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Program Evaluation of a Suicide Prevention Walk: Finding Postvention Opportunities for Promoting Resilience in Survivors of Suicide Loss Lisa A
James Madison University JMU Scholarly Commons Educational Specialist The Graduate School Spring 2012 Program evaluation of a suicide prevention walk: finding postvention opportunities for promoting resilience in survivors of suicide loss Lisa A. Cooper Ellison James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/edspec201019 Part of the Psychology Commons Recommended Citation Ellison, Lisa A. Cooper, "Program evaluation of a suicide prevention walk: finding postvention opportunities for promoting resilience in survivors of suicide loss" (2012). Educational Specialist. 48. https://commons.lib.jmu.edu/edspec201019/48 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Educational Specialist by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Program Evaluation of a Suicide Prevention Walk: Finding Postvention Opportunities for Promoting Resilience in Survivors of Suicide Loss Lisa Ellison A research project submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Educational Specialist Department of Graduate Psychology May 2012 Dedication This study and the accompanying training manual are dedicated to all people who light the way during our darkest moments and to the courageous survivors of suicide loss who daily put one foot in front of the other and work to find meaning from pain and loss. It has been created in honor of my family and my brother, Joe, whose life and death has challenged me to love more deeply and live more compassionately. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Topsail Island & Pender County
Topsail Island & Pender County Atkinson • Burgaw • Hampstead • Holly Ridge • North Topsail Beach • Scotts Hill • Sneads Ferry • Surf City • St. Helena • Topsail Beach • Watha 2 Find Your Treasure 2018 T H E T O P S A I L I S L A N D T R A D I N G C O M P A N Y 2 0 1 N O R T H N E W R I V E R D R T H E T O P S A I L I S L A N D T R A D I N G C O M P A N Y T H E T O P S ASIULR IFS LCAI TNYD, NT RCA 2D8I 4N4G5 C O M P A N Y 2 09121 0N1- 3 ON2 RO8 -RT1TH9H0 5NN/E8W0W0 -R 7RI V6I2EV-RE1 D2R5R 7D R WSWUWSRU.FTRO FCP CISTIATYIYL,,T NR ACCD 2 I28N48G44.5C4O5M 9 1 09-1302- 382-81- 1990055// 8 0000- 7- 6726-21 -2 15 72 5 7 T H E WT OWPWSWWA.IWTLO. TI SOPLPSASANAIIDLL T TRRRAAADDDI NI NG .GGC O.CCMOOMMP A N Y 2 0 1 N O R T H N E W R I V E R D R 2018 S U R F C I T FindY , N C Your2 8 4 4 5 Treasure 3 9 1 0 - 3 2 8 - 1 9 0 5 / 8 0 0 - 7 6 2 - 1 2 5 7 W W W . T O P S A I L T R A D I N G . -
Sexy Songs: a Study of Gender Construction in Contemporary Music Genres Lea Tessitore Union College - Schenectady, NY
Union College Union | Digital Works Honors Theses Student Work 6-2012 Sexy Songs: A Study of Gender Construction in Contemporary Music Genres Lea Tessitore Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Feminist, Gender, and Sexuality Studies Commons, and the Musicology Commons Recommended Citation Tessitore, Lea, "Sexy Songs: A Study of Gender Construction in Contemporary Music Genres" (2012). Honors Theses. 910. https://digitalworks.union.edu/theses/910 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. i “Sexy” Songs: A Study of Gender Construction in Contemporary Music Genres By Lea M. Tessitore * * * * * * * * * * Senior Thesis Submitted to the Political Science Department in Partial Fulfillment of the Requirements for Graduation UNION COLLEGE March 2012 ii Acknowledgements I would like to extend a heartfelt Thank You To my Mom Your complete support made everything possible To all of my Professors at Union For helping me to grow intellectually and as a person To my Friends For being wonderful colleagues and for being true friends iii Table of Contents Preface……………………………………………………………………………………v Introduction………………………………………………………………………………1 Chapter I………………………………………………………………………………….5 Rap/Hip-Hop Music Chapter II….…………………………………………………………………………….33 Country Music Chapter III…………….…………………………………………………………………67 Punk Rock Music Conclusion……………………………………………………………………………...99 Bibliography…………………………………………………………………………..113 iv “One is not born, but rather becomes, a woman.” - Simone de Beauvoir “Music expresses that which cannot be said and on which it is impossible to be silent.” - Victor Hugo v Preface This study focuses on gender construction in contemporary music genres, including Rap/Hip-hop, Country, and Punk Rock. -
Record of Decision North Topsail Beach Restoration Project
Record of Decision North Topsail Beach Restoration Project Decision and Reasons for the Decision US Department of Agriculture, Rural Development is considering an application from the City of North Topsail Beach, Onslow County, North Carolina for a Direct Community Facilities Loan to fund one phase of a beach restoration project at North Topsail beach. The amount of the proposed loan is $16.2 million. The US Department of Agriculture (USDA), Rural Development Program requires such an application to undergo an environmental analysis in compliance with its NEPA regulations at 7 CFR 1940-G as part of the acceptance of the loan application. Rural Development proposes to adopt the Final Environmental Impact Statement (FEIS) prepared by the U.S. Army Corps of Engineers (Corps) for the Topsail Beach Shoreline Protection Project (December, 2009). The Corps issued a Record of Decision (ROD) in 2011 granting a permit for the beach nourishment activities and set special conditions for the permitee to mitigate potential impacts to important environmental resources. The proposed action is to guarantee a loan to fund one phase (Phase 5) out of the five phases of the project identified as Alternative 3 in the FEIS. The impacts to the environment of the proposed action, as well as a range of suitable alternatives, were analyzed in the Final EIS and incorporated alternatives and modifications to alternatives in response to public comment and agency analyses. Additional mitigation measures and management practices were incorporated into Alternative 3 of the FEIS, and the subsequent Corps ROD. The Corps FEIS and ROD documentation are available on the following website: http://www.rurdev.usda.gov/rhs/pss/EnvironmentalDocuments.htm RD has evaluated the analyses of the FEIS, and subsequent mitigation actions, and has determined that the FEIS meets the standards for NEPA compliance under its implementing regulations. -
Between Two Worlds: an Interview with Shirin Neshat,” Feminist Studies, Fall, 2004
Scott MacDonald, “Between Two Worlds: An Interview with Shirin Neshat,” Feminist Studies, Fall, 2004 Between Two Worlds: An Interview with Shirin Neshat Speechless, 1996. RC print. © 1996 Shirin Neshat. Photo by Larry Barns. Courtesy of Barbara Gladstone Gallery, New York City. A native of Qazvin, Iran, Shirin Neshat finished high school and attended college in the United States and once the Islamic Revolution had transformed Iran, decided to remain in this country. She now lives in New York City, where she is represented by the Barbara Gladstone Gallery. In the mid-1990s, Neshat became known for a series of large photographs, “Women of Allah,” which she designed, directed (not a trained photographer, she hired Larry Barns, Kyong Park, and others to make her images), posed for, and decorated with poetry written in Farsi. The “Women of Allah” photographs provide a sustained rumination on the status and psyche of women in traditional Islamic cultures, using three primary elements: the black veil, modern weapons, and the written texts. In each photograph Neshat appears, dressed in black, sometimes covered completely, facing the camera, holding a weapon, usually a gun. The texts often appear to be part of the photographed imagery. The photographs are both intimate and confrontational. They reflect the repressed status of women in Iran and their power, as women and as Muslims. They depict Neshat herself as a woman caught between the freedom of expression evident in the photographs and the complex demands of her Islamic heritage, in which Iranian women are expected to support and sustain a revolution that frees them from Western decadence and represses dimensions of their individuality and creativity. -
World War II Heritage Guide Map Rented Rooms to Soldiers and War Workers, and Blackouts
outs and dim-outs. German U-boats marauding and a crime wave, and apply equal justice. W IlMINgtoN at War offshore spilled debris from sunken Allied ships Citizens became volunteer airplane spotters, Southeastern North Carolina was a mighty on favorite bathing beaches. Until 1944, the Inland Waterway boat patrollers, air raid war- contributor to the U.S. war effort in World War orld ar threat remained of German attack by sea and air. dens and auxiliary police and firemen. Women W W II II. Wilmington was called “The Defense Capital The community coped with a dire housing short- excelled in the Aircraft Warning Service, war of the State” and became the country’s unique age, and strains on schools, transportation, med- wartime boomtown. The once-quiet city, geo- bond and scrap drives, and as Red Cross nurse's ical and social services, law enforcement, food aides. All of this was undertaken into 1944 graphically isolated for decades, suddenly found supply, security and entertainment. Families erItage through continuing low-light dim-outs and beach H itself an exploding center of military life and World War II Heritage Guide Map rented rooms to soldiers and war workers, and blackouts. defense production. historic houses were cut up into apartments. Each branch of the armed forces stationed Racially segregated entertainment and social of and The population more than doubled with the life proceeded, despite rationing of gasoline, Wilmington thousands in the area ---- the Army Air Forces at influx of military personnel, war workers and uIde ap tires, sugar, coffee, and whiskey. Front Street, Southeastern North Carolina g M the airport, the Army at Camp Davis and Fort their families. -
Barefacts17-05-02
17/05/02 The University of Surrey Students’ Newspaper www.ussu.co.uk Issue no: 1033 FREE Last Barefacts of the year - All the best for the future! News In Brief BY MIKE CHAMBERS Rail Crash: Sabotage? Surrey Students A pair of nuts at the centre of the Potters Bar rail crash inquiry were discovered loose nine days before the accident, it has been revealed. Rail maintenance contractor Jarvis has said it made the discovery during a routine Shed Apathy check on 1 May. A spokesman said BY TRISTAN O’DWYER don’t want to use their reserves for the nuts were screwed back in place Editor this work then they should come - but were found detached again after forward with them, rather than hid- the accident on 10 May which killed Around 200 students from the ing behind this non-existent HEFCE seven and injured more than 40. The University of Surrey Students’ guideline smoke screen.” news comes on the day the Health and Union turned out to protest against One protesting student said, Safety Executive released its interim the University’s plans to raise “although I won’t be at Uni in four report into the crash, which confirmed accommodation costs by nearly 24% years time I don’t think it’s fair to that a fault in a set of points south of over the next four years, in its first dump the costs onto the shoulders the station caused the derailment. The protest in 30 years. The University of students. Besides, I’ll probably be HSE report showed there was no signal argues that the rises are needed to living in Guildford and I don’t want failure, no driver error and no evidence fund refurbishments due to under private rents to go up as a result.” to support vandalism theories. -
JUN 1 61983 Archives LIBRARIES ABSTRACT
Flights of Love poems by Peter Cerrato SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF BACHELOR OF SCIENCE IN HUMANITIES at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY May 1983 ejPeter Cerrato 1983 The author hereby grants to M.I.T. permission to renroduce and to distribute copies of this thesis in whole or in part. Signature of Author Department of Humanities May 5th, 1983 Certified by P of. Stephen Tapscott U T is Tutor Accepted by. Prof. Travis R. Merritt MASSACHUSETTS INSTITUTE Director, Humanities Major Programs OF TECHNOLOGY .JUN 1 61983 Archives LIBRARIES ABSTRACT This thesis consists of a collection of original poems and translations of Pablo Neruda's Odas Elementales. The three sections each contain nine poems or translations, the translations appearing in the second section at the heart of the collection. The Ode to Hope introduces the collection. To my teachers. Ode to Hope I. The Wind In My Heart To Return Home Intimate Landscapes: I The Gates Of Hell Ana Marie Serves Tea building cages . breaking through with our bare hands we dig a tunnel for the sun Hewitt School Playground At Dusk What The Grass Knows II. Translations from Pablo Neruda's Odas Elementales Ode to Winter Ode to a Happy Day Ode to Bread Ode to Wine Ode to Numbers Ode to Love Ode to Time Ode to a Seagull Ode to a Magnolia III. As time goes by, Returning Home Love Poem and blow the candles out. Volvo The Brave Always Return Smoke Signal Avram, Autumn Ode to Hope An ocean sunset in the middle of my life: the waves like grapes, solitude of the sky, you overwhelm and overflow me: all the sea, all the sky, motion and space, the white batallions of the foam, the orange earth, the burning waist of the sun in its agony: so many gifts and gifts, birds that return to their dreams, and the sea, the sea, suspended scent, chorus of resounding salt! Meanwhile, we, the people, beside the water, struggling and hoping, beside the ocean, hoping. -
Overview of Oceanfront Shorelines: Cape Lookout to Sunset Beach, NC
Overview of Oceanfront Shorelines: Cape Lookout to Sunset Beach, NC Prepared By William J. Cleary Prepared for Moffat & Nichol August 8, 2008 Overview of Oceanfront Shorelines: Cape Lookout to Sunset Beach, NC By William J. Cleary NORTH CAROLINA COASTAL SETTING A map of the NC coastal system reflects major differences in the geological heritage derived from the underlying geological framework (Riggs et al., 1995). Cape Lookout separates the 336 mile long coastline into two distinct provinces (Fig. 1). Each province has a unique geologic framework that results in distinctive types of coastal features. The northern province is underlain primarily by unconsolidated sediments of Quaternary age that thicken northward to fill the Albemarle Embayment with up to 230 ft of material. The low-lying coastal area that has evolved along this gentle depositional surface consists of wide shallow bays fronted by long narrow barriers. A few hardbottoms of Pleistocene age are found scattered across the shoreface (Riggs et al., 1992, 1995; Boss and Hoffman, 1999). In contrast, the coastal system in the southern province, from Cape Lookout (Figs. 1 and 2) south to the South Carolina border, is underlain by rock units that range in age from the Upper Cretaceous through the Pleistocene (Meisburger, 1977 and 1979; Snyder et al., 1982; Snyder et al., 1994 and Cleary et al., 1996). In this region, only a thin and highly variable veneer of sediments of Quaternary age is preserved. The underlying units are associated with the Carolina Platform that underlies the region between Myrtle Beach, SC and Cape Fear, NC. This structural platform has risen slightly causing the units to dip to the north and east, causing them to be truncated by the shoreline and the shoreface. -
Et Cetera English Student Research
Marshall University Marshall Digital Scholar Et Cetera English Student Research 1993 et cetera Marshall University Follow this and additional works at: https://mds.marshall.edu/english_etc Part of the Appalachian Studies Commons, Children's and Young Adult Literature Commons, Feminist, Gender, and Sexuality Studies Commons, Fiction Commons, Nonfiction Commons, and the Poetry Commons Recommended Citation Marshall University, "et cetera" (1993). Et Cetera. 31. https://mds.marshall.edu/english_etc/31 This Article is brought to you for free and open access by the English Student Research at Marshall Digital Scholar. It has been accepted for inclusion in Et Cetera by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. ET CETERA 1993 the literary magazine of marsha1l university EDITORS-IN-CHIEF shawn holliday tim morton EDITORIAL BOARD lynda keith, staci provezis, tony ramey, heather reed, jamie schneider, chris short, donna turner, brad white TYPIST lynda keith PROSE JUDGES dr. nancy lang dr. debra teachman POETRY JUDGE dr. richard badenhausen AWARDS first place prose: OF MOOSE AND MAN brad white second place prose: THE WANTS OF A NOMAD lynda b. keith third place prose: MURMURS OF NOSTALGIA lynda b. keith first place poetry: FOLLOWING A COW DOWN ROUTE 52 IN THE RAIN dennis watts second place poetry: SIMILES david profltt third place poetry: THE MAGIC OF APPALACHIA robert 1. jones · CONTENTS 1 MURMURS OF NOSTALGIA lynda b. keith 5 SIMILES david profitt 6 FRUSTRATION teny abbott 6 CHOIRBOY sheenagh k. fraley 7 PEACE alice fay meadows 7 IN THE NAME OF GOD nandini a. -
Finding Us Come to North Topsail Island
Come to North Topsail Island Welcome to beautiful North Topsail Island, North Carolina. Home of miles upon miles of beautiful, golden, pristine sand! Visit every summer! Are you looking for an oceanfront, condominium with a pool? I can help! Haven’t vacationed here before? North Topsail Island, North Carolina is the best kept secret on the Crystal Coast! We are not overcrowded like some other vacation spots along Eastern North Carolina (NC)! North Topsail Beach is one of the premier vacation spots that is sure to lure you back year after year! Finding Us We are located at North Topsail Beach, NC. Directions from the North: Take US 15 South to Washington, then stay straight on I-270 South, I-270 local, I-270 South, I-270 Spur South, Route 495 South to I-95 South splits toward RICHMOND. Stay on I-95 South through VIRGINIA & NORTH CAROLINA. In North Carolina exit onto NC Route 264, Beltway around Wilson. Take Route NC-58 South to NC-58/13. Stay NC-58 South. Take NC-258 South to NC-258/70. NC-258 South turns off don’t miss it. Take NC-258/24 to the ‘T’ @ NC-17. Turn Right on NC Route 17 for approx. 12.3 miles. Turn Left onto NC Route 210 for approx 8.1 miles over the Intercostal Water Way Bridge to Left Turn onto New River Inlet Road (just past the Police Station on your left). Go 4.1 miles to Topsail Dunes Sign on your right. Turn in at first entrance which is Building #1.