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the transbay Creative Music Calendar MARCH 2008 CONCERT REVIEW BY MATTHEW GOODHEART lachenmann at mills In January of 2008, German composer Helmut Lachenmann visited Mills College as the Jean Macduff Vaux visiting composer-in-residence. In addition to lecturing in music classes, he gave a public lecture on Thursday, January 24th, and a concert of his works was performed on Saturday, January 26th. The following article is the first of two installments, the second of which to be published in April issue of the Transbay Creative Music Calendar. Part I - Lecture Saturday night, the concert is over. I see one of my friends, a local guitarist, composer The Jon Raskin Quartet at Climate Theater Music Box Series, San Francisco, January 15, 2008 and improviser. A semblance of our PHOTO BY CELESTE HUTCHINS conversation, as I remember it: CD REVIEW BY PHILLIP GREENLIEF What did you think? I think I prefer his music on CD. I can lie jon raskin quartet: on the floor and crank it. I know the sounds aren’t really that loud, but I love it that way. the landmark review Thursday night, Lachenmann stands behind On Jon Raskin’s newest Rastascan Records ended forms to assemble on their own free the podium, beautifully crafted from self-titled release, the Oakland saxophonist will, the quartet is able to compose with Hawaiian hardwood by a carpenter whose has made an emblematic statement of recent clear motives that can be moved in modular daughter went to Mills, and lectures. Art, activity on the local creative music scene by fashions. New performances of old works what is art, what is art about. What is and utilizing a variety of graphic scores and free can always be re-visited in new ways. isn’t. His daughter loves house-music. improvisation to push his band mates in new The results are more than satisfying. It is He says they argue over whether it is art, directions. and subsequently enters into a lengthy particularly nice to hear a group that has description of the clamorous nature of his By adapting his compositional methods chosen to wait to record after having played dishwasher. At first we think he is making to the classic quartet lineup ushered in quite a lot over the past few years. Deep a comparison between the sound of house- by Ornette Coleman in the early 1960s group communication and an expansive music and the sound of a dishwasher, listeners can trace the development of sound vocabulary among the players an observation I find startlingly acute. (I improvised activity since the dawn of free are evident from the first phrases of the say this as a firm advocate of listening jazz into an era where improvisers are asked opening track Cracked Earth and remain closely to one’s dishwasher.) However, to compose on the spot with a variety of in tight focus on group improvisations like it soon becomes clear he is talking about iconic stimulus. Raskin’s compositions Disdrometer Reading. something else. Approximately; “Art is use visual elements found in nature (color- It isn’t a surprise to hear such astonishing not something you can listen to as your copied flora in organized and collage results when you have a quartet that features dishwasher is making noise, it requires your forms), fragments from paintings and visual some of the finest players on their respective full concentration, since every element is art, icons embedded with game strategies instruments in the bay area scene (and essential. If I can listen to it while putting or compositional motives, tone rows, or beyond). Liz Allbee careens from the most away the dishes, and not miss anything, then traditionally notated melodic phrases. By gorgeous pure-tone trumpet motifs to crusty it is entertainment, not art.” offering the musicians basic tools and open- deconstructed noises at a moment’s notice. continued on Page 4 continued on Page 5 the san francisco bay area monthly publication for experimental/improvised/noise/electronic/freejazz/outrock/21st century transgenred music and sonic art the transbay Creative Music Calendar Tuesday March 4 Yerba Buena Center for the Arts • 8pm $25 No Cover Revolution Cafe • 9pm 9th Annual SFJAZZ Spring Season Presents Ton Trio with Aram Shelton: alto & soprano Climate Theatre • 8pm $7-$12 Nik Bärtsch’s Ronin; The Frequency saxophones, Kurt Kottheimer: bass, Sam 8:00pm Lance Burden Ospovat: drums 9:00pm Go-Go Fightmaster with Vijay Anderson, Saturday March 8 Sunday March 9 Lisa Mezzacappa, Aaron Bennett, John Root Division • 7pm Donation Finkbeiner Sound Device 924 Gilman Street • 4pm Donation Yerba Buena Center for the Arts • 8pm $25 An exhibition of contemporary sound art Benefit for 21 Grand 9th Annual SFJAZZ Spring Season Presents devices including installations, interactive Curse of the Birthmark, High Places, Mute Travis Sullivan’s Björkestra; Realistic Orchestra devices, performances, and quiet evocations. Socialite Performances by Katrina Lamb, Jeff Ray, Rafael MARCH Luggage Store Gallery • 8pm $6-10 Canedo Musicians Union Hall • 8pm $10/$8 Outsound Presents New Music Series Outsound Presents...The SIMM Series An evening with Jack Wright with Tom Djll, Yerba Buena Center for the Arts • 8pm $25 Jack Wright w/ Matthew Goodheart, Fabrizio Aurora Jacobson, and Ava Mendoza 9th Annual SFJAZZ Spring Season Presents 2 Foot Yard; Iron & the Albatross Yerba Buena Center for the Arts • 8pm $25 Mills College Lisser Theatre • 8pm Free 9th Annual SFJAZZ Spring Season Presents Signal Flow Mills College Lisser Theatre • 8pm Free Third World Love; Yaron Herman Signal Flow work by Mills Music Department MFA and MA Mills College Lisser Theatre • 8pm Free students. 7pm installations, 8pm concert work by Mills Music Department MFA and MA students. 7pm installations, 8pm concert Signal Flow Friday March 7 work by Mills Music Department MFA and MA 1510 8th St Performance Space • 8pm $6-10 students. 7pm installations, 8pm concert Mills College Lisser Theatre • 8pm Free Sextet: Kristian Aspelin (guitar), Matt Davignon Signal Flow (drum machine), Tony Dryer (bass), Phillip Thursday March 13 work by Mills Music Department MFA and MA Greenlief (reeds), Jacob Lindsay (clarinets), 21 Grand • 8:30pm $6-10 students. 7pm installations, 8pm concert Kanoko Nishi (koto). Magik Markers + Extra Life venue information 111 Minna Gallery Chapel of the Chimes Kimo’s 111 Minna Street, San Francisco 4499 Piedmont Avenue, Oakland 1351 Polk Street, San Francisco 1510 8th St Performance Space Climate Theater The LAB 1510 8th Street, Oakland [West Oakland BART] 285 9th Street, San Francisco [at Folsom] 2948 16th Street, San Francisco [at Capp] 21 Grand CounterPULSE Luggage Store Gallery 416 25th Street, Oakland [at Broadway] 1310 Mission Street, San Francisco 1007 Market Street, San Francisco [at 6th] 24th Street Theater Works The Exploratorium Mama Buzz Cafe 2405 24th Street, San Francisco [at Vermont] 3601 Lyon Street, San Francisco 2318 Telegraph Avenue, Oakland [at 23rd] 5lowershop First Church of the Buzzard Maybeck Studio 992 Peralta Avenue, San Francisco 2601 26th Street #150, Oakland [at Adeline] email gm@handprintseries for location Anno Domini Gallery Freight & Salvage Meridian Gallery 366 S. 1st Street, San Jose 1111 Addison Street, Berkeley 535 Powell Street, San Francisco artSF Heco’s Palace Mills College Ensemble Room 110 Capp Street, 5th Floor, San Francisco [at 16th] 705 Peralta Street, Oakland 5000 MacArthur Boulevard, Oakland Black Gate Code 500 Hemlock Tavern Musicians Union Hall Artists Television Access 1131 Polk Street, San Francisco [near Post] 116 9th Street, San Francisco [at Mission] 992 Valencia, San Francisco [at 21st] Hotel Utah No Cover Revolution Cafe Avonova Studios 500 Fourth Street, San Francisco [at Bryant] 3248 22nd Street, San Francisco [at Mission] 417 Avon Street, Oakland Hunter’s Point Shipyard Noe Valley Ministry Berkeley Arts Festival Innes Street Terminus, San Francisco 1021 Sanchez Street, San Francisco 2213 Shattuck Avenue, Berkeley Jazzschool NOHspace Berkeley Piano Club 2087 Addison Street, Berkeley 2840 Mariposa Street, San Francisco 2427 Haste Street, Berkeley [at Dana] Jewish Community Center of the East Bay ODC Dance Theatre The Brainwash Cafe 1414 Walnut Street, Berkeley 3153 17th Street, San Francisco [at Shotwell] 1122 Folsom St. San Francisco Johansson Projects Gallery Pearl Alley Studios Central Perk 2300 Telegraph Avenue, Oakland 120 Pearl Alley, Santa Cruz 10086 San Pablo Avenue, El Cerrito the san francisco bay area monthly publication for experimental/improvised/noise/electronic/freejazz/outrock/21st century transgenred music and sonic art the persistent caveat Schedules are subject to change, and the reasons can be totally appalling, flying in the face of human reason. Please confirm details provided in this publication by visiting transbaycalendar.org. Luggage Store Gallery • 8pm $6-10 Saturday March 15 Friday March 28 Outsound Presents New Music Series RTD3 with Ron Heglin - trombone Tom Nunn Avonova Studios • 8pm $8-15 21 Grand • 8:30pm $6-10 - sonic original inventions Doug Carroll - electric “Makings” Industrial Jazz Group cello + TBA Wednesday March 19 Heco’s Palace • 9pm Donation Friday March 14 Club Sandwich Presents 21 Grand • 8:30pm $6-10 Deep Jew, Cellblock, Tanks, Talbot Tagora, God Central Perk • 7:30pm Free The Fucking Ocean + New Bloods Willing Zap Guru with Cliff Moser-Guitar, Alex Cory- Thursday March 20 Keyboards, Rob Waxman-bass, Dr. Dave Saturday March 29 MARCHRogers-drums 21 Grand • 8:30pm $6-10 Trinity Chapel • 8pm $12/8 Cosa Brava: Fred Frith, Zeena Parkins, Carla Trinity Chamber Concerts Avonova Studios • 8pm $8-15 Kihlstedt, Matthias Bossi “Makings” Pianist Davide Verotta presents an exciting a musical performance piece based on Mills College Lisser Theatre • 8pm $12 program of piano works from the 18th to 21st unpublished writings by acclaimed writer/activist Connections with Thomas Buckner, Baritone, century. Tillie Olsen, created and performed by her Joseph Kubera, Pianist, Electronics Sunday March 30 grandson, composer Jesse Olsen.
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  • VARMINT (Cuneiform Rune 292)

    VARMINT (Cuneiform Rune 292)

    Bio information: JASON ADASIEWICZ'S ROLLDOWN Title: VARMINT (Cuneiform Rune 292) Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com [press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: JAZZ "Vibraphonist Jason Adasiewicz is emerging as one of the most interesting bandleaders and composers in modern creative improvised jazz" – All Music Guide "…kaleidoscopic compositions, chock-full of references to thorny post-bop, swing easily and joyfully." – Time Out ”The sons of the sons of sons of the Chicago sound are expanding an ever mushrooming jazz scene. …Rolldown…can be described as the 21st century’s version of 1960s new thing or what would Ornette do with an Eric Dolphy and a vibraphone. …This total commitment to a group sound makes Rolldown a special band…and Adasiewicz a revelation as a new jazz composer.” – All About Jazz “Chicago continues to be a hothouse for creative improvised music. Musicians a generation younger than Ken Vandermark…are currently making their mark. …Enter vibraphonist Jason Adasiewicz….Adasiewicz and his colleagures absorb the basic tenants put forth on those Sixties vinyl classics and place a 21st century personal spin on them.” – Downbeat Jason Adasiewicz’s Rolldown is one of the brightest, hottest, and most coherent and cohesive new constellations to emerge in recent years from Chicago’s ever-expanding jazz galaxy. This jazz quintet is composed of some of the most prolific and talented young players on the scene, including Jason Adasiewicz [a-dah-shev-its] on vibraphone, Josh Berman on cornet, Aram Shelton on alto saxophone and clarinet, Jason Roebke on bass and Frank Rosaly on drums.