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Mentors – Katha
Mentors – Katha about our work act now 300m storyshop .ST0{DISPLAY:NONE;} .ST1{DISPLAY:INLINE;} KATHA UTSAV MENTORS ARUNIMA MAZUMDAR, WRITER & JOURNALIST Arunima works with Roli Books, one of the foremost Indian publishing houses of India. She has worked as a journalist in the past and ABOUTcontinues to US write on arts, culturePROGRAMMES and travel for various publicationsQUICKLINKS such as The Hindu Business Line, Scroll, Femina, and Mumbai Mirror. Books are her best friend and she has keen interest in travel literature, written especially by Who we are 300M Donate Indian authors. Katha Books Katha Lab School Donate Books Storystop ILR Communities Volunteer ANKIT CHADHA – WRITER & STORYTELLER KATHA, A3, Sarvodaya Katha in the News ILR Government Schools Who we are Enclave, Sri AurobindoAnkit ChadhaWhat’s isour a writer-storytellerType whoKatha brings Utsav together performance, literatureWork With and Us history. He specializes in Dastangoi – the Marg, New Delhi - 110017art of Urdu storytelling, and has written, translated, compiled and performed stories under the direction of Mahmood Padho Pyar Se Contact Us Farooqui. His first book for children, the national award-winning My Gandhi Story was published by Tulika in 2013. © Copyright 2017. All Rights Reserved ARVIND GAUR Arvind Gaur, Indian director, is known for his work in innovative, socially and politically relevant theatre.Gaur’s plays are contemporary and thought-provoking, connecting intimate personal spheres of existence to larger social political issues. His work deals with Internet censorship, communalism, caste issues, feudalism, domestic violence, crimes of state, politics of power, violence, injustice, social discrimination, marginalization, and racism. Arvind is the leader of Asmita, Delhi‘s “most prolific theatre group”, and is an actor trainer, social activist, street theatre worker and story teller. -
Paper Code: Dttm C205 Tourism in West Bengal Semester
HAND OUT FOR UGC NSQF SPONSORED ONE YEAR DILPOMA IN TRAVEL & TORUISM MANAGEMENT PAPER CODE: DTTM C205 TOURISM IN WEST BENGAL SEMESTER: SECOND PREPARED BY MD ABU BARKAT ALI UNIT-I: 1.TOURISM IN WEST BENGAL: AN OVERVIEW Evolution of Tourism Department The Department of Tourism was set up in 1959. The attention to the development of tourist facilities was given from the 3 Plan Period onwards, Early in 1950 the executive part of tourism organization came into being with the appointment of a Tourist Development Officer. He was assisted by some of the existing staff of Home (Transport) Department. In 1960-61 the Assistant Secretary of the Home (Transport) Department was made Director of Tourism ex-officio and a few posts of assistants were created. Subsequently, the Secretary of Home (Transport) Department became the ex-officio Director of Tourism. Two Regional Tourist Offices - one for the five North Bengal districts i.e., Darjeeling, Jalpaiguri, Cooch Behar, West Dinajpur and Maida with headquarters at Darjeeling and the other for the remaining districts of the State with headquarters at Kolkata were also set up. The Regional Office at KolKata started functioning on 2nd September, 1961. The Regional Office in Darjeeling was started on 1st May, 1962 by taking over the existing Tourist Bureau of the Govt. of India at Darjeeling. The tourism wing of the Home (Transport) Department was transferred to the Development Department on 1st September, 1962. Development. Commissioner then became the ex-officio Director of Tourism. Subsequently, in view of the increasing activities of tourism organization it was transformed into a full-fledged Tourism Department, though the Secretary of the Forest Department functioned as the Secretary, Tourism Department. -
\376\377\000C\000D\000R\000O\000 \0002\0000\0001\0004
Monthly March 2014 For private circulation only Bulletin Suggested Contribution Rs. 15 APDR Statement Against Political Censorship the interests of the ruling party. The fact is clear from the Guild general secretary’s at Kolkata Book Fair statement that the discussion at the book release function could have annoyed the Guild’s Political Censorship at Book Fair state government. And why should a APDR condemns the withdrawal of permission by the Kolkata Book Fair authorities discussion on oppression of women annoy to release the book ‘Parijayee Nari’ written by Jashodhara Bagchi at the fair. The anyone after all, other than those who want so-called technical reasons provided by the Guild for the cancellation does not to perpetuate this crime? hold much water. The booking of the venue was done by a fair participant, SEARCH, We demand that the fair authorities for the release of the book published by Setu Prakashani, while the function was make amends immediately and let the book organised by a women’s forum, Nari Nirjatan Pratirodh Mancha. There are many release function be held at the same venue. instances in the past where books published by one publisher have been released by others. In fact, this is quite in line with the celebration of the free spirit of the Dhiraj Sengupta, world of books which the Kolkata Book Fair stands for. It is the Guild authorities General Secretary. who have violated it. APDR We also note with grave concern that a shadow of virtual censorship is looming large over the Kolkata Book Fair. While the Guild authorities maintain that Kolkata the fair should be “free from politics”, it is they who are playing politics by guarding February 5, 2014 “Say NO to Death Penalty!” The assembled representatives of human rights organisations and individuals called on all political parties to come out clearly against the death penalty and declare so clearly in their manifestos ahead of the upcoming parliamentary elections. -
High Court of Delhi Advance Cause List
HIGH COURT OF DELHI ADVANCE CAUSE LIST LIST OF BUSINESS FOR TH THURSDAY,THE 20 FEBRUARY,2014 INDEX PAGES 1. APPELLATE JURISDICTION 1 TO 43 2. COMPANY JURISDICTION 44 TO 45 3. ORIGINAL JURISDICTION 46 TO 59 4. REGISTRAR GENERAL/ 60 TO 74 REGISTRAR(ORGL.)/ REGISTRAR (ADMN.)/ JOINT REGISTRARS(ORGL). 20.02.2014 1 (APPELLATE JURISDICTION) 20.02.2014 [Note : Unless otherwise specified, before all appellate side courts, fresh matters shown in the supplementary lists will be taken up first.] COURT NO. 1 (DIVISION BENCH-1) HON'BLE THE ACTING CHIEF JUSTICE HON'BLE MR. JUSTICE SIDDHARTH MRIDUL AFTER NOTICE MISC. MATTERS ____________________________ 1. FAO(OS) 429/2013 RAKESH TALWAR JAYANT K MEHTA,JAWAHAR RAJA CM APPL. 14852/2013 Vs. BINDU TALWAR CM APPL. 2546/2014 2. FAO(OS) 431/2013 BINDU TALWAR JAWAHAR RAJA CM APPL. 14934/2013 Vs. RAKESH TALWAR CM APPL. 2547/2014 3. FAO(OS) 23/2014 SHRI VIKAS AGGARWAL LEX INFINI,P D GUPTA AND CO Vs. SHRI BAL KRISHNA GUPTA AND ORS 4. LPA 417/2013 PREM RAJ N S DALAL,SHOBHNA Vs. LAND AND BUILDING TAKIAR,SIDHARTH PANDA DEPARTMENT AND ORS 5. LPA 444/2013 GIRI RAJ N S DALAL,SHOBHNA Vs. LAND AND BUILDING TAKIAR,YOGESH JAIN DEPARTMENT AND ORS 6. LPA 884/2013 PUNEET KAUSHIK AND ANR AYUSHI KIRAN,AMRIT PAL SINGH Vs. UNION OF INDIA AND ORS 7. W.P.(C) 6654/2011 YAHOO INDIA PVT LTD LUTHRA AND LUTHRA,MANEESHA Vs. UNION OF INDIA AND ANR DHIR,VAKUL SHARMA 8. W.P.(C) 6867/2013 RAGHU NANDAN SHARMA NEERAJ MALHOTRA,T.K. -
Dr Babasaheb Ambedkar's Castes in India
ACKNOWLEDGEMENT For the preparation of this SLM covering the Unit-2 of GE in accordance with the Model Syllabus, we have borrowed the content from the Wiki source, Internet Archive, free online encyclopaedia. Odisha State Open University acknowledges the authors, editors and the publishers with heartfelt thanks for extending their support. GENERIC ELECTIVE IN ENGLISH (GEEG) GEEG-2 Gender and Human Rights BLOCK-2 DR BABASAHEB AMBEDKAR'S CASTES IN INDIA UNIT 1 “ CASTES IN INDIA”: DR BABASAHEB AMBEDKAR UNIT 2 A TEXT ON CASTES IN INDIA”: DR. BABASAHEB AMBEDKAR UNIT 1 : “CASTES IN INDIA”: DR BABASAHEB AMBEDKAR Structure 1.0 Objective 1.1 Introduction 1.2 B.R. Ambedkar 1.2.1 Early life 1.2.2 Education 1.2.3 Opposition to Aryan invasion theory 1.2.4 Opposition to untouchability 1.2.5 Political career 1.2.6 In Popular culture 1.3 Let us Sum up 1.4 Check Your Progress 1.0 OBJECTIVE In this unit we seeks to familiarize the students with issues of inequality, and oppression of caste and race . Points as follows: To analyse and interpret Ambedkar's ideological reflection on social and political aspects and on their reformation, in the light of the characteristics of the social and political order that prevailed in India during his life time and before. To assess the contribution made by Ambedkar as a social reformist, in terms of the development of the down trodden classes in India and with special reference to the Ambedkar Movement. To assess the services rendered by Ambedkar in his various official capacities, for the propagation and establishment of his messages. -
The London Book Fair (LBF) 12-14 April 2016 Visit Us At: Hall No
Volume 8, Issue 2, April-June 2016 RNI NO. DELENG/2008/26953 Price: `2 HISTORY LITERATURE ART CULTURE HERITAGE BIOGRAPHY TRAVELOGUE WILDLIFE RELIGION SELF-HELP FICTION TRANSLATION The London Book Fair (LBF) 12-14 April 2016 Visit us at: Hall No. 6A, Stand No. 75 Celebrating its 45 year anniversary in April 2016, the LBF is the global marketplace for rights negotiation and the sale and distribution of content across print, audio, TV, film and digital channels. Staged annually, LBF sees more than 25,000 publishing professionals arrive in London for the week of the show, to learn, network and kick off their year of business. Visit us at: Hall No. 6A, Block Printed Stand No. 75 Textiles of India: Imprints of Culture by Eiluned Edwards Some of our authors who are likely to be there at the Nominated for: London Book Fair this year: R.l. Shep Ethnic Textiles Book Award Eiluned Edwards George Michell Anna Dallapiccola Families in British India Society 7-9 April 2016 The Families in British India Society (FIBIS) is Block Printed Temple Indian a self-help organisation, Textiles of India: Architecture and Painting:The devoted to members Imprints of Art of the Early Lesser-Known researching their Culture Chalukyas: Badami, Traditions British-India family Mahakuta, Aihole, Pattadakal history and the background in which Ilay Cooper Anisha Burman & Robert Elgood their ancestors led their Leslie Mwambazi lives in India under British rule. At their annual general meeting on 21 November 2015, the FIBIS showcased The Anglo-Indians—A 500 Year History, written by Prof. S. -
VISVA-BHARATI GRANTHANA VIBHAGA Monthly Performance Report: February 2014 Kolkata Book Fair, 2014 Gitanjali: Sur O Bani
VISVA-BHARATI GRANTHANA VIBHAGA Monthly Performance Report: February 2014 Kolkata Book Fair, 2014 The Kolkata International Book Fair, 2014, organised by the Book Sellers and Publishers Guild, was participated by the Visva-Bharati Granthana Vibhaga, held at Milan Mela Ground, Kolkata, From 29 January 2014 to 09 February 2014. Gitanjali: Sur o Bani A seminar titled Gitanjali:Sur o Bani, was organised by the Visva-Bharati Granthana Vibhaga, in collaboration with the Book Sellers and Publishers Guild on 6 February 2014, at the main Auditorium of the Kolkata Book Fair, held at Milan Mela Ground, Kolkata. The seminar was addressed by ProF. Sudhir Chakraborty, ProF. Alpana Ray oF Visva-Bharati, and Prof. Indrani Mukhopadhyay, Principal, Sangit Bhavana, Visva-Bharati. The entire session was presided and compered by Dr Ramkumar Mukhopdhyay, Director, Visva-Bharati Granthana Vibhaga. In his welcome speech Dr. Ramkumar Mukhopadhyay elaborately expressed the contributions of ProF. Sudhir Chakraborty in the realms oF literature as well as Bengali songs. He also discussed the contribution oF ProF. Alpana Ray in the domain oF inter-relation of literature and music, particularly in the context oF Rabindranath Tagore. He also introduced ProF. Indrani Mukhopadhyay, Principal, Sangit Bhavana, Visva-Bharati as an eminent scholar on Rabindra Sangeet. ProF. Ray discussed the signiFicance of Gitanjali as a musical ode in the history oF Bengali literature. She mentioned that in spite oF so many creations of musical collections by Rabindranath Tagore, he himselF gave Gitanjali a very high musical importance than the rest. She demonstrated with Few examples the musical undertones oF the poems which were incorporated as songs in Gitanjali. -
Girish Karnad 1 Girish Karnad
Girish Karnad 1 Girish Karnad Girish Karnad Born Girish Raghunath Karnad 19 May 1938 Matheran, British India (present-day Maharashtra, India) Occupation Playwright, film director, film actor, poet Nationality Indian Alma mater University of Oxford Genres Fiction Literary movement Navya Notable work(s) Tughalak 1964 Taledanda Girish Raghunath Karnad (born 19 May 1938) is a contemporary writer, playwright, screenwriter, actor and movie director in Kannada language. His rise as a playwright in 1960s, marked the coming of age of Modern Indian playwriting in Kannada, just as Badal Sarkar did in Bengali, Vijay Tendulkar in Marathi, and Mohan Rakesh in Hindi.[1] He is a recipient[2] of the 1998 Jnanpith Award, the highest literary honour conferred in India. For four decades Karnad has been composing plays, often using history and mythology to tackle contemporary issues. He has translated his plays into English and has received acclaim.[3] His plays have been translated into some Indian languages and directed by directors like Ebrahim Alkazi, B. V. Karanth, Alyque Padamsee, Prasanna, Arvind Gaur, Satyadev Dubey, Vijaya Mehta, Shyamanand Jalan and Amal Allana.[3] He is active in the world of Indian cinema working as an actor, director, and screenwriter, in Hindi and Kannada flicks, earning awards along the way. He was conferred Padma Shri and Padma Bhushan by the Government of India and won four Filmfare Awards where three are Filmfare Award for Best Director - Kannada and one Filmfare Best Screenplay Award. Early life and education Girish Karnad was born in Matheran, Maharashtra. His initial schooling was in Marathi. In Sirsi, Karnataka, he was exposed to travelling theatre groups, Natak Mandalis as his parents were deeply interested in their plays.[4] As a youngster, Karnad was an ardent admirer of Yakshagana and the theater in his village.[] He earned his Bachelors of Arts degree in Mathematics and Statistics, from Karnatak Arts College, Dharwad (Karnataka University), in 1958. -
Bravely Fought the Queen
INTRODUCTION “My life is big. I am BIG and GENEROUS! Only the theatre deserves me” (Where Did I Leave My Purdah? 59) Theatre has always been a glorious star in the multi-dimensional and richly adorned cultural galaxy of India. But Indian English theatre has had a rather low key representation in this vibrant cultural arena. During the sixties and seventies European influence, especially of Pirandello, Brecht, Chekhov and others, gained prominence and helped Indian theatre express the fractured reality of the time. But the indigenous Indian theatre moved past regional boundaries to become really a polyglot phenomenon from the sixties onward, and use of English helped it cross the border of language, too. Nissim Ezekiel, Girish Karnad, Badal Sircar and Vijay Tendulkar were the chief architects of this aesthetic/cultural development. But except for a few plays written in English between the late nineteenth and early twentieth centuries and for the translations in English of the works of the above playwrights, the picture of Indian drama in English, however, appeared rather uninspiring. It was not until the eighties that English drama stepped out of the coterie of elitists and reached a wider audience. The efforts of playwrights like Nissim Ezekiel, Asif Currimbhoy, Shib K Kumar and others achieved occasional success, but failed to connect the audience with theatre’s full potential. With a younger group of 1 playwrights a more lasting change was visible, and the plays by Dina Mehta, Poli Sengupta, Manjula Padmanavan, and Tripurari Sharma found increasingly appreciative audience. It was with the appearance of Mahesh Dattani in the 1980s that Indian English drama gained a distinct identity. -
Annual Report 17-18 Full Chap Final Tracing.Pmd
VISVA-BHARATI Annual Report 2017-2018 Santiniketan 2018 YATRA VISVAM BHAVATYEKANIDAM (Where the World makes its home in a single nest) “ Visva-Bharati represents India where she has her wealth of mind which is for all. Visva-Bharati acknowledges India's obligation to offer to others the hospitality of her best culture and India's right to accept from others their best ” -Rabindranath Tagore Dee®ee³e& MeebefleefveJesÀleve - 731235 Þeer vejsbê ceesoer efkeMkeYeejleer SANTINIKETAN - 731235 efpe.keerjYetce, heefM®ece yebieeue, Yeejle ACHARYA (CHANCELLOR) VISVA-BHARATI DIST. BIRBHUM, WEST BENGAL, INDIA SHRI NARENDRA MODI (Established by the Parliament of India under heÀesve Tel: +91-3463-262 451/261 531 Visva-Bharati Act XXIX of 1951 hewÀJeÌme Fax: +91-3463-262 672 Ghee®ee³e& Vide Notification No. : 40-5/50 G.3 Dt. 14 May, 1951) F&-cesue E-mail : [email protected] Òees. meyegpeJeÀefue mesve Website: www.visva-bharati.ac.in UPACHARYA (VICE-CHANCELLOR) (Offig.) mebmLeeheJeÀ PROF. SABUJKOLI SEN jkeervêveeLe þeJegÀj FOUNDED BY RABINDRANATH TAGORE FOREWORD meb./No._________________ efoveebJeÀ/Date._________________ For Rabindranath Tagore, the University was the most vibrant part of a nation’s cultural and educational life. In his desire to fashion a holistic self that was culturally, ecologically and ethically enriched, he saw Visva-Bharati as a utopia of the cross cultural encounter. During the course of the last year, the Visva-Bharati fraternity has been relentlessly pursuing this dream. The recent convocation, where the Chancellor Shri Narendra Modi graced the occasion has energized the Univer- sity community, especially because this was the Acharya’s visit after 10 years. -
Anwesan: a Search Engine for Bengali Literary Works
Anwesan: A Search Engine for Bengali Literary Works Suprabhat Das, Shibabroto Banerjee and Pabitra Mitra Department of Computer Science and Engineering Indian Institute of Technology Kharagpur West Bengal 721302, India Email: [email protected], [email protected], [email protected] World Digital Libraries 5(1): 11–18 Abstract Most of India’s literature was written in Bengali since the beginning of the 19th century. Hundreds of authors have contributed to the enrichment of Bengali literature for years. Besides that, nearly 300 million people around the world speak in Bengali. The language, having a rich traditional background and popularity throughout the world, must be taken care for the web users in the present era of World Wide Web (WWW). The digitization of Bengali literary works and the development of the search engine is very important for the benefi t of the Bengali language users all over the world. The paper describes Anwesan, a search engine for Bengali literature. Currently the entire work of Rabindranath Tagore and a part of Bankim Chandra Chattopadhyay’s work is searchable through Anwesan. Several advanced search features necessary for simple and expert users are supported. It also serves as a digital library with various metadata information. The engine is implemented by customizing DSpace in Bengali language and is perhaps the most exhaustive exercise in this direction. This search system was primarily open for the public in Kolkata Book Fair 2010 only with Rabindra Rachanabali collection. Since then,its been in high use. Keywords: Digitization, Anwesan, Rabindranath Tagore, Information retrieval, Metadata search 12 Suprabhat Das, Shibabroto Banerjee and Pabitra Mitra 1. -
Iem Review Vol I, Issue 1
May 2017 IEM REVIEW VOL I, ISSUE 1 1 May 2017 IEM REVIEW VOL I, ISSUE 1 From the desk of a visionary… Knowledge is an empowerment. It teaches life to take the right path, accept challenges and make the right decision in every field. We, at IEM, seek to impart the right education to every student to help them excel in all the spheres of a competitive world. With a quest to achieve 360 degree growth in areas of multi- disciplinary knowledge, IEM has set bold footsteps towards earning the status of being the best. Accreditation for excellence in academics, infrastructure and multi-dimensional areas is our motto and resolution. To us, success is a journey…not a Prof. Dr. Satyajit Chakrabarti destination. Founder Director, IEM The vision of the Institute is to act as a Center of Excellence in teaching and R&D in mutli- disciplinary areas and disseminate the knowledge to our student community and industrial sectors. We aim to be the best Institute in the field of higher education whose alumni will possess highest professional competence with high moral and ethical values. 2 May 2017 IEM REVIEW VOL I, ISSUE 1 Message from the Director… Ever since the inception of IEM, in 1989, it has maintained its position as the “Jewel of the East”. IEM was born as a result of a dream to nurture bright young minds towards technical and managerial excellence. IEM believes in all-round development of students and encourages them to be not only capable engineers or managers but also good and responsible citizens of the country.