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Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
Whitehorse Artists' Trail
The Artists’ Trail En Plein Air – In The Open The Artists’ Camp Moving On Artist Biographies Further Reading Contacting Council The City of Whitehorse Artists’ Trail celebrates a significant During the late nineteenth century, a small number of European Almost every Saturday, for some four years (1885–1888), a group of A country house at Eaglemont was an attractive alternative Auty, G. and P. Corbally Stourton, Galbally, A. and A. Gray (eds), Phone: 9262 6333 Tom Roberts John Llewelyn Jones: Australia’s Letters from Smike: The Letters Fax: 9262 6490 phase in the municipality’s artistic heritage. This brochure and master painters were teaching new painting techniques to young Melbourne artists raced to the Lilydale line to catch a steam train, to a tent at Box Hill, and by early 1889 the artists’ camp had Forgotten Painter (exh. cat.), Corbally of Arthur Streeton 1890–1943, 1856 Born Dorchester, England Email: [email protected] the interpretative panels located at various points along the trail artists in Melbourne. leaving behind the bustling metropolis for an idyllic weekend of been disbanded. Stourton Contemporary Art, Edgecliff, Oxford University Press, South 1869 Arrived in Melbourne New South Wales [1999]. Melbourne, 1989. NRS: 133 677 acknowledge the artists who painted regularly at the Box Hill camping and painting. (service for hearing impaired people) Tom Roberts (1856–1931) and became a member of the group, where the majority of the 9 by 5 1874 Enrolled at National Gallery City of Whitehorse, Heritage McCulloch, A., The Encyclopedia artists’ camp. Frederick McCubbin (1855–1917) following a chance encounter Alighting at Box Hill, now part of paintings were created. -
Chris Bond Studio Address
CHRIS BOND 1975 Born Melbourne, Australia EDUCATION 2014-18 Doctor of Philosophy (Visual Art), Victorian College of the Arts, University of Melbourne, VIC, Australia 1997 Bachelor of Arts in Fine Art (Painting) Honours, RMIT, Melbourne, VIC, Australia 1994 - 96 Bachelor of Arts in Fine Art (Painting), RMIT, Melbourne, VIC, Australia SOLO AND TWO PERSON EXHIBITIONS 2019 Glimmer, Darren Knight Gallery, Sydney, Australia 2018 Kraken, Margaret Lawrence Gallery, Victorian College of the Arts, Melbourne, Australia 2017 Call, Art Basel Hong Kong 2017, THIS IS NO FANTASY + dianne tanzer gallery 2016 Material, THIS IS NO FANTASY + dianne tanzer gallery, Melbourne, Australia A Stranger in the Mirror, Darren Knight Gallery, Sydney, Australia Tormentor, La Trobe University Museum of Art, Melbourne, Australia 2015 Kraken, an encounter, Victorian College of the Arts Student Gallery, Melbourne, Australia Kraken: sixty six emails, a face and a gesture, Bus Projects, Melbourne, Australia 2014 The Language of Fracture, Darren Knight Gallery, Sydney, Australia 2012 The Skeleton Field, Nellie Castan Gallery, Melbourne, Australia The Last Days of Painting, Ryan Renshaw Gallery, Brisbane, Australia 2011 In the Shadow of Leaves, Nellie Castan Gallery, Melbourne, Australia 2010 Collected Works, Melbourne Artfair 2010, Nellie Castan Gallery, Royal Exhibition Buildings, Melbourne, Australia 2009 Watchers, Nellie Castan Gallery, Melbourne, Australia 2008 White, Nellie Castan Gallery, Melbourne, Australia 2005 Shelved, Nellie Castan Gallery, Melbourne, Australia -
Final Hannah Online Credits
Hannah Gadsby’s Oz – Full Series Credits WRITTEN & PRESENTED BY HANNAH GADSBY ------ DIRECTED & CO-WRITTEN BY MATTHEW BATE ------------ PRODUCED BY REBECCA SUMMERTON ------ EDITOR DAVID SCARBOROUGH COMPOSER & MUSIC EDITOR BENJAMIN SPEED ------ ART HISTORY CONSULTANT LISA SLADE ------ 1 Hannah Gadsby’s Oz – Full Series Credits ARTISTS LIAM BENSON DANIEL BOYD JULIE GOUGH ROSEMARY LAING SUE KNEEBONE BEN QUILTY LESLIE RICE JOAN ROSS JASON WING HEIDI YARDLEY RAYMOND ZADA INTERVIEWEES PROFESSOR CATHERINE SPECK LINDSAY MCDOUGALL ------ PRODUCTION MANAGER MATT VESELY PRODUCTION ASSISTANTS FELICE BURNS CORINNA MCLAINE CATE ELLIOTT RESEARCHERS CHERYL CRILLY ANGELA DAWES RESEARCHER ABC CLARE CREMIN COPYRIGHT MANAGEMENT DEBRA LIANG MATT VESELY CATE ELLIOTT ------ DIRECTOR OF PHOTOGRAPHY NIMA NABILI RAD SHOOTING DIRECTOR DIMI POULIOTIS SOUND RECORDISTS DAREN CLARKE LEIGH KENYON TOBI ARMBRUSTER JOEL VALERIE DAVID SPRINGAN-O’ROURKE TEST SHOOT SOUND RECORDIST LACHLAN COLES GAFFER ROBERTTO KARAS GRIP HUGH FREYTAG ------ 2 Hannah Gadsby’s Oz – Full Series Credits TITLES, MOTION GRAPHICS & COLOURIST RAYNOR PETTGE DIALOGUE EDITOR/RE-RECORDING MIXER PETE BEST SOUND EDITORS EMMA BORTIGNON SCOTT ILLINGWORTH PUBLICITY STILLS JONATHAN VAN DER KNAPP ------ TOKEN ARTISTS MANAGING DIRECTOR KEVIN WHTYE ARTIST MANAGER ERIN ZAMAGNI TOKEN ARTISTS LEGAL & BUSINESS CAM ROGERS AFFAIRS MANAGER ------ ARTWORK SUPPLIED BY: Ann Mills Art Gallery New South Wales Art Gallery of Ballarat Art Gallery of New South Wales Art Gallery of South Australia Australian War Memorial, Canberra -
RMIT SITUATE Artist Residency Opportunity at RMIT University for Visual Artists
RMIT SITUATE artist residency opportunity at RMIT University for visual artists AIR – ARTIST IN RESIDENCE Niederösterreich at the RMIT School of Art, Melbourne campus, for 2020 AIR – ARTIST IN RESIDENCE Niederösterreich and RMIT SITUATE have conducted an annual residency exchange since 2007. The School of Art at RMIT offers studios for artists practicing in the fields of painting, drawing, sound, printmaking, new media (video, animation), photography, multi-disciplinary practices and object-based practices (ceramics, gold & silversmithing and sculpture). For specialist disciplines, RMIT SITUATE will attempt to accommodate artists with access to University facilities and equipment. Applications are sought from Lower Austrian artists working in any of these fields. The international exchanges cultivate a critical context for the development and presentation of contemporary art to a local, national and international audience. The residency project was formed to entice cross-cultural dialogue, and to enable arts practitioners to operate in a dynamic and global nature – a manner characterised by mobility, fluidity and interactivity. The Artist in Residence exchange forms a ‘location’ through which the relationship of economics, politics and cultural identity can be examined and interrogated. Applications for the AIR – Niederösterreich / RMIT Residency Exchange All applications must include the following: A project and exhibition rational (English/German) of no more than 2000 characters. The rational must include reference to a conceptual research focus of the project. Max: 10 images of recent work (AND/OR 5 minutes of compiled/excerpted sound or video) in any medium with an accompanying list of works listing title, medium, duration/dimensions and date. Recent biography in chart form Relevant support documentation (professionally scanned images of articles, reviews or exhibition catalogues) NB: Sound or video works can be submitted alongside the pdfs as hyperlinks. -
Fine Art) Program Code: BP201 Program Plans: BP201P16
2016 Bachelor of Arts (Fine Art) Program Code: BP201 Program Plans: BP201P16 Student Program Guide www.rmit.edu.au/art Welcome from the School of Art, Deputy Head, Higher Education WELCOME TO FINE ART AT RMIT UNIVERSITY Congratulations and welcome to RMIT University and the School of Art, one of the most highly regarded art schools in the Australia-Pacific region. Art has been taught at RMIT since 1887 and the School of Art has a long and proud tradition of educating many of Australia’s foremost practicing artists, across all of its studio areas. The Bachelor of Arts (Fine Art) program offers you the opportunity to specialise in one of the studio areas or to explore a range of studio areas in accordance with your own developmental needs. Academic staff will assist you in making informed decisions that ensure your enrolment best reflects your goals and aspirations. Studio practice is complemented by studies in Art History and Theory and a broad range of Student Electives. At RMIT School of Art you become part of a rich international community of artistic practice. The School has established collaborative programs in Hong Kong and links with artists and art academies in Australia, New Zealand, China, Korea, Europe and the USA. We encourage you to engage enthusiastically and energetically with all that the School has to offer and I wish you well in your studies. Associate Professor Shane Hulbert Deputy Head, Higher Education School of Art [email protected] 1 SCHOOL CONTACT DETAILS School of Art Administration Office Office Hours: -
G Eelong G Allery Annual Report
Geelong Gallery annual report 2011–2012 Geelong Gallery annual report 2011–2012 Geelong Contents Gallery President’s report 02 Little Malop Street Director’s report 04 Geelong 3220 T 03 5229 3645 Honorary Secretary’s report 08 Open daily 10am–5pm The Geelong Art Gallery Foundation 20 Closed Christmas Day, Boxing Day, The Geelong Gallery Grasshoppers 22 New Year’s Day and Good Friday Friends of the Geelong Gallery 24 www.geelonggallery.org.au Collections report 28 Financial statements for 38 the year ended 30 June 2012 Government partners and sponsors 52 COVER Arthur Streeton Ocean blue, Lorne (detail) 1921 oil on canvas Collection: Geelong Gallery Purchased with funds generously provided by Geelong Art Gallery Foundation, Robert Salzer Foundation Art Program, Geelong Community Foundation, Will and Dorothy Bailey Charitable Gift, and numerous individual donors, 2011 Geelong Gallery annual report 2011–2012 02 Geelong Gallery annual report 2011–2012 03 President’s report It is my pleasure to report that the 2011–2012 An estimate of the total value of new The Gallery was host venue during the year In recent months we have been fortunate year was, once again, a year of creative acquisitions—including gifts, purchases and for functions convened variously by the City to make two new significant appointments activities and positive outcomes for the bequests—approved in the 2011–2012 financial of Greater Geelong, the Geelong Chamber to the Gallery’s staff. Melissa Hart has taken Geelong Gallery. year is in the order of $500,000. of Commerce, the Committee for Geelong, up the new position of Marketing and Public the Transport Accident Commission, and other Programs Co-ordinator and, more recently During this time the Gallery presented some The single most valuable and notable of these business and community organisations. -
14-15Art Gallery of Ballarat Annual Report
Art Gallery of Ballarat Annual Report 14-15 Annual Report 2014-15 Chair’s Report 4 Director’s Report 8 Association Report 10 Gallery Guides Report 12 Acquisitions 14 Adopt an Artwork 26 Donations, Gifts, and Bequests 27 Exhibitions 28 EIKŌN: Icons of the Orthodox Christian World 30 Touring Exhibitions 32 Outward Loans 34 Publications & Merchandise 36 Education Report 38 Public Programs 40 ISSN 0726-5530 Gallery Staff and Volunteers 49 Art Gallery of Ballarat Board Members 50 ACN: 145 246 224 ABN: 28 145 246 224 Budget Summaries 52 40 Lydiard Street North Ballarat Victoria 3350 T 03 5320 5858 F 03 5320 5791 [email protected] www.artgalleryofballarat.com.au Image right: installation view of EIKŌN: Icons of the Orthodox Christian World Image next page: Hugh DT Williamson Gallery Vision The Art Gallery of Ballarat where Art Inspires, Stimulates and Challenges Mission To foster and enrich the cultural life of our city, our region and the Nation by acquiring, conserving and presenting a great collection of art. Image: installation view of Art and Australia 2003 – 2013 3 Chair’s Report Art Gallery of Ballarat Board of Directors I often tell people that the Art Gallery of Ballarat is about a city wide program around the exhibition, including withdrawal of our café proprietors early this year allowed us art: we buy it, we show it, we lend it and we store it. The launching the Season of the Arts Program. The Archibald to trial The Salon, a relaxed meeting area, which has been challenge for us is how to do this in a creative and inspiring Prize 15-16 Exhibitions and the Art Gallery of Ballarat major very popular with Association Members, staff and visitors. -
The Body’ in the 1980S CURATOR/COORDINATOR Dr Louiseann Zahra-King ACTING CURATOR/COORDINATOR Stephen Gallagher After Appearing on Sports Illustrated’S Swimsuit Issue
23 - 27 CARDIGAN STREET CARLTON RMIT UNIVERSITY Footnotes 1 Grosz, Elizabeth, Architecture from the Outside: Essays on Virtual and Real Space, (p98) MIT Press Cambridge, PROJECT SPACE/SPARE ROOM Massachusetts London England 2002 (2nd Edition) Managed by the RMIT School of Art and School of Creative Media 2 Elle MacPherson was nick named ‘the body’ in the 1980s CURATOR/COORDINATOR Dr Louiseann Zahra-King ACTING CURATOR/COORDINATOR Stephen Gallagher after appearing on Sports Illustrated’s swimsuit issue. WEB DESIGN/ADMINISTRATION Andrew Tetzlaff GRAPHIC DESIGN Ka-Yin Kwok 3 Murder She Said, (George Pollack; 1961) [UK] (A EMAIL [email protected] WEB http://www.schoolofartgalleries.dsc.rmit.edu.au fi lm adaptation of Agatha Christie’s novel, ‘4.50 from TELEPHONE 03 9925 4971 GALLERY OPENING HOURS Monday - Friday: 9.30am to 5.00pm Paddington’) THE BODY 4 Crime Scene Investigation: An elite team of police forensic evidence investigation experts works their cases in The Printmaking Summer Residency Exhibition 2007 Las Vegas. First screened 6 October 2000 (USA) http:// The Printmaking Summer Residency 2006/2007 www.imdb.com/title/tt0247082 Curated by RICHARD HARDING 5 Alex Carroll, Artist statement [2007] In the summer of 2006/2007 RMIT Project Space/Visual Arts commissioned artist/curator Richard Harding to invite seven 6 William Kentridge, cited in Carolyn Christov-Bakargiev in artists to participate in the RMIT School of Printmaking’s Summer Residency Program. The premise of this years residency conversation with William Kentridge, Phaidon Press Ltd., ALEXANDER CARROLL is that all the artists practices are linked through their interest pertaining to ‘the body’. -
Annual Report 2008–09 Annu Al Repor T 20 08–0 9
ANNUAL REPORT 2008–09 ANNUAL REPORT 2008–09 REPORT ANNUAL ANNUAL REPORT 2008–09 The National Gallery of Australia is a Commonwealth authority established under the National Gallery Act 1975. The vision of the National Gallery of Australia is the cultural enrichment of all Australians through access to their national art gallery, the quality of the national collection, the exceptional displays, exhibitions and programs, and the professionalism of Gallery staff. The Gallery’s governing body, the Council of the National Gallery of Australia, has expertise in arts administration, corporate governance, administration and financial and business management. In 2008–09, the National Gallery of Australia received an appropriation from the Australian Government totalling $78.494 million (including an equity injection of $4 million for development of the national collection and $32.698 million for Stage 1 of the building extension project), raised $19.32 million, and employed 256.4 full- time equivalent staff. © National Gallery of Australia 2009 ISSN 1323 5192 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Produced by the Publishing Department of the National Gallery of Australia Edited by Eric Meredith Designed by Carla Da Silva Printed by Blue Star Print, Canberra National Gallery of Australia GPO Box 1150 Canberra ACT 2601 nga.gov.au/reports -
PETER WESTWOOD Peter Westwood Is an Artist, Curator and Arts Writer
PETER WESTWOOD Peter Westwood is an artist, curator and arts writer living in Melbourne. Peter completed his undergraduate study, a Diploma of Fine Art at the University of Ballarat in 1978. His postgraduate studies include a Graduate Diploma in Fine Art from RMIT University (1981), a Graduate Diploma of Education from the University of Melbourne (1982) and a Master of Arts by Research from Monash University (1995). He is currently completing his PhD at RMIT University. His PhD research topic is titled Transition and passage: Agency and the idiom of Painting as a marker of change. Peter’s painting reveals or describes perpetual change in order to capture or embody the passing nature of experience. His practice focuses on both the production and installation of painting as a method to present ideas of social experience as a type of unending passivity shaped through continuous viewing and consumption. Peter has been included in group, and individual exhibitions in public and commercial galleries in Australia and overseas. He has curated two to three annual exhibition projects for the past 20 years in Australia, and periodically overseas. Peter is employed at RMIT University in the School of Art as a Senior Lecturer and is Program Coordinator of the Honours Program. SOLO EXHIBITIONS 2017 After all, NKN Gallery, Melbourne 2015 The Poor Hospital (passage and fate), NKN Gallery, Melbourne 2013 Drive, Blindside ARI, Melbourne Staring back at the world, Boutwell Draper Gallery, Sydney WEB: blockprojectsgallery.com ADDRESS: Level 1 / 252 Church -
Annual Report 2013–14 Chair’S Report
Art Gallery of Ballarat Annual Report13–14 Annual Report 2013–14 Chair’s Report .................................................................................................4 Director’s Report ...........................................................................................6 Association Report .......................................................................................8 Gallery Guides Report .............................................................................10 Adopt an Artwork.......................................................................................12 Donations, Gifts, and Bequests .........................................................14 Acquisitions .................................................................................................16 Outward Loans..............................................................................................38 Exhibitions ...................................................................................................26 For Auld Lang Syne..................................................................30 Touring Exhibitions ...................................................................................34 Publications............................................................................42 Education Report .......................................................................................44 Public Programs ..........................................................................................50 Gallery Staff and Volunteers