Črtomir Lorber
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Brunislav Marijanović: Eneolitik I Eneolitičke Kulture U Bosni I
BRUNISLAV MARIJANOVIĆ: ENEOLITIK I ENEOLITIČKE KULTURE U BOSNI I HERCEGOVINI Sveučilište u Mostaru, Pedagoški fakultet, Odsjek za arheologiju i povijest umjetnosti, Mostar 2003, 334 stranice uključujući 44 table, 33 slike, 2 karte i 3 plana BRUNISLAV MARIJANOVIĆ: ENEOLITHIC AND ENEOLITHIC CULTURES IN BOSNIA AND HERZEGOVINA University in Mostar, Faculty of Pedagogy, Department of Archaeology and Art History, Mostar 2003, 334 pages including 44 plates, 33 illustrations, 2 maps and 3 plans Pod ovim naslovom objavljena je nova, inače druga knji- Under this title was published the new, second book by ga Brunislava Marijanovića, profesora prethistorijske arheo- Brunislav Marijanović, professor of prehistoric archaeology logije i arheološke metodologije na Filozofskom fakultetu and archaeological methodology at the Faculty of Philosophy u Zadru nedavno transformiranom u zadarsko Sveučilište in Zadar, recently transformed into the Zadar University, and i istodobno profesora na novoosnovanom studiju arheolo- at the same time professor at the newly founded archaeology gije na Pedagoškom fakultetu (nedavno preimenovanom u course at the Faculty of Pedagogy (recently renamed to Faculty Fakultet fi lozofsko-humanističkih znanosti) Sveučilišta u of Philosophy-Humanities sciences) University in Mostar. The Mostaru. Knjiga predstavlja prerađenu disertaciju koju je book is actually the author’s adapted dissertation, which he de- autor pod naslovom Eneolit Bosne i Hercegovine obranio fended in 1990 at the Faculty of Philosophy in Belgrade under the title The Eneolithic of Bosnia and Herzegovina. Like the 1990. na Filozofskom fakultetu u Beogradu. Kao i prethod- previous one, the book that we have before us was published na, i knjiga koju imamo pred sobom objavljena je na hrva- in Croatian, with an extensive summary in English, making it tskom jeziku s opsežnim sažetkom na engleskom, tako da je accessible to a wide circle of archaeologists. -
The Historiography of the Stećci
ABSTRACT THE HISTORIOGRAPHY OF THE STEĆCI Bosnian Stećci are some of the most popular and enigmatic tombs among the funerary artifacts of the medieval period. Their uniqueness has provoked significant debate regarding their origins among scholars from different disciplines in the last few centuries. This speculation is due to a lack of proper documentation and the absence of any historical or religious references. Today, scholars can develop their hypotheses from papal documentation, the correspondence of nobility and foreign rulers, and visual observation of the tombstones themselves. Scholarly theories range from occultist speculation connecting the Stećci to the heterodox movement of the Bogomils to suggestions that their style and iconography are linked to medieval Western European art traditions. Stećci remain one of the most controversial subjects of debate, particularly in Bosnia, due to their mysterious origins and the politics still associated with them today. The interpretation of their identity continues in current cultural debates. When looking at history, it is important to remember that it is written by the dominant culture of the time. In that setting, Stećci, like many artifacts, became a powerful tool misused to enforce a biased identity. The historiography of the Stećci represents a small nation’s struggle against a biased interpretation of their origins influenced by outside forces. By connecting the carvings on the tombstones with Bosnian folklore, the careful reading of papal correspondence, and excavations on site, -
Policy: Some Medieval
Bosnian History and Austro-Hungarian policy: some Medieval Belts, the Bogomil The author exposes the ua y in t v h i ch a f a l se vietv of the cultural history of Bosnia and Herzegovina, pro• Romance and the King j ccted for political reasons by Austria-Hungary in t h e early years of it s occupation of th e p r ovince, can still Tvrtko Graves have repercussions in the u ork of present-day scholars of European art-history, u ho have no reason to suspect Đr Marian Wenzel its operation. An instance is given i» >vhich a nun>ber of falsified a r cheological r esults f r o >n early i n the Bachelor of Science, Doctor of Philosophy century have been taken at face value by later scholars Abingdon Abbey, England and have resulted in the >nisdating by half a century or >nore of an i n >portant gr oup o f s i l ver-gilt b elts. The Original scientific p a per group is re-dated o» the basis of >nore reliable ei>idence. BOSNIAN HISTORY .. scholarship from the only half-uncovered body of di s• tortions imposed on B o snian history by q u asi-official In the course of some recent research on medieval Austro-Hungarian sources in t h e l at e 19th an d e a rly B osnian metalwork, I f ou n d m y s elf p u zzled b y t h e 20th ccnturies. It seemed to me that it w o uld be inter• curious mis-dating of a group of i nteresting decorative esting to set out some account of how some extremely silver-gilt belts (f igs, 7 — 10, 11d — 16), Balkan regional disreputable machinations from the turn of the century variations of a t ype be'.ng made in France in the f i r st had led astray several unsuspecting and reputable half of th e 14th century ( f ig. -
Eneоlithic Cultures of Central and West Balkans
I d edicate this book to my friends and teachers: Academician V ASA £llBRILOVl£ Academician ALOJZ BENAC A Professor STOJAN DIMfTRIJEVlC www.balkaninstitut.com INSTITUTEOR F BALKAN STUDIES Serbian A cademy of Sciences and Arts - Special edition No. 6 l in association with Publishing H ouse DRAGANIC -The Heritage Series Editor Academician M ilutin Garasanin General e ditor of the series Dragoslav Antonijevid: Corresponding member of the SASA BELGRADE l 995 www.balkaninstitut.com NIKOLA T ASIC ENEOLITHIC C ULTURES OF CENTRAL AND WEST BALKANS BELGRADE l 995 www.balkaninstitut.com T3 3 7 Reviewer Academician M ilutin GaraSanin English t ranslation Ivana Dordevid (pp. 9-93) ^ Nenad Tasid (pp. 1 03- 1 75) Proof-readers M arina Adamovid Nenad Tasid Layout N enad Tasid Drawings Plates h XLIII Sead Cerkez (from PJZ III, I 979) Figs, in the chapter Register... Sneiana Bekrid Published b y . The "DRAG AN l£" Co. The p ublication of this book has been financially supported by the Ministry for Sciences and Technology of the Republic of Serbia. The Research Funds of the SERBIAN ACADEMy of SCIENCES and ARTS and "MADLENA J ANKOVlC FOUNDATION" www.balkaninstitut.com CONTENTS Preface 7 Introduction 9 EARLY E NEOLITHIC I9 - T he Southern Pannonian zone 20 - T he Central Balkan zone 28 - T he Alpine slopes zone 35 - T he Adriatic zone 38 MIDDLE E NEOLITHIC 43 - T he Cernavoda III - Boler&z culture 46 - T he Baden culture 5 I - T he Kostolac culture 59 - T he Cotofeni culture 65 - T he Retz-Gajary horizon 69 - T he Pit-grave culture and the tumuli 72 LATE E NEOLITHIC 75 - T he VuCedol culture 76 - T he terminal Eneolithic of the Alpine zone 85 - T he terminal Eneolithic of the Adriatic zone 88 NOTES 9 3 REGISTERF O MAJOR ENEOLITHIC SITES IN FORMER YUGOSLAVIA. -
Djela LXXXIV 10.Pdf (2.046Mb)
Već je dvadeset godina prošlo od kada nas je ostavio naš otac Alojz Benac, a još su svježa ne samo sjećanja na njegove zadnje godine u kojima je nastajala ova knjiga, već i na nevine dane djetinjstva, igre u vrtu Zemaljskog muzeja, te ljeta s njim i majkom, provedena na iskopavanjima. Ponosni smo na našeg oca i na njegova naučna dostignuća, ali isto tako i na sve ono što je zajedno sa majkom učinio za nas. Stoga nas osobito raduje da je Akademija nauka i umjetnosti Bosne i Hercegovine odlučila da u okviru Centra za balkanološka ispitivanja, koga je Alojz Benac i utemeljio, objavi ovo njegovo posljednje djelo. Iskreno smo zahvalni svima koji su učestvovali u pripremi knjige, a želja nam je da ona svakom čitaocu prenese barem dio topline i radosti koju smo mi s našim ocem imali. U Sarajevu, 15. 12. 2012. Dunja i Nenad s porodicama 3 Objavljivanje knjige pomogla je: Fondacija za izdavaštvo/nakladništvo Sarajevo Sadržaj Sadržaj ............................................................................................................................................................ 5 PREDGOVOR .............................................................................................................................................. 7 UVODNE NAPOMENE ............................................................................................................................. 9 I. TOTEMIZAM ..................................................................................................................................... 11 1. Medvjed i jelen................................................................................................................................ -
50 Godina Centra Za Balkanološka Ispitivanja Anubih / 50 Years of the Centre for Balkan Studies of the Academy of Sciences and Arts of Bosnia and Herzegovina
1 2 SADRŽAJ / CONTENTS 50 godina Centra za balkanološka ispitivanja ANUBiH / 50 years of the Centre for Balkan Studies of the Academy of Sciences and Arts of Bosnia and Herzegovina . 5 Članovi Centra za balkanološka ispitivanja Akademije nauka i umjetnosti Bosne i Hercegovine . 45 Members of the Centre for the Balkan Studies of the Academy of Sciences and Arts of Bosnia and Herzegovina . 47 Bibliografija izdanja Centra za balkanološka ispitivanja Akademije nauka i umjetnosti Bosne i Hercegovine / Bibliography of the publications of the Centre for Balkan Studies of the Academy of Sciences and Arts of Bosnia and Herzegovina . 50 Uz DVD izdanje zbirke publikacija Centra za balkanološka ispitivanja ANUBiH . 169 DVD collection of publications of the Centre for Balkan Studies of ANUBiH . 170 3 50 godina Centra za balkanološka ispitivanja ANUBiH Akademija nauka i umjetnosti Bosne i Hercegovine u 2013 . godini obi- lježava 50 . godišnjicu osnivanja Centra za balkanološka ispitivanja, jed- ne od prvih istraživačkih jedinica u okviru prvobitnog Naučnog društva BiH i sadašnje Akademije nauka i umjetnosti Bosne i Hercegovine .1 1 . Balkanologija i njeni počeci na prostoru Bosne i Hercegovine Balkanologija, nauka o jeziku, kulturi i prošlosti stanovnika Balkanskog poluostrva nastala je u 19 . stoljeću kao posljedica intenziviranja evrop- skog naučnog i političkog interesa za ovaj u to doba još uvijek dobrim dijelom otomanskoj imperiji pripadajući prostor . Multidisciplinarni karakter balkanologije ogleda se kroz naučne discipline: etnologiju, istoriju, arheologiju, filologiju, antropologiju itd ., čijim se rezultatima koristi . S obzirom na značaj Balkana kao važnog geopolitičkog prostora na kojem se od najranije prošlosti susreću i prepliću različiti kulturni i etnički elementi te odigravaju značajni istorijski događaji i civilizacijski procesi, balkanologija se danas proučava u raznim institucijama širom Evrope i svijeta . -
The Timelessness of the Bosnian Stećak and Its Relevance
A Memorial for the Twenty-First Century: The Timelessness of the Bosnian Ste#ak and Its Relevance to Contemporary Visual Art Author Fejzic, Adis Elias Published 2016 Thesis Type Thesis (PhD Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/118 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/368002 Griffith Research Online https://research-repository.griffith.edu.au 1 A Memorial for the Twenty-First Century: The Timelessness of the Bosnian Stećak and Its Relevance to Contemporary Visual Art Adis Elias Fejzić BFA(Sculpture) MFA(Sculpture) Queensland College of Art School of Arts, Education and Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy September 2016 2 Abstract This visual art research project responds to the sculptural and social phenomenon of Stećak (pl. Stećci), a type of monumental tombstone that was prolific in mediaeval Bosnia (later Bosnia and Herzegovina) and surrounding areas at the time. The art of Stećak emerged in the area that divides and connects the East and West (the ‘Orient’ and the ‘Occident’). A specific expression of the mediaeval sepulchral art, the Stećak is the result of an overlap and fusion of different cultures; primarily, Western European, Mediterranean, Byzantine, and South Slavic. Due to the differences in type, shape, volume, decorative motifs, inscriptions, and historic context, the Stećak represents a unique phenomenon within the mediaeval European artistic and archaeological heritage. These monuments were officially recognised on a global scale on 15 July 2016, when a number of Stećci were included on the UNESCO’s World Heritage List. -
Razvoj Arheološke Paradigme Na Prostoru Bosne I Hercegovine U Periodu Od 1945
Univerzitet u Sarajevu Filozofski fakultet Odsjek za historiju Katedra za arheologiju Dalila Kaljanac Razvoj arheološke paradigme na prostoru Bosne i Hercegovine u periodu od 1945. do 1992. godine (završni diplomski rad) MENTOR: prof. dr. Adnan Kaljanac Sarajevo, 2021 SADRŽAJ UVOD ....................................................................................................................................2 1. BOSANSKOHERCEGOVAČKA ARHEOLOGIJA 1945 – 1992. ......................................6 2. ARHEOLOŠKA PARADIGMA ....................................................................................... 10 3. ARHEOLOGINJE U BiH ................................................................................................. 13 3.1. Milica Kosorić ........................................................................................................... 13 3.1.1. Naselja ................................................................................................................. 16 3.1.2. Nekropole ............................................................................................................ 22 3.2. Branka Raunig ........................................................................................................... 30 3.2.1. Nekropole ............................................................................................................ 32 3.2.2. Grobovi ............................................................................................................... 35 3.2.3. Oružje ................................................................................................................. -
The Illyrians (1992)
Copyright © John \x'ilk .. 1992, 19 95 John Wilk .. i, h.,.,by i<l<n.in.d ,IS . u,hm 0/ ,hi, ",ork in ocrord.n« wi.h s..;,ion 77 of th. Copy ri ~ t, Onipa .nd 1',,«nn Aa 1 9~8, Fi, .. puhi;,h...J 1~91 H ... , published in USA 19n fim puhli,h«l in 1"1'<,1..", 1995 R.print«11996 ill.ckwdl Pcbh"' ... Ltd 108 Cowl.,. Ro.d, Oxfu,d, OX 4 IJF, UK BI.ckw.Ul'tJbli"'.,.. Inc. 238 Moen S,,...., Gombridg., Ma ...chu,"",I> 021 42 '"' All righ .......rved. Ex«p' 10' ~ quoution 0/ .hon p.... g .. fo, ,h. pUfl'O>">of eri,ia'm . nd ""'i.",. no p.N of 'hi' publ i('".rion may 1>< , cp , <>d o ~, .,or<d in. ""i... 1 'f.I<"'. 0' ".n.min,d, in any fu"" o,by any m•• n ., d«,ronic:. mcmanial. photocopy;ng, rtCO<ding 0' om ...... i... ",;mou, the prior pmni ..ion of ,h. publi'h ... Ex«pt in ,h. United St>te> of Am.ri ...... !hi, book i, ""Id ,ubj«t '0 th. "md" i"" th.. it <h'll1'K>f, Irr "" y of ",<I< 0. om.twi.. , 1>< ko" ~ ",Id, hi red ou" or o,h.rwi .. ci.culotcd wim"'" the publi<h.r. prior co"''"' in any fonn of binding or "m',. other ,h.n ,ha, in ",hich i, i, publioh...J .nd .... ith"'" a " mil ... """di,;on incl"d;n~ 'hi' condition bei ng impo><d on th ••u~ ..qu.." pu,dl ...r , LibT~'1ufCo ~g.t. -
ONCE TOGETHER, NOW SEPARATE STATES SHARING the CULTURAL TREASURE Antes Unidos, Ahora Estados Separados Compartiendo Un Tesoro Cultural
ONCE TOGETHER, NOW SEPARATE STATES SHARING THE CULTURAL TREASURE Antes unidos, ahora estados separados compartiendo un tesoro cultural Authors: Authors: Nadja Kurtovic Folic (1), Natasa Zivaljevic Luxor (2) (1) Prof Dr Nadja Kurtović Folić, Full Professor, University of Novi Sad, [email protected] (2) Dr Nataša Živaljević Luxor, Director, National Heritage Foundation, Belgrade, Serbia, [email protected] ABSTRACT With the example of the stećci, a specific kind of tombstones, that now belong to the whole mankind as the World Heritage, we would like to point out the importance of heritage as outstanding instrument for bridging the great political and religious gap between the countries in which the common cultural treasure is located. Stećci, medieval tombstones, have been included in the World Heritage List since 2016. This serial cultural good consists of 28 sites, twenty in Bosnia and Herzegovina, two in Croatia, and three in Montenegro and Serbia. Stećci (plural) are a unique phenomenon in medieval European art and among the archaeological heritage. A stećak (singular) is a specific monument set as a mark of a tomb in the period from the second half of the 12th and beginning of 16th century. Stećci spread between the River Sava in the north, Adriatic coast in the south, the region Lika in Croatia in the west, and in the East they extend deeply into Western Serbia. Nevertheless, the awareness of their common value started developing since the creation of a unified state, the Kingdom of Yugoslavia in 1918. The registration of all tombstones in the form of stećci was carried out in the period after the Second World War, when institutions for the protection of cultural monuments worked under the uniform legislation, using very similar methodology; 70,000 of stećci were counted at about 3,300 sites in the whole territory, within which the concentration and value of the monuments varied. -
An Introduction to the Issues Facing Serbian Archaeology
Transversal: International Journal for the Historiography of Science, 1 (2016) 88 -100 ISSN 2526 -2270 www.historiographyofscience.org © The Author 2016 — This is an open access article Dossier Ludwik Flec k Ludwik Fleck’s concepts slicing through the Gordian Knot of Serbian Archaeology Monika Milosavljević 1 Abstract : This article delves into the work of a researcher group based around the Center for Theoretical Archaeology in Belgrade (2007 – present) and the path they have taken to establish a foundation for further archaeological development within Serbia. This process illuminates the conceptual tools Fleck originally formulated - thought collectives, thought style, proto-ideas – which have played a significant role in the deconstruction of the concept of scientific fact and in the historicization / socialization of the theory of knowledge. For the 88 Serbian archaeological community, one of the most fiendish aspects has been the ever present correlation between the field and the construction of a national identity - an especially painful theme for the postwar Balkans whose borders are still imprecisely defined. Hence, this work pays special attention to long held beliefs of ethnicity, ethnogenesis and continuity, emanating from outdated racial anthropology, but unfortunately still held as fact in Serbian archaeology. Keywords : Archaeology; thought-collectives; nationalism; ethnicity; ethnogenesis Received: 30 August 2016. Reviewed: 07 November 2016. Accepted: 30 November 2016. ____________________________________________________________________________________ An introduction to the issues facing Serbian archaeology Serbian archaeology has undergone a long, complex transformation since the close of the 19 th century, which does not allow it to easily inter-correlate with the general narrative of archaeological progress and which lends Serbian archaeology its own distinct and unique tradition of scientific development (Trigger, 2008; Novaković, 2011, 386-400; Palavestra & Babić, 2016, 316-334).