Getting Acquainted with the Old Testament VOLUME I
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BROTHER Mcgarvey
BROTHER McGARVEY "BROTHER McGARVEY" THE LIFE OF PRESIDENT J. W. McGARVEY OF THE COLLEGE OF THE BIBLE LEXINGTON, KENTUCKY A Publication for the Seventy-fifth Anniversary Celebration of The College of the Bible, June, 1940 W. C. MORRO, Ph.D. Professor of New Testament, Brite College of the Bible, Texas Christian University, Fort Worth, Texas THE BETHANY PRESS ST. LOUIS COPYRIGHT 1940 W. C. MORRO Printed in the United States of America By the Bethany Press TO THE HUNDREDS OF STUDENTS OF McGARVEY WHO RECEIVED FROM HIS INSTRUCTION IN THE COLLEGE OF THE BIBLE KNOWLEDGE OF THE BIBLE'S CONTENTS AND A HIGH VALUATION OF ITS MESSAGE THIS VOLUME IS DEDICATED CONTENTS PAGE PREFACE 9 FOREWORD 12 MCGARVEY, THE MAN 22 THE DAYS OF HIS YOUTH 52 MCGARVEY BECOMES A PREACHER 65 EARLY DAYS IN LEXINGTON 78 COMMENTARY ON ACTS 92 THE COLLEGE OF THE BIBLE OF KENTUCKY UNIVERSITY 111 MCGARVEY AND THE ORGAN CONTROVERSY 133 MCGARVEY, A WRITER OF BOOKS 151 MCGARVEY'S DEPARTMENT OF BIBLICAL CRITICISM IN THE CHRISTIAN STANDARD 179 MCGARVEY AND THE BROADWAY CHURCH 204 MCGARVEY AND THE COLLEGE OF THE BIBLE 224 THE PERMANENCY OF MCGARVEY'S LIFE-WORK 247 NOTES 262 7 PREFACE President McGarvey had purposed that the story of his life should be written by his son, John William McGarvey, Jr., and to aid him had collected considerable material and had written some portions, particularly sketches con- cerning associates of his early life. This son died, how- ever, in April prior to his father's death in October and the responsibility for producing the biography was as- sumed by a younger son, James Thomson McGarvey. -
Lexington Theological Seminary: a Brief Narrative
Abilene Christian University Digital Commons @ ACU Stone-Campbell Books Stone-Campbell Resources 1973 Lexington Theological Seminary: A Brief Narrative Richard E. Pope Follow this and additional works at: https://digitalcommons.acu.edu/crs_books Part of the Biblical Studies Commons, Christian Denominations and Sects Commons, Christianity Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Pope, Richard E., "Lexington Theological Seminary: A Brief Narrative" (1973). Stone-Campbell Books. 476. https://digitalcommons.acu.edu/crs_books/476 This Book is brought to you for free and open access by the Stone-Campbell Resources at Digital Commons @ ACU. It has been accepted for inclusion in Stone-Campbell Books by an authorized administrator of Digital Commons @ ACU. I LEXINGTON THEOLOGICAL SEMINARY A Brie/ Narrative RICHARD M. POPE LEXINGTON THEOLOGICAL SEMINARY A Brief Narrative RICHARD M. POPE Prof essor of Church Hi story LEXINGTON , KENTUCKY LEXINGTON THEOLOGICAL SEMINARY 1973 PREFACE In 1960, Richard M. Pope , Profes sor of Church History at this institution since 1958 was asked by a faculty committee to pre pare a brief narrative concerning the traditions and the past of the Seminary, to be used in part in orientation of new students . This was published in 196 I in a 28-page brochure entitled "The Col lege of the Bible-A Brief Narrative " and has been widely dis tributed and used in many ways to help interpret the school 's pur pose and program . But , after a dozen year s, this brochure was in need of up-dating. Accordingl y, upon his return in 1972 from a year's sabbatical study abroad , Profe ssor Pope was requested to write in his own inimitable way the story of recent developments at Lexington Seminary. -
40 Years of American Film Comedy to Be Shown
40n8 - 4?' THE MUSEUM OF MODERN ART tl WEST 53RD STREET, NEW YORK •fgLEPHONE: CIRCLE 5-8900 FOR IMMEDIATE RELEASE FORTY YEARS OF AMERICAN FIM COMEDY FROM FLORA FINCH AND JOHN BUNNY TO CHAPLIN, FIELDS, BENCHLEY AND THE MARX BROTHERS TO BE SHOWN AT THE MUSEUM OF MODERN ART That movies are the proper study of mankind has been estab lished at the Museum of Modern Art, where eight comprehensive series and four smaller groups of the outstanding films through which the great popular art of the cinema has evolved since 1895, have already been shown to Museum visitors. The Museum now announces a new series of fifteen programs in the art of the motion picture under the general title: Forty Years of American Film Comedy, Part i; Beginning Thursday, August 1, the series will be presented dally at 4 P.M. and on Sundays at 3 P.M. and 4 P.M. in the Museum1s auditorium at 11 West 53 Street. Instruction will thus be provided from the screen by Professors Mack Sennett, Frank Capra, W. C. Fields, Harpo and Groucho Marx, Robert Benchley and Charlie Chaplin in a new appraisal of screen comedy reviewed in the light of history. "It is very evident," states Iris Barry, Curator of the Museum's Film Library, "that the great farce-comedies, as well as the cowboy and gangster films, rank among this country1s most original contributions to the screen. We are grateful indeed to the film industry for cooperating with the Museum in providing this unique opportunity for tracing screen comedy to its sources in this group of classics now restored to view for the amateurs of the twentieth century's liveliest art. -
Mabel Normand
Mabel Normand Also Known As: Mabel Fortescue Lived: November 9, 1892 - February 23, 1930 Worked as: co-director, comedienne, director, film actress, producer, scenario writer Worked In: United States by Simon Joyce, Jennifer Putzi Mabel Normand starred in at least one hundred and sixty-seven film shorts and twenty-three full- length features, mainly for Mack Sennett’s Keystone Film Company, and was one of the earliest silent actors to function as her own director. She was also one of the first leading performers to appear on film without a previous background in the theatre (having begun her career in modeling), to be named in the title of her films (beginning with 1912’s Mabel’s Lovers), and to have her own studio (the ill-fated Mabel Normand Feature Film Company). That her contributions to early film history are not better known is attributable in part to her involvement in the Hollywood scandals of the 1920s, and in part to our reliance on the self-interested memoirs of her better-known colleagues (especially Sennett and Charlie Chaplin) following her death at age thirty-eight. It is hard to get an accurate picture from such questionable and contradictory recollections, or from interviews with Normand herself, filtered as they often were through a sophisticated publicity operation at Keystone. Film scholars who have worked with these same sources have often proved just as discrepant and unreliable, especially in their accounts of her directorial contributions. Normand’s early career included stints at the Biograph Company, working with D. W. Griffith, and at the Vitagraph Company, yet it was her work at Keystone that solidified her image as slapstick comedienne. -
Discipliana Vol-13-Nos-1-7-April-1953-December-1953
Disciples of Christ Historical Society Digital Commons @ Disciples History Discipliana - Archival Issues 1953 Discipliana Vol-13-Nos-1-7-April-1953-December-1953 Claude E. Spencer Disciples of Christ Historical Society, [email protected] Follow this and additional works at: https://digitalcommons.discipleshistory.org/discipliana Part of the Christian Denominations and Sects Commons, History of Religion Commons, Religious Thought, Theology and Philosophy of Religion Commons, and the United States History Commons Recommended Citation Spencer, Claude E., "Discipliana Vol-13-Nos-1-7-April-1953-December-1953" (1953). Discipliana - Archival Issues. 11. https://digitalcommons.discipleshistory.org/discipliana/11 This Book is brought to you for free and open access by Digital Commons @ Disciples History. It has been accepted for inclusion in Discipliana - Archival Issues by an authorized administrator of Digital Commons @ Disciples History. For more information, please contact [email protected]. Published quarterly by the Disciples of Christ Historical Society, Nashville, Tennessee VOL. 13 APRIL, 1953 NO. STATE CONVENTIONS ENDORSE DCHS Society Maintains Exhibits -------------FAMILY FOUNDATION at Spring Meetings TAKES Resolutions endorsing the program of the CONTRIBUTING MEMBERSHIP Disciples of Christ Histori~al ~ociety a~ter The Disciples of Christ Historical Society one year of full-time operation 10 NashvIlle reports the receipts of a ~500 contribu~ing have been adopted by nine (9~ state co~v~n- membership from the Irw1O-Sweeney-Ml11er tions of Disciples of Chnst (Chnstran Foundation of Columbus, Indiana. The Churches). The J:.esolutions called attention Foundation represents the interests of Mr. to the work of the Society in collecting and and Mrs. Irwin Miller, Mrs. -
Chaplin Film Series
/' \9ti\ * ' * / ; MUSEUM OF MODERN ART MEW YORK 19 ?? WEST 53rd STREET TElEPHONEt CIRCLE 5-8900 CABLES, MODERNART, NEW.YORK For release* Tuesday, Seetesfeer £^, 19^7 So. 96 IARLY C1TAPIX? FILMS AS «Ua3UM 0? MCBSHI? AHS ffet MUSSMSJI of Modern Art, 11 Nta* 53 Street, will, present three vaakg of the. early fi&BS of Charles Chaylia, October 5 - £3* Tvrenty-five film vill too sbcnm in 6 seai-veefcly program* Beginning with selected Keystone ecrasdles of 191k, mads before 12M tossy charaetarisation ves entirely evelred, the ffiogrsas proceed through the transitional Ksaany Fi3ns of 1913 to the couplets eerier of Mutual WlsWj 1916 - lrf# in vhich Chaplin achieved full mastery of hi 3 Bedim* Included vill be Chaplin's first filsa, Uaklaa a llvinflj in vhich fas sppeari in a frock coat, high silk hat, walrus Buutaah* and monocle; his first classic, ffha Treapj and the celebrated r^yGtreet, Asjsasj featured players are Fatty Arbtte&a» Kibel Wmnismlj Ben. furs-ist* Idas Purviaaoei siin Bunaarville end the Koystoae Cops. Music for the series will bo arranged and played by Arthur Kleiner. £here vill be t^o showings dailyj at 3 end 3*30. Malsftlon to the Haseua, 75 cents for adults icd 2!) eeats for cMiSroa incier 16, ineluae.3 the fil-is. A ccaplete schedule is attached* For additional infornation please contact Herbert Broasteinj Assistant Publicity ilreotor, Museum of raflem Art, 11 Vest 53 Street, K. Y. CI-3-8200. THE EARLY FILMS OF CHARLES CHAPLIN presented at the Museum of Modern Art, 11 W, 53 Street, New York, N. -
The History of the Motion Picture
46905 -42 ' f THE MUSEUM OF MODERN ART « WEST 53RD STREET, NEW YORK 19, N. Y. I1 w FOR IMMEDIATE RELEASE gUEPHONE: CIRCLE 5-8900 " THE HISTORY OF THE MOTION PICTURE PRESENTED BY MUSEUM OF MODERN ART On Monday, September 16, the longest motion picture Cycle ever presented will open in the auditorium of the Museum of Modern Art, 11 West 53 Street. Comprised of the most Important films, both American and foreign, produced during the past half-century, the Cycle will start with a program entitled "The Development of Narrative" and will end December 31, 1947, with a program of abstract films. It will include such outstanding motion pictures as: 1916 Intolerance, directed by D. W. Griffith 1919 The Cabinet of Dr. Callgarl 1921 The Four Horsemen of the Apocalypse 1924 Greed, directed by von Strohelm 1924 The Last Laugh, directed by Murnau 1925 Variety directed by Dupont 1925 Potemkln, directed by Elsenstein , 1927 T3ie Italian Straw Hat, directed by Rene Clair 1928 Storm over Asia, directed by Pudovkin 1929 Blackmail, directed by Hitchcock 1930 Juno and the Paycock, directed by Hitchcock 1930 Anna Christie with Garbo and Marie Dressier 1932 A Nous la Llberte, directed by Rene' Clair 1938 Alexander Nevsky, directed by Elsenstein 1938 Pepe Le Moko, the famous French film from which the American Algiers was taken. In the introductory note to the schedule Arthur Rosenheimer, Jr., of the Museum of Modern Art Film Library writes in part as follows: "It is impossible to present correctly the developing art of motion pictures through a chronological study of the motion picture in any one country. -
Download Catalogue
Charlie Chaplin Filmography, Films and TV Programmes in the National Film and Television Archive This filmography includes all fiction and non-fiction material held in the NFTVA relating to Charlie Chaplin. There are six main sections: 1) FICTION....................................................................................................... 2 2) OTHER FICTION MATERIAL HELD BY THE NFTVA ................................................ 6 3) UNIDENTIFIED MATERIAL ............................................................................... 9 4) COMPILATIONS ........................................................................................... 10 5) NON-FICTION FOOTAGE RELATING TO CHARLES CHAPLIN ................................ 11 6) DOCUMENTARIES ON CHAPLIN...................................................................... 15 The fiction material is arranged chronologically (information taken from Chaplin by David Robinson, the bfi index The Early Work of Charles Chaplin by Theodore Huff, Film Dope 6 and Film Dope 28) and divided up into the various production companies Chaplin worked under. Note is made on those items not held in the NFTVA. Other fiction material held in the NFTVA refers to fragments, Chaplin imitators, cartoons etc. Compilations are given with their contents where known. The non-fiction material covers newsreels, amateur footage and those documentaries that are not simply compilations, and is arranged chronologically by release date. A short description is given. Lengths of non-fiction items are given -
ÖSTERREICHISCHES FILMMUSEUM Fyf&N Wiener Festwochen 1982
ÖSTERREICHISCHES FILMMUSEUM fyf&n Wiener Festwochen 1982 DAS CHARLIE CHAPLIN FEST Retrospektive und Ausstellung • 11. bis 29. Mai 1982 UNTER DER PATRONANZ VON LADY CHAPLIN In Zusammenarbeit mit Mo Rothmann, David Robinson, dem National Film Archive, London, dem Museum of Modern Art, Department of Film, New York, dem Münchner Stadtmuseum-Filmmuseum und Det Danske Filmmuseum, Kopenhagen David Robinson zeigt seine Chaplin-Sammlung im Foyer der Albertina. Die Ausstellung ist vom 12. bis 29. Mai 1982 von 10.00 bis 21.00 Uhr geöffnet. 15.00 Uhr 17.00 Uhr 19.00 Uhr 21.00 Uhr DIENSTAG, 11. MAI 1982 Eröffnung des Charlie Chaplin Festes durch Lady Chaplin und Prof. Dr. Helmut Zilk, Amtsführender Stadtrat für Kultur und Burgerdienst CHAPLIN IN WIEN (1931) THE GOLD RUSH (1925) MITTWOCH, 12. MAI 1982 CHAPLIN IN WIEN (1931) MAKING A LIVING (1914) TILLIE S PUNCTURED ROMANCE (1914) THE GOLD RUSH (1925) KID AUTO RACES AT VENICE (1914) MABEL'S STRANGE PREDICAMENT (1914) BETWEEN SHOWERS (1914) A FILM JOHNNIE (1914) TANGO TANGLES (1914) HIS FAVORITE PASTIME (1914) DONNERSTAG, 13. MAI 1982 TILLIES PUNCTURED ROMANCE (1914) THE STAR BOARDER (1914) POLICE (1916) MABEL AT THE WHEEL (1914) CARMEN (1916) TWENTY MINUTES OF LOVE (1914) CAUGHT IN A CABARET (1914) FREITAG, 14. MAI 1982 SUNNYSIDE (1919) POLICE (1916) CAUGHT IN THE RAIN (1914) A DOG S LIFE (1918) A DAY'S PLEASURE (1919) CARMEN (1916) A BUSY DAY (1914) TRIPLE TROUBLE (1918) THE IDLE CLASS (1921) THE FATAL MALLETT (1914) THE KNOCKOUT (1914) MABEL'S BUSY DAY (1914) SAMSTAG, 15. MAI 1982 THE CURE (1917) A DOG S LIFE (1918) MABEL'S MARRIED LIFE (1914) THE BOND (1918) THE IMMIGRANT (1917)* i - 14 TRIPLE TROUBLE (1918) LAUGHING GAS (TUNING HIS IVORIES) SHOULDER ARMS (1918) THE ADVENTURER (1917) (1914) THE PROPERTY MAN (1914) THE FACE ON THE BARROOM FLOOR (1914) THE MASQUERADER (1914) SONNTAG, 16. -
Artistry in Motion
Artistry in Motion Charlie Chaplin’s Comedies in Historical Perspective Lecturer: PD Dr. Stefan L. Brandt, Guest Professor Winter term 2011/12 Charlie Chaplin – Select Filmography (in chronological order) Making A Living. Dir. Henry Lehrman. Perf. Charles Chaplin, Virginia Kirtley and Alice Davenport. Keystone Film Company, 1914. Kid Auto Races at Venice. Dir. Henry Lehrman. Perf. Charles Chaplin and Henry Lehrman. Keystone Film Company, 1914. The Tramp. Dir. Charlie Chaplin. Perf. Charlie Chaplin, Edna Purviance, Lloyd Bacon. Essanay Studios, 1915. The Immigrant. Dir. Charles Chaplin. Perf. Charles Chaplin, Edna Purviance, Eric Campbell. Mutual Film, 1917. A Dog’s Life. Dir. Charles Chaplin. Perf. Charles Chaplin, Edna Purviance, Dave Anderson. First National Pictures, 1918. The Kid. Dir. Charles Chaplin. Perf. Charles Chaplin, Edna Purviance, Jackie Coogan, Carl Miller. First National Pictures, 1921. Safety Last. Dir. Fred C. Newmeyer and sam Taylor. Perf. Harold Lloyd, Mildred Davis, Bill Strother, Noah Young. Hal Roach Studios, 1923. The Gold Rush. Dir. Charles Chaplin. Perf. Charles Chaplin, Mack Swain, Tom Murray, Henry Bergman. United Artists, 1925. The Circus. Dir. Charles Chaplin. Perf. Charles Chaplin, Merna Kennedy, Al Ernest Garcia, Harry Crocker. United Artists, 1928. City Lights. Dir. Charles Chaplin. Perf. Charles Chaplin, Virginia Cherrill, Florence Lee, Harry Myers. United Artists, 1931. Modern Times. Dir. Charles Chaplin. Perf. Charles Chaplin, Paulette Goddard, Herny Bergman. , 1936. The Great Dictator. Dir. Charles Chaplin. Perf. Charles Chaplin, Paulette Goddard, Jack Oakie, Reginald Gardiner, Billy Gilbert. United Artists, 1940. Monsieur Verdoux. Dir. Charles Chaplin. Perf. Charles Chaplin, Mady Correll, Allison Roddan, Robert Lewis. United Artists, 1947. A King in New York. -
Morning Movie Matinees for Children During Christmas Holidays
411211 ~ 92 THE MUSEUM OF MODERN ART 11 WEST 53RD STREET, NEW YORK TELEPHONE: CIRCLE 5-8900 FOR IMMEDIATE RELEASE MUSEUM OF MODERN ART TO HOLD MORNING MOVIE MATINEES FOR CHILDREN DURING CHRISTMAS HOLIDAYS Morning movie matinees for children will be given by the Museum of Modern Art Film Library at ten-thirty every day except Sundays, Christmas and New Year's Day in the auditorium of the Museum, 11 West 53 Street, from Saturday, December 20, through Saturday, January 3. Admission to the movies is included in the admission to the Museum, which is ten cents for children up to the age of sixteen, plus one-cent tax. Members' children will be admitted to the movies free if accompanied by a parent. Holidays are traditionally a time when children ask to go to the movies—and at Christmas the answer is always yes. The Film Library has this year selected from its current Cycle of 300 Films, tracing the history of the motion pictures, films which children at one time liked and continue to like. The programs thus represent the taste of children themselves rather than, as in the case of most "specially arranged" juvenile programs, the tastes or principles of adults. There will be five programs, each composed of several films and each shown twice on identical days during the two weeks' period, i.e., Program I will be shown Saturday, December 20, and Saturday, December 27, Program II will be shown on Monday, December 22, and Monday, December 29. There will be one additional program, to be given only one showing, on the last Saturday of the series, January 3. -
Christianity
BACK TO THE FOUNTAIN-HEAD STUDIES ON THE RESTORATION OF NEW TESTAMENT CHRISTIANITY JOHN WADDEY Gospel Light Publishing Co. 431 E Antioch Street P.O. Box 38 Delight, Arkansas 71940 (870) 379-2412 DEDICATION To Earl I. West and J. Marvin Powell, men who sought out and recorded the thrilling history of our back to the Bible movement, this book is dedicated. Their work blessed my life and my work in the kingdom of Christ. Copyright 2010 by Gospel Light Publishing Company Additional copies may be ordered from the publisher or from the author. John Waddey 12630 W. Foxfire Dr. Sun City West, AZ 85375 CONTENTS Preface 7 Introduction 9 I. WHAT IT MEANS TO RESTORE NEW TESTAMENT CHRISTIANITY 1. Church History, A Rewarding Study 11 2. Back to the Fountain-Head 13 3. Restoring a Thing of Value 15 4. What Do We Mean by the Restoration of Christianity? 16 5. To Restore Original Christianity 17 6. The Church: Her Apostasy, Reformation and Restoration 21 7. The Thrilling Story of Our Origins in America 27 8. John Wesley's Contributions to Our Restoration Movement 29 9. The Restoration Plea 32 10. Another Look at Our Plea 35 11. Purposes of Our Restoration Efforts 37 12. The Goal of Our Restoration Movement 39 13. Premises For Restoration 40 14. Necessary Steps to Restoring New Testament Christianity 44 15. Foundation Pillars of Our Restoration Plea 47 16. Great Slogans of our Restoration Movement 49 17. The Greatness of the Movement to Restoration New Testament Christianity 52 18. The Success of the Restoration Movement 57 19.