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Information and Song Suggestions Information and Song Suggestions Below is information on the Principal Roles of Les Miserables, as well as some audition song suggestions if you need them. Use this as a reference until auditions and feel free to email me with any questions! [email protected] Before you read, here is some information that I (Regan, but Mrs. Winkes as well) want you to know about your vocal audition: 1. Ask questions. Ask as many questions as you need (within reason) before the auditions start. If you have a question about the audition process, your audition song, call backs, a specific character, etc, we want to answer it! We want you to be fully prepared when you walk into the audition. This does not mean that you cannot ask questions during your audition, but we prefer that you come as prepared as possible. When you are prepared, you will give your best audition, and that’s what we want for you! We will always be willing to answer your questions. Don’t be shy! 2. Practice. Practice with a vocal instructor. Practice in front of a mirror. Practice in front of family members. This is not the audition to “wing it.” These auditions will be highly competitive, so prepare accordingly. 3. If you can, be familiar with the story and the characters, merely so you can convey the correct emotions in your audition. In call backs especially, we will be looking for specific things. 4. Every single aspect of vocal technique counts. We will be looking at your breathing, your pitch, your range, your tone, your vowel shapes, your control, your vibrato, your inflection, your emotional/character choices, etc. 5. Under the category “vocal range,” those are the musical direction notes that I was given from the script. I realize that “high B4” might be confusing- if you need me to play those notes for you on the piano, come find me and I will certainly do so! 6. Be Prepared to sing scales to give us an accurate estimate of your vocal range. Don’t let this throw you off during the audition- give it all you got! 7. Under the category “call back songs,” those may be subject to change. Depending on time constraints, we may not sing all of the call back songs. Depending on if we are still looking further, we may throw a new call back song at you. We will go over the call back songs at the auditions, but it will serve you best to be prepared. 8. Be aware that we are always watching- we might be looking to see how focused you are, how well you take direction, how quickly you pick up on rhythm, etc. Don’t let that intimidate you- be excited to shock and amaze us :) 9. Be confident and have fun. That’s what we love to see :) Principal Role Information: Jean Valjean: *Key Aspects: key protagonist of the show; has strength and maturity and compassion that carries the storyline. Must convey maturity in acting as well as have a wide vocal range with dynamic control. *Vocal Range: Tenor (Low G#2-High B4) *Call Back Songs: “Bring Him Home”, “Fantine’s Death” “The Confrontation” Marius: *Key Aspects: romantic hero of the show; has a love for love as well as a love for country that reveals his true nobility in the show; impulsive and eager with a young maturity; must be able to carry a strong melody line; lyric vibrato with a contemporary edge *Range: Tenor or High Baritone (Bb2- High Ab4) *Call Back Songs: “Empty Chairs” “Red & Black” Enjolras: *Key Aspects: student leader of the revolution; has a young maturity but is very authoritative and is a leader especially among his peers. At the barricade, he should be able to physically and vocally stand apart from the rest of the chorus. Must have a strong stage presence with pure and confident vocals. *Range: High Baritone (A2- High G#4) *Call Back Songs: “Red and Black” “Do you Hear the People Sing” Javer: *Key Aspects: the key antagonist of the show; he is driven by an urgency to attain what he believes to be justice. He becomes the main obstacle for Jean Valjean; he wrestles with internal conflict throughout the show. Must have a strong and rigid presence and vocals. *Range: Low Baritone/Bass (Low F2- High F#4) *Call Back Songs: “Stars” “The Confrontation” Master Thenardier *Key Aspects: the comedic relief and the comedic villan of the show; a greedy weasel with a wicked sense of humor; must be cunning and crafty; must have great comedic timing as well as excellent rhythmic timing. *Vocal Range: Baritone (Low G#2-High G4) *Call Back Songs: “Master of the House” Fantine: *Key Aspects: driven by love for her child and broken by injustice and poverty, this role calls for a wide range of emotional control. This role has the largest female vocal range in the show; must be able to display authentic emotion while still maintaining pure and dynamic vocals. *Vocal Range: Mezzo Belter (Gb3-Eb5) *Call Back Songs: “I Dreamed a Dream” “Fantine’s Death” Eponine *Key Aspects: daughter of the Thenardiers; she is streetwise and tough but also sensitive, selfless, and lonely; a very shakespearean and tragic type of character; must be dynamic both in acting and singing; vocals must be pure but they may be more contemporary *Vocal Range: Mezzo Belter (F3-C5) *Call Back Songs: “On My Own” “A Little Fall of Rain” Cosette *Key Aspects: daughter of Fantine, she has grown up in safety and seclusion with Jean Valjean; both strong willed and loving, her priorities change when she and Marius fall in love; must have pure and confident soprano vocals *Vocal Range: Soprano (Bb3-High C6) *Call Back Songs: “A Heart Full of Love” Madame Thenardier *Key Aspects: wife and partner in crime to Thenardier; a coarse and greedy woman; also must have great comedic and rhythmic timing *Vocal Range: Mezzo Soprano: G#3-D5 *Call Back Songs: “Master of the House Audition Song Sample Selection List Here are some Audition Song options if you have not chosen one yet. These are chosen off the top of my head- you do not have to choose one from this list. Keep in mind to choose a song that 1. shows off your range 2. allows you to act and portray emotion 3. shows off your vocal technique 4. represents and displays the emotions of which character(s) you want most 5. has a clear and concise melody line 6.you feel confident in. BOYS “Something was Missing” from Annie (great for Jean Val Jean) “If I can’t Love Her” from Beauty and the Beast (great for Jean Val Jean) “Be Prepared” from The Lion King (great for Javer) “Close Every Door” from Joseph (great for Jean Val Jean or Enjolras) “Out There” from The Hunchback of Notre Dame (great for Javer) “I can Go the Distance” from Hurcules (great for Marius) “All I ask of you” from Phantom (great for Marius) “All I ever wanted” from Prince of Egypt (great for Jean Val Jean, Marius, or Enjolras) “Beautiful City” from Godspell (great for Marius) “Santa Fe” from Newsies (great for Marius) “We Kiss in a shadow” from The King and I (great for Marius) “I Have Dreamed” from The King and I (great for Marius) “Your Song” from Moulin Rouge (great for Marius) “Come What May” from Moulin Rouge (great for Marius) “Do I love you because you’re beautiful” from Cinderella (great for Marius) “Easy Street” from Annie (great for Master of the House) “Some Enchanted Evening” from South Pacific “Music of the Night” from Phantom of the Opera (great range for Jean Val Jean) “Her Voice” from The Little Mermaid (great for Marius) “Learn to Do it Reprise” from Anastasia (two different guy characters sing in this) “Maybe I’m Amazed” from Joyful Noise “You Never Know” from If/Then “If I told you” from The Wedding Singer “Maria” from West Side Story “Lost in the Darkness” from Jekyll & Hyde “Now There is no Choice” from Jekyll & Hyde (great for JVJ) GIRLS “Little Girls” from Annie (great for Mistress of the House) “Poor Unfortunate Souls” from The Little Mermaid (great for Mistress of the House) “People” from Funny Girl (great for Fantine) “God Help the Outcasts” (great for Fantine or Eponine) “All I ask of you” from Phantom (great for Cosette) “I have Dreamed” from The King and I (great for Cossette) “Think of me” from Phantom of the Opera (great for Cossette) “There can be Miracles” from The Prince of Egypt (great for Eponine or Fantine) “Somewhere” from West Side Story (great for Fantine) “If Only” from The Little Mermaid (great for Eponine or Fantine) “At Last I see the Light” from Tangled (great for Eponine) “Angel of Music” from Phantom of the Opera (great for Fantine or Cosette) “The Phantom of the Opera” from Phantom of the Opera (great for Fantine) “In His Eyes” from Jeckyll & Hyde (great for Fantine or Eponine) “Reflection” from Mulan (great for Eponine) “Colors of the Wind” from Pochontas (great for Eponine or Fantine) “Danny Boy” from Celtic Woman (great for Fantine or Eponine) “Scarborough Fair” from Celtic Woman (great for Cosette, Fantine, Eponine) .
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