COWBOYS AND INDIES: THE EPIC HISTORY OF THE RECORD INDUSTRY

Author: Gareth Murphy Number of Pages: 400 pages Published Date: 03 Dec 2015 Publisher: Profile Books Ltd Publication Country: London, United Kingdom Language: English ISBN: 9781781254356

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Galaxy Sound Co US. Sons Of The Kingdom. Brand new studio record of all new original material from Hall of Famer Pete Krebs. Recorded with his all-electric band The Gossamer Wings. Highly anticipated new record from internationally recognized singer-songwriter Pete Krebs. Interweaving musical technologies with sound art, science, linguistics, philosophy, and early music, Seastones is comprised of pieces that are dynamic, rich and deep. It embodies the technological history of by taking full advantage of tape music, , and computer technology. This LP draws from released and unreleased Seastones tracks and contains gorgeous extended Garcia vocal passages processed by Lagin who was an intermittent member of the until the band broke up in Back on vinyl for the first time in decades. Subsequently Linares would advance his career by recording two fabulous records under his own capable leadership as Alfredo Linares Y Su Sonora at the end of the decade for the MAG label. One can hear direct inspiration coming from Joe Cuba, Ricardo Ray, and Eddie Palmieri, especially on the first , El Pito, and yet by the second record, there are plenty of original tunes as well. More importantly there is a 'swing' and assertiveness to the playing and arrangements that prove every bit as authentic, tough and danceable as their New York inspirations. According to Linares, the studio band was 'open-ended, some musicians came some days, others on other days -- Nilo Espinoza on saxophone, Betico Salas and Tito Chicoma on trumpets. Otto de Rojas played , and so did Charlie Palomares, who played vibraphone. Another good musician was guitarist Carlos Hayre. For the entirety of her nearly three-decade-long career, globally acclaimed singer-songwriter Lisa Loeb has been exploring a variety of styles of music, moving seamlessly between creating family-friendly albums, including her Grammy-winning Feel What U Feel, and adult-focused studio albums like Tails, Firecracker, and The Way It Really Is. It is her latest release, her fifteenth record to date, A Simple Trick To Happiness, that finds Loeb putting forth her most poignant and profoundly personal album in an exceptional body of work. The Record Store Day exclusive deluxe vinyl release of 'A Simple Trick To Happiness' features a deluxe tip-on jacket, poster insert, and gram vinyl pressing. Doesn't It Feel Good feat. Michelle Branch 2. Skeleton 3. Another Day 4. This Is My Life 5. For The Birch 6. Most of All 7. It's a humanistic, historical and cultural approach to an iconic industry. Murphy shows the business behind the music, and the music behind the business -- a rare and insightful treat. Granted, I've read a few book about the music industry, but the only new material in Uninspiring, underresearched book about the record industry. View 1 comment. Dec 10, Gordon rated it really liked it Shelves: history , non-fiction , own , music , audio-book , business , Jul 26, Brett rated it it was amazing. An insightful look at the recording industry from its inception through almost present-day. From Thomas Edison to David Geffen and beyond, meet the rogues, swindlers, and ne'er-do-wells who've offered us recorded music for over a century. Jul 26, bfred rated it it was ok. On a cursory level, this is an enjoyable history of the invention and evolution of the record business. As an introduction to the major players and trends, it is adequate, and at times, insightful. However, as the book went on, it became clear that, conscious or not, Mr. Murphy seems to be advancing an anglophile agenda here. From reading this book, one would get the impression that every major musical trend and business advancement in the second half of the 20th Century was the result of white On a cursory level, this is an enjoyable history of the invention and evolution of the record business. From reading this book, one would get the impression that every major musical trend and business advancement in the second half of the 20th Century was the result of white British innovation. The book represents itself to be a straight-forward history of the record business, but in the end I felt like I was reading a propaganda book. Certainly all of these stories deserve to be told, but the balance that the book strikes struck me as single-minded. Had Mr. Murphy openly presented the book as an argument for British musical ingenuity, I would have appreciated it more. But the continued surprise I felt with his choice of certain subjects over others was ultimately distracting. As a result, I found this book strange and unsatisfying. May 11, sculptcha rated it liked it Recommends it for: people who like music or enjoy music trivia. Shelves: first-reads. For what it is, this book is packed full of interesting music and recording related tidbits and little-known facts that will probably surprise a lot of readers like myself who love music but do not particularly pay attention to the seedy underbelly of the The Record Industry. It's accessible, well written, and entertaining throughout. It was very interesting to read that the industry had experienced and almost fatal blow once, and recovered stronger than ever, which means there is hope for the For what it is, this book is packed full of interesting music and recording related tidbits and little-known facts that will probably surprise a lot of readers like myself who love music but do not particularly pay attention to the seedy underbelly of the The Record Industry. It was very interesting to read that the industry had experienced and almost fatal blow once, and recovered stronger than ever, which means there is hope for the current state of the today's precarious and unpredictable industry. Overall, a satisfying and informative read that I would recommend to anyone interested in the music business. Jun 11, Peter Gladue rated it really liked it. As a person who worked in Music Retail for most of his life, I found this book to be a very complete historical roadmap of the Record Industry. To understand the present state of Music industry we must follow and try to understand the past. There are Heroes and Villains, some are known and some are unknown. Each chapter breaths a life on their own, almost like a short-story collection. I have read the book from start to finish, but now I leave it nearby my bed, to spot up the book anywhere to As a person who worked in Music Retail for most of his life, I found this book to be a very complete historical roadmap of the Record Industry. I have read the book from start to finish, but now I leave it nearby my bed, to spot up the book anywhere to read a few pages. I think that this book would also work well as a college textbook for a business course on the music industry. Jul 03, Scottfoley rated it liked it. An author could fill a multi-volume set with a detailed history of the record industry. Short of that, author Gareth Murphy has done an admirable job of highlighting just the key moments, from the very development of recorded sound to today's issues with downloading and digital file sharing. It's a very reasonable length for readers looking for a quick overview, and it won't leave you feeling you've missed out on anything. One of the best books of its kind. May 06, Jon Chaisson rated it it was amazing. An amazing and amazingly thorough book that covers all the way from the first competing Bell and Edison inventions, all the way up to the slow and painful demise of numerous dinosaur major distributors. While there tends to be a primary focus on rock music from about halfway through onwards, it still reminds us of all the other genres out there and how they've fared over the decades. Boston Academy of Music. Boston Ballet. Boston Camerata. Boston Festival Orchestra. Boston Ideal Opera Company. Boston Music Company. Boston University. Boswell Sisters. Boswell, Connee. 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Brill Building. Brinkerhoff, Clara M. Brion, Jon. British invasion. Britton, Allen P erdue. Broadbent, Alan. Broadcast Music, Inc. Broadhurst, Dorothea. Brockenshire, James Opie. Brockman, Jane. Brodsky, Jascha. Broege, Timothy. Broekman, Hendrik. Broiles, Mel. Bronson, Howard Curtis. Brooke, Thomas Preston. Brookmeyer, Bob. Brooks and Dunn. Brooks, Garth. Brooks, Hadda. Brooks, Patricia. Brooks, Shelton. Broudy, Harry S. Brougham, John. Broughton, Bruce. Brouwer, Margaret. Brower, Frank. Brown Brothers. Brown University. Brown, Angela. Brown, Anne. Brown, Anthony. Brown, Chuck. Brown, Elaine ii. Brown, Elaine. Brown, Eli. Brown, Elizabeth. Brown, Francis H. Brown, Junior. Brown, Les. Brown, Lew. Brown, Marion. Brown, Milton. Brown, Nellie E. Brown, Ray. Brown, Ruth. Brown, Tony. Brown, Trisha. Brown, William. Browne, J. Browne, Jackson. Browner, Tara. Brownlee, Archie. Brownlee, John. Brownson, Oliver. Brumley, Albert E. Brunelle, Philip. Bruno, Charles. Bruns, George. Brusilow, Anshel. Bryan, Charles Faulkner. Bryant, Boudleaux and Felice. Bryant, Clora. Bryant, William Cullen. Brymn, Tim. Brynner, Yul. Bubbles, John. Bucci, Mark. Buchla, Donald Frederick. Buck and wing. Buck, Dudley. Buckbee, John H. Buckley, Betty. Buckley, Emerson. Buckley, Jeff. Buckley, Tim. Buena Vista Social Club. Buffett, Jimmy. Buketoff, Igor. He had been a success because he had stumbled on something that the industry had almost squeezed out of music — a sense of belonging. Lawsuits hit pensioners and children who were unaware that they were doing anything wrong, such as the year-old Brianna LaHara, who had downloaded, among other songs, the theme from the sitcom Family Matters. Meanwhile, the two-faced industry carried on pushing the limits of legality. It was the sort of sharp practice that had been around since the days of sheet music. Archer, Mildred Agnes. Archer, Maria —. Archer, Maria — Archer, Lord Jeffrey Howard. Archer, John Lee. Archer, Jeffrey —. Archer, Jeffrey Howard Archer, Gleason Leonard, Jr. Archer, Frederick.