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EMERGENCY OPERATIONS PLAN BASIC PLAN (Rev
City of Apple Valley EMERGENCY OPERATIONS PLAN BASIC PLAN (rev. 0) CITY OF APPLE VALLEY EMERGENCY OPERATIONS PLAN Effective Date January 1, 2017 Apple Valley – Emergency Operations Plan Basic Plan–i City of Apple Valley EMERGENCY OPERATIONS PLAN BASIC PLAN (rev. 0) FOREWARD The purpose of this plan is to provide a guide for emergency operations. The plan is intended to assist city officials and emergency organizations to carry out their responsibilities for the protection of life and property under a wide range of emergency conditions. This plan is in accordance with existing federal, state, and local statues and understandings of the various departments/agencies involved. It has been adopted by the city council and reviewed by the Dakota County Emergency Management Director. It is subject to review and recommendation of approval by the Minnesota Department of Public Safety, Division of Homeland Security and Emergency Management and the Metro Regional Review Committee (RRC). This plan is to be reviewed and re-certified annually by the City’s Emergency Management Director. All recipients are requested to advise the City’s Emergency Management Director of any changes that might result in its improvement or increase its usefulness. This document will serve to provide documentation of the knowledge of key individuals and can be used to inform persons who become replacements. "This Emergency Operations Plan shall not be shared or disclosed to any person or agency outside of the City of Apple Valley that do not have direct responsibilities to implement the Plan.” The data in this Emergency Operations Plan is not public data and shall not be disclosed. -
Next Issue Stopdate and Address for Loggings and Gossips: 25.11.2008
25.11.2008 Nro 18 969 Next issue stopdate and address for loggings and gossips: MONDAY, 8.12.2008 to: Jari Lehtinen, Saimaankatu 7 C 51, 15140 LAHTI web: http://clusive.sdxl.org email: [email protected] Editor-in-Chief: Jari Lehtinen (JLN)........ …[email protected] ……...….…….…. 03 - 7830 598 Euronews: Jarmo Patala (JP)................ [email protected] .......... 0400 – 610301 Afronews: Jari Korhonen (JJK)……… Asian-Oceanian News: Jari Savolainen (JSA)……. [email protected] ………………….05 - 3631 791 North-American Newswatch:Tapio Kalmi (TAK).......…[email protected] ................050 – 521 6027 Ultimas Noticias: Jari Lehtinen (JLN)………[email protected] ………………….03 – 7830 598 Loggings & Hot News: Jari Lehtinen (JLN)........…. [email protected]...……….…....... 03 - 7830 598 Eurooppa 558 14.11. 0500- SVN: Muravideki Magyar R. Idailee "MMR"-lyhenteellä. VJR/KIK 738 14.11. 0500- RUS: WRN Moscow. VJR/KIK 846 14.11. 0500- RUS: R Moskovskaya Oblast, Moskva. VJR/KIK 1485 23.11. 1358- LVA: R Merkurs, Riga. JP Piraatit 6210 16.11. 0936- HOL: Antonio Radio. TET 6285 16.11. 0907-0916 HOL: Radio Paardenkracht. TET Iberia 1116 11.11. 2059- E: SER R Pontevedra. Ilmestyi idaamaan kuin tyhjästä paikallisbreikin lopuksi. TEJ Aasia 873 13.11. 2030- IRN: IRIB. Tässä tuntuu olevan voimakas iranilainen. Olin kuulevinani idissä "Shabakeye ... ostanye Mazandaran", eli korvaisiko tämä esim. 1368 kHz:n, jolla meluaa nyt Golestanin provinssi? MR 900 8.10. 1500- TJK: CVC via Orzu. Testaili hyvällä signaalilla. Löytyi Perseuksen tiedostosta jälkikäteen Sheigran peditionin lokauksen perusteella. MR 1386 26.10. 1530- AFG: RTA R Paktin Voice, Barmal district. Oli ehkä meikäläisen kaikkien aikojen 'haasteellisin' idattava. Tarkka QTH vieläkin vähän hakusessa. -
New Directions for AM
ISSUE NUMBER 684 ~THE IIVDUSTRY'S NEWSPAPER N S 1 D E: Widmann Elevated To CBS O &O VP WINTER ARBITRONS CBS VP /Owned AM Stations Nancy Widmann has been pro- FLOODING IN moted to the newly created post Baltimore: WLIF, WBSB roll upward of VP /Owned Radio Stations Boston: WBZ, WXKS -FM neck -and- and will now also oversee the neck company's FM group. She as- sumes the duties of VP /Owned Cleveland: WMMS down to 12, FM Stations Robert Hyland III, WZAK, WMJI up solidly who last week became GM for Dallas: KKDA-FM close to 10, leads KCBS -TV/Los Angeles. big Continuing as the highest- Denver: KBCO breathes down KOSI's ranking woman at CBS Radio, neck Widmann has held many execu- Detroit: WJLB rules roost, WRIF tive positions during her 15 regains AOR lead years with the company, in- Nancy Widmann Houston: KMJO holds lead as KKBQ cluding a six-year stint as VP/ Sales Manager for CBS Radio soars into second GM of WCBS-FM /New York. Spot Sales, and VP /Recruit- She also was VP/GM and N.Y. ment and Placement for CBS, rules Pittsburgh: KDKA Inc. Philadelphia: WEAZ ties WMMR at top Commented CBS Radio Divi- San Francisco: KABL almost beats sion President Bob Hosking, KGO; KMEL top contemporary New Directions For AM "Nancy's proven abilities with Tampa: WRBQ rises higher WHN Drops Country WCFL Becomes our six News and News/Talk stations, plus WCBS -FM, make Washington: WGAY takes lead, WHN Sports For All -Sports Chicago's AM Loop her eminently qualified for this WMZQ -FM vaults to third After more than 14 years in System H&G Communications has new position." Plus ratings for Nassau -Suffolk, Country, WHN /New York was combined the company's two Widmann, who oversees sev- Providence, and San Diego. -
Natural Resources Conservation Service
2018 $ ATMs Pre-Order Ride & LARPENTEUR AVE Game Ticket Pick Ups Accessible Parking Public Parking # Admission Gates Accessible Restrooms Blue Ribbon Bargain Book & State Fair Poster Carts Accessible Restrooms with Baby Changing Stations BUFFALO LOT CAMEL LOT Care & Assistance Bicycle NRCS Accessible Restrooms with Family Lot First Aid HOYT AVE HOYT AVE AVE SNELLING & Baby Changing Facilities Metro TIGER LOT Mobility 3 ROOSTER LOT Drop Hand Wash StationsExhibits Restrooms Campground Expo The Pet Place X-Zone Information Booths Restrooms with Pavilions Baby Changing Stations MURPHY AVE Lost & Found SkyGlider Severe Weather Shelter $ Merchandise/Shopping Smoking – Designated Area Music/Performance Stages Giant Trolley Routes ( a.m.- p.m., p.m.) Sing OWL Along $ ST COSGROVE Parade Route ( p.m. daily) Uber & Lyft LOT Old Iron Show ST COOPER LEE AVE 4 Park & Ride and Metro Transit Drop O & Pick Up State Fair Express Bus Wheelchair, Electric Scooter, WAY ELMER DAN Eco UNDERWOOD ST UNDERWOOD Little Experience Drop O/Pick Up Stroller & Wagon Rentals Farm Progress AVE SNELLING Hands The Center North Police Wi-Fi Hotspot Woods B $ U Laser Encore’s F Laser Hitz O RANDALL AVE 18 Show R Bicycle Math D Lot RANDALL AVE On-A-Stick Fine Pedestrian & Arts Service Vehicle Entrance Center Great Family Fair Big Wheel CHARTER BUSES Baldwin ROBIN LOT Park Alphabet -H Forest Building WRIGHT AVE Park &Transit Ride Buses Hub $ Education Building SNELLING AVE SNELLING Horton ST COOPER Cosgrove Pavilions Kidway Home ST COSGROVE Stage Transit Hub at Heron Improvement Express Buses Park Building Grandstand Schilling $ $ Plaza & Amphitheater $ Ticket Oce Creative Elevator ST UNDERWOOD Activities History & 16 Elevator Buttery Visitors & Annex Heritage $ Grandstand SkyGlider House $ Plaza Center The Veranda $ DAN PATCH AVE $ West End $ U of M $ Market $ The MIDWAY $ FAN Garden Merchandise PARKWAY Skyride Health Central Fair 11 Mart WEST DAN PATCH AVE Ramp Carousel Libby Conf. -
National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
Who Pays Soundexchange: Q1 - Q3 2017
Payments received through 09/30/2017 Who Pays SoundExchange: Q1 - Q3 2017 Entity Name License Type ACTIVAIRE.COM BES AMBIANCERADIO.COM BES AURA MULTIMEDIA CORPORATION BES CLOUDCOVERMUSIC.COM BES COROHEALTH.COM BES CUSTOMCHANNELS.NET (BES) BES DMX MUSIC BES ELEVATEDMUSICSERVICES.COM BES GRAYV.COM BES INSTOREAUDIONETWORK.COM BES IT'S NEVER 2 LATE BES JUKEBOXY BES MANAGEDMEDIA.COM BES MEDIATRENDS.BIZ BES MIXHITS.COM BES MTI Digital Inc - MTIDIGITAL.BIZ BES MUSIC CHOICE BES MUSIC MAESTRO BES MUZAK.COM BES PRIVATE LABEL RADIO BES RFC MEDIA - BES BES RISE RADIO BES ROCKBOT, INC. BES SIRIUS XM RADIO, INC BES SOUND-MACHINE.COM BES STARTLE INTERNATIONAL INC. BES Stingray Business BES Stingray Music USA BES STORESTREAMS.COM BES STUDIOSTREAM.COM BES TARGET MEDIA CENTRAL INC BES Thales InFlyt Experience BES UMIXMEDIA.COM BES SIRIUS XM RADIO, INC CABSAT Stingray Music USA CABSAT MUSIC CHOICE PES MUZAK.COM PES SIRIUS XM RADIO, INC SDARS 181.FM Webcasting 3ABNRADIO (Christian Music) Webcasting 3ABNRADIO (Religious) Webcasting 8TRACKS.COM Webcasting 903 NETWORK RADIO Webcasting A-1 COMMUNICATIONS Webcasting ABERCROMBIE.COM Webcasting ABUNDANT RADIO Webcasting ACAVILLE.COM Webcasting *SoundExchange accepts and distributes payments without confirming eligibility or compliance under Sections 112 or 114 of the Copyright Act, and it does not waive the rights of artists or copyright owners that receive such payments. Payments received through 09/30/2017 ACCURADIO.COM Webcasting ACRN.COM Webcasting AD ASTRA RADIO Webcasting ADAMS RADIO GROUP Webcasting ADDICTEDTORADIO.COM Webcasting ADORATION Webcasting AGM BAKERSFIELD Webcasting AGM CALIFORNIA - SAN LUIS OBISPO Webcasting AGM NEVADA, LLC Webcasting AGM SANTA MARIA, L.P. -
Insideradio.Com
800.275.2840 MORE NEWS» insideradio.com THE MOST TRUSTED NEWS IN RADIO THURSDAY, MARCH 5, 2015 Infinite Dial 2015: Radio’s Money Demo is driving online radio growth. Online radio gained ground in 2015 as listeners aged 25-54 tuned to the medium in record numbers. No longer just a habit for 12-24 year-olds, half of Americans aged 25- 54 listen weekly to AM/FM radio stations online or to streamed audio content available only on the internet, according to new findings from Edison Research and Triton Digital. Weekly listening among 25-54 year-olds increased by over a third during the past year. Online radio is now a majority activity and the gap between monthly and weekly listening is closing. Over half of the U.S. population (53%) now listens to online radio monthly and 44% tune in weekly. In fact, the percent that listen weekly has doubled during the past four years. As the medium matures, the impact of a new crop of older, more casual listeners may be impacting average time spent with it. For the first time since 2008, Edison reports a slight decrease in weekly time spent listening to online radio, from 13 hours, 19 minutes in 2014 to 12 hours, 53 minutes in 2015. However the total time consumed continues to rise. Usage is continuing to shift from desktops and laptops to smartphones. Nearly three quarters of weekly online radio listeners tune in on a smartphone, up from 66% last year. As listening on desktops (61%) and tablets (32%) declined slightly, streaming audio consumption on internet-connected TVs rose sharply, from 12% to 18% during the past year. -
FY 2016 and FY 2018
Corporation for Public Broadcasting Appropriation Request and Justification FY2016 and FY2018 Submitted to the Labor, Health and Human Services, Education, and Related Agencies Subcommittee of the House Appropriations Committee and the Labor, Health and Human Services, Education, and Related Agencies Subcommittee of the Senate Appropriations Committee February 2, 2015 This document with links to relevant public broadcasting sites is available on our Web site at: www.cpb.org Table of Contents Financial Summary …………………………..........................................................1 Narrative Summary…………………………………………………………………2 Section I – CPB Fiscal Year 2018 Request .....……………………...……………. 4 Section II – Interconnection Fiscal Year 2016 Request.………...…...…..…..… . 24 Section III – CPB Fiscal Year 2016 Request for Ready To Learn ……...…...…..39 FY 2016 Proposed Appropriations Language……………………….. 42 Appendix A – Inspector General Budget………………………..……..…………43 Appendix B – CPB Appropriations History …………………...………………....44 Appendix C – Formula for Allocating CPB’s Federal Appropriation………….....46 Appendix D – CPB Support for Rural Stations …………………………………. 47 Appendix E – Legislative History of CPB’s Advance Appropriation ………..…. 49 Appendix F – Public Broadcasting’s Interconnection Funding History ….…..…. 51 Appendix G – Ready to Learn Research and Evaluation Studies ……………….. 53 Appendix H – Excerpt from the Report on Alternative Sources of Funding for Public Broadcasting Stations ……………………………………………….…… 58 Appendix I – State Profiles…...………………………………………….….…… 87 Appendix J – The President’s FY 2016 Budget Request...…...…………………131 0 FINANCIAL SUMMARY OF THE CORPORATION FOR PUBLIC BROADCASTING’S (CPB) BUDGET REQUESTS FOR FISCAL YEAR 2016/2018 FY 2018 CPB Funding The Corporation for Public Broadcasting requests a $445 million advance appropriation for Fiscal Year (FY) 2018. This is level funding compared to the amount provided by Congress for both FY 2016 and FY 2017, and is the amount requested by the Administration for FY 2018. -
A Comparison of Radio Formats in Turkey and USA (2003-2013)
3-5 February 2014- Istanbul, Turkey Proceedings of INTCESS14- International Conference on Education and Social Sciences 873 Radio Formats and Their Affects to Radio Industry: A comparison of Radio Formats in Turkey and USA (2003-2013) Mihalis Kuyucu Istanbul Aydın University, Turkey [email protected], [email protected] Keywords: Radio, Radio Formats, Radio Ratings, Radio Management, Abstract. This study has a research of radio formats. The paper gives history, development and description of radio formats and how they changed the radio industry in the world. The data collected from historical and conceptual based researches done in USA radio market. In the Second part of the study there is a determination of the most used trendy radio formats for the USA and Turkish radio industry in last ten years (2003-2013). The study analyze the yearly radio ratings of Turkish radio industry for 2003 and 2013 and find out the most popular radio formats and how these changed radio in USA and Turkish radio industry in the last ten years. In the end of the study there is a correlation analysis for the shares of radio formats for the USA and Turkish radio market and a comparison of the popular format shares for the two countries. 1. Introduction Radio which made a big revolution with its creation had a big mission in media history. The medium first was a strong news source for the communities. İt faced two World wars and the re- arrangement of the politics of the world. Radio was the most popular medium in the world until the creation and development of TV. -
Why Fund Ampers?
What is Ampers? • An association of 18 independent community radio stations. • Each station is locally managed and programmed by and for their communities. • Stations create their own programming and do not rebroadcast programs from one main Twin Cities station. • The stations primarily serve rural, minority and student communities not served by traditional media with programming in 12 languages. • All are licensed as non-commercial educational stations. Why Fund Ampers? • Stations provide in-depth information about local government, educational and health news, safety concerns, and provide local artists access to the airwaves. • The stations are extremely efficient relying heavily on volunteers. • Ampers stations help to train more than 1,300 students each year. • Stations provide critical emergency information in some cases providing local officials with the only immediate opportunity to disseminate lifesaving information. A North High student announcing A band performs live from “Studio K” KSRQ’s “Saturday Morning Barn Dance” on KBEM/Jazz88 (produced by students) on Radio K What is the difference between Ampers and Minnesota Public Radio? There are two types of public radio in Minnesota, the Minnesota Public Radio (MPR) network and the smaller local community radio stations. The smaller grassroots community stations created the Association of Minnesota Public Education Radio Stations (Ampers) in 1972. KAXE’s “Ranger in My Heart,” a documentary on the Iron Range. The Ampers stations, Minnesota Public Radio, and Minnesota Public Television are not affiliated financially in any way other than the fact that all three receive state and federal funding because they are prohibited from selling commercials. Ampers MPR • An association of 18 independent • A network of regional radio stations locally programmed community radio stations. -
Gent I:Ral a Emerii
t . ■ . r - ^ / 76th yewMr, No: 1 6 0 .... TwinFails^ jIdaho • __ Tuesday', Junin e 9 . 1 9 8 1 - - 2 5 * - ^ : ; • ( Isr aaeliri s t ir s5 S t 6 ► r m <o f p rr o te ss t s TURKEY ■ , V : ° ...... qi nueleaiw - r e a e t wM ea ir^ a g i —TTIHBK “Z Z I z I H e s ri-stnkeacicross^des<s e r 4 ~ = ^ - - S-YRIA----- JERUS/JSALEM <UPI) - Israeliacll = , l.»^raelI ilsiilself ha.s been described as a n ^ l e r l xIxim ) bcrs, tn a daring sfrlEc R elated sto:ories nuclear' popower. biir'Tlii'^So^'ei'iliiieiir — fePm iiesofhostilo A rab skies; ^AN attackedd and destroyed an Iraqia q i on pages A 3 ^ " nucieliruei■ weapons, ' T . - - — nuclear rcreactor near-Baghdad, the ------------------------------------------------------= • Wiihoui)ul detailing Itic num ber or - iB.ANON . jjovem mnent er announced Monday. underworld - bul gaveve no details of type of• pi;planes used, Iho statem ent The UniJnited Stales denounced ihcthe damage. said.’ "Tlieriie Israeli Air Force went out ^^I^^H bBeTruir u t . -.iu ijh d a Sunday nraid and officials said ilit N either Israelis nor ItIraqis rcporled to altackck tthe Osiris atom ic reactor y ...... ; ........ • ......—— jeopardize"Izcd the continuance of-mlli-liii-• any injuries or dei-iUis..:..Laler. I how-ev— near—Ilagh;aRhdad.-Uur-pllots-fuifHic<i “ tarvaidtotolhp.lpwlshslnlf* __________ poii - a F ii‘irrn— tficirrmssKission completely. The reactor • t i R A Q ^ A Wash!shington statement said the Icclinician had been kiliclle<l. wa.scomplenpletelydcstroyed.” : __ spectoculailar daylight ^ta c k bv^^a re- Egypt- deiiounced tthe raid as IsraeLiaiLiaid il-iicled now because " i n -------- ------------ I s r a e m se’sfroys-Iraqi i <<;“ ■ ■ .....porredTTlniiinTUIS.-built planes, prot)a-ba- threatening-an. -
Sheila Smith, 651-251-0868 Executive Director, Minnesota Citizens for the Arts Kathy Mouacheupao, 651-645-0402 Executive Director, Metropolitan Regional Arts Council
3/12/19 Contacts: Sheila SMith, 651-251-0868 Executive Director, Minnesota Citizens for the Arts Kathy Mouacheupao, 651-645-0402 Executive Director, Metropolitan Regional Arts Council Creative Minnesota 2019 Study Reveals Growth of Arts and Culture Sector in Twin Cities Metropolitan Area Minnesota SAINT PAUL, MN: Creative Minnesota, Minnesota Citizens for the Arts and the Metropolitan Regional Arts Council released a new study today indicating that the arts and culture sector in Twin Cities Metropolitan Area is groWing. “The passage of the Legacy AMendment in Minnesota allowed the Metropolitan Regional Arts Council and Minnesota State Arts Board to increase support for the arts and culture in this area, and that has had a big iMpact,” said Sheila SMith, Executive Director of Minnesota Citizens for the Arts. “It’s wonderful to see how the access to the arts has groWn in this area over tiMe.” The Legacy Amendment was passed by a statewide vote of the people of Minnesota in 2008 and created dedicated funding for the arts and culture in Minnesota. The legislature appropriates the dollars from the Legacy Arts and Culture Fund to the Minnesota State Arts Board, Regional Arts Councils, Minnesota Historical Society and other entities to provide access to the arts and culture for all Minnesotans. “Creative Minnesota’s new 2019 report is about Minnesota’s arts and creative sector. It includes stateWide, regional and local looks at nonprofit arts and culture organizations, their audiences, artists and creative Workers. This year it also looks at the availability of arts education in Minnesota schools,” said SMith. “We also include the results of fifteen local studies that show substantial economic iMpact from the nonprofit arts and culture sector in every corner of the state, including $4.9 million in the City of Eagan, $2.4 million in the City of Hastings, 11 million in the City of Hopkins, $4 million in the Maple Grove Area, $541 million in the City of Minneapolis, and $1.5 million in the City St.