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Strasbourg Academy of Music Haute École Des Arts Du Rhin Strasbourg Academy of Music Haute école des arts du Rhin New Course: DNSPM and Masters in Composition Philippe Manoury composition Tom Mays new technologies new writing styles © Pierre Gondard © Pierre Development of compositional projects that may include voice (solo, vocal ensemble or choir), instrumental ensemble and electronic ins- truments. These projects may also include theatrical (monodrama, chamber opera, musical mise-en-scène) and visual elements (digital image transformation). All discipline areas will be supported by the various departments of the Strasbourg Academy of Music (Haute École des Arts du Rhin). These projects will be developed in par- tnership with the festival Musica and will be part of a public showing in the autumn of 2014. Renseignements [email protected] +33 (0)3 88 43 67 96 orn in Tulle (France) in charge of pedagogy for the His ensemble music has been 1952, Philippe Manoury Ensemble Intercontemporain, commissioned and premiered Bstudied the piano (with and taught composition and by eminent groups such as Pierre Sancan) then, at the electronic music at the Lyons the Ensemble Intercontempo- École Normale de Musique in Conservatory from 1987 to rain (Identités remarquables, in Paris, composition (with Gé- 1997. He has also held many 2005, Paris), Ensemble Modern rard Condé and Max Deutsch) composition seminars in France (Strange ritual, in 2005, Japan) as well as harmony and coun- and abroad (United States, Ja- and the Orchestre Poitou-Cha- terpoint. Finally, at the Paris pan, Finland, Sweden, Czech rente (Terra ignota, in 2007, Conservatory he completed his Republic, Canada). Niort and Paris). In his recent training with Claude Ballif (mu- From 1995 to 2001 he was com- work Philippe Manoury has sical analysis), and Ivo Malec poser in residence with the Or- shown that the voice is a form then Michel Philippot (compo- chestre de Paris, and then, from of expression he has especially sition). From the age of 19 he 2001 to 2003, for the National liked to cultivate: as a solo sur- was active in the main centres Theatre in Orléans, having, from rounded by instruments (Cruel of contemporary music perfor- 1998 to 2000, directed the Eu- Spirals, in 2007), within a vocal mance (Royan, La Rochelle, ropean Music Academy of the ensemble (On-Iron in 2006 and Donaueschingen, London, Festival of Aix en Provence. Trakl Gedichte in 2007 were etc.), the premiere in 1974 of Between 2004 and 2012, Phi- the result of a collaboration Cryptophonos by Claude Helf- lippe Manoury was professor with Accentus) and in operatic fer drew him to the attention of of composition at UCSD (Uni- form (60e Parallèle, in 1998 at audiences. He was resident in versity of California San Diego). the Théâtre du Châtelet, Paris; Brazil from 1978 to 1981 where Manoury’s music has been per- K…, based on Kafka’s The Trial, he held classes and gave lec- formed in many leading cities in 2001 at the Paris Opera; La tures in various universities around the world (Amsterdam, Frontière, in 2003 at the Natio- (São Paulo, Brasilia, Rio de Berlin, Bratislava, Helsinki, nal Theatre in Orléans). Janeiro, Salvador). On his re- Moscow, Oslo, Saint Peters- The SACEM has awarded Phi- turn to France in 1981 Philippe burg, Tokyo, Vienna) and has lippe Manoury three prizes: Manoury received an invitation been admired by leading perso- Prize for chamber music from IRCAM, and since then he nalities, such as Pierre Boulez, (1976), Prize for best musical has continually worked there as the dedicatee and first conduc- production (for Jupiter, 1988) a researcher, a composer and a tor of Sound and Fury at the and Grand Prix for symphonic teacher. In association with the head of the Chicago Symphony music (1999). After receiving mathematician Miller Puckette, Orchestra and the Cleveland the Grand Prix for composition his research has been focussed Orchestra, and conductor of from the City of Paris 1998, he on the interaction, in real time, several of his works; Esa-Pek- was awarded the Grand Prix of of acoustic instruments and ka Salonen, who, conducting the SACD (2001) for his opera new technologies linked to mu- the Orchestre de Paris, gave K…, the Prize of the French sical IT. From this work came the first performance of Noon musical press (2001), and the Sonus ex machina, a cycle of (2003); Kent Nagano, who, ‘Prince Pierre 1er de Monaco’ interactive pieces for various as director of the Bayerische Prize (2002). He also won the instruments: Jupiter, Pluton, La Staatsorchester, conducted Victoires de la musique in 2012. Partition du Ciel et de l’Enfer the world premiere of Abgrund Frank Langlois and Neptune. (2007). Translation Jeremy Drake From 1983 to 1987 he was in omposer, computer per- University in California with Al- organisations such as La Muse former and teacher – len Strange, he founded Studio en Circuit, Le Cirm, Césaré, La Cspecialized in computer Césaré in Reims with Christian Grande Fabrique, le G.E.P.S music. Sebille, realized musical envi- (Rennes) and Radio France. Associate professor of new ronements for composers at He is especially interested in technologies applied to compo- IRCAM as an assistant musical instrumental performance of sition at the Superior National and participated in mumerous real-time computer systems Conservatory of Music in Paris. musical experiences as a com- for both written and improvised After earning his B.A. degree poser or performer, his works music, as well as in interaction in composition and electroa- being commissioned and sup- between music and video. coustics from San José State ported by various studios and .
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