR DEWITT WOODARD B.A., History, University of California, Santa Barbara, 1992 M.A., Latin American Studies, University of New Mexico, 2001 M.C.R.P., Planning, University of New Mexico, 2001 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy History The University of New Mexico Albuquerque, New Mexico May, 2010 © 2010, Blair D. Woodard iii ACKNOWLEDGEMENTS The writing of my dissertation has given me the opportunity to meet and work with a multitude of people to whom I owe a debt of gratitude while completing this journey. First and foremost, I wish to thank the members of my committee Linda Hall, Ferenc Szasz, Jason Scott Smith, and Alyosha Goldstein. All of my committee members have provided me with countless insights, continuous support, and encouragement throughout the writing of this dissertation and my time at the University of New Mexico. -
Comment on ''Ivory-Billed Woodpecker (Campephilus Principalis)
TECHNICAL COMMENT this conclusion rests on mistaken interpretations of the bird_s posture, that several features vis- ible in the video contradict identification as a Comment on ‘‘Ivory-billed Woodpecker typical ivory-billed woodpecker, and that other features support identification as a pileated wood- pecker. The assessment that follows is keyed to (Campephilus principalis) Persists in the labeled frames in Fitzpatrick et al._s sup- porting materials Efig. S3 in (1)^. Continental North America’’ Size and wing pattern at rest. Fitzpatrick et al. assume that the bird was positioned ver- David A. Sibley,1* Louis R. Bevier,2 Michael A. Patten,3 Chris S. Elphick4 tically on the trunk with its wings more or less folded in frames 33.3 and 50 (Fig. 1A). Our ex- We reanalyzed video presented as confirmation that an ivory-billed woodpecker (Campephilus amination of specimens and photographs in- principalis) persists in Arkansas (Fitzpatrick et al., Reports, 3 June 2005, p. 1460). None of the dicates that a typical ivory-billed woodpecker features described as diagnostic of the ivory-billed woodpecker eliminate a normal pileated in that position would exhibit considerably less woodpecker (Dryocopus pileatus). Although we support efforts to find and protect ivory-billed white and more black than is shown in these woodpeckers, the video evidence does not demonstrate that the species persists in the frames (Fig. 1). In our analysis [supporting on- United States. line material (SOM) text], these frames show a bird that has already opened its wings in flight, he ivory-billed woodpecker has re- the pattern of reported observations over the exposing the underside of a fully spread right ceived considerable attention following past few decades (5–8). -
Reading Spanish American National Anthems: "Sonograms"
Reading Spanish American National Anthems: “Sonograms” of National Identity ROBERT NEUSTADT In Costa Rica it is not uncommon to hear men greet one another on the street with the question, “¿Cómo va la lucha ”? (How goes the struggle?). 1 The reply is always consistent: “ tenaz” (tenacious). The expression derives from a lyric from the Costa Rican national anthem: En la lucha tenaz, de fecunda labor In the tenacious struggle, of fertile labor que enrojece el hombre la faz That reddens man’s face This reference to the national anthem in everyday talk underscores the extent to which the Costa Rican himno nacional has penetrated the lives of Costa Ricans. The symbolism is not difficult to comprehend. A man engaged in the tenacious struggle of agricultural work epitomizes the official representation of an ideal Costa Rican. As an image of Costa Rican identity, the lucha tenaz has, in some ways, been adopted by the populace. Many Costa Ricans feel proud of their nation, in large part because of its singular army-free condition. At the same time, to ask about the struggle usually elicits a smile if not laughter. Though Costa Ricans tend to be patriotic, the non-idyllic reality of quotidian existence (combined with deep-seated governmental corruption) injects a twist of irony into the lucha . By laughing at the expression, Costa Ricans poke fun at the hyperbolic idealism of their national anthem. The parody also arises from a process of recontextualization. Making reference to the national anthem “on the streets”—the speaker uses this song, usually reserved for civic ceremonies, to underscore the gap between official discourse and everyday reality. -
Bowl Round 1 Bowl Round 1 First Quarter
NHBB Nationals Bowl 2018-2019 Bowl Round 1 Bowl Round 1 First Quarter (1) An independence movement in this modern-day country started when Carlos Cespedes freed all his slaves and proclaimed the October 10th Manifesto. This country's anthem "La Bayamesa" was composed during the Ten Years War. Valeriano Weyler was called \the Butcher" after his brutal suppression of rebels in this modern-day country. Jos´eMart´ıwas killed fighting for independence from Spain for, for ten points, what Caribbean island nation with its capital at Havana? ANSWER: Republic of Cuba (2) This leader established a national inquiry into the status of MMIW in his country. This prime minister, who ran on the slogan \Real Change," has been accused by Jody Wilson-Raybould of obstruction of justice. This man expelled Jane Philpott from his party in 2019 over the SNC-Lavalin scandal. This man responded \because it's 2015" when asked why gender parity was important to his cabinet. For 10 points, name this current Prime Minister of Canada. ANSWER: Justin Trudeau (prompt on \Trudeau") (3) A series of lawsuits brought by this man's heirs were known as his namesake pleitos. This man was granted royal titles and a tenth of the riches he discovered in the Capitulations of Santa Fe. This man's expedition was chronicled in The Life of the Admiral. The Bay of Arrows was named by this man after he was attacked by the Ciguayos people in the first of his voyages to Hispaniola. Ferdinand and Isabella commissioned the voyages of, for ten points, what navigator who is often credited with \discovering" America? ANSWER: Christopher Columbus (4) After Offa of Mercia offered a marriage between this man's daughter Bertha and Ecgfrith, this man banned English ships from his ports. -
Detailed Species Account from the Threatened Birds of the Americas
IVORY-BILLED WOODPECKER Campephilus principalis E/Ex4 The North American population of this large, low-density woodpecker is very probably extinct, and the most recent evidence suggests that there is almost as little hope for the Cuban form, which was last reported in 1987 or 1988 with glimpses in 1991, despite much intensive searching in the Sierra de Moa, the area to which it finally retreated in the course of this century; destruction of its virgin forest habitat, of which each pair evidently needed very large amounts, is chiefly to blame for the loss of the species. DISTRIBUTION The Ivory-billed Woodpecker formerly occurred throughout the south-east U.S.A. (nominate principalis) and Cuba (race bairdii; see Remarks 1), but is now virtually or actually extinct in both countries, although evidence for its survival in Cuba is far more recent; for this reason, the following account principally treats the Cuban form, the North American race being judged probably extinct and not to be covered in detail here. U.S.A. Ivory-bills once ranged through the south-east of the country from south-east North Carolina, southern Kentucky, Illinois, Missouri, Arkansas and Oklahoma to the coast of the Gulf of Mexico and the Florida peninsula, with populations disappearing (as a result of forest destruction, but compounded by commercial collecting, which eliminated certain populations) from the northern and western extremities of its range before 1885, from most of Missouri, Arkansas, Mississippi and Alabama between 1885 and 1900, and from most of Florida, eastern Texas and Louisiana by 1930 (King 1978-1979). -
Reading Spanish American National Anthems: “Sonograms” of National Identity
Reading Spanish American National Anthems: “Sonograms” of National Identity ROBERT NEUSTADT In Costa Rica it is not uncommon to hear men greet one another on the street with the question, “¿Cómo va la lucha ”? (How goes the struggle?). 1 The reply is always consistent: “ tenaz” (tenacious). The expression derives from a lyric from the Costa Rican national anthem: En la lucha tenaz, de fecunda labor In the tenacious struggle, of fertile labor que enrojece el hombre la faz That reddens man’s face This reference to the national anthem in everyday talk underscores the extent to which the Costa Rican himno nacional has penetrated the lives of Costa Ricans. The symbolism is not difficult to comprehend. A man engaged in the tenacious struggle of agricultural work epitomizes the official representation of an ideal Costa Rican. As an image of Costa Rican identity, the lucha tenaz has, in some ways, been adopted by the populace. Many Costa Ricans feel proud of their nation, in large part because of its singular army-free condition. At the same time, to ask about the struggle usually elicits a smile if not laughter. Though Costa Ricans tend to be patriotic, the non-idyllic reality of quotidian existence (combined with deep-seated governmental corruption) injects a twist of irony into the lucha . By laughing at the expression, Costa Ricans poke fun at the hyperbolic idealism of their national anthem. The parody also arises from a process of recontextualization. Making reference to the national anthem “on the streets”—the speaker uses this song, usually reserved for civic ceremonies, to underscore the gap between official discourse and everyday reality.