25 June 2010 Page 1 of 11
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Intakt Sonderangebot.Xlsx
Intakt Sonderangebot jede CD nur Fr. 7.50 Intakt Nr. Band Titel Archiv Nr. SJO CD 003 Schweizer / Nicols / Lewis / Léandre The Storming of the Winter CD-04160 / Sommer Palace CD 018 Martin Schütz & Hans Koch Approximations CD-10421 CD 049 Pierre Favre Singing Drums Souffles CD-10428 CD 056 Koch-Schütz-Studer & Musicos Fidel CD-11906 Cubanos CD 061 Saadet Türköz Marmara Sea CD-10190 CD 067 Lucas Niggli Zoom Meets Arte Spawn of Speed CD-03144 Quartett CD 080 Barry Guy / Evan Parker Birds and Blades CD-07982 CD 082 Lucas Niggli / Zoom Rough Ride CD-03142 CD 083 Lucas Niggli / Big Zoom Big Ball CD-03143 CD 091 Pierre Favre and Arte Quartett with Saxophones CD-10188 Michel Godard CD 092 Ochs / Jeanrenaud / Masaoka Fly, fly, fly CD-10207 CD 093 Lucas Niggli / Zoom Ensemble Sweat CD-10385 CD 102 Objets Trouvés Co Streiff Gabriela objets trouvés / fragile CD-04680 Friedli / Jan Schlegel / Dieter Ulrich CD 103 Fred Frith / Carla Kihlstedt / Stevie The Compass, log and lead CD-10206 Wishart CD 106 Trio 3 Oliver Lake / Reggie Workman Time Being CD-10203 / Andrew Cyrille CD 107 Jacques Demierre / Barry Guy / Brainforest CD-08805 Lucas Niggli CD 108 Irène Schweizer First Choice - Piano Solo KKL CD-10192 Luzern CD 112 Omri Ziegele / Billiger Bauer Edges & Friends CD-05586 CD 113 Bauer Gumpert Petrowsky Sommer 11 Songs - aus teutschen Landen CD-12361 2 Ex Zentralquartett CD 113 Zentralquartett 11 Songs - aus teutschen Landen CD-12361 CD 114 Pierre Favre / Yang Jing Two in One CD-10199 CD 115 Alexander von Schlippenbach Twelve Tone Tales, Vol. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
John Lurie/Samuel Delany/Vladimir Mayakovsky/James Romberger Fred Frith/Marty Thau/ Larissa Shmailo/Darius James/Doug Rice/ and Much, Much More
The World’s Greatest Comic Magazine of Art, Literature and Music! Number 9 $5.95 John Lurie/Samuel Delany/Vladimir Mayakovsky/James Romberger Fred Frith/Marty Thau/ Larissa Shmailo/Darius James/Doug Rice/ and much, much more . SENSITIVE SKIN MAGAZINE is also available online at www.sensitiveskinmagazine.com. Publisher/Managing Editor: Bernard Meisler Associate Editors: Rob Hardin, Mike DeCapite & B. Kold Music Editor: Steve Horowitz Contributing Editors: Ron Kolm & Tim Beckett This issue is dedicated to Chris Bava. Front cover: Prime Directive, by J.D. King Back cover: James Romberger You can find us at: Facebook—www.facebook.com/sensitiveskin Twitter—www.twitter.com/sensitivemag YouTube—www.youtube.com/sensitiveskintv We also publish in various electronic formats (Kindle, iOS, etc.), and have our own line of books. For more info about SENSITIVE SKIN in other formats, SENSITIVE SKIN BOOKS, and books, films and music by our contributors, please go to www.sensitiveskinmagazine.com/store. To purchase back issues in print format, go to www.sensitiveskinmagazine.com/back-issues. You can contact us at [email protected]. Submissions: www.sensitiveskinmagazine.com/submissions. All work copyright the authors 2012. No part of this book may be used or reproduced in any manner whatsoever without the prior written permission of both the publisher and the copyright owner. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. ISBN-10: 0-9839271-6-2 Contents The Forgetting -
Freier Download BA 58 Als
BAD 58 ALCHEMY 1 STEINER: ... Die Musik besiegt den Tod, aber dann besiegt das Mysterium tremendum die Musik. Orpheus stirbt, von den Mänaden zerrissen. Dann kommt etwas, das für uns heute abend wichtig ist: Der Körper blutet aus, aber, das ist eine archaische Überlieferung, der Kopf singt weiter. Aus dem Mund des toten Orpheus strömt Musik. Das zweite Thema ist Marsyas, dieser grausame, furchtbare Mythos vom Kampf zwischen ihm und Apollon, in dem Marsyas geschändet wird. Auf Tizians berühmtem Gemälde finden wir alle Motive unseres heutigen Gesprächs. Es ist das größte seiner Bilder, und auch das grausamste. Worum ging es in dem Kampf? In dem Logos Apollons heißt es: Musik ist das Ornament der Sprache. Und Marsyas sagt: Der Wind ist Musik, der Vogel singt Musik, das Meeresrauschen ist Musik. Die Sprache ist ein später Gast und ein falscher. Dann das Sirenen-Motiv. Der Gesang tötet, er hält ganz mysteriös das Versprechen. Was sagen die Sirenen? Wir können dir sagen, was in der Welt war, was in der Welt ist und was in ihr sein wird. Die Verheißung des Alten Testa- ments. Die Verheißung des Baums im Paradies, des Baums der Wissenschaft, des Wissens. Hör unserem Gesang zu. Odysseus überlebt, er segelt weiter. Das war der letzte Moment, wo der Mensch in der Musik die Urkraft der Schöpfung hören konnte. Aber die Warnung war da: Musik ist übermenschlich, aber auch unmenschlich. Schopenhauer sagt: Auch wenn die Welt nicht wäre, könnte die Musik bestehen. Ich bin sicher, der Satz stimmt. Zuerst sind wir Gäste der Musik. Vielleicht kommt die Sprache erst viel später. -
SRCD 2345 Book
British Piano Concertos Stanford • Vaughan Williams Hoddinott • Williamson Finzi • Foulds • Bridge Rawsthorne • Ireland Busch • Moeran Berkeley • Scott 1 DISC ONE 77’20” The following Scherzo falls into four parts: a fluent and ascending melody; an oppressive dance in 10/6; a return to the first section and finally the culmination of the movement where SIR CHARLES VILLIERS STANFORD (1852-1924) all the previous material collides and reaches a violent apotheosis. Of considerable metrical 1-3 intricacy, this movement derives harmonically and melodically from a four-note motif. 1st Movement: Allegro moderato 15’39” Marked , the slow movement is a set of variations which unfolds in a 2nd Movement: Adagio molto 11’32” flowing 3/2 time. Inward-looking, this is the concerto’s emotional core, its wistful opening 3rd Movement: Allegro molto 10’19” for piano establishing a mood of restrained lamentation whilst the shattering brass Malcolm Binns, piano motifs introduce a more agonized form of grief, close to raging despair. The cadenza brings London Symphony Orchestra, conducted by Nicholas Braithwaite some measure of peace. In the extrovert Finale, the first movement’s orchestration and metres are From SRCD219 ADD c 1985 recalled and the soloist goads the orchestra, with its ebullience restored, towards ever-greater feats of rhythmical dexterity. This typically exultant finale, in modified rondo form, re- GERALD FINZI (1901-1956) affirms the concerto’s tonal centre of E flat. 4 Though technically brilliant, it is the concerto’s unabashed lyricism -
International Jazz News Festival Reviews Concert
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC INTERNATIONAL JAZZ NEWS TOP 10 ALBUMS - CADENCE CRITIC'S PICKS, 2019 TOP 10 CONCERTS - PHILADEPLHIA, 2019 FESTIVAL REVIEWS CONCERT REVIEWS CHARLIE BALLANTINE JAZZ STORIES ED SCHULLER INTERVIEWS FRED FRITH TED VINING PAUL JACKSON COLUMNS BOOK LOOK NEW ISSUES - REISSUES PAPATAMUS - CD Reviews OBITURARIES Volume 46 Number 1 Jan Feb Mar Edition 2020 CADENCE Mainstream Extensions; Music from a Passionate Time; How’s the Horn Treating You?; Untying the Standard. Cadence CD’s are available through Cadence. JOEL PRESS His robust and burnished tone is as warm as the man....simply, one of the meanest tickets in town. “ — Katie Bull, The New York City Jazz Record, December 10, 2013 PREZERVATION Clockwise from left: Live at Small’s; JP Soprano Sax/Michael Kanan Piano; JP Quartet; Return to the Apple; First Set at Small‘s. Prezervation CD’s: Contact [email protected] WWW.JOELPRESS.COM Harbinger Records scores THREE OF THE TEN BEST in the Cadence Top Ten Critics’ Poll Albums of 2019! Let’s Go In Sissle and Blake Sing Shuffl e Along of 1950 to a Picture Show Shuffl e Along “This material that is nearly “A 32-page liner booklet GRAMMY AWARD WINNER 100 years old is excellent. If you with printed lyrics and have any interest in American wonderful photos are included. musical theater, get these discs Wonderfully done.” and settle down for an afternoon —Cadence of good listening and reading.”—Cadence More great jazz and vocal artists on Harbinger Records... Barbara Carroll, Eric Comstock, Spiros Exaras, -
University of Florida Thesis Or Dissertation Formatting
“ANOTHER KIND OF KNIGHTHOOD”: THE HONOR OF LETRADOS IN EARLY MODERN SPANISH LITERATURE By MATTHEW PAUL MICHEL A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2016 © 2016 Matthew Paul Michel To my friends, family, and colleagues in the Gator Nation ACKNOWLEDGMENTS “This tale grew in the telling,” Tolkien tells his readers in the foreword of The Fellowship of the Ring (1954). For me, what began as little more than a lexical curiosity—“Why is letrado used inconsistently by scholars confronting early modern Spanish literature?”—grew in scope until it became the present dissertation. I am greatly indebted to my steadfast advisor Shifra Armon for guiding me through the long and winding road of graduate school. I would also like to acknowledge a debt of gratitude to the late Carol Denise Harllee (1959-2012), Assistant Professor of Spanish at James Madison University, whose research on Pedro de Madariaga rescued that worthy author from obscurity and partially inspired my own efforts. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................4 ABSTRACT .....................................................................................................................................7 CHAPTER 1 GATEWAY TO THE LETRADO SOCIOTYPE IN EARLY MODERN SPANISH LITERATURE ..........................................................................................................................9 -
Don Banks, Australian Composer
Don Banks, Australian Composer: Eleven Sketches Graham Hair Southern Voices ISBN 1–876463–09–0 First published in 2007 by Southern Voices 38 Diamond Street Amaroo, ACT 2914 AUSTRALIA Southern Voices Editorial Board: Professor Graham Hair, University of Glasgow, United Kingdom Ms Robyn Holmes, Curator of Music, National Library of Australia Professor Margaret Kartomi, Monash University Dr Jonathan Powles, Australian National University Dr Martin Wesley-Smith, formerly Senior Lecturer, Sydney Conservatorium of Music Distributed by The Australian Music Centre, trading asSounds Australian PO Box N690 The Rocks Sydney, NSW 2000 AUSTRALIA tel +(612) 9247 - 4677 fax +(612) 9241 - 2873 email [email protected] website www.amcoz.com.au/amc Copyright © Graham Hair, 2007 This book is copyright. Apart from fair dealing for the purposes of private study, research, criticism or review as permitted under the Copyright Act 1968, no part may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission. Enquiries to be made to the publisher. Copying for educational purposes Where copies of part or the whole of the book are made under section 53B or 53D of the Act, the law requires that records of such copying be kept. In such cases the copyright owner is entitled to claim payment. ISBN 1–876463–09–0 Printed in Australia by QPrint Pty Ltd, Canberra City, ACT 2600 and in the UK by Garthland Design and Print, Glasgow, G51 2RL Acknowledgements Extracts from the scores by Don Banks are reproduced by permission of Mrs Val Banks and Mrs Karen Sutcliffe. -
Comedia De La Fuerza De La Costumbre the Force of Habit Por Don Guillén De Castro a Comedy by Don Guillén De Castro
Comedia de La fuerza de la costumbre The Force of Habit por don Guillén de Castro A comedy by Don Guillén de Castro PERSONAS CHARACTERS DOÑA COSTANZA, madre de FÉLIX e HIPÓLITA COSTANZA, mother to FÉLIX and HIPÓLITA DON FÉLIX, 20 FÉLIX, 20 DON PEDRO DE MONCADA, esposo de COSTANZA, padre PEDRO, COSTANZA'S long-lost husband, father to FÉLIX de FÉLIX e HIPÓLITA AND HIPÓLITA DOÑA HIPÓLITA, 20 HIPÓLITA, 20 UN VIEJO, AYO de DON FÉLIX FÉLIX'S TUTOR (AYO) GALVÁN, locayo GALVÁN, servant INÉS, criada de LEONOR INÉS, LEONOR'S servant DOÑA LEONOR, ama a FÉLIX LEONOR, 20'S, loves FÉLIX DON LUIS, galán de HIPÓLITA, hermano de LEONOR LUIS, 20'S, suitor to HIPÓLITA, LEONOR'S brother OTAVIO, galán de LEONOR OTAVIO, suitor to LEONOR MARCELO, galán de HIPÓLITA MARCELO, suitor to HIPÓLITA MAESTRO de armas FENCING MASTER ALGUACIL BAILIFF CAPITÁN CAPTAIN 1 JORNADA PRIMERA ACT ONE Salen DOÑA COSTANZA y DON FÉLIX, en hábito largo de Enter DOÑA COSTANZA and DON FÉLIX. FÉLIX wears the estudiante long habit of a student FÉLIX ¿Qué novedades son estas, FÉLIX What novelties are these, mi señora? ¿Qué mudanzas? my lady? What changes? ¿Del hábito de sayal, From a sackcloth robe, monjil pardo, tocas largas, a nun’s brown habit, long wimples, al enrizado cabello, and a rosary, trenzas de oro, entera saya; to curled hair, del rosario a la cadena, braids of gold, a full skirt, de los lutos a las galas? and a fine chain? Ayer desnudas paredes, From mourning to celebration? de tristeza, apenas blancas, Yesterday, bare walls, y hoy de brocados y sedas sad and dull, tan compuestas y entoldadas. -
Intakt Sonderangebot Jede CD Nur Fr. 7.50
Intakt Sonderangebot jede CD nur Fr. 7.50 Intakt Nr. Band Titel Archiv Nr. SJO CD 218 Omri Ziegele / Yves Theiler Inside Innocence 7929 CD 112 Omri Ziegele / Billiger Bauer Edges & Friends 5586 CD 119 Co Streiff Sextet Loops, Holes & Angels 6350 CD 157 Katharina Weber Woven Time 9772 CD 203 Katharina Weber / Barry Guy / Balts Nill Games and Improvisations 10193 CD 153 Jürg Wickihalder Overseas Quartet Furioso 10210 CD 155 Fred Frith and Arte Quartett Still Urban 7329 CD 156 Fred Frith and Arte Quartett The Big Picture 7408 3 Exemplare CD 135 Tommy Meier / Root Down ohne Titel 9399 CD 181 Tommy Meier / Root Down The Master and the Rain 12147 CD 209 Jürg Wickihalder Orchestra Narziss & Echo 7912 CD 061 Saadet Türköz Marmara Sea 10190 CD 049 Pierre Favre Singing Drums Souffles 10428 Pierre Favre and Arte Quartett CD 091 with Michel Godard Saxophones 10188 Objets Trouvés Co Streiff Gabriela Friedli / Jan Schlegel / CD 102 Dieter Ulrich objets trouvés / fragile 4680 CD 202 Maya Homburger / Barry Guy Tales of Enchantment 10191 CD 114 Pierre Favre / Yang Jing Two in One 10199 CD 186 Pierre Favre Ensemble Le Voyage 7571 CD 161 Cosa Brava Ragged Atlas 11104 Fred Frith / Carla Kihlstedt / CD 103 Stevie Wishart The Compass, log and lead 10206 CD 120 Sylvie Courvoisier Lonelyville 10209 CD 210 Sylvie Courvoisier / Mark Feldman Duo Live at Théâtre Vidy-Lausanne 10181 CD 168 Sylvie Courvoisier / Mark Feldman Quartet To Fly to Steal 9773 2 Exemplare CD 018 Martin Schütz & Hans Koch Approximations 10421 Schweizer / Nicols / Lewis / Léandre / The Storming -
Woody Guthrie's American Song
July CALENDAR 2014 of EVENTS 2020 Addison Street • Berkeley, California • (510) 644-2020 • www.freightandsalvage.org SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Summer Classes start the week of July 7 check out the jam, workshop, and class information on page 4 Shelley Heather Freight Stage at The Doty & Maloney + Oakland Honeycutters ‘Ukulele • Guitar • Bluegrass Jamming First fast flyin’ tasty Vicki Darlingside honky tonk, Harmonica • Banjo • Theory adventurous folk, Fridays americana exquisite musicianship Randle at 25th & Telegraph Harmony Singing• Songwriting special acoustic evening music from 3-8pm on Friday July 4 $20/$22 July 2 $15/$17 July 3 $17/$19 July 5 Rabbit Rabbit Shasta String Freight Krüger Celebration Medna Open (Carla Kihlstedt Kala Ramnath, Brothers & Matthias Bossi) Matuto David Grier, Usta Mic “unpretentious, engaging Scott Nygaard, popular ground zero cultivated, and & brazilian forró The Bee Eaters, bulgarian band delightfully fresh” Rupa rockers John Hermann, of the co-bill of delightful Nic Gareiss reunites hootenany folk music improvisational, revival eclectic musical styles hosted by Tristan 7:30 showtime & Tashina Clarridge $20/$22 July 6 $5/$7 July 8 $23/$25 July 9 $20/$22 July 10 $19/$21 July 11 $24/$26 July 12 DANCE FLOOR! Woody Guthrie’s American Song Buck Nickels Competition & Loose professionally judged Thursday July 17, 8pm Saturday July 19, 8pm original songs contest Change 7:30 showtime Friday July 18, 8pm Sunday July 20, 2pm boot scootin’ honky tonk $28 advance $32 door Woody Guthrie’s -
In This Issue That, Or Anything Else As Far As So-Called Music Sical Additions to Music - Not to Mention John Is Concerned
the transbay Creative Music Calendar FEBRUARY 2009 INTERVIEW AFTER FULL CONSIDERATION greenlief @50 top ten of 2008 February 2009 marks local musician and This year’s Top Ten Transbaynian Musical composer Phillip Greenlief’s 50th birthday. Moments includes some diverse definitions The Transbay found Phillip by logging on the of “top” and “ten” as well as some elasticity to interWebs and exhanging several messages in the interpretation of “transbaynian” and, with the artist as he reflected on his art and you knew this, “music.” The lists draw from life. sources as disparate as the pages of Wallace’s (RIP 2008) Infinite Jest and a pedestrian Transbay: This month you’re presenting a ton plaza in Manhattan’s Meat Packing District, of events that reflect your 50th year. Which with plenty of noise, extended technique, re- of the performances commemorate your work markable record releases and regime change to date? Which ones represent fully matured in between. It’s all wrapped in the highlights ideas? Which ones are based on new inquiry? and lowlights of the beloved venue 21 Grand Phillip Greenlief: I don’t think you can parcel Arts Group, Inc. To balance, this issue also in 2008, 2009 (and 2010, 11 and 12, but only out what aspect of your artistic life rises to includes a manifesto on the subject of per- until the pole shift) is still available for that the surface on any given occasion. With all of petual anxiety among musicians: the death purpose. the groups I’m working with this month (Lost of our art form.