Djela LXXXIV 10.Pdf (2.046Mb)

Total Page:16

File Type:pdf, Size:1020Kb

Djela LXXXIV 10.Pdf (2.046Mb) Već je dvadeset godina prošlo od kada nas je ostavio naš otac Alojz Benac, a još su svježa ne samo sjećanja na njegove zadnje godine u kojima je nastajala ova knjiga, već i na nevine dane djetinjstva, igre u vrtu Zemaljskog muzeja, te ljeta s njim i majkom, provedena na iskopavanjima. Ponosni smo na našeg oca i na njegova naučna dostignuća, ali isto tako i na sve ono što je zajedno sa majkom učinio za nas. Stoga nas osobito raduje da je Akademija nauka i umjetnosti Bosne i Hercegovine odlučila da u okviru Centra za balkanološka ispitivanja, koga je Alojz Benac i utemeljio, objavi ovo njegovo posljednje djelo. Iskreno smo zahvalni svima koji su učestvovali u pripremi knjige, a želja nam je da ona svakom čitaocu prenese barem dio topline i radosti koju smo mi s našim ocem imali. U Sarajevu, 15. 12. 2012. Dunja i Nenad s porodicama 3 Objavljivanje knjige pomogla je: Fondacija za izdavaštvo/nakladništvo Sarajevo Sadržaj Sadržaj ............................................................................................................................................................ 5 PREDGOVOR .............................................................................................................................................. 7 UVODNE NAPOMENE ............................................................................................................................. 9 I. TOTEMIZAM ..................................................................................................................................... 11 1. Medvjed i jelen................................................................................................................................. 11 2. Riba ................................................................................................................................................... 15 3. Zmija ................................................................................................................................................. 17 II. HELIOLATRIJA .................................................................................................................................. 25 1. Neolitsko doba ................................................................................................................................. 26 2. Eneolitsko doba ............................................................................................................................... 28 3. Bronzano doba ................................................................................................................................. 30 4. Željezno doba ................................................................................................................................... 35 III. Otvorena žrtveništa i svetilišta .......................................................................................................... 43 IV. MAGNA MATER (Kult Velike Majke) ............................................................................................. 49 1. O centralnom Balkanu ................................................................................................................... 51 2. O prelaznoj zoni .............................................................................................................................. 57 V. DVA POSEBNA KULTNA FENOMENA ........................................................................................ 63 1. Ritoni ................................................................................................................................................ 63 2. Prakentauri ....................................................................................................................................... 65 VI. MORS QUID EST? AUT FIMIS AUT TRANSITUS? /ŠTA JE smrt? Kraj ILI prelazak?/ ....................................................................................... 69 1. Paleolitsko i mezolitsko doba ........................................................................................................ 69 2. Neolitsko doba ................................................................................................................................. 71 3. Eneolitsko ili bakarno doba ........................................................................................................... 73 4. Bronzano doba ................................................................................................................................. 78 5. Željezno doba ................................................................................................................................... 82 SUMMARY ................................................................................................................................................... 101 POPIS ILUSTRACIJA .................................................................................................................................. 105 BIBLIOGRAFIJA .......................................................................................................................................... 107 REGISTAR NALAZIŠTA, KULTURA, KULTURNIH I ETNIČKIH GRUPA .................................... 111 BILJEŠKA O AUTORU ............................................................................................................................... 115 5 PREDGOVOR Djelo koje je pred nama napisano je prije više od dvadeset godina. Još 1991. godine je sve bilo pripremljeno za štampu, no ovom rukopisu nije bilo suđeno da bude objavljen te godine. Nesretni slijed događaja mu je odredio sasvim drugačiju sudbinu. Najprije je u martu 1992. godine iznenada umro Alojz Benac, ne stigavši da ovo svoje posljednje djelo definitivno preda izdavaču. A onda je došao rat u Sarajevo. Ljudi su odjednom bili primorani da se bore za goli život, malo ko je mogao misliti na štampanje knjiga. Tako je bilo svih ratnih godina, a ni dugo poslije toga nije bilo mnogo bolje. Ipak, uprkos svim tim teškim godinama, rukopis je opstao. Našla ga je Dunja Drljević, kćerka Alojza Benca u novembru 2011. godine, prilikom sređivanja očeve biblioteke koju je porodica kasnije, kao Benčev legat, poklonila našoj Akademiji. Tako je nepredvidljivi splet okolnosti na kraju učinio da knjiga bude štampana 2012. godine, upravo dvadeset godina nakon smrti autora. Čitajući ponovno ovo interesantno štivo, uvjerio sam se da ni nakon više od dvije decenije ono nije ništa izgu- bilo na aktuelnosti. Naprotiv, iz svake rečenice izbija nagomilano iskustvo i erudicija velikog naučnika, a izneseni opisi, sistematizacija građe i lucidni zaključci bez sumnje će još dugo ostati dragocjena podloga za izučavanje ove tematike. Pisano akribično, jednostavnim i jasnim jezikom, ovo sažeto, ali sadržajem bogato djelo, čitaoca nena- metljivo vodi tajnovitim stazama religioznih misli naših dalekih predaka. Mada je, kako sam autor kaže, namijen- jeno široj publici, siguran sam da će i stručnjaci i svi drugi čitaoci rado i sa interesovanjem čitati ovo djelo, jer se radi o veoma zanimljivoj i nadasve važnoj sferi duhovne kulture prastanovnika našeg tla koja je ovdje po prvi put naučno vrednovana za sva praistorijska razdoblja. Rukopis knjige je od strane redakcije lektorski i tehnički obrađen i dodat mu je indeks pojmova. Pošto je ilus- trativni materijal bio u dobroj mjeri oštećen, nadomješten je kvalitetnim crtežima istovjetnog materijala u svim slučajevima gdje je to bilo neophodno. Drugih intervencija u smislu ažuriranja literature i sl. nije bilo, niti je to bilo potrebno. Naime, na ovoj tematici se od ranih 90-ih godina kod nas nije mnogo radilo, te je ovo djelo, počev od citirane literature do sintetskih zaključaka, ostalo u punoj mjeri aktuelno. Na prijedlog autorove porodice obavljena je jedna terminološka izmjena. U originalnom rukopisu autor je u naslovu i tekstu koristio termin “jugoslavenske zemlje” što je razumljivo, jer je knjiga pisana u vrijeme dok je Jugoslavija još postojala. S obzirom da te zajednice više nema, ovaj termin je zamijen izrazom “južnoslavenske zemlje” koji se pokazao najprikladnijim, mada obuh- vata nešto šire područje. Ta izmjena, međutim, nema suštinskog značaja, jer se djelo odnosi isključivo na prostor bivše Jugoslavije, što je vidljivo i iz samog teksta. Porodici Benac smo veoma zahvalni što je uspjela da sačuva rukopis i time omogući da se od zaborava spasi ovo posljednje djelo Alojza Benca, osnivača i dugogodišnjeg rukovodioca Centra za balkanološka ispitivanja ANUBiH. Posebnu zahvalnost redakcija duguje direktoru Centra akademiku Dževadu Juzbašiću i našoj matičnoj ustanovi, Akademiji nauka i umjetnosti Bosne i Hercegovine za svesrdnu podršku i prihvatanje ove knjige za izdavanje u seriji “Djela”. Blagoje Govedarica 7 UVODNE NAPOMENE Ovo stilski i sadržajno kombinovano štivo posvećeno je Kada je riječ o vjerskim zasadama, današnji pro- onoj sferi duhovnog života praistorijskog čovjeka na tlu sječan čovjek razmišlja uglavnom u okviru velikih južnoslavenskih zemalja koju bismo mogli uvjetno na- svjetskih religija, kao što su kršćanstvo, islam, juda- zvati religioznom sferom. Svjestan sam svih poteškoća izam, hinduizam, odnosno budizam i bramanizam u realizaciji jednog ovakvog poduhvata, ali mu prilazim pa konfucionizam. Najveći dio čovječanstva pripada sa uvjerenjem da će ono, ipak, dobro doći čitaocima koji nekoj od svjetskih religija i tako formira svoj svjeto- imaju naklonost prema tekstovima ove vrste i koji žele nazor, pokušava da osvijetli smisao svoga postojanja. da nešto saznaju o misaonim dometima praistorijskih
Recommended publications
  • Brunislav Marijanović: Eneolitik I Eneolitičke Kulture U Bosni I
    BRUNISLAV MARIJANOVIĆ: ENEOLITIK I ENEOLITIČKE KULTURE U BOSNI I HERCEGOVINI Sveučilište u Mostaru, Pedagoški fakultet, Odsjek za arheologiju i povijest umjetnosti, Mostar 2003, 334 stranice uključujući 44 table, 33 slike, 2 karte i 3 plana BRUNISLAV MARIJANOVIĆ: ENEOLITHIC AND ENEOLITHIC CULTURES IN BOSNIA AND HERZEGOVINA University in Mostar, Faculty of Pedagogy, Department of Archaeology and Art History, Mostar 2003, 334 pages including 44 plates, 33 illustrations, 2 maps and 3 plans Pod ovim naslovom objavljena je nova, inače druga knji- Under this title was published the new, second book by ga Brunislava Marijanovića, profesora prethistorijske arheo- Brunislav Marijanović, professor of prehistoric archaeology logije i arheološke metodologije na Filozofskom fakultetu and archaeological methodology at the Faculty of Philosophy u Zadru nedavno transformiranom u zadarsko Sveučilište in Zadar, recently transformed into the Zadar University, and i istodobno profesora na novoosnovanom studiju arheolo- at the same time professor at the newly founded archaeology gije na Pedagoškom fakultetu (nedavno preimenovanom u course at the Faculty of Pedagogy (recently renamed to Faculty Fakultet fi lozofsko-humanističkih znanosti) Sveučilišta u of Philosophy-Humanities sciences) University in Mostar. The Mostaru. Knjiga predstavlja prerađenu disertaciju koju je book is actually the author’s adapted dissertation, which he de- autor pod naslovom Eneolit Bosne i Hercegovine obranio fended in 1990 at the Faculty of Philosophy in Belgrade under the title The Eneolithic of Bosnia and Herzegovina. Like the 1990. na Filozofskom fakultetu u Beogradu. Kao i prethod- previous one, the book that we have before us was published na, i knjiga koju imamo pred sobom objavljena je na hrva- in Croatian, with an extensive summary in English, making it tskom jeziku s opsežnim sažetkom na engleskom, tako da je accessible to a wide circle of archaeologists.
    [Show full text]
  • The Historiography of the Stećci
    ABSTRACT THE HISTORIOGRAPHY OF THE STEĆCI Bosnian Stećci are some of the most popular and enigmatic tombs among the funerary artifacts of the medieval period. Their uniqueness has provoked significant debate regarding their origins among scholars from different disciplines in the last few centuries. This speculation is due to a lack of proper documentation and the absence of any historical or religious references. Today, scholars can develop their hypotheses from papal documentation, the correspondence of nobility and foreign rulers, and visual observation of the tombstones themselves. Scholarly theories range from occultist speculation connecting the Stećci to the heterodox movement of the Bogomils to suggestions that their style and iconography are linked to medieval Western European art traditions. Stećci remain one of the most controversial subjects of debate, particularly in Bosnia, due to their mysterious origins and the politics still associated with them today. The interpretation of their identity continues in current cultural debates. When looking at history, it is important to remember that it is written by the dominant culture of the time. In that setting, Stećci, like many artifacts, became a powerful tool misused to enforce a biased identity. The historiography of the Stećci represents a small nation’s struggle against a biased interpretation of their origins influenced by outside forces. By connecting the carvings on the tombstones with Bosnian folklore, the careful reading of papal correspondence, and excavations on site,
    [Show full text]
  • Policy: Some Medieval
    Bosnian History and Austro-Hungarian policy: some Medieval Belts, the Bogomil The author exposes the ua y in t v h i ch a f a l se vietv of the cultural history of Bosnia and Herzegovina, pro• Romance and the King j ccted for political reasons by Austria-Hungary in t h e early years of it s occupation of th e p r ovince, can still Tvrtko Graves have repercussions in the u ork of present-day scholars of European art-history, u ho have no reason to suspect Đr Marian Wenzel its operation. An instance is given i» >vhich a nun>ber of falsified a r cheological r esults f r o >n early i n the Bachelor of Science, Doctor of Philosophy century have been taken at face value by later scholars Abingdon Abbey, England and have resulted in the >nisdating by half a century or >nore of an i n >portant gr oup o f s i l ver-gilt b elts. The Original scientific p a per group is re-dated o» the basis of >nore reliable ei>idence. BOSNIAN HISTORY .. scholarship from the only half-uncovered body of di s• tortions imposed on B o snian history by q u asi-official In the course of some recent research on medieval Austro-Hungarian sources in t h e l at e 19th an d e a rly B osnian metalwork, I f ou n d m y s elf p u zzled b y t h e 20th ccnturies. It seemed to me that it w o uld be inter• curious mis-dating of a group of i nteresting decorative esting to set out some account of how some extremely silver-gilt belts (f igs, 7 — 10, 11d — 16), Balkan regional disreputable machinations from the turn of the century variations of a t ype be'.ng made in France in the f i r st had led astray several unsuspecting and reputable half of th e 14th century ( f ig.
    [Show full text]
  • Eneоlithic Cultures of Central and West Balkans
    I d edicate this book to my friends and teachers: Academician V ASA £llBRILOVl£ Academician ALOJZ BENAC A Professor STOJAN DIMfTRIJEVlC www.balkaninstitut.com INSTITUTEOR F BALKAN STUDIES Serbian A cademy of Sciences and Arts - Special edition No. 6 l in association with Publishing H ouse DRAGANIC -The Heritage Series Editor Academician M ilutin Garasanin General e ditor of the series Dragoslav Antonijevid: Corresponding member of the SASA BELGRADE l 995 www.balkaninstitut.com NIKOLA T ASIC ENEOLITHIC C ULTURES OF CENTRAL AND WEST BALKANS BELGRADE l 995 www.balkaninstitut.com T3 3 7 Reviewer Academician M ilutin GaraSanin English t ranslation Ivana Dordevid (pp. 9-93) ^ Nenad Tasid (pp. 1 03- 1 75) Proof-readers M arina Adamovid Nenad Tasid Layout N enad Tasid Drawings Plates h XLIII Sead Cerkez (from PJZ III, I 979) Figs, in the chapter Register... Sneiana Bekrid Published b y . The "DRAG AN l£" Co. The p ublication of this book has been financially supported by the Ministry for Sciences and Technology of the Republic of Serbia. The Research Funds of the SERBIAN ACADEMy of SCIENCES and ARTS and "MADLENA J ANKOVlC FOUNDATION" www.balkaninstitut.com CONTENTS Preface 7 Introduction 9 EARLY E NEOLITHIC I9 - T he Southern Pannonian zone 20 - T he Central Balkan zone 28 - T he Alpine slopes zone 35 - T he Adriatic zone 38 MIDDLE E NEOLITHIC 43 - T he Cernavoda III - Boler&z culture 46 - T he Baden culture 5 I - T he Kostolac culture 59 - T he Cotofeni culture 65 - T he Retz-Gajary horizon 69 - T he Pit-grave culture and the tumuli 72 LATE E NEOLITHIC 75 - T he VuCedol culture 76 - T he terminal Eneolithic of the Alpine zone 85 - T he terminal Eneolithic of the Adriatic zone 88 NOTES 9 3 REGISTERF O MAJOR ENEOLITHIC SITES IN FORMER YUGOSLAVIA.
    [Show full text]
  • Črtomir Lorber
    SCIENTIFIC ARTICLE UDK: 902/904(497.11)”1950/1971” https://doi.org/10.21301/eap.v15i3.3 Črtomir Lorber Department of Archaeology Faculty of Arts, University of Ljubljana [email protected] Predrag Novaković Department of Archaeology Faculty of Arts, University of Ljubljana [email protected] Internationalisation as a long-term strategic project of the post-war renewal of the Yugoslav archaeology (1950–1971)* Abstract: Archaeology in the countries which belonged to Yugoslavia (1918–1991) was mosaic of different traditions. The development of archaeology was greatly affe- cted by political changes in the last 150 years; all of them required significant re-con- textualisation of the discipline and its practice. The renewal of archaeology after the Second World War, in the context of Socialist Yugoslavia, acted on both levels, in buil- ding-up the existing national (republican) archaeological disciplinary frameworks, and in forging ‘new’ common Yugoslav archaeology. Key role in this process played the Archaeological Society of Yugoslavia, established in 1950 as the principal coordinating scholarly organisation in the country. The Society’s immediate task was to create condi- tions for the cooperation of all archaeologists in the country, including the international promotion of the (new) Yugoslav archaeology. Despite having less than 100 archaeolo- gists in the 1950s, the Society designed very ambitious program of ‘internationalisation’ (e.g. exchange of publications, participation at the international conferences, grants, invitation to foreign scholars, special publications published exclusively in foreign lan- guages etc.) which proved highly successful in a very short time. The peak of these endeavours was participation at the 1st International Congress of Slavic Archaeology in Warsaw (1965) and organisation of the 8th Congress of the UISPP in Belgrade (1971); the event which could not be organised without intensive promotion and networking of the Yugoslav archaeologists in the international academic arena in the 1950s and 1960s.
    [Show full text]
  • 50 Godina Centra Za Balkanološka Ispitivanja Anubih / 50 Years of the Centre for Balkan Studies of the Academy of Sciences and Arts of Bosnia and Herzegovina
    1 2 SADRŽAJ / CONTENTS 50 godina Centra za balkanološka ispitivanja ANUBiH / 50 years of the Centre for Balkan Studies of the Academy of Sciences and Arts of Bosnia and Herzegovina . 5 Članovi Centra za balkanološka ispitivanja Akademije nauka i umjetnosti Bosne i Hercegovine . 45 Members of the Centre for the Balkan Studies of the Academy of Sciences and Arts of Bosnia and Herzegovina . 47 Bibliografija izdanja Centra za balkanološka ispitivanja Akademije nauka i umjetnosti Bosne i Hercegovine / Bibliography of the publications of the Centre for Balkan Studies of the Academy of Sciences and Arts of Bosnia and Herzegovina . 50 Uz DVD izdanje zbirke publikacija Centra za balkanološka ispitivanja ANUBiH . 169 DVD collection of publications of the Centre for Balkan Studies of ANUBiH . 170 3 50 godina Centra za balkanološka ispitivanja ANUBiH Akademija nauka i umjetnosti Bosne i Hercegovine u 2013 . godini obi- lježava 50 . godišnjicu osnivanja Centra za balkanološka ispitivanja, jed- ne od prvih istraživačkih jedinica u okviru prvobitnog Naučnog društva BiH i sadašnje Akademije nauka i umjetnosti Bosne i Hercegovine .1 1 . Balkanologija i njeni počeci na prostoru Bosne i Hercegovine Balkanologija, nauka o jeziku, kulturi i prošlosti stanovnika Balkanskog poluostrva nastala je u 19 . stoljeću kao posljedica intenziviranja evrop- skog naučnog i političkog interesa za ovaj u to doba još uvijek dobrim dijelom otomanskoj imperiji pripadajući prostor . Multidisciplinarni karakter balkanologije ogleda se kroz naučne discipline: etnologiju, istoriju, arheologiju, filologiju, antropologiju itd ., čijim se rezultatima koristi . S obzirom na značaj Balkana kao važnog geopolitičkog prostora na kojem se od najranije prošlosti susreću i prepliću različiti kulturni i etnički elementi te odigravaju značajni istorijski događaji i civilizacijski procesi, balkanologija se danas proučava u raznim institucijama širom Evrope i svijeta .
    [Show full text]
  • The Timelessness of the Bosnian Stećak and Its Relevance
    A Memorial for the Twenty-First Century: The Timelessness of the Bosnian Ste#ak and Its Relevance to Contemporary Visual Art Author Fejzic, Adis Elias Published 2016 Thesis Type Thesis (PhD Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/118 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/368002 Griffith Research Online https://research-repository.griffith.edu.au 1 A Memorial for the Twenty-First Century: The Timelessness of the Bosnian Stećak and Its Relevance to Contemporary Visual Art Adis Elias Fejzić BFA(Sculpture) MFA(Sculpture) Queensland College of Art School of Arts, Education and Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy September 2016 2 Abstract This visual art research project responds to the sculptural and social phenomenon of Stećak (pl. Stećci), a type of monumental tombstone that was prolific in mediaeval Bosnia (later Bosnia and Herzegovina) and surrounding areas at the time. The art of Stećak emerged in the area that divides and connects the East and West (the ‘Orient’ and the ‘Occident’). A specific expression of the mediaeval sepulchral art, the Stećak is the result of an overlap and fusion of different cultures; primarily, Western European, Mediterranean, Byzantine, and South Slavic. Due to the differences in type, shape, volume, decorative motifs, inscriptions, and historic context, the Stećak represents a unique phenomenon within the mediaeval European artistic and archaeological heritage. These monuments were officially recognised on a global scale on 15 July 2016, when a number of Stećci were included on the UNESCO’s World Heritage List.
    [Show full text]
  • Razvoj Arheološke Paradigme Na Prostoru Bosne I Hercegovine U Periodu Od 1945
    Univerzitet u Sarajevu Filozofski fakultet Odsjek za historiju Katedra za arheologiju Dalila Kaljanac Razvoj arheološke paradigme na prostoru Bosne i Hercegovine u periodu od 1945. do 1992. godine (završni diplomski rad) MENTOR: prof. dr. Adnan Kaljanac Sarajevo, 2021 SADRŽAJ UVOD ....................................................................................................................................2 1. BOSANSKOHERCEGOVAČKA ARHEOLOGIJA 1945 – 1992. ......................................6 2. ARHEOLOŠKA PARADIGMA ....................................................................................... 10 3. ARHEOLOGINJE U BiH ................................................................................................. 13 3.1. Milica Kosorić ........................................................................................................... 13 3.1.1. Naselja ................................................................................................................. 16 3.1.2. Nekropole ............................................................................................................ 22 3.2. Branka Raunig ........................................................................................................... 30 3.2.1. Nekropole ............................................................................................................ 32 3.2.2. Grobovi ............................................................................................................... 35 3.2.3. Oružje .................................................................................................................
    [Show full text]
  • The Illyrians (1992)
    Copyright © John \x'ilk .. 1992, 19 95 John Wilk .. i, h.,.,by i<l<n.in.d ,IS . u,hm 0/ ,hi, ",ork in ocrord.n« wi.h s..;,ion 77 of th. Copy ri ~ t, Onipa .nd 1',,«nn Aa 1 9~8, Fi, .. puhi;,h...J 1~91 H ... , published in USA 19n fim puhli,h«l in 1"1'<,1..", 1995 R.print«11996 ill.ckwdl Pcbh"' ... Ltd 108 Cowl.,. Ro.d, Oxfu,d, OX 4 IJF, UK BI.ckw.Ul'tJbli"'.,.. Inc. 238 Moen S,,...., Gombridg., Ma ...chu,"",I> 021 42 '"' All righ .......rved. Ex«p' 10' ~ quoution 0/ .hon p.... g .. fo, ,h. pUfl'O>">of eri,ia'm . nd ""'i.",. no p.N of 'hi' publ i('".rion may 1>< , cp , <>d o ~, .,or<d in. ""i... 1 'f.I<"'. 0' ".n.min,d, in any fu"" o,by any m•• n ., d«,ronic:. mcmanial. photocopy;ng, rtCO<ding 0' om ...... i... ",;mou, the prior pmni ..ion of ,h. publi'h ... Ex«pt in ,h. United St>te> of Am.ri ...... !hi, book i, ""Id ,ubj«t '0 th. "md" i"" th.. it <h'll1'K>f, Irr "" y of ",<I< 0. om.twi.. , 1>< ko" ~ ",Id, hi red ou" or o,h.rwi .. ci.culotcd wim"'" the publi<h.r. prior co"''"' in any fonn of binding or "m',. other ,h.n ,ha, in ",hich i, i, publioh...J .nd .... ith"'" a " mil ... """di,;on incl"d;n~ 'hi' condition bei ng impo><d on th ••u~ ..qu.." pu,dl ...r , LibT~'1ufCo ~g.t.
    [Show full text]
  • ONCE TOGETHER, NOW SEPARATE STATES SHARING the CULTURAL TREASURE Antes Unidos, Ahora Estados Separados Compartiendo Un Tesoro Cultural
    ONCE TOGETHER, NOW SEPARATE STATES SHARING THE CULTURAL TREASURE Antes unidos, ahora estados separados compartiendo un tesoro cultural Authors: Authors: Nadja Kurtovic Folic (1), Natasa Zivaljevic Luxor (2) (1) Prof Dr Nadja Kurtović Folić, Full Professor, University of Novi Sad, [email protected] (2) Dr Nataša Živaljević Luxor, Director, National Heritage Foundation, Belgrade, Serbia, [email protected] ABSTRACT With the example of the stećci, a specific kind of tombstones, that now belong to the whole mankind as the World Heritage, we would like to point out the importance of heritage as outstanding instrument for bridging the great political and religious gap between the countries in which the common cultural treasure is located. Stećci, medieval tombstones, have been included in the World Heritage List since 2016. This serial cultural good consists of 28 sites, twenty in Bosnia and Herzegovina, two in Croatia, and three in Montenegro and Serbia. Stećci (plural) are a unique phenomenon in medieval European art and among the archaeological heritage. A stećak (singular) is a specific monument set as a mark of a tomb in the period from the second half of the 12th and beginning of 16th century. Stećci spread between the River Sava in the north, Adriatic coast in the south, the region Lika in Croatia in the west, and in the East they extend deeply into Western Serbia. Nevertheless, the awareness of their common value started developing since the creation of a unified state, the Kingdom of Yugoslavia in 1918. The registration of all tombstones in the form of stećci was carried out in the period after the Second World War, when institutions for the protection of cultural monuments worked under the uniform legislation, using very similar methodology; 70,000 of stećci were counted at about 3,300 sites in the whole territory, within which the concentration and value of the monuments varied.
    [Show full text]
  • An Introduction to the Issues Facing Serbian Archaeology
    Transversal: International Journal for the Historiography of Science, 1 (2016) 88 -100 ISSN 2526 -2270 www.historiographyofscience.org © The Author 2016 — This is an open access article Dossier Ludwik Flec k Ludwik Fleck’s concepts slicing through the Gordian Knot of Serbian Archaeology Monika Milosavljević 1 Abstract : This article delves into the work of a researcher group based around the Center for Theoretical Archaeology in Belgrade (2007 – present) and the path they have taken to establish a foundation for further archaeological development within Serbia. This process illuminates the conceptual tools Fleck originally formulated - thought collectives, thought style, proto-ideas – which have played a significant role in the deconstruction of the concept of scientific fact and in the historicization / socialization of the theory of knowledge. For the 88 Serbian archaeological community, one of the most fiendish aspects has been the ever present correlation between the field and the construction of a national identity - an especially painful theme for the postwar Balkans whose borders are still imprecisely defined. Hence, this work pays special attention to long held beliefs of ethnicity, ethnogenesis and continuity, emanating from outdated racial anthropology, but unfortunately still held as fact in Serbian archaeology. Keywords : Archaeology; thought-collectives; nationalism; ethnicity; ethnogenesis Received: 30 August 2016. Reviewed: 07 November 2016. Accepted: 30 November 2016. ____________________________________________________________________________________ An introduction to the issues facing Serbian archaeology Serbian archaeology has undergone a long, complex transformation since the close of the 19 th century, which does not allow it to easily inter-correlate with the general narrative of archaeological progress and which lends Serbian archaeology its own distinct and unique tradition of scientific development (Trigger, 2008; Novaković, 2011, 386-400; Palavestra & Babić, 2016, 316-334).
    [Show full text]