ABC of the Blues. Komplette Trackliste. Kokomo Arnold 1. Backfence

Total Page:16

File Type:pdf, Size:1020Kb

ABC of the Blues. Komplette Trackliste. Kokomo Arnold 1. Backfence ABC of the blues. Komplette Trackliste. Kokomo Arnold 1. Backfence Picket Blues (James Arnold) (03:06) 2. Fool Man Blues (James Arnold) (03:06) 3. Long And Tall (James Arnold) (02:46) 4. Sally Dog (James Arnold) (02:48) 5. Cold Winter Blues (James Arnold) (03:09) 6. Sister Jane Cross The Hall (James Arnold) (02:39) 7. Wild Water Blues (James Arnold) (03:13) 8. Laugh And Grin Blues (James Arnold) (03:09) 9. Mean Old Twister (James Arnold) (02:57) 10. Red Beans And Rice (James Arnold) (03:03) Billy Boy Arnold 11. My Heart Is Crying (Billy Boy Arnold) (02:08) 12. I Wish You Would (Billy Boy Arnold) (02:41) 13. I Ain’t Got You (Billy Boy Arnold) (02:13) 14. Here’s My Picture (Billy Boy Arnold) (02:10) 15. You Got Me Wrong (Billy Boy Arnold) (02:39) 16. Prisoner’s Plea (Billy Boy Arnold) (02:49) 17. Every Day, Every Night (Billy Boy Arnold) (02:26) 18. No, No, No, No, No (Billy Boy Arnold) (02:34) 19. Rockinitis (Billy Boy Arnold) (02:38) 20. I Was Fooled (Billy Boy Arnold) (02:50) TOTAL TIME 55:14 Richard Berry 1. Louie, Louie (Richard Berry) (02:15) 2. Sweet Sugar You (Richard Berry) (02:48) 3. You Look So Good (Richard Berry) (02:19) 4. Mess Around (Richard Berry) (02:37) 5. No Room (Richard Berry) (03:16) 6. I Want You To Be My Girl (Richard Berry) (03:20) 7. I’m Your Fool (Richard Berry) (02:56) 8. Walk Right In (Richard Berry) (03:04) 9. Give It Up (Richard Berry) (02:37) 10. Have Love, Will Travel (Richard Berry) (02:56) Barbecue Bob 11. Yo Yo Blues (Robert Hicks) (02:59) 12. California Blues (Robert Hicks) (02:59) 13. Motherless Chiles Blues (Robert Hicks) (03:16) 14. She’s Coming Back Some Cold Rainy Day (Robert Hicks) (03:07) 15. Barbecue Blues (Robert Hicks) (03:14) 16. Ease It To Me Blues (Robert Hicks) (03:01) 17. Chocolate To The Bone (Robert Hicks) (02:54) 18. Good Time Rounder (Robert Hicks) (03:18) 19. Atlanta Moan (Robert Hicks) (03:09) 20. Diddle-Da-Diddle (Robert Hicks) (03:01) TOTAL TIME 59:15 Bobby “Blue” Bland 1. It’s My Life, Baby (F Washington – D. Robey) (02:45) 2. Honey Bee (D. Robey) (02:30) 3. Lost Lover Blues (F Washington – D. Robey) (02:37) 4. Time Out (F Washington – D. Robey) (02:50) 5. Million Miles From Nowhere (D. Robey) (02:52) 6. You’ve Got Bad Intentions (J. Scott) (02:32) 7. I Don’t Believe (D. Robey – M. Charles) (02:38) 8. You Did Me Wrong (D. Malone) (02:36) 9. Last Night (D. Robey) (02:53) 10. Wise Man’s Blues (D. Mattis – D. Robey) (02:51) Charles Brown 11. Driftin’ Blues (Brown – Moore – Williams) (03:15) 12. Trouble Blues (C. Brown) (02:23) 13. In The Evening When The Sun Goes Down (Trad.) (02:56) 14. Get Yourself Another Fool (Tucker – Haywood) (03:03) 15. Black Night (J.M. Robinson) (03:08) 16. Hard Times (J. Leiber – M. Stoller) (03:10) 17. Cryin’ Mercy (K. Owens) (02:43) 18. Evening Shadows (Q. Martin) (02:46) 19. Fool’s Paradise (Johnny Fuller – R. Geddins – D. Avid) (02:47) 20. Merry Christmas, Baby (J. Moore – L. Baxter) (02:53) TOTAL TIME 56:18 Clarence “Gatemouth” Brown 1. Midnight Hour (C. Brown – Duchess) (02:45) 2. Ain’t That Dandy (C. Brown – Duchess) (02:52) 3. Dirty Work At The Crossroads (Don Robey – Duchess) (02:47) 4. Hurry Back Good News (Don Robey – Duchess) (02:46) 5. Okie Dokie Stomp (Pluma Davis – Duchess) (02:34) 6. Sad Hour (C. Brown – Don Robey – Duchess) (02:51) 7. Gate’s Salty Blues (Eddie Curtis) (02:45) 8. Just Before Dawn (C. Brown – Duchess) (02:09) 9. Depression Blues (C. Brown – Duchess) (02:55) 10. For Now So Long (C. Brown – Duchess) (02:45) Blue Lu Barker 11. Trombone Man Blues (Barker – Black) (02:52) 12. Here’s A Little Girl (Barker) (03:15) 13. A Little Bird Told Me (Barker – Brooks) (02:12) 14. What Did You Do To Me? (Barker – Hunter) (02:33) 15. Leave My Man Alone (Barker) (02:31) 16. Now You’re Down In The Alley (Barker) (02:35) 17. When The Wagon Comes (Barker) (02:56) 18. Loan Me Your Husband (Barker) (02:46) 19. Bow Legged Daddy (Barker) (02:50) 20. Love That Man (Barker) (02:41) TOTAL TIME 54:34 Big Bill Broonzy 1. Mississippi River Blues (William Lee Conley Broonzy) (02:42) 2. Long Tall Mama (William Lee Conley Broonzy) (02:48) 3. Worrying You Off My Mind (Part 1) (William Lee Conley Broonzy) (03:05) 4. Rising Sun Shine On (Lester Melrose) (03:10) 5. Come Home Early (William Lee Conley Broonzy) (03:00) 6. Good Jelly (William Lee Conley Broonzy) (03:17) 7. Bull Cow Blues (William Lee Conley Broonzy) (02:52) 8. I Can’t Make You Satisfied (William Lee Conley Broonzy) (03:13) 9. How You Want It Done (William Lee Conley Broonzy) (02:51) 10. Hattie Blues (William Lee Conley Broonzy) (02:44) Scrapper Blackwell 11. Kokomo Blues (Kokomo Arnold) (03:04) Blind Blake 12. Come On Boys, Let’s Do That Messin’ Around (Blind Blake) (02:45) 13. Hard Pushin’ Papa (Blind Blake) (02:36) 14. Skeedle Loo Doo Blues (Blind Blake) (03:02) 15. Georgia Bound (Blind Blake) (03:22) 16. Too Tight Blues, No. 2 (Blind Blake) (02:55) 17. Diddie Wah Diddie (Blind Blake) (02:58) 18. Southern Rag (Blind Blake) (02:50) 19. C.C. Pill Blues (Blind Blake) (02:28) 20. Rope Stretching Blues, Pt. 1 (Blind Blake) (03:02) TOTAL TIME 58:55 Champion Jack Dupree 1. Strollin’ (Jack Dupree) (03:01) 2. T.B. Blues (Jack Dupree) (03:42) 3. Can’t Kick The Habit (Jack Dupree) (03:43) 4. Evil Woman (Jack Dupree) (04:21) 5. Nasty Boogie (Jack Dupree) (03:10) 6. Junker’s Blues (Jack Dupree) (03:12) 7. Bad Blood (Jack Dupree) (03:59) 8. Goin’ Down Slow (Jack Dupree) (04:04) 9. Frankie & Johnny (Jack Dupree) (03:23) 10. Stack-O-Lee (Jack Dupree) (03:56) Cousin Joe 11. Fly Hen Blues (Pleasant Joseph) (02:38) 12. Little Eva (Pleasant Joseph) (02:33) 13. Lightning Struck The Poorhouse (Pleasant Joseph) (03:04) 14. Baby You Don’t Know At All (Pleasant Joseph) (02:43) 15. The Barefoot Baby (Pleasant Joseph) (02:49) 16. Box Car Shorty And Peter Blue (Pleasant Joseph – Sammy Price) (02:42) 17. Beggin’ Woman (Pleasant Joseph – Sammy Price) (02:47) 18. Sadie Brown (Pleasant Joseph – Sammy Price) (02:46) 19. Evolution Blues (Pleasant Joseph – Sammy Price) (02:58) 20. Box Car Shorty’s Confession (Pleasant Joseph – Sammy Price) (02:41) TOTAL TIME 64:22 Leroy Carr & Scrapper Blackwell 1. Wrong Man Blues (L. Carr – S. Blackwell) (03:16) 2. Gettin’ All Wet (L. Carr – S. Blackwell) (03:28) 3. Blue With The Blues (L. Carr – S. Blackwell) (03:29) 4. Christmas In Jail, Ain’t That A Pain (L. Carr – S. Blackwell) (03:12) 5. That’s Tellin’em (L. Carr – S. Blackwell) (03:01) 6. Papa Wants A Cookie (L. Carr – S. Blackwell) (02:44) 7. The Dirty Dozen (L. Carr – S. Blackwell) (02:53) 8. Carried Water For The Elephant (L. Carr – S. Blackwell) (02:57) 9. Let’s Disagree (L. Carr – S. Blackwell) (02:56) 10. Papa’s Got Your Water On (L. Carr – S. Blackwell) (03:13) Pee Wee Crayton 11. Win-O (C.C. Crayton) (02:18) 12. I Got News For You (C.C. Crayton) (02:39) 13. Blues Before Dawn (C.C. Crayton) (01:59) 14. Don’t Break My Heart (C.C. Crayton) (02:52) 15. The Telephone Is Ringing (C.C. Crayton) (02:54) 16. California Women (C.C. Crayton) (03:28) 17. Blues For My Baby (C.C. Crayton) (02:58) 18. Dedicated To The Blues (C.C. Crayton – Taub) (03:05) 19. Phone Call From My Baby (C.C. Crayton) (02:48) 20. Blues After Hours (C.C. Crayton) (03:07) TOTAL TIME 59:27 Bo Diddley 1. I’m A Man (Ellas McDaniel) (02:59) 2. Bo Diddley (Ellas McDaniel) (02:48) 3. Pretty Thing (Willie Dixon) (02:50) 4. Bring It To Jerome (Jerome Green) (02:29) 5. Diddy Wah Diddy (Ellas McDaniel – Willie Dixon) (02:33) 6. I’m Looking For A Woman (Ellas McDaniel) (02:33) 7. Who Do You Love? (Ellas McDaniel) (02:29) 8. You Don’t Love Me (Ellas McDaniel) (02:53) 9. Hey Bo Diddley (Ellas McDaniel) (02:12) 10. Mona (I Need You Baby) (Ellas McDaniel) (02:22) 11. Say Boss Man (Ellas McDaniel) (02:33) 12. Before You Accuse Me (Ellas McDaniel) (03:06) 13. Say Man (Ellas McDaniel) (03:13) 14. The Clock Strikes Twelve (Ellas McDaniel) (02:59) 15. Crackin’ Up (Ellas McDaniel) (02:06) 16. Don’t Let It Go (Hold On To What You Got) (Ellas McDaniel) (02:46) 17. Mumblin’ Guitar (Ellas McDaniel) (02:49) 18. She’s Alright (Ellas McDaniel) (04:04) 19. Road Runner (Ellas McDaniel) (02:49) 20. The Story Of Bo Diddley (Ellas McDaniel) (02:52) TOTAL TIME 55:36 Willie Dixon 1. Don’t Let That Music Die (W. Dixon) (02:31) 2. I Ain’t Gonna Be Your Monkey Man (L. Caston – W. Dixon) (02:59) 3. Money Tree Blues (W. Dixon) (02:45) 4. Since My Baby Gone (L. Caston) (03:01) 5. No One To Love Me (L.
Recommended publications
  • Cash Box, Music Page 39 July 18, 1953
    ) ! The Cash Box, Music Page 39 July 18, 1953 The Top Ten Tunes Netting Heaviest Play, Compiled From Reports Submitted Weekly To The Cash Box, By Leading Music Operators in Dallas, Los Angeles and Other Cities Listed. GOIN' TO THE RIVER TIN PAN ALLEY PLEASE LOVE ME Fats Domino James Wilson B. B. King (Imperial 5231) (Big Town 101) (R. P. M. 386 HELP ME SOMEBODY THE CLOCK THE CLOCK AJJ The "5" Roy ales Johnny Ace Johnny Ace (Apollo 446) (Duke 112) (Duke 112) THESE FOOLISH ^nw PARADISE HILL 1 FOUND OUT £2* THINGS The Embers The Du Droppers The Dominoes (Herald 410) (RCA Victor 20-5321) (Federal 12129) PARADISE HILL PLEASE LOVE ME THESE FOOLISH flo The Embers B. B. King THINGS (Herald 410) (R. P. M. 386) The Dominoes (Federal 12129) PLEASE DON'T MERCY, MR. PERCY DON'T DECEIVE ME Varetta Dillard LEAVE ME Chuck Willis (Savoy 897) Fats Domino (Okeh 6985) (Imperial 5240) THE CLOCK MY DEAR, HELP ME SOMEBODY Johnny Ace DEAREST DARLING The "5" Royales (Duke 112) Five Willows (Apollo 446) (Allen 1000) I'M MAD WILD, WILD NEVER, NEVER M Willie Mabon YOUNG MEN Dinah Washington (Chess 1538) Ruth Brown (Mercury 70175) (Atlantic 993) IF 1 CAN'T HAVE YOU 40 CUPS OF COFFEE MEND YOUR WAYS Flamingos Danny Overbea Ruth Brown AMOS MILBURN (Chance) (Checker 774) (Atlantic 993) SHIRLEY a LEE 'The Sweethearts Of The Blues" LONG. LONG DAY’ EARLY IN THE 1 WANNA KNOW MERCY, MR. PERCY Dolly Cooper Varetta Dillard MORNING “SHIRLEY'S BACK” AL 3168 (Savoy 891) (Savoy 897) Roy Milton (Specialty 464) HOUND DOG 1 FOUND OUT 1 WANNA KNOW ! I 1 Willie Mae Thornton The Du Droppers The Du Droppers (Peacock 1612) (RCA Victor 20-S321) (RCA Victor 20-5229) PLEASE LOVE ME PLEASE LOVE ME THE CLOCK B.
    [Show full text]
  • Memphis Jug Baimi
    94, Puller Road, B L U E S Barnet, Herts., EN5 4HD, ~ L I N K U.K. Subscriptions £1.50 for six ( 54 sea mail, 58 air mail). Overseas International Money Orders only please or if by personal cheque please add an extra 50p to cover bank clearance charges. Editorial staff: Mike Black, John Stiff. Frank Sidebottom and Alan Balfour. Issue 2 — October/November 1973. Particular thanks to Valerie Wilmer (photos) and Dave Godby (special artwork). National Giro— 32 733 4002 Cover Photo> Memphis Minnie ( ^ ) Blues-Link 1973 editorial In this short editorial all I have space to mention is that we now have a Giro account and overseas readers may find it easier and cheaper to subscribe this way. Apologies to Kees van Wijngaarden whose name we left off “ The Dutch Blues Scene” in No. 1—red faces all round! Those of you who are still waiting for replies to letters — bear with us as yours truly (Mike) has had a spell in hospital and it’s taking time to get the backlog down. Next issue will be a bumper one for Christmas. CONTENTS PAGE Memphis Shakedown — Chris Smith 4 Leicester Blues Em pire — John Stretton & Bob Fisher 20 Obscure LP’ s— Frank Sidebottom 41 Kokomo Arnold — Leon Terjanian 27 Ragtime In The British Museum — Roger Millington 33 Memphis Minnie Dies in Memphis — Steve LaVere 31 Talkabout — Bob Groom 19 Sidetrackin’ — Frank Sidebottom 26 Book Review 40 Record Reviews 39 Contact Ads 42 £ Memphis Shakedown- The Memphis Jug Band On Record by Chris Smith Much has been written about the members of the Memphis Jug Band, notably by Bengt Olsson in Memphis Blues (Studio Vista 1970); surprisingly little, however has got into print about the music that the band played, beyond general outline.
    [Show full text]
  • Finding Aid for the Sheldon Harris Collection (MUM00682)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr.
    [Show full text]
  • Golden Gate Grooves, January 2014
    Golden Gate Grooves, January 2014 CD REVIEWS Billy Boy Arnold, Charlie Musselwhite, The singers/harmonica players under whose names Remembering Little Walter was issued are an enviable Mark Hummel, Sugar Ray Norcia, James all-star assemblage: Hummel, Harman, Charlie Harman, Remembering Little Walter Musselwhite, Billy Boy Arnold, and Sugar Ray Norcia. Together they make up something like 50% of any by Tom Hyslop reasonable person’s list of the pre-eminent living Latter-day harp men talk harmonica players, and the environment, as one might about Big Walter’s tone, expect, makes for committed and spirited emulate the conversational performances. Sugar Ray’s intense “Mean Old World” is styles of both Sonny Boys, dynamite, as is Musselwhite’s take on the up-tempo admire the power and “One Of These Mornings,” a relative rarity, which also playfulness of Cotton, and features a daredevil guitar break. Tone and dynamics dig Junior Wells’s attitude. are at an impossibly high level throughout—Hummel Some may work on Jimmy and the band dial in a perfect late-night mood on “Blue Reed’s high-end approach, Light,” and the way Harman drives “Crazy Mixed Up or give lip service to Snooky World” hard before breaking it down to a whisper at Pryor or even Louis Myers. But Marion Walter Jacobs the end is masterly. Billy Boy’s “Can’t Hold Out Much was The Man, the player whose stylistic innovations Longer” is splendid on every level. revolutionized the way the instrument was played, and whose technique, taste, and tones continue to baffle That recaps only about half of the program, but the rest and inspire musicians more than 60 years after his of the songs (each performer sings two) are excellent as debut, and nearly 45 years after his untimely death.
    [Show full text]
  • Northern Terminus: the African Canadian History Journal
    orthern Terminus: N The African Canadian History Journal Mary “Granny” Taylor Born in the USA in about 1808, Taylor was a well-known Owen Sound vendor and pioneer supporter of the B.M.E. church. Vol. 17/ 2020 Northern Terminus: The African Canadian History Journal Vol. 17/ 2020 Northern Terminus 2020 This publication was enabled by volunteers. Special thanks to the authors for their time and effort. Brought to you by the Grey County Archives, as directed by the Northern Terminus Editorial Committee. This journal is a platform for the voices of the authors and the opinions expressed are their own. The goal of this annual journal is to provide readers with information about the historic Black community of Grey County. The focus is on historical events and people, and the wider national and international contexts that shaped Black history and presence in Grey County. Through essays, interviews and reviews, the journal highlights the work of area organizations, historians and published authors. © 2020 All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means – electronic, mechanical, photocopying, microreproduction, recording or otherwise – without prior written permission. For copies of the journal please contact the Archives at: Grey Roots: Museum & Archives 102599 Grey Road 18 RR#4 Owen Sound, ON N4K 5N6 [email protected] (519) 376-3690 x6113 or 1-877-473-9766 ISSN 1914-1297, Grey Roots Museum and Archives Editorial Committee: Karin Noble and Naomi Norquay Cover Image: “Owen Sound B. M. E. Church Monument to Pioneers’ Faith: Altar of Present Coloured Folk History of Congregation Goes Back Almost to Beginning of Little Village on the Sydenham When the Negros Met for Worship in Log Edifice, “Little Zion” – Anniversary Services Open on Sunday and Continue All Next Week.” Owen Sound Daily Sun Times, February 21, 1942.
    [Show full text]
  • From King Records Month 2018
    King Records Month 2018 = Unedited Tweets from Zero to 180 Aug. 3, 2018 Zero to 180 is honored to be part of this year's celebration of 75 Years of King Records in Cincinnati and will once again be tweeting fun facts and little known stories about King Records throughout King Records Month in September. Zero to 180 would like to kick off things early with a tribute to King session drummer Philip Paul (who you've heard on Freddy King's "Hideaway") that is PACKED with streaming audio links, images of 45s & LPs from around the world, auction prices, Billboard chart listings and tons of cool history culled from all the important music historians who have written about King Records: “Philip Paul: The Pulse of King” https://www.zeroto180.org/?p=32149 Aug. 22, 2018 King Records Month is just around the corner - get ready! Zero to 180 will be posting a new King history piece every 3 days during September as well as October. There will also be tweeting lots of cool King trivia on behalf of Xavier University's 'King Studios' historic preservation collaborative - a music history explosion that continues with this baseball-themed celebration of a novelty hit that dominated the year 1951: LINK to “Chew Tobacco Rag” Done R&B (by Lucky Millinder Orchestra) https://www.zeroto180.org/?p=27158 Aug. 24, 2018 King Records helped pioneer the practice of producing R&B versions of country hits and vice versa - "Chew Tobacco Rag" (1951) and "Why Don't You Haul Off and Love Me" (1949) being two examples of such 'crossover' marketing.
    [Show full text]
  • Eric Clapton
    ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album.
    [Show full text]
  • Contents at a Glance
    02_049204 ftoc.qxp 10/25/06 10:06 AM Page v Contents at a Glance Introduction .................................................................1 Part I: You Got a Right to Play the Blues .......................7 Chapter 1: Every Day I Have the Blues . Hallelujah!...................................................9 Chapter 2: Blues Meets Guitar: A Match Made in Musical Heaven............................23 Chapter 3: Grab Hold, Tune Up, Play On! ......................................................................39 Part II: Setting Up to Play the Blues............................55 Chapter 4: Getting a Grip on Left-Hand Chords............................................................57 Chapter 5: Positioning the Right Hand for Rhythm and Lead ....................................71 Chapter 6: Blues Progressions, Song Forms, and Moves ............................................97 Chapter 7: Musical Riffs: Bedrock of the Blues...........................................................121 Part III: Beyond the Basics: Playing Like a Pro ..........137 Chapter 8: Playing Lead: Soaring Melodies and Searing Solos.................................139 Chapter 9: Playing Up the Neck....................................................................................155 Chapter 10: Express Yourself: Making the Guitar Sing, Cry, and Wail......................171 Part IV: Sounding Like the Masters: Blues Styles through the Ages ...................................191 Chapter 11: Acoustic Roots: Delta Blues and Its Country Cousins..........................193
    [Show full text]
  • Rhythm Posse Occasionally Worked with Bukka White in Local Juke Facebook.Com/Rhythmposse Joints
    father of the Memphis blues guitar style. By the turn of the century, at the age of 12, Stokes worked as a blacksmith, traveling the 25 miles to Memphis on the weekends to sing and play guitar All shows begin at 6:30 In case of inclement weather, Tuesday Night Blues with Don Sane, with whom he developed a long- is held at the House of Rock, 422 Water Street. term musical partnership. Together, they busked on *August 7 will be held at Phoenix Park. the streets and in Church's Park (now W. C. Handy Park) on Memphis' Beale Street. Sane rejoined Stokes May 28 Howard ‘Guitar’ Luedtke & Blue Max for the second day of an August 1928 session for HowardLuedtke.com June 4 Revolver Victor Records, and they produced a two-part RevolverBand.net version of "Tain't Nobody's Business If I Do", a song August 20, 2013 at Owen Park June 11 Bryan Lee well known in later versions by Bessie Smith and BrailleBluesDaddy.com Jimmy Witherspoon, but whose origin lies June 18 Tommy Bentz Band somewhere in the pre-blues era. RhythmRhythm PPosseosse TommyBentz.com In 1929, Stokes and Sane recorded again for June 25 Code Blue with Catya & Sue Catya.net Paramount, resuming their 'Beale Street Sheiks' July 2 Left Wing Bourbon billing for a few cuts. In September, Stokes was back LeftWingBourbon.com on Victor to make what were to be his last July 9 Charlie Parr recordings, this time without Sane, but with Will Batts CharlieParr.com on fiddle. Stokes and Batts were a team as July 16 Deep Water Reunion MySpace.com/DWReunion evidenced by these records, which are both July 23 Steve Meyer with the True Heat Band traditional and wildly original, but their style had (featuring Ben Harder) fallen out of favor with the blues record buying July 30 Ross William Perry public.
    [Show full text]
  • Howtobreak the Cycle of Low-Growthbig-Statism
    Q ua dr a nt $8.90 Australia I M ay 2018 I V ol.62 N o.5 M ay 2018 How to Break the Cycle of Low-GrowthPeter Murphy Big-Statism The Coming Age of De-Globalisation Martin Hutchinson Why Trump Dumped Business as Usual in Asia Daryl McCann How Richard Casey Made America Notice Australia Edward Cranswick The Family Court has Failed Gender-Dysphoric Children Stuart Lindsay The High Costs of Fatherlessness Augusto Zimmermann On Patrick O’Brian John Whitworth On Queen Mary Mark McGinness On Capability Brown Ian George On Michael Wilding Derek Turner Poetry I Geoff Page, Joe Dolce, Valerie Murray, Pascale Petit, Ted Witham, David Mason, Cally Conan-Davies Reviews I David Martin Jones, Wolfgang Kasper, Peter Craven Fiction I Michael Scammell Letters I Environment I Science I Literature I Economics I Religion I Media Theatre I Philosophy I film I Society I History I Politics I Education I Health SpeCIal New SubSCrIber offer renodesign.com.aur33011 Subscribe to Quadrant and Q ua dr a nt Policy for only $104 for one year! $8.90 Australia I M arch 2012 I Vol.56 No3 M arch 2012 The Threat to Democracy Quadrant is one of Australia’ Jfromohn O’Sullivan, Global Patrick MGovernancecCauley The Fictive World of Rajendra Pachauri and is published ten times a year.s leading intellectual magazines, Tony Thomas Pax Americana and the Prospect of US Decline Keith Windschuttle Why Africa Still Has a Slave Trade Roger Sandall Policy is the only Australian quarterly magazine that explores Freedom of Expression in a World of Vanishing Boundaries Nicholas Hasluck the world of ideas and policy from a classical liberal perspective.
    [Show full text]
  • Perform for Free in Our VIRTUAL /INTERACTIVE ITNS Radio Concert Series! ITNS Radio & SWC Global Media, LLC
    Perform for free in our VIRTUAL /INTERACTIVE ITNS Radio Concert Series! ITNS Radio & SWC Global Media, LLC Sam Watkins & Fate Train at Boomerz in Austin, Texas (2010) Sam Watkins & Fate Train Rock, Blues and Metal Plays Modal, Jazz Plays Changes! #shorts Ron Jackson DPB "WAKE UP" THE OFFICIAL MUSIC VIDEO World of DPB The Honest Mistake Band THEHONESTMISTAKEBAND (Old Upload) Zelda: The Return of Ganondorf Joseph Blanchette \ DO IT - 2TALLIN & DRAFT Travis Huff Christine Lee - Listen to Your Dreams (Official Music Video) Christine Lee We are One by Nordic Daughter Nordic Daughter Teddy Bop by TSwang Video tswang2 Silent Machines - What Matters The Most Silent Machines Heavy AmericA - "Motor Honey (Peace)" Heavy AmericA "Mary Did You Know" - By Lucas Ciliberti Lucas Ciliberti Waiting Til Dawn "Official Video" PLEASE SUBSCRIBE!! McCUIN *OFFICIAL BAND PAGE* Richard Mulligan and Richard Mulligan on Soap garrisonskunk a few miles down the road Brandon Good Pedal Steel Guitar solo on SAN ANTONIO ROSE John Heinrich show me you vanilla base Vanilla base Guitar Boogie - Arthur Smith DaemonRicks Ali Jacko - Follow My HEART (Official Video) ajackorocksVEVO TK MAFIOSO - " BIGGIE PAC " ( OFFICAL MUSIC VIDEO ) TK Mafioso Illist - What I've Never Felt (Official Music Video) Angels Castle Live - Jimmy Richardson jimjim776 Kayla Cariaga (Kayla C.) - GONE Official Music Video Kayla Cariaga What Do I Know JP Southern Band William T Starzz Going In official video directed by Bryan Eyce Leonard William T. Starzz Johnny Rock Band - Easter Bunny Hop Johnny Rock
    [Show full text]
  • CONGRESSIONAL RECORD— Extensions of Remarks E1638 HON
    E1638 CONGRESSIONAL RECORD Ð Extensions of Remarks August 7, 1998 After a successful tenure as Commander of also served as a member of the Indiana Fiscal In honoring the memory of Gibby I feel there the 88th in Minnesota, he moved on to the Policy Institute and he was a council member are a few things that I must call attention to, Pentagon. He was assigned to the Assistant for the Boy Scouts of America. a few memories that, as I am sure, everyone Deputy Chief of Staff Operations, Mobilization Wally Miller is survived by his wife, June; who knew Gibby will agree with me on, must and Reserve Affairs. In addition, General children Beth Ingram, Aimee Riemke, Tom, be mentioned. One of these was Gibby's fas- Rehkamp was named to the Reserve Forces Michael Miller, stepsons Ben, Andy Camp; cination with sports. Gibby was truly a sports Policy Board (RFPB). The RFPB is rep- mother Connie Conklin Miller; sisters Beverly fanatic. He seemed to enjoy it most, though, resented by members of all of the uniformed Stevens, Barbara Miller, brothers V. Richard, when he could share his excitement and en- services. Members of the RFPB are respon- R. James Miller; and five grandchildren. thusiasm with others. He was very successful sible for policy advising to the Secretary of In closing, I can only begin to enumerate on in spreading his love of sports in many dif- Defense on matters relating to the reserve Wally Miller's long and distinguished list of ferent ways, whether it be by working for an components.
    [Show full text]