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A Performance Guide to the Multi-Movement Guitar Sonatas of Fernando Sor and Mauro Giuliani Rattanai Bampenyou University of Miami, Ajarn [email protected]

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A Performance Guide to the Multi-Movement Guitar Sonatas of Fernando Sor and Mauro Giuliani Rattanai Bampenyou University of Miami, Ajarn Tikky@Hotmail.Com University of Miami Scholarly Repository Open Access Dissertations Electronic Theses and Dissertations 2012-11-27 A Performance Guide to the Multi-Movement Guitar Sonatas of Fernando Sor and Mauro Giuliani Rattanai Bampenyou University of Miami, [email protected] Follow this and additional works at: http://scholarlyrepository.miami.edu/oa_dissertations Recommended Citation Bampenyou, Rattanai, "A Performance Guide to the Multi-Movement Guitar Sonatas of Fernando Sor and Mauro Giuliani" (2012). Open Access Dissertations. Paper 888. This Open access is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarly Repository. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of Scholarly Repository. For more information, please contact [email protected]. UNIVERSITY OF MIAMI A PERFORMANCE GUIDE TO THE MULTI-MOVEMENT GUITAR SONATAS OF FERNANDO SOR AND MAURO GUILIANI By Rattanai Bampenyou A DOCTORAL ESSAY Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Musical Arts Coral Gables, Florida December 2012 ©2012 Rattanai Bampenyou All Rights Reserved UNIVERSITY OF MIAMI A doctoral essay submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts A PERFORMANCE GUIDE TO THE MULTI- MOVEMENT GUITAR SONATAS OF FERNANDO SOR AND MAURO GUILIANI Rattanai Bampenyou Approved: _________________________ ________________________ Rene Gonzalez, D.M.A. M. Brian Blake, Ph.D. Associate Professor of Dean of the Graduate School Instrumental Performance _________________________ ________________________ Charles Mason, D.M.A. Rafael Padron, M.M. Associate Professor of Music Theory Lecturer of Classical Guitar and Composition _________________________ Pamela A. McConnell, M.M. Professor of Viola RATTANAI BAMPENYOU (D.M.A., Instrumental Performance) A Performance Guide to The Multi-Movement (December 2012) Guitar Sonatas of Fernando Sor and Mauro Giuliani Abstract of a doctoral essay at the University of Miami. Doctoral essay supervised by Dr. Rene Gonzalez. No. of pages in text. (201) The purpose of this study is to thoroughly analyze and to create a performance guide of the multi-movement guitar sonatas by Fernando Sor and Mauro Giulian. The works include Sonatas, Opp. 22 and 25 by Sor, and Sonata, Op. 15 by Giuliani. Although the composers are well known to the guitar community, the number of detailed studies of these works is still limited. The present essay is a result of the desire to study them. It contains a short history of the origin of the six-string guitar, the biographies of Sor and Giuliani, and also a brief review of selected writings on sonata form that will help the reader understand the musical form better. The main portion of this study consists of detailed analyses and a performance guide to the sonatas. Theoretical, technical, and stylistic issues are addressed in depth. ACKNOWLEDGEMENTS I would like to express great thank to the Thai government and the citizens of Thailand for the enormous financial support during the course of my study. My deep gratitude also goes to my parents, Lt. Gen. Ronnachai and Saowanee Bampenyou, for their support, inspiration and encouragement. iii TABLE OF CONTENTS Page LIST OF MUSICAL EXAMPLES. ............................................................................. vi LIST OF TABLES ....................................................................................................... xii Chapter 1 INTRODUCTION... ........................................................................................ 1 The Guitar in the Early Nineteenth Century and Sonata Form ……………… 1 Fernando Sor…………………………………………………………………. 5 Mauro Giuliani…………………………..……………………………………. 6 Justification of the Study …..…………………..…….………………………. 8 Purpose of the Study.....………………………..…….………………………. 9 Organization of the Study.....…………………..…….………………………. 9 2 REVIEW OF LITERATURE .......................................................................... 10 Sonata Form ..................................................................................................... 10 The Multi-movement Guitar Sonatas of Sor and Giuliani ............................... 29 3 METHOD ........................................................................................................ 35 Data Gathering Procedure ................................................................................ 35 Analyses ........................................................................................................... 36 Performance Guide .......................................................................................... 37 Organization of the Study ................................................................................ 37 4 THE EMERGENCE OF THE SIX-STRING GUITAR AND BIOGRAPHIES OF FERNANDO SOR AND MAURO GUILIANI ....................................... 38 Emergence of the Six-string Guitar ................................................................. 38 Fernando Sor .................................................................................................... 45 Mauro Giuliani ................................................................................................. 52 5 ANALYSES ..................................................................................................... 62 Sor's Sonata in C, Op. 22 ................................................................................. 62 Sor's Sonata in C, Op. 25 ................................................................................. 93 Giuliani's Sonata in C, Op. 15 .......................................................................... 121 The Comparison of Sor and Giuliani's Sonata Style in Their Multi-movement Sonatas ............................................................................................................. 150 iv Chapter 6 PERFORMANCE GUIDE .............................................................................. 162 Sor's Sonata in C, Op. 22 ................................................................................. 162 Sor's Sonata in C, Op. 25 ................................................................................. 184 Giuliani's Sonata in C, Op. 15 .......................................................................... 190 7 FINAL REMARKS ......................................................................................... 198 BIBLIOGRAPHY…………........ ................................................................................ 199 v LIST OF MUSICAL EXAMPLES Example Page 2.1. Fernando Sor, Grand Solo, op. 14, mm. 123-134............................................. 31 4.1. Spanish tuning used by Gaspar Sanz in the seventeenth century………......... 39 4.2. Italian tablature…………………………………………………….........…… 43 5.1. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 1-8....................................... 63 5.2. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 9-20..................................... 64 5.3. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 31-41................................... 65 5.4. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 42-45................................... 65 5.5. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 57-69................................... 66 5.6. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 84-95................................... 67 5.7. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 93-101................................. 68 5.8. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 102-103............................... 68 5.9. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 96-98................................... 69 5.10. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 102-103............................. 69 5.11. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 110..................................... 69 5.12. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 160-166............................. 70 5.13. Fernando Sor, Sonata in C, Op. 22, mvt. 1, mm. 177-188............................. 71 5.14. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 1-16................................... 77 5.15. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 17-25................................. 77 5.16. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 26-38................................. 78 5.17. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 42-51................................. 79 5.18. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 56-68................................. 80 vi 5.19. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 68-83................................. 81 5.20. Fernando Sor, Sonata in C, Op. 22, mvt. 2, mm. 87-92................................. 82 5.21. Fernando Sor, Sonata in C, Op. 22, mvt. 3, mm. 1-4..................................... 83 5.22. Fernando Sor, Sonata in C, Op. 22, mvt. 3, mm. 9-18................................... 84 5.23. Fernando Sor, Sonata in C, Op. 22, mvt. 3, mm. 19-33................................. 84 5.24. Fernando Sor, Sonata in C, Op, 22, mvt. 1, mm. 41-43; mvt. 3, mm. 24-26........................................................................................... 85 5.25. Fernando Sor, Sonata in C, Op. 22, mvt. 3, mm. 40-47................................. 85 5.26. Fernando Sor, Sonata in C, Op. 22, mvt. 3, mm. 48-55. ................................ 86 5.27. Fernando Sor, Sonata in C, Op. 22, mvt. 4, mm. 1-16................................... 88
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