Believing Mary Karr
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Worldview Breakfast
1 The Fordham Center On Religion and Culture www.fordham.edu/ReligCulture A CONVERSATION WITH MARY KARR The Conscience of a Writer: Telling the Truth in Poetry and Memoir Fordham Center on Religion and Culture March 20, 2007 6 pm-7:30pm Fordham University 140 W. 62nd Street, New York, New York PETER STEINFELS: Good evening and welcome to “The Conscience of a Writer,” a conversation with Mary Karr about truth in the writing of memoir and poetry, two areas where her work has won both prestigious prizes and a wide audience. I am Peter Steinfels, Co-Director of the Fordham Center on Religion and Culture, which is the sponsor of tonight’s forum and of other forums, conferences, and discussions on important developments in our culture that cannot be fully examined without serious attention to matters of faith and morality. … We are delighted that Mary Karr is our guest and to have Brennan O’Donnell, Dean of Fordham College at Rose Hill in the Bronx, to introduce her fully, to engage her in conversation for about an hour, and then to preside over questions from the audience. Besides his position as Dean, Brennan is a professor of English at Fordham, a position he held for seventeen years at Loyola College in Maryland, where he also directed the Honors Program. With a Ph.D. in English from the University of North Carolina at Chapel Hill, he has specialized in English poetry of the Romantic period and more recently in American Catholic writers. He has published two books on William Wordsworth, edited a collection of essays on Andre Debus, and is working on a book on contemporary American Catholic literature. -
Harpercollins Books for the First-Year Student
S t u d e n t Featured Titles • American History and Society • Food, Health, and the Environment • World Issues • Memoir/World Views • Memoir/ American Voices • World Fiction • Fiction • Classic Fiction • Religion • Orientation Resources • Inspiration/Self-Help • Study Resources www.HarperAcademic.com Index View Print Exit Books for t H e f i r s t - Y e A r s t u d e n t • • 1 FEATURED TITLES The Boy Who Harnessed A Pearl In the Storm the Wind How i found My Heart in tHe Middle of tHe Ocean Creating Currents of eleCtriCity and Hope tori Murden McClure William kamkwamba & Bryan Mealer During June 1998, Tori Murden McClure set out to William Kamkwamba was born in Malawi, Africa, a row across the Atlantic Ocean by herself in a twenty- country plagued by AIDS and poverty. When, in three-foot plywood boat with no motor or sail. 2002, Malawi experienced their worst famine in 50 Within days she lost all communication with shore, years, fourteen-year-old William was forced to drop ultimately losing updates on the location of the Gulf out of school because his family could not afford the Stream and on the weather. In deep solitude and $80-a-year-tuition. However, he continued to think, perilous conditions, she was nonetheless learn, and dream. Armed with curiosity, determined to prove what one person with a mission determination, and a few old science textbooks he could do. When she was finally brought to her knees discovered in a nearby library, he embarked on a by a series of violent storms that nearly killed her, daring plan to build a windmill that could bring his she had to signal for help and go home in what felt family the electricity only two percent of Malawians like complete disgrace. -
Reenchanting Catholic Literature
Trying to Say ‘God’: Reenchanting Catholic Literature Welcome writers, artists, and lovers of literature to the 2017 “Trying to Say ‘God’ Literary Gathering”. We’ve added “2017” to the title because we plan to convene this gathering biennially as a way of featuring the art and writing of established, emerging, and aspiring artists of faith. The 2019 event will take place at St. Michael’s College of the University of Toronto, and will return to Notre Dame in 2021. We are delighted to welcome over 200 guests to this first gathering. If anyone suggests that there are no excellent Catholic writers today, just show them the variety of sessions at this gathering and the varied backgrounds of our many presenters. They’ll find that Catholic literature is healthy and vigorous, with a promising future. Thank you for joining us! Planning and Organizing Committee: Kenneth Garcia, University of Notre Dame Dave Griffith, Interlochen Center for the Arts Jessica Mesman Griffith, Sick Pilgrim Sam Rocha, University of British Columbia Jonathan Ryan, Sick Pilgrim Trying to Say God Introduction In a time when traditional religion is viewed as suspect, passé, or offensive, many authors and artists are uncomfortable talking about their personal religion or spirituality, while others grope for new ways to say “God.” They attempt to articulate an amorphous truth in an “elsewhere beyond language,” in the words of Fanny Howe, but use language to explore their way toward it. The Institute for Scholarship in the Liberal Arts at the University of Notre Dame—together with Sick Pilgrim, Patheos, Image Journal, and St. -
George Saunders' CV
George Saunders 214 Scott Avenue Syracuse, New York 13224 (315) 449-0290 [email protected] Education 1988 M.A., English, Emphasis in Creative Writing (Fiction), Syracuse University, Syracuse, New York. Workshop Instructors: Douglas Unger, Tobias Wolff 1981 B.S. Geophysical Engineering, Colorado School of Mines, Golden, Colorado Publications Books: The Braindead Megaphone (Essays), Riverhead Books, September, 2007. This book contains travel pieces on Dubai, Nepal, and the Mexican border, as well as a number of humorous essays and pieces on Twain and Esther Forbes. In Persuasion Nation (stories). Riverhead Books, April 2006. (Also appeared in U.K. as “The Brief and Frightening Reign of Phil,” bundled with the novella of that name.) Paperback released by Riverhead in Spring, 2007. A Bee Stung Me So I Killed All the Fish Riverhead Books, April 2006. This chapbook of non-fiction essays and humor pieces was published in a limited edition alongside the In Persuasion Nation collection. The Brief and Frightening Reign of Phil (Novella-Length Fable). Riverhead Books, September 2005. (In U.K., was packaged with In Persuasion Nation.) Pastoralia (Stories). Riverhead Books, May 2000. International rights sold in UK, France, Germany, Italy, Spain, Portugal, the Netherlands, Russia, and other countries. Selected stories also published in Sweden. Paperback redesign released by Riverhead, April 2006. The Very Persistent Gappers of Frip A children’s book, illustrated by Lane Smith. Random House/Villard, August 2000. International rights sold in U.K., Germany, the Netherlands, Italy, Taiwan, Japan, France, China, and other countries. Re-released in hardcover, April 2006, by McSweeney’s Books. CivilWarLand in Bad Decline Six stories and a novella. -
Mary Karr, the Art of Memoir No. 1 Interviewed by Amanda Fortini For
Mary Karr, The Art of Memoir No. 1 Interviewed by Amanda Fortini For a writer who has shared herself with the public in three memoirs, Mary Karr is an extraordinarily elusive interview subject. Nearly two years passed between our initial contact, in July of 2007, and our first session. There were numerous reasons for this—she was traveling; she was teaching; she lives across the country from me—but perhaps the main reason was that Karr is surprisingly diffident when it comes to talking about herself. “Are you sure I have that much to say?” she wrote in one preinterview e- mail. She was finishing her third memoir, Lit, which was published in November of 2009. She had started the book over twice, throwing away nearly a thousand pages, and had been working long hours to meet her deadline. “Who knows about the memoir,” she wrote, when I asked if I could read it, “It circles me like a gnat. I circle it like a dog staked to a pole. Years it’s gone on that way.” Finally, this spring, I flew to meet Karr in upstate New York, where she has taught at Syracuse University since 1991. She had not yet warmed to the idea of a formal interview, so we toured her life in Syracuse instead. I observed two graduate seminars: The Perfect Poem, and Dead White Guys, in which she discussed the poetry of Wallace Stevens. Karr is an energetic, engaged, and wry teacher, and her students are fond of her. That night, she introduced a reading by the poet Charles Simic, a longtime friend. -
Negative Feelings and the Memoir In
INARTICULATE AND UNSHAREABLE: NEGATIVE FEELINGS AND THE MEMOIR IN DAVID FOSTER WALLACE’S POST-INFINITE JEST FICTION by Kisuk Noh B.A., The University of Waterloo, 2010 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2015 © Kisuk Noh, 2015 Abstract This thesis reads David Foster Wallace’s post-Infinite Jest fiction against forms of confession found in the American “memoir boom,” a period marked by a surge in interest (both commercial and aesthetic) in nonfictional autobiography. More specifically, this thesis traces the way Wallace’s fiction between 1997 and 2008 registers diffuse and non-intentional affective states that typically do not appear in conventional memoirs. Problems attending the representation of such feelings first appear in Infinite Jest, intensify in Brief Interviews with Hideous Men, and become an explicit point of concern with respect to the memoir-genre in The Pale King. Taking the memoir boom as defining a rhetorical milieu of confession, candor, and sincerity in which Wallace’s later fiction should be situated, this thesis examines the short stories “Octet” and “The Depressed Person” with respect to Wallace’s growing concern about the seeming disjunction between extant literary forms and the “nameless interhuman sameness” of contemporary experience. This thesis then discusses The Pale King – a long novel that self-consciously situates itself within the memoir boom, and which continues Wallace’s interest in “inarticulate” and “unshareable” feelings. The Chris Fogle novella that makes up the twenty-second section of Wallace’s final novel will be read as enacting a critique of the ways in which “inarticulate” feelings were passed over in literary representations of emotional experiences during the memoir boom.