The Inventory of the Osbert Sitwell Collection #1413
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Friday 17 – Sunday 19 November 2017
FAI UK is pleased to invite you to a very special tour to Welbeck Estate, to a “Palladian” Villa and to Renishaw Hall welcomed by their owners This short weekend offers privileged access to one of Britain’s greatest stately homes, the do’s and don’ts of building, and living in, a replica of a Palladian villa today, and seeing behind the scenes of the historic home of Britain’s most famous aristocratic and artistic eccentrics of the 1930s. Friday 17th – Sunday 19th November 2017 FAI UK, 7a Comyn Road, London SW11 1QB - Mob +44 (0)7951 594 481 [email protected] Charity Registration No. 1155041 Friday evening, 17 November Hodstock Priory 6 p.m. Meet at the the Retford Station: by private bus to Hodstock Priory for the night 7.30 p.m. Bus to the Yeoldebell Restaurant for dinner 9.00 p.m. Back to Hodstock Priory for the night Saturday morning, 18 November, Welbeck Abbey Leave by bus at 9.30 a.m. Welbeck Abbey, in Sherwood Forest, is one of Britain’s very greatest historic collections, comparable with Chatsworth, Burghley, and Castle Howard, but much less known because it was almost inaccessible to the general public until recently (although scholars were welcome). It includes works by Michelangelo, Van Dyck, Nicholas Hilliard, and Stubbs, but also rarities in the decorative arts such as grand 17th-century French silver that hardly survives in France today due to the Revolution. It was the seat of the Dukes of Portland, whose descendants continue to live in it and have invested energy, money, and creativity in building an elegant modern space, the Harley Gallery, to show highlights of the collection and contemporary work to the everyday visitor. -
British Figurative Painters of the 20Th Century Whose Development Can Be Adequately Discussed Without Reference to Sickert's Subject-Matter Or Innovative Techniques
• Question from last week • Where is the Fry Art Gallery that has Eric Ravilious Tea at Furlongs (1939)? The Fry Art Gallery is an art gallery in Saffron Walden, Essex that is best known for its displays of work by the Great Bardfield Artists, including Edward Bawden and Eric Ravilious. The Great Bardfield Artists were a community of artists living in Great Bardfield, north west Essex. They were diverse in style but shared a love for figurative art, making the group distinct from the better known St Ives School of artists in St Ives, Cornwall, who, after the war, were chiefly dominated by abstractionists. • Figurative art runs as a theme through all British art. The extremes of modernism—Fauvism, Dada, Surrealism and even abstraction—never took hold in Britain but there was a continued interest in the human body, psychological insights and representing the full range of emotions. This means that most of the artists we have dealt with have been figurative, that is not abstract, artists. • This means it has been difficult to choose a small number of artists to represent the tradition and I have selected painters who stayed with the figurative tradition throughout their lives with the exception of Victor Pasmore as I use his work to create a link with British art of the 1950s and 60s. 1 Notes • Figurative art is a term used to describe paintings and sculptures that are derived from real objects. Figurative art is therefore representational. Note that human figures are often shown in figurative art but the term does not mean figures painting. -
Sir Osbert Sitwell - Poems
Classic Poetry Series Sir Osbert Sitwell - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Sir Osbert Sitwell(1892 - 1969) Sir Osbert Sitwell was born in London on 6 December 1892, the son of Sir George Sitwell. He was raised in Derbyshire and educated at Eton. He sat for the exam for entry to Sandhurst twice but failed both attempts but later during the First World War Sitwell served as an officer in the Grenadier Guards, in France for various periods from 1914 to 1917. His experiences left him with hatred of war. Along with sister Edith and brother Sacheverell, Osbert Sitwell was a patron and pioneer of style, remembered chiefly for his five-volume autobiography, Left Hand, Right Hand! (1945-50, comprising Left Hand, Right Hand!; The Scarlet Tree; Great Morning; Laughter in the Next Room and Noble Essences). A late addition to his autobiography, Tales my Father Taught Me, followed in 1962. His autobiography is full of marvellous evocative pictures of an age and a culture that now seem almost entirely vanished, and are remarkable for the portrait of the eccentric, exasperating figure of his father, Sir George. His memoirs achieved tremendous success in both Britain and the US. Sitwell was the author of poems, short stories, novels and memoirs. The majority of his poetry is light and satiric. Though his earlier poem The Winstonburg Line (1919), was markedly pacifist in tone. His short stories include Triple Fugue (1924); the novel Before the Bombardment (1926), a novel describing the shelling of Scarborough in 1914 and its effect on the lonely, genteel female society of the town; Collected Poems and Satires (1931) and Selected Poems (1943). -
Musical Culture and the Modernist Writer
SUBLIME NOISE: MUSICAL CULTURE AND THE MODERNIST WRITER By Joshua Benjamin Epstein Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in ENGLISH December, 2008 Nashville, Tennessee Approved: Professor Mark Wollaeger Professor Carolyn Dever Professor Joy Calico Professor Jonathan Neufeld ACKNOWLEDGMENTS First thanks go to the members of my incomparable dissertation committee. Mark Wollaeger's perceptive critiques and (somehow) relentless optimism have been deeply appreciated, and Carolyn Dever's clarifying questions and sound advice have proven invaluable. As teachers, mentors, and readers of my work, Mark and Carolyn have been models of professionalism and generosity since I first arrived at Vanderbilt. Joy Calico's near-omniscience and keen critical eye have aided this project from its inception, and she has graciously tolerated my encroachment on her disciplinary terrain. Jonathan Neufeld has in many ways helped me grapple with the complex philosophical issues at stake (more complex than I had imagined!). To all four, I extend my sincere gratitude. My research has been funded by a grant from the College of Arts and Sciences; by the Robert Manson Myers Graduate Award in English; and by a year-long fellowship at Vanderbilt's Robert Penn Warren Center for the Humanities. Mona Frederick, Galyn Martin, and Sarah Nobles have worked tirelessly to make the Warren Center a pleasant and intellectually vibrant environment, and while a fellow there I benefited greatly from the collegiality and wisdom of Michael Callaghan, Megan Moran, George Sanders, Nicole Seymour, David Solodkow, and Heather Talley. -
THE IMPORTANCE of BEING the SITWELLS What Their Family, Their Friends, Their Critics S(])Id About This Extraordinary Literary Trio
HRISTMAS FINDS: FASHIONS TO GIVE AND TO WEAR In shops of the U. S.A. _lGMT ., ... TH I!: eCI'I t'll!: NAST ,"VDi..CATIONS, (Ne I I 130 '/ LADY IDA SITWELL, MOTHER OF OSBERT, SACHEVERELL, AND EDITH DUKE OF BEAUFORT, THEIR GREAT-GRANDFATHER HENRY MOAT (IN FANCY DRESS), VALET TO THEIR FATHER LADY LONDESBOROUGH, THEIR GRANDMOTHER ON THE MATERNAL SIDE SIR GEORGE SITWELL, THEIR FATHER RENISHAW, FAMILY SEAT OF THE SITWELLS SINCE 1625; SKETCHED BY JOHN PIPER SARGENT PORTRAIT OF THE SITWELL FAMILY: SIR GEORGE, LADY IDA, AND THE THREE CHILDREN i'1\ 'I OSBERT AND SACHEVERELL SITWELL: I BEERBOHM CARICATURE VOGUE, NOVEMBER IS, 1948 131 THE -I M P ~O R TAN C E OF BE ING THE SI TWE.LL S The three Sitwells, Osbert, Edith, and Sacheverell, are the most photographed, sketched, painted, quoted, and written-about family trio in the world. Now Sir Osbert and Dr. Edith Sitwell are talking their way across. the United States on their first joint lecture tour here. In 1926, Rebecca West wrote: "They are the legatees of perhaps the most glorious group that English life has ever produced, the Whig aristocracy of the eighteenth century. The society that received Voltaire embraced their ancestors and from it they have inherited their graceful intellectual carriage, a boundless curiosity concerning things of the mind, and the quality of taste." (Their father, Sir George Sit well, one of the most magnificent eccentrics, whose imaginative flights from reality are superbly described by his son, Osbert, traced his line to the N ormans in 1299; their mother, Lady Ida, a richly beautiful woman, deliciously.extravagant, charmingly frivol ous, was the granddaughter of Henry, 7th Duke of Beaufort, a line going back to John of Gaunt.) The children of this match have had an incisive effect on the arts of their time. -
Dame Edith Louisa Sitwell - Poems
Classic Poetry Series Dame Edith Louisa Sitwell - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Dame Edith Louisa Sitwell(7 September 1887 - 9 December 1964) Edith Sitwell was born in Scarborough, Yorkshire, the only daughter of the eccentric Sir George Sitwell, 4th Baronet, of Renishaw Hall; he was an expert on genealogy and landscaping. Her mother was the former Lady Ida Emily Augusta Denison, a daughter of the Earl of Londesborough and a granddaughter of Henry Somerset, 7th Duke of Beaufort. She claimed a descent through female lines from the Plantagenets. <b>Childhood </b> Sitwell had two younger brothers, Osbert (1892-1969) and Sacheverell Sitwell (1897-1988) both distinguished authors, well-known literary figures in their own right, and long-term collaborators. Sacheverell married a Canadian woman, Georgia Doble, in 1925 and moved to Weston Hall in Northamptonshire. Her relationship with her parents was stormy at best, not least because her father made her undertake a "cure" for her supposed spinal deformation-- involving locking her into an iron frame. In her later autobiography, she said that her parents had always been strangers to her. <b> Adulthood</b> In 1912, 25-year-old Sitwell moved to a small, shabby fourth-floor flat in Pembridge Mansions, Bayswater, which she shared with Helen Rootham (1875- 1938), her governess since 1903. Edith never married. However, it is claimed that in 1927 she fell in love with the homosexual Russian painter Pavel Tchelitchew. The relationship with Tchelitchew lasted until 1928; the same year when Helen Rootham underwent operations for cancer, eventually becoming an invalid. -
Mythology in Edith Sitwell's Poetry: a Study in Selected Poems
Ministry of Higher Education And Scientific Research University of Al-Qadissiya College of Education Department of English Mythology in Edith Sitwell's Poetry: A Study in Selected Poems Submitted By: Huda Abbas Nour El Huda Abdel Karim Supervised By: Asst. Lect. Muhannad Ajel 2018 Dedication To our loving and inspiring parents who have supported us in all the stages of our life. To those who provide us with an infinite support and encouragement. ii Acknowledgements First, we are greatly indebted to our supervisor Asst. Lect. Muhannad Ajel who contributed a lot in the fulfillment of this paper with his advice, help, continual support and encouragement. iii Abstract Since Edith Sitwell was highly cultivated and bred to the ancient traditions of arts, she had naturally created the setting of her world from them and she derived some of her characters. In this special world she created an outstanding variety of characters. Her characters were series of archetype, some of them were imaginative creations of the poet herself, while others were taken from folk and fairy tales. This paper consists of two chapters. Chapter one deals with Edith Sitwell’s life and career and mythology in modern poetry .Chapter two deals with mythology in Edith Sitwell’s poems. Finally the conclusion sums up the findings of the study. iv Contents Dedication ii Acknowledgements iii Abstract iv Contents v Chapter One 1.1 Edith Sitwell’s Life and Career 1 1.2 Mythology in Modern Poetry 4 Notes 8 Chapter Two Mythology in Edith Sitwell’s Poetry 18 Notes 20 Conclusion 21 Bibliography 22 v Chapter One 1.1 Edith Sitwell’s Life and Career Edith Louisa Sitwell was born in Scarborough, Yorkshire, England ,in 1887. -
British Upper Class Support of Interwar Communism and Fascism
RADICAL POLITICS OF RICH PEOPLE: BRITISH UPPER CLASS SUPPORT OF INTERWAR COMMUNISM AND FASCISM by Michal Rebecca Yadlin A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Boise State University May 2014 © 2014 Michal Rebecca Yadlin ALL RIGHTS RESERVED BOISE STATE UNIVERSITY GRADUATE COLLEGE DEFENSE COMMITTEE AND FINAL READING APPROVALS of the thesis submitted by Michal Rebecca Yadlin Thesis Title: Radical Politics of Rich People: British Upper Class Support of Interwar Communism and Fascism Date of Final Oral Examination: 13 March 2014 The following individuals read and discussed the thesis submitted by student Michal Rebecca Yadlin, and they evaluated her presentation and response to questions during the final oral examination. They found that the student passed the final oral examination. Joanne Klein, Ph.D. Chair, Supervisory Committee Lynn Lubamersky, Ph.D. Member, Supervisory Committee Nicholas Miller, Ph.D. Member, Supervisory Committee The final reading approval of the thesis was granted by Joanne Klein, Ph.D., Chair of the Supervisory Committee. The thesis was approved for the Graduate College by John R. Pelton, Ph.D., Dean of the Graduate College. ACKNOWLEDGEMENTS I’d like to thank my BSU professors for allowing me to write papers that guided me towards my final thesis. I’d especially like to thank Dr. Nick Miller and Dr. Lynn Lubamersky for all the time and energy they took reading my various drafts and providing feedback. I owe much of this thesis to Dr. Joanne Klein for being an encouraging chair, guiding me through a reading and conference session that helped me hone my topic and for always being interested in my research. -
SOME HEROIC DISCIPLINE William Butler Yeats and the Oxford Book Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository SOME HEROIC DISCIPLINE William Butler Yeats and the Oxford Book of Modern Verse Robert Alden Rubin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2011 Christopher Armitage William Harmon George Lensing Allan Life Weldon Thornton © 2011 Robert Alden Rubin ALL RIGHTS RESERVED ii ABSTRACT Robert Alden Rubin Some Heroic Discipline: William Butler Yeats and the Oxford Book of Modern Verse (Under the direction of Christopher Armitage and William Harmon) This project explores William Butler Yeats’s work as editor of the 1936 Oxford Book of Modern Verse, with emphasis on Yeats’s sense of his own place among the poets of his day. The study considers all of the 379 poems by the ninety-seven writers included in the anthology (as well as notable omissions) in the context of Yeats’s critical writings and correspondence; where possible, it identifies the sources consulted by Yeats for his selections, and the circumstances of publication. It also examines the degree to which Yeats saw the anthology as a way to influence the emerging literary consensus of the mid-1930s. Finally, it argues that the anthology offers the same essentially neo-Romantic critique of modernity that can be found in Yeats’s own poems—a sense that to be modern is to wrestle with an impulse to believe, despite circumstances that weaken the basis for such belief. -
Sitwell Society Newsletter Number Ten
Sitwell Society Newsletter Number Ten One of my friends realised that I had an interest in the Sitwells and phoned me advising me to watch a programme about Renishaw Hall. This happen chance prompted me to contact the archivist who was featured in the programme and invite her to send me some content for our website and below is the first of what I hope will be many “letters from Renishaw” INTRODUCTION TO THE RENISHAW HALL ARCHIVE JULY 2013 BACKGROUND The family archive located at Renishaw Hall is a private collection, very much at the heart of this fascinating house and family, which still remains in the very place in which so much of the material was created and relates to. In 1965, Sir Reresby and Lady Sitwell inherited Renishaw Hall from Sir Osbert Sitwell and began their forty year restoration of the house and gardens. Lady Sitwell recalls discovering rooms full of papers, with family documents scattered throughout the house. She and Sir Reresby instigated the important initial organisation of the archive, inviting Joan Sinar of the Derbyshire Record Office and Mr and Mrs Howard Usher of Sheffield University to undertake this mammoth task in the late 1970s –1980s. A typed catalogue was created which provided an invaluable summary of the archive’s contents. A specific Muniments Room was designated and Lady Sitwell designed the shelving, which was made by the estate joiner. This room is known as the Duke’s Room since it was where the Duke of Devonshire stayed during his visits to Renishaw in the mid 19 th century. -
Boston College Collection of Edith Sitwell 1935-1964 MS.1986.079
Boston College Collection of Edith Sitwell 1935-1964 MS.1986.079 http://hdl.handle.net/2345/1120 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 4 Biographical note ........................................................................................................................................... 5 Scope and Contents ........................................................................................................................................ 5 Arrangement ................................................................................................................................................... 6 Collection Inventory ....................................................................................................................................... 7 I: Writings .................................................................................................................................................... 7 -
Handlist of the Megroz Archive
Reading University Library Section name Library Special Collections Service R.L. Mégroz RUL MS 1979 Handlist Personal names index An asterisk after a reference number indicates that correspondence is to be found at that number. References without asterisks generally mean that the person is the subject of an article or book by R.L.M Name Reference Aanrud, Hans 98/7 Aaronson, L. 113/1* Abbott, Anthony (Lord Tenterden) 27* Abbott, Mary 37* Abrahams, Vera H. 24* Adcock, Almey St John 24*, 27*, 64*, 113/1*, 130 Adcock, Arthur St John 64*, 114/1*, 128/3*, 130, 147/5*, 173 Adcock, Marion St John 64*, 77, 113/1* Aiken, Conrad 113/1* Aimmsdel, Ruefort 37* Ainslie, Douglas 37* Allen, Dorothy 99/2* Allen, E.H. 37*, 76*, 97* Allen, Ronald 37* Anderson, J. Redwood 113/1* Andrade, E.N. da C. 37*, 113/1* Andrews, A.S. 37*, 113/2*, 144/4* Archdale, Helen A. 37* Archer, William H. 37* Arkell, R. 37* Arlott, John 37* Armitage, John 37*, 150/4* Armstrong, Fytton – see Gawsworth, John Armstrong, Martin 17*, 37*, 42*, 98/1, 109/39, 130, 175 Arnold, Matthew 109/29, 132, 166/3 Arnold, Thomas 166/4 Arundel, Almey St John – see Adcock, Almey St John Ashbee, Janet 37* Ashwell, Lena 2, 76, 173 Aske, Stephen 97* ©University of Reading 2014 Friday 28 November 2014 Page 1 Special Collections Service Library Astor, Nancy (Viscountess) 2 Attlee, Clement 37* Austin, F. Britten 175 Ayling, Keith 37* Ayscough, Florence 37*, 147/5* Bacon, Francis 121 Bacon, Mary 120/5* Baden-Powell, (Lady Robert) 2, 76 Bagnall, Nicholas 5* Baird, Jimmy 144/3 Baker, Ernest A.