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Gendered Framing of the Rock and Roll Lifestyles of Amy Winehouse and Pete Doherty in British Broadsheets
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Erasmus University Digital Repository Accepted manuscript of: Berkers, Pauwke & Merel Eeckelaer. 2014. Rock and roll or rock and fall? Gendered framing of the rock and roll lifestyles of Amy Winehouse and Pete Doherty in British broadsheets. Journal of Gender Studies 23(1): 3-17. http://www.tandfonline.com/doi/full/10.1080/09589236.2012.754347#.U5gN-LRpP2k Rock and roll or rock and fall? Gendered framing of the rock and roll lifestyles of Amy Winehouse and Pete Doherty in British broadsheets Pauwke Berkers ([email protected]) Department of Art and Culture Studies (ESHCC), Erasmus University Rotterdam Merel Eeckelaer Abstract Combining insights from gender, popular music, and celebrity studies, this article addresses to what extent British broadsheets frame Amy Winehouse and Pete Doherty differently with regard to their rock and roll lifestyle. Our content analyses of The Guardian and The Independent indicate clear gender differences. First, Doherty's excessive behavior is often framed in positive terms (rock and roll), while the media discuss Winehouse's conduct more negatively (rock and fall). Second, British newspaper journalists admire Doherty's courage to lead such a lifestyle, oftentimes justifying – or even negating – his behavior, arguing he is an independent individual or even a hero. Such adoration is absent when Winehouse's escapades are reported on; most articles treat her as a victim, expressing concern regarding her poor health. As such, our findings show how music journalists use relational complicit practices – admiration/justification/negation of male and victimization of female enactment of hegemonic masculinity – to maintain masculine monopoly over the archetypical rock and roll lifestyle. -
Program Evaluation of a Suicide Prevention Walk: Finding Postvention Opportunities for Promoting Resilience in Survivors of Suicide Loss Lisa A
James Madison University JMU Scholarly Commons Educational Specialist The Graduate School Spring 2012 Program evaluation of a suicide prevention walk: finding postvention opportunities for promoting resilience in survivors of suicide loss Lisa A. Cooper Ellison James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/edspec201019 Part of the Psychology Commons Recommended Citation Ellison, Lisa A. Cooper, "Program evaluation of a suicide prevention walk: finding postvention opportunities for promoting resilience in survivors of suicide loss" (2012). Educational Specialist. 48. https://commons.lib.jmu.edu/edspec201019/48 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Educational Specialist by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Program Evaluation of a Suicide Prevention Walk: Finding Postvention Opportunities for Promoting Resilience in Survivors of Suicide Loss Lisa Ellison A research project submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Educational Specialist Department of Graduate Psychology May 2012 Dedication This study and the accompanying training manual are dedicated to all people who light the way during our darkest moments and to the courageous survivors of suicide loss who daily put one foot in front of the other and work to find meaning from pain and loss. It has been created in honor of my family and my brother, Joe, whose life and death has challenged me to love more deeply and live more compassionately. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
Yazoo Discography
Yazoo discography This discography was created on basis of web resources (special thanks to Eugenio Lopez at www.yazoo.org.uk and Matti Särngren at hem.spray.se/lillemej) and my own collection (marked *). Whenever there is doubt whether a certain release exists, this is indicated. The list is definitely not complete. Many more editions must exist in European countries. Also, there must be a myriad of promo’s out there. I have only included those and other variations (such as red vinyl releases) if I have at least one well documented source. Also, the list of covers is far from complete and I would really appreciate any input. There are four sections: 1. Albums, official releases 2. Singles, official releases 3. Live, bootlegs, mixes and samples 4. Covers (Christian Jongeneel 21-03-2016) 1 1 Albums Upstairs at Eric’s Yazoo 1982 (some 1983) A: Don’t go (3:06) B: Only you (3:12) Too pieces (3:12) Goodbye seventies (2:35) Bad connection (3:17) Tuesday (3:20) I before e except after c (4:38) Winter kills (4:02) Midnight (4:18) Bring your love down (didn’t I) (4:40) In my room (3:50) LP UK Mute STUMM 7 LP France Vogue 540037 * LP Germany Intercord INT 146.803 LP Spain RCA Victor SPL 1-7366 Lyrics on separate sheet ‘Arriba donde Eric’ * LP Spain RCA Victor SPL 1-7366 White label promo LP Spain Sanni Records STUMM 7 Reissue, 1990 * LP Sweden Mute STUMM 7 Marked NCB on label LP Greece Polygram/Mute 4502 Lyrics on separate sheet * LP Japan Sire P-11257 Lyrics on separate sheets (english & japanese) * LP Australia Mute POW 6044 Gatefold sleeve LP Yugoslavia RTL LL 0839 * Cass UK Mute C STUMM 7 * Cass Germany Intercord INT 446.803 Cass France Vogue 740037 Cass Spain RCA Victor SPK1 7366 Reissue, 1990 Cass Spain Sanni Records CSTUMM 7 Different case sleeve Cass India Mute C-STUMM 7 Cass Japan Sire PKF-5356 Cass Czech Rep. -
BBC Music Booklet Celebrating 80 Years of Music.Pdf
Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music. -
Ad Extremum Terrae
Ad Extremum Terrae Anthology of Dystopias and of Ways of Loving T C Kid Through this collection of texts, narratives are seen as opportunities rather than destinies; an invitation to multiple futures rather than to a fixed fate. It is a concession to continue, change and speculate around resolved or unresolved threads. By walking through poems that are meant to be songs, sliding on misplaced words and getting lost in incoherent paths, otherness is seen as a liquid territory. This anthological attempt naively rethinks our shapes, identities, ways of loving and clum- sily tries to exceed human-centered logics. We hope it is inviting enough to meander through a mutating space that could be as small as a village and as infinite as the Internet network. A group of physicists researching on string theory and other possible unified theo- ries were trying to determine how many dimensions the universe has, with the hope of finding alternative ways to preserve our dying planet. Ecologists, on their side, were attempting to give sovereignty back to nature as a radical solution to the water shortage announced for 2050. Both parties decided to unite forces to subject humanity to a massive structural revolution. The process of intervening both at the cosmological and planetary level triggered a second big bang, this time involving dimensions. All dimensions were subjected to interac- tions that led to the merging of some, the splitting of others and the disappearance of a few of them. The result was a highly non-linear mix of known time and space with other previously unknown dimensions that led to a host of unexpected phenomena. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Open PDF 326KB
Digital, Culture, Media and Sport Committee Oral evidence: Economics of music streaming, HC 868 Tuesday 23 February 2021 Ordered by the House of Commons to be published on 23 February 2021. Watch the meeting Members present: Julian Knight (Chair); Kevin Brennan; Steve Brine; Alex Davies-Jones; Clive Efford; Julie Elliott; Damian Green; Damian Hinds; John Nicolson; Giles Watling; Mrs Heather Wheeler. Questions 580 to 709 Witnesses I: Paul Firth, Director of International Music, Amazon; Horacio Gutierrez, Head of Global Affairs and Chief Legal Officer, Spotify; and Elena Segal, Global Senior Director of Music Publishing, Apple Inc. Examination of witnesses Witnesses: Paul Firth, Horacio Gutierrez and Elena Segal. Q580 Chair: This is the Digital, Culture, Media and Sport Select Committee and our latest hearing into the economics of music streaming. We are joined today by Paul Firth, Director of International Music at Amazon, Horacio Gutierrez, Head of Global Affairs and Chief Legal Officer at Spotify, and Elena Segal, Global Senior Director of Music Publishing at Apple. Thank you, Paul, Horacio and Elena, for joining us today. Before our first question, I will go to our members to get their interests. Kevin Brennan: I am a member of the Musicians’ Union and PRS for Music. Alex Davies-Jones: I am a member of the Musicians’ Union. Chair: Is there anyone else? No, okay. Our first questions come from John Nicolson. John Nicolson: Thank you so much for joining us today. Horacio, may I start with you, please? We have been hearing a lot about Spotify in the course of this hearing and what we hear consistently from musicians is that they feel they are exploited, underpaid and earning far too little for the amount of work that they put in. -
Tt Newsletter / Issue 4 : May 2010
OFFICIAL ISLE OF MAN TT NEWSLETTER / ISSUE 4 : MAY 2010 Welcome ����������� Contents 01 MONSTER ENERGY TO FUEL TT RACES 02 VIEW FROM THE GRID WITH GUY MARTIN 03 NEWS FROM OUR PARTNERS: TT PROGRAMME NEW LOOK WEBSITE SURE LAUNCH TT TEXTLINE 04 TT MARSHALS ASSOCIATION NEWS Above: A number of TT stars were on hand to help launch the 2010 TT Races with new 05 TT ZERO NEWS presenting sponsor Monster Energy. 06 FESTIVAL NEWS: SPANISH DUO TO VISIT TT 2010 PRESS DAYS 07 FESTIVAL NEWS: THREE HEADLINE MUSIC ACTS CONFIRMED THE LAST WORD Above: Current King of the Mountain John McGuinness gives a helping hand at the Monster Energy Launch. NEW PRESENTING SPONSOR Monster Energy on board to fuel the 2010 TT Races An exciting new partner has been confi rmed world’s most talented motorcycle racers and it is a privilege to be for the 2010 TT Races: associated with it.” As part of their sponsorship, the brand will live up to its reputation Energy drink Monster Energy is the latest top brand to back the TT for putting on a show in the form of music and high profi le races, coming on board as the overall presenting sponsor. As part of appearances from Monster Energy endorsed ambassadors. the deal they will also endorse the Supersport Races. The TT Races will now carry the credit ‘fuelled by Monster Energy’. The company will look to bring in the Monster Army Camp, DJs as well as feeding the spectacle on the promenade alongside the Monster Energy, who also sponsor Valentino Rossi, Ken Block already scheduled entertainment programme. -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
OSA-AMP-2005-04.Pdf (5.321Mb)
Office of Student Affairs 2005-04-01 A Modest Proposal, vol. 1, no. 4 Geoff Barry, et al. © 2005 A Modest Proposal Find more information about this article here. This document has been made available for free and open access by the Eugene McDermott Library. Contact [email protected] for further information. lllustrat1011 by Luke McKelllJ! repnnted wrth perT'fliSSIO(I from The liTO MeiCUry - see the full story p.3 - A Mon:r.sr 1'1\0POSAL Aprtl2005 'C: 3 CovER STORY -. 4 Incensed by nonsense in censorship by Bobby Janecka the wonderful progress Coleman is mak But would this have really hurt the pro review by the faculty," Eggspuehler said. ing in instituting a new University policy posal for mid-term grades? Said Coleman, They appeal only to the prudence of the [email protected] of mid-term grades for all students. Egg "'t's been my experience that when you paper's editors, hoping that they would re In a recent issue of 7ht UTD Mn-cu spuehler and 7he Mn-rory learned of the have a new initiative and you go public consider how vital certain information is if ry a seemingly innocuous pair of articles proposal at an SGA meeting, where Cole with it before you have it well organized ... it is in part harmful to the university. slipped under the radar of most readers. man was presenting it in hopes for an en then people's opinions can galvanize about Admittedly, this highlights two exam Two pieces by editor Chad Eggspuehler dorsement of student support. -
UNIVERSAL MUSIC • Imagine Dragons – Smoke + Mirrors (Fan Pack) • Emile Haynie – We Fall • Misterwives – Our Own Ho
• Imagine Dragons – Smoke + Mirrors (Fan Pack) • Emile Haynie – We Fall • MisterWives – Our Own House New Releases From Classics And Jazz Inside!!! And more… UNI15-07 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 *Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: SHANIA TWAIN // STILL THE ONE: Live From Vegas (BLU-RAY) Cat. #: EVB335029 Price Code: BC Order Due: February 5, 2015 Release Date: March 3, 2015 File: Pop Genre Code: 33 Box Lot: 25 8 01213 35029 2 Artist/Title: SHANIA TWAIN // STILL THE ONE: Live From Vegas (DVD) Cat. #: EV307009 Price Code: KK 8 01213 07009 1 Synopsis The original queen of crossover country-pop and the world’s best-selling female country artist of all time, Shania Twain, stars in her spectacular show “Shania: Still The One”. This ground-breaking residency show was filmed live at The Colosseum at Caesars Palace, Las Vegas where it began its run on December 1st, 2012. “Shania: Still The One” was created by Shania Twain and directed by Raj Kapoor. It takes the audience on a powerful journey through Shania’s biggest hits, country favourites and beloved crossover songs. Glamorous costumes, a 13-piece live band, backing singers and dancers are combined with stunning visuals and live horses to create the ultimate Las Vegas entertainment and to prove that Shania Twain is undoubtedly Still The One! Bonus Features Backstage Pass – an hour long documentary telling the story of the creation and staging of this amazing live show. Key Selling Points • Filmed in high definition and simultaneously released on Blu-ray.