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10/5/2018 “Blow Up the Pokies:” Problem Electronic Gaming Machine (EGM) Gambling in Older Adults Dr Adam Searby RMIT University, Melbourne, Australia Disclosure: I have received an educational grant from Indivior to attend this year’s IntNSA educational conference. Outline • What are pokies? • Why are we blowing them up? • The scope of the problem in Australia • Older people and pokies • Future directions 1 10/5/2018 What are“pokies?” • Colloquial Australian term for a “poker machine” = “pokie” • Let’s go and play the pokies • Why are all of these places full of pokies? • Just won $100 on the pokies • Internationally known as: • Video poker machine • Fruit machine • Slot machine • Electronic gaming machine • One arm bandit Source: The Source: Advertiser Source: adelaiderememberwhen.com 2 10/5/2018 Source: thewest.com.au 3 10/5/2018 Why blow up the pokies? • In 1999, Australian band The Whitlams released the single Blow Up The Pokies • The song was inspired by two band members, Andy Lewis and Steve Plunder, who both engaged in problematic EGM gambling and lead singer, Dan Freedman’s observation that pokies were replacing live music venues in Sydney • A year after the song was released, Andy Lewis committed suicide – after losing his weekly income on the pokies and then returning to his workplace to hang himself 4 10/5/2018 In Victoria [return to player] is a minimum of 87 per cent. This doesn’t mean that every time you play you will get 87 per cent of your money back. It means that if you could play enough spins to cover every possible combination on a machine (about 80 million) then you could expect to get 87 per cent of your money back. -
Stephen Harrington Thesis
PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production. -
"A Band on Every Corner": Using Historical GIS to Describe Changes in the Sydney and Melbourne Live Music Scenes
University of Wollongong Research Online Faculty of Social Sciences - Papers Faculty of Arts, Social Sciences & Humanities 2014 "A Band on Every Corner": Using Historical GIS to Describe Changes in the Sydney and Melbourne Live Music Scenes Sarah Taylor Royal Melbourne Institute of Technology Colin Arrowsmith Royal Melbourne Institute of Technology, [email protected] Nicole T. Cook University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/sspapers Part of the Education Commons, and the Social and Behavioral Sciences Commons Recommended Citation Taylor, Sarah; Arrowsmith, Colin; and Cook, Nicole T., ""A Band on Every Corner": Using Historical GIS to Describe Changes in the Sydney and Melbourne Live Music Scenes" (2014). Faculty of Social Sciences - Papers. 3071. https://ro.uow.edu.au/sspapers/3071 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] "A Band on Every Corner": Using Historical GIS to Describe Changes in the Sydney and Melbourne Live Music Scenes Abstract This paper demonstrates the use of historical Geographic Information Systems (historical GIS) to investigate live music in Sydney and Melbourne. It describes the creation of a tailored historical geodatabase built from samples of gig listings (comprising dates, locations, and performer names), and how this historical geodatabase offers insight into the changing dynamics of performers and venue locations. The major findings from the analyses using the developed historical geodatabase are that neither city showed a decline in live music performance or performer numbers, but Melbourne increased at a greater rate than Sydney. -
That Ain't Bad (The Main Single Off Tingles), the Band Are Drowned out by the Crowd Singing Along
THAT AIN’T BAD A ZINE DEDICATED TO SYDNEY INDIE POP FROM THE EARLY 90’S BY ANDY PAINE INTROduction In the late 1980's and early 1990's, a group of bands emerged from Sydney who all played fuzzy distorted guitars juxtaposed with poppy melodies and harmonies. They released some wonderful music, had a brief period of remarkable mainstream success, and then faded from the memory of Australia's 'alternative' music world. I was too young to catch any of this music the first time around – by the time I heard any of these bands the 90’s were well and truly over. It's hard to say how I first heard or heard about the bands in this zine. As a teenage music nerd I devoured the history of music like a mechanical harvester ploughing through a field of vegetables - rarely pausing to stop and think, somethings were discarded, some kept with you. I discovered music in a haphazard way, not helped by living in a country town where there were few others who shared my passion for obscure bands and scenes. The internet was an incredible resource, but it was different back then too. There was no wikipedia, no youtube, no streaming, and slow dial-up speeds. Besides the net, the main ways my teenage self had access to alternative music was triple j and Saturday nights spent staying up watching guest programmers on rage. It was probably a mixture of all these that led to me discovering what I am, for the purposes of this zine, lumping together as "early 90's Sydney indie pop". -
SSH – October 2007
VOLUME ONE NUMBER FIFTY-FIVE OCTOBER’07 CIRCULATION 22,000 ALEXANDRIA BEACONSFIELD CHIPPENDALE DARLINGTON ERSKINEVILLE KINGS CROSS NEWTOWN PADDINGTON REDFERN SURRY HILLS WATERLOO WOOLLOOMOOLOO ZETLAND WRAPPED THE BEST WITH LOVE BURGERS Local charity celebrates 15 years of good service IN TOWN PAGE 6 The Review PAGE 9 Emily, Charles Firth and Nick at Darlington Newsagency Photo: Ali Blogg Manic Times surprises Most people would recognise Charles Firth as one of the original reporters on Over-reaction? CNNNN and the Election Chaser. And while he remains the Chaser’s War Riot police on Sydney streets Photo: Lisa Hogben on Everything US correspondent, he has returned to Australia as Editor in Chief of Sydney’s newest rag, the Manic Times. If you expect the paper to be more satirical stories from the wayward Firth and friends, then you will be Nicholas McCallum McKinley, Urban Guerrillas’ Ken and the Philippines. Stewart and Iraq Veterans Against Whilst one man was arrested pleasantly surprised. It would seem that the only the War and former US Marine Matt for squirting sauce upon the conclusions to draw from the Howard speaking out against the war pro-American banner, many in Nicholas McCallum the way of gonzo [journalism] in APEC Summit are that when and APEC. the crowd were perplexed as to why Australia,” Firth said, “We’d like to Sydney protests it does so The protest was proceeding the NSW police would permit two After spending the last two years have one 5000 word gonzo piece peacefully and that NSW police peacefully with many questioning demonstrations with opposing views in the States writing his first book, every issue.” are still getting it wrong when the need for such a heavy police to come into such close quarters. -
The Chaser's Media Circus
ABC TV Media Release ABC ANNOUNCES PLAN TO REPLACE THE CHASER’S MEDIA CIRCUS WITH CAT VIDEOS ABC TV management has confirmed it hopes to replace the second series of The Chaser’s Media Circus with cat videos. “As soon as we can find enough left wing cats who instinctively hate Australia, they’ll be replaced,” said an ABC representative. Media Circus – the game show about the news game hosted by Craig Reucassel with Fake Fact Checker Chas Licciardello – returns to ABC on Thursday 10 September at 8pm. It is produced by the creative team behind The Chaser and The Checkout, including Ben Jenkins, Zoë Norton Lodge, Scott Abbot, Andrew Hansen and Julian Morrow. ABC management confirmed that for the second series the show has been moved out of the news division to allow it to be more biased and have less rigorous vetting of the studio audience. Filmed in front of a live audience each week shortly before broadcast, The Chaser’s Media Circus brings together journalists and comedians to dissect the week’s news through a time- honoured technique of media criticism: the trivia quiz. Last year’s guests included George Negus, Senator Nick Xenophon, Lenore Taylor, Chris Kenny, Ellen Fanning, Tracey Spicer, Hugh Riminton, Peter Berner, Dave Hughes and Tom Gleeson, a number of whom have not yet refused to return for Series Two. The new series will also feature Media Circus first timers including Peter Greste and John Safran. Prime Minister Abbott has confirmed he will allow government front benchers to appear on the show. But the producers are lobbying him to have this decision reversed. -
Andrew Hansen
Andrew Hansen Comedian, musician, MC and The Chaser star Andrew Hansen is a comedian, pianist, guitarist, composer and vocalist as well as a writer and performer who is best known as a member of the Australian satirical team on ABC TV’s The Chaser. Andrew is very versatile on the corporate stage too. He can MC an event, give a custom-written comedy presentation or even compose and perform a song if inspired to do so. Andrew’s radio work includes shows on Triple M as well as composing and starring in the musical comedy series and ARIA Award winning album The Blow Parade (triple j, 2010). The Chaser’s TV shows include Media Circus (2014-15), The Hamster Wheel (2011-2013), Yes We Canberra! (2010), The Chaser’s War On Everything (2006-9), The Chaser Decides (2004, 2007) and CNNNN (2002-3). On the Seven network, Andrew produced The Unbelievable Truth (2012). He has also appeared as a guest on most Australian TV shows that have guests. In print he wrote for the humorous fortnightly newspaper The Chaser (1999-2005), eleven Chaser Annuals (Text Publishing, 2000-10), and for the recently launched Chaser Quarterly (2015). On stage Andrew composed and starred in the musical Dead Caesar (Sydney Theatre Company), did two national tours with The Chaser, and two live collaborations with Chris Taylor (One Man Show, 2014 and In Conversation with Lionel Corn, 2015). The Chaser team also runs a cool theatre in Sydney called Giant Dwarf. Andrew composed all The Chaser’s songs as well as the theme music for Media Circus and The Chaser’s War On Everything. -
18 September 2002
ESTIMATES COMMITTEE PROCEEDINGS – 18 September 2002 CHIEF MINISTER In Committee in Continuation: Mr CHAIRMAN: Ladies and gentlemen, colleagues, it being 9 am, I propose that we continue this Estimates Committee. I reflected overnight, as I suppose most people have, about our progress. I will not go into that again. It is, in a way, a little like a cricket match. We really have to cooperate with one another to try to get through the two innings. A member: Is it a test match or a one day? Mr CHAIRMAN: No, this is a test match. We have a … Ms Martin: We could have penalties. Mr CHAIRMAN: Well, that is right. A member: We need five days then. Mr CHAIRMAN: Maybe. No, this is the Sheffield Shield. I would exhort everybody involved to try to get through our business as speedily as possible. We were aiming to have three ministers today. We are about half way through the Chief Minister and we still have the member for Nhulunbuy to go. By my estimation makes four-and-a-half. So let us go to it. The first business overhanging from last night was in relation to Output 03.10, which was the NT Railway. It has been confirmed to me that that will be dealt with by Minister Henderson. That leads us onto Output 04.10 which is Support to Executive, Ministers and Leader of the Opposition. Once again, the member for Brennan has asked most of the questions here and I put it in his hands. Mr WOOD: Mr Chairman, did you get a ruling on those questions about the railway … Dr Lim: 65 and 81. -
Using Historical GIS to Describe Changes in the Sydney and Melbourne Live Music Scenes
GSR_3 Geospatial Science Research 3. School of Mathematical and Geospatial Science, RMIT University December 2014 “A band on every corner”: Using historical GIS to describe changes in the Sydney and Melbourne live music scenes Sarah Taylor1, Colin Arrowsmith1 and Nicole Cook2 1School of Mathematical and Geospatial Science, RMIT University, Australia 2Department of Resource Management and Geography, The University of Melbourne, Australia Email: [email protected] Key words: Historical GIS; historical geodatabase; live music; Melbourne; Sydney Abstract This paper demonstrates the use of historical Geographic Information Systems (historical GIS) to investigate live music in Sydney and Melbourne. It describes the creation of a tailored historical geodatabase built from samples of gig listings (comprising dates, locations, and performer names), and how this historical geodatabase offers insight into the changing dynamics of performers and venue locations. The major findings from the analyses using the developed historical geodatabase are that neither city showed a decline in live music performance or performer numbers, but Melbourne increased at a greater rate than Sydney. Further, the spatial concentration within Melbourne has been far greater than that for Sydney. While Melbourne has expanded numerically but shrunk spatially, Sydney has experienced a geographic dispersion of performances throughout the study period. Introduction This paper demonstrates the use of historical Geographic Information Systems (historical GIS) to investigate live music in Sydney and Melbourne. It describes the creation of a tailored historical geodatabase built from samples of gig (concert) listings comprising dates, locations, and performer names. It then presents descriptive statistics and thematic maps derived from this historical geodatabase, demonstrating how this offers insight into the changing dynamics of live music performers and venue locations. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
Arts E-Bulletin June 2018
Townsville Arts e-bulletin June 2018 Community Information Centre Townsville Inc Was this email forwarded to you? If yes, send an e-mail with the word SUBSCRIBE in the subject line to [email protected] . If no, this e-mail is sent to you because you are a registered user. If you do not wish to receive further e-mails from us, please send an e-mail with the word UNSUBSCRIBE in the subject line to [email protected] In this issue Calendar Grants/Scholarships Dance Exhibitions Competitions & Festivals & Special Awards Events Film Dance Companies Music Radio Galleries & Museums Theatre Workshops/Training/ Music Groups Conferences/School Holiday activities Theatres & Theatre Groups Date Claimers What's On Townsville News & Sundries Clubs and Groups Opportunities/ Expressions of Interest Townsville City Council is the Community Information Centre’s major sponsor. 1 Editor: Margaret Robertson, Coordinator: Linda Blair, Community Information Centre Townsville Inc Level 1 Northtown, Flinders St, Townsville, CBD PO Box 1314 Townsville 4810 Phone: 4771 4230 mailto:[email protected] http://www.townsville.qld.gov.au/townsville/infocentre Disclaimer: While every effort is made to ensure accurate and up-to-date information is provided, the Community Information Centre (CIC) accepts no liability for any errors, omissions or other mistakes contained in this e-bulletin. The CIC relies on organisations and individuals to provide accurate information and no specific endorsement is denoted by inclusion in this e-bulletin. Events are subject to change without notice. Please check with the relevant organisations for further details. Calendar Dance Riverway Arts Centre 20 Village Boulevard Thuringowa 4727 9797 TicketShop mailto:[email protected] June 21st, 22nd 7.30pm; 23rd 1.30pm and 7.30pm Blue Worlds Presented by Ulysses Dancers The production consists of: 4 Choreographers, 40 dancers, one colour from the Blue Stocking Society to the Blue Moon. -
Résumé Date of Birth 1 October 1976, Tampere, Finland
Erkki Veltheim: Résumé Date of Birth 1 October 1976, Tampere, Finland Nationality Australian/Finnish Address 120 Garton Street, Princes Hill, VIC 3054 Telephone +61 (0)407 328 105 Email [email protected] Website erkkiveltheim.com Soundcloud soundcloud.com/erkkiveltheim Professional Appointments/Positions 2013-2016 Chamber Made Opera: Artistic Associate 2005- Australian Art Orchestra: Violinist, Violist, Electric Violinist 1998- ELISION Ensemble: Violist Academic history 2008-2010 Master of Arts, Victoria University 2002-2004 Bachelor of Arts and Sciences, University of Melbourne (not completed) 1999-2000 Postgraduate Diploma in Solo Studies, Guildhall School of Music and Drama, London 1995-1997 Bachelor of Music (Performance), Victorian College of the Arts Other educational programs 1996-1998 Australian National Academy of Music short courses Grants, Awards and Prizes 2019 Melbourne Prize for Music 'Distinguished Musicians Fellowship 2019' 2019 2018 Australian Music Prize (AMP) for Djarimirri by Gurrumul (co-composer, arranger, conductor) 2018 4 ARIA Awards for Djarimirri by Gurrumul (co-composer, arranger, conductor) 2014 Sidney Myer Creative Fellowship 2013 Australia Council for the Arts Project Fellowship 2013 Finalist in the Melbourne Music Prize Outstanding Musician of the Year Award 2010 Finalist in the Melbourne Music Prize Outstanding Musician of the Year Award 2008 Australian Postgraduate Award 2004 Dean's Award, Faculty of Arts, University of Melbourne 1999 Keith and Elizabeth Murdoch Traveling Fellowship (Victorian College