The Nile Project Sets Sail on First Africa Tour
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17 Nov. → 24 Déc. 2017 Édition
e édition festival dyonisien migrateur musiques — créations rencontres 17 nov. → 24 déc. 2017 Edito edito Petites et grandes histoires Tout récit est tissé de paroles, de silences, d’oublis, de souvenirs refabriqués, de fictions devenues légendes. Pour son édition 2017, Africolor fait une scène de ces fictions, imaginaires, petites et grandes histoires. Entre le temps fort consacré à Mé 67 et la jet-set imaginaire du coupé-décalé, entre le centenaire de Jean Rouch et le Pas de Côté consacré aux traditions inventées, le festival naviguera de souvenirs douloureux en fictions hilarantes, de récits des routes musicales en cérémonies aux ancêtres, entre vérités plurielles et créations enjaillées. Ce sont les artistes eux-mêmes qui seront les faiseurs d’histoires : Kar Kar pour nous faire écouter le lien entre Louisiane et Mali, Naïssam Jalal et Noura Mint Seymali, Abou Diarra et Mehdi Nassouli pour relier le Nord et le Sud de l’Afrique de l’Ouest ; Ann O’aro, Tao Ravao, Mounawar, Danyèl Waro et Absoir pour raconter les créolités de l’Océan Indien ; Jupiter et Lexxus Legal, Roberto Negro et Valentin Ceccaldi, pour nous conter les transes urbaines du Kinshasa d’aujourd’hui. Entre histoires d’exils et rencontres transatlantiques, Africolor fera aussi une place aux artistes arrivants, soudanais ou syriens, pour une grande soirée à la toute nouvelle MC93 avec la complicité d’Alsarah, la plus brooklynienne des soudanaises. Puis, comme un retour aux origines du festival, Malisadio sera le spectacle autour du Mali, de ses musiques et de sa société. Écrit par Vladimir Cagnolari et Vincent Lassalle, tout en rythmes et en humour, ce spectacle sur le Mali d’aujourd’hui sera un peu l’histoire d’Africolor, qui pour ses 28 ans est toujours farouchement dionysien et migrateur à la fois. -
(Re-)Translating Unity and Reconciliation in Post-Genocide Rwanda
Gregory Barz Music and (re-)translating unity and reconciliation in post-genocide Rwanda First submission: 25 January 2012 Acceptance: 12 November 2012 This article focuses on the ability of a historically important musical instrument in the East African country of Rwanda, the inanga, to contribute to the (re-)translation of issues related to unity and reconciliation efforts after the genocide of 1994. By concentrating on the transmission of tradition from Kirusu Thomas to Sophie Nzayisenga, from father to daughter, I underscore the significant changes in cultural contexts for historical and contemporary inanga performance while also positioning the instrument within the dominant cultural metaphors of ‘blockage’ and ‘flow’. Throughout the article, I draw on inanga song texts to demonstrate the role of the inanga as cultural translator. Musiek en die (her-)vertaling van eenheid en versoening in post-menseslagting Rwanda Hierdie artikel fokus op die potensiaal van ’n geskiedkundig belangrike musiekinstrument in die Oos-Afrikaland van Rwanda, die inanga, om by te dra tot die (her-)vertaling van vraagstukke wat verband hou met pogings tot eenheid en versoening na die menseslagting van 1994. Deur my konsentrasie op die oordrag van tradisie van Kirusu Thomas na Sophie Nzayisenga, van pa na dogter, beklemtoon ek die betekenisvolle veranderinge in kulturele kontekste vir historiese en hedendaagse inanga-uitvoering, terwyl ek terselfdertyd die instrument binne die heersende kultuurmetafore van ‘blokkasie’ en ‘vloei’ posisioneer. In die artikel -
Lotus Infuses Downtown Bloomington with Global
FOR MORE INFORMATION: [email protected] || 812-336-6599 || lotusfest.org FOR IMMEDIATE RELEASE: 8/26/2016 LOTUS INFUSES DOWNTOWN BLOOMINGTON WITH GLOBAL MUSIC Over 30 international artists come together in Bloomington, Indiana, for the 23rd annual Lotus World Music & Arts Festival. – COMPLETE EVENT DETAILS – Bloomington, Indiana: The Lotus World Music & Arts Festival returns to Bloomington, Indiana, September 15-18. Over 30 international artists from six continents and 20 countries take the stage in eight downtown venues including boisterous, pavement-quaking, outdoor dance tents, contemplative church venues, and historic theaters. Representing countries from A (Argentina) to Z (Zimbabwe), when Lotus performers come together for the four-day festival, Bloomington’s streets fill with palpable energy and an eclectic blend of global sound and spectacle. Through music, dance, art, and food, Lotus embraces and celebrates cultural diversity. The 2016 Lotus World Music & Arts Festival lineup includes artists from as far away as Finland, Sudan, Ghana, Lithuania, Mongolia, Ireland, Columbia, Sweden, India, and Israel….to as nearby as Virginia, Vermont, and Indiana. Music genres vary from traditional and folk, to electronic dance music, hip- hop-inflected swing, reggae, tamburitza, African retro-pop, and several uniquely branded fusions. Though US music fans may not yet recognize many names from the Lotus lineup, Lotus is known for helping to debut world artists into the US scene. Many 2016 Lotus artists have recently been recognized in both -
COVID-19 Publications - Week 16 2021 972 Publications
Update April 19 - April 25, 2021, Dr. Peter J. Lansberg MD, PhD Weekly COVID-19 Literature Update will keep you up-to-date with all recent PubMed publications categorized by relevant topics COVID-19 publications - Week 16 2021 972 Publications PubMed based Covid-19 weekly literature update For those interested in receiving weekly updates click here For questions and requests for topics to add send an e-mail [email protected] Reliable on-line resources for Covid 19 WHO Cochrane Daily dashbord BMJ Country Guidance The Lancet Travel restriction New England Journal of Medicine Covid Counter JAMA Covid forcasts Cell CDC Science AHA Oxford Universtiy Press ESC Cambridge Univeristy Press EMEA Springer Nature Evidence EPPI Elsevier Wikipedia Wiley Cardionerds - COVID-19 PLOS Genomic epidemiology LitCovid NIH-NLM Oxygenation Ventilation toolkit SSRN (Pre-prints) German (ICU) bed capacity COVID reference (Steinhauser Verlag) COVID-19 Projections tracker Retracted papers AAN - Neurology resources COVID-19 risk tools - Apps COVID-19 resources (Harvard) Web app for SARS-CoV2 mutations COVID-19 resources (McMasters) COVID-19 resources (NHLBI) COVID-19 resources (MEDSCAPE) COVID-19 Diabetes (JDRF) COVID-19 TELEMEDICINE (BMJ) Global Causes of death (Johns Hopkins) COVID-19 calculators (Medscap) Guidelines NICE Guidelines Covid-19 Korean CDC Covid-19 guidelines Flattening the curve - Korea IDSA COVID-19 Guidelines Airway Management Clinical Practice Guidelines (SIAARTI/EAMS, 2020) ESICM Ventilation Guidelines Performing Procedures on Patients With Known -
Purchase Orders for Amounts Greater Than US$ 100,000 Year 2018 Page
Purchase Orders for Amounts Greater than US$ 100,000 Year 2018 Unit PO Date PO ID Vendor Name Vendor Cntry Item Category Description USD Amount CAF01 31/12/2018 0000002098 MERCY CORPS CAF BUSINESS/ ADMINISTRATIVE SER 176,655 GRC01 31/12/2018 0000003263 KIMONAS SAXIONIS-X.SAXIONI OE GRC MEETING/TRAVEL/ FOOD SER 180,000 HQSMS 31/12/2018 0000045572 African Generator Company ZAF POWER GENERATORS 151,092 HQSMS 31/12/2018 0000045579 TOYOTA TSUSHO CORPORATION JPN 4x4 STATION WAGON 424,386 HQSMS 31/12/2018 0000045579 TOYOTA TSUSHO CORPORATION JPN SEDAN 295,411 HQSMS 31/12/2018 0000045586 African Generator Company ZAF WATER COOLED POWER GENERATORS 103,375 PAK01 31/12/2018 0000005890 Pakistan Poverty Alleviation Fund PAK BUSINESS/ ADMINISTRATIVE SER 375,803 ETH01 30/12/2018 0000007597 PHARMALAB PLC ETH MISC LABORATORY EQUIP/SUPPL 370,200 SSD01 29/12/2018 0000003813 THE MEDICAL EXPORT GROUP BV NLD MISC MEDICAL SUPPLIES 119,307 COD01 28/12/2018 0000007773 INTERNATIONAL DISPENSARY ASSOCIATION (ID NLD MISC DRUGS 312,679 COD01 28/12/2018 0000007774 EASTERN SURGICAL COMPANY IND MISC MEDICAL SUPPLIES 245,003 HQSMS 28/12/2018 0000045502 UltiSat Inc. USA NETWORK COMPONENTS / ACCESS 327,784 HQSMS 28/12/2018 0000045508 Farmingtons AUTOMOTIVE Gmbh DEU ARMOURED VEHICLES 2,429,511 HQSMS 28/12/2018 0000045517 TOTAL ACCESS TO ENERGY SOLUTIONS FRA LAMP/ LAMP COMPONENTS 1,085,400 HQSMS 28/12/2018 0000045518 TOTAL ACCESS TO ENERGY SOLUTIONS FRA LAMP/ LAMP COMPONENTS 317,602 HQSMS 28/12/2018 0000045522 O.K.I. GENERAL TRADING LLC ARE KITCHENWARE 105,072 HQSMS 28/12/2018 0000045523 KITCHEN ESSENTIALS IND KITCHENWARE 249,054 HQSMS 28/12/2018 0000045524 ICOM FRANCE FRA VHF EQUIPMENT 103,069 HQSMS 28/12/2018 0000045529 TOYOTA TSUSHO CORPORATION JPN 4x4 DC PICK-UP 828,515 HQSMS 28/12/2018 0000045529 TOYOTA TSUSHO CORPORATION JPN 4x4 STATION WAGON 3,389,504 HQSMS 28/12/2018 0000045529 TOYOTA TSUSHO CORPORATION JPN MINIBUS 195,532 HQSMS 28/12/2018 0000045530 KITCHEN ESSENTIALS IND KITCHENWARE 809,453 HQSMS 28/12/2018 0000045540 ARB Corporation Ltd. -
Exploring the Symbiosis of Western and Non-Western Music: a Study
7/11/13 17:44 To Ti Ta Thijmen, mini Mauro, and an amazing Anna Promotoren Prof. dr. Marc Leman Vakgroep Kunst-, Muziek- en Theaterwetenschappen Lucien Posman Vakgroep Muziekcreatie, School of Arts, Hogeschool Gent Decaan Prof. dr. Marc Boone Rector Prof. dr. Anne De Paepe Leescommissie Dr. Micheline Lesaffre Prof. Dr. Francis Maes Dr. Godfried-Willem Raes Peter Vermeersch Dr. Frans Wiering Aanvullende examencommissie Prof. Dr. Jean Bourgeois (voorzitter) Prof. Dr. Maximiliaan Martens Prof. Dr. Dirk Moelants Prof. Dr. Katharina Pewny Prof. Dr. Linda Van Santvoort Kaftinformatie: Art work by Noel Cornelis, cover by Inge Ketelers ISBN: 978-94-6197-256-9 Alle rechten voorbehouden. Niets uit deze uitgave mag worden verveelvoudigd, opgeslagen in een geautomatiseerd gegevensbestand, of openbaar gemaakt, in enige vorm of op enige wijze, hetzij elektronisch, mechanisch, door fotokopieën, opnamen, of enige andere manier, zonder voorafgaande toestemming van de uitgever. Olmo Cornelis has been affiliated as an artistic researcher to the Royal Conservatory, School of Arts Ghent since February 2008. His research project was funded by the Research Fund University College Ghent. Faculteit Letteren & Wijsbegeerte Olmo Cornelis Exploring the symbiosis of Western and non-Western music a study based on computational ethnomusicology and contemporary music composition Part I Proefschrift voorgelegd tot het behalen van de graad van Doctor in de kunsten: muziek 2013 Dankwoord Een dankwoord lokt menig oog, en dient een erg persoonlijke rol. Daarom schrijf ik dit deel liever in het Nederlands. Een onderzoek dat je gedurende zes jaar voert, is geen individueel verhaal. Het komt slechts tot stand door de hulp, adviezen en meningen van velen. -
Musical Explorers Is Made Available to a Nationwide Audience Through Carnegie Hall’S Weill Music Institute
Weill Music Institute Teacher Musical Guide Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 2016 | 2017 Weill Music Institute Teacher Musical Guide Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 2016 | 2017 WEILL MUSIC INSTITUTE Joanna Massey, Director, School Programs Amy Mereson, Assistant Director, Elementary School Programs Rigdzin Pema Collins, Coordinator, Elementary School Programs Tom Werring, Administrative Assistant, School Programs ADDITIONAL CONTRIBUTERS Michael Daves Qian Yi Alsarah Nahid Abunama-Elgadi Etienne Charles Teni Apelian Yeraz Markarian Anaïs Tekerian Reph Starr Patty Dukes Shanna Lesniak Savannah Music Festival PUBLISHING AND CREATIVE SERVICES Carol Ann Cheung, Senior Editor Eric Lubarsky, Senior Editor Raphael Davison, Senior Graphic Designer ILLUSTRATIONS Sophie Hogarth AUDIO PRODUCTION Jeff Cook Weill Music Institute at Carnegie Hall 881 Seventh Avenue | New York, NY 10019 Phone: 212-903-9670 | Fax: 212-903-0758 [email protected] carnegiehall.org/MusicalExplorers Musical Explorers is made available to a nationwide audience through Carnegie Hall’s Weill Music Institute. Lead funding for Musical Explorers has been provided by Ralph W. and Leona Kern. Major funding for Musical Explorers has been provided by the E.H.A. Foundation and The Walt Disney Company. © Additional support has been provided by the Ella Fitzgerald Charitable Foundation, The Lanie & Ethel Foundation, and -
The Nile Project Europe Debut
For Immediate Release: June 03, 2016 The Nile Project Europe Debut This June, the Nile Project will make its European premiere with concerts in Brussels, Bradford, and London. We will also be performing on BBC Radio 3 on June 17 at 11pm (UK Time) - tune in! Belgium Panel @ 10th European Development Days Tour & Taxis, Brussels 15 June 9:30am Concert @ 10th European Development Days Tour & Taxis, Brussels 15 June 7:45pm Concert @ Bozar Centre for Fine Arts Bozar, Brussels 16 June 8:00pm United Kingdom Concert @ Yorkshire Festival 2016 Alhambra Theatre, Bradford, UK 18 June 7:30pm Concert @ Barbican Islington Assembly Hall, London 19 June 7:30pm Described as “a committed, euphoric international coalition” by the New York Times, the Nile Project brings together artists from the 11 countries sharing the world’s longest river to combine their instruments, languages, scales and rhythms in one of the tightest cross- cultural collaborations in music. The project’s mission is to inspire, inform and empower Nile citizens to collaboratively cultivate the sustainability of their shared ecosystem. The Nile Project has designed an innovative musical process that allows its artists to self- organize by leveraging each other’s strengths in order to unearth a unique sound representative of the Nile watershed as a whole. By creating award-winning music within a participatory leadership framework, the Nile Project Collective provides a blueprint for new ways in which Nile citizens can organize themselves across sectors to generate creative and mutually-beneficial system-wide solutions in response to their shared hydro-political challenges. Now in its 4th year, the Nile Project is growing beyond its musical program to strengthen its mission of Nile stewardship. -
H ^ 9&L. It Is Perhaps Strange That One of Africa's Most Important Small
H ^ 9&l . It is perhaps strange that one of Africa’s most important small musical instruments should suffer from an incorrect naming at the hands of many ethnomusicologists and museum keepers, those who should be most concerned to give it its rightful name and place in the catalogue of this continent’s instruments. The instrument is popularly known under several rather nebulous names such as •Kaffir Piano’, ‘Hand Piano’, ‘Thumb Piano’ and ‘Pianino’, by those whose major criterion is the modern pianoforte; and ‘Sansa’ by students who have taken their cue onquestioningly from the printed pages of earlier writers. It is doubly strange that students who “would otherwise shrink from misnomers should continue to use the npifllj term ‘sansa’ whin by all accounts no indigenous African musician uses this name for iHiiiSfc. his instrument (unless he has learnt it from the same literary sources). The origin of this error appears to be with David Livingstone. In his book “ Expedition to the Zambezi, 1858-64” (John Murray, London, p. 13) David Livingstone states that he used both his own journal and observations from that of his brother, Charles Livingstone, when compiling his narrative for publication “for, die sake of the freshness which usually attaches to first impressions.” Then he adds, “And doubtless many will prefer to draw their own conclusions from them rather than to be schooled by us.” It is this liberty which I now propose to take. I have failed to find any reference in David Livingstone’s own diaries which would icate that the statement made about this instrument in his book was, in fact, his own observation. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Agelgil and the Signs of Genuine Filseta Greatness Page 16 Page 24 Feasible Regulation Vital to Protect National Parks from Destruction Page 3
The Ethiopian ERALD Made in Ethiopia ዘ The collective conscience, the pride and the prejudice X-TRA Sunday X-TRA Page 23 Unmapped destinations Morocco to alert Ethiopia in water management sights expertise Page 12 Page 20 Only Diplomacy and Talks will Achieve what War Cannot Let us unite with love; Accomplish surpass in forgiveness! Page 19 Vol. LXXVI No 286 9 August 2020 Nehassie 3, 2012 Price Birr 5.75 Agelgil and The Signs of Genuine Filseta Greatness Page 16 Page 24 Feasible regulation vital to protect national parks from destruction Page 3 Novel Crisis affects good governance expedition of GERD Ethiopia not only a spring Page 2 of development but also historic Why CSOs prove emblem of this voiceless in generation Ethiopia? Page 3 Page 2 THE ETHIOPIAN HERALD SUNDAY EDITION 9 AUGUST 2020 PAGE 2 Herald Exclusives Why CSOs prove voiceless in Ethiopia? BY HAFTU GEBREZGABIHER set of roles in societal development. Over the last two decades, these roles have shifted Having over 2700 legally registered civil as the external environment for civil society society organizations (CSOs) in the country, has changed.” their role is rather found insignificant, due He added that a “renewed focus on the to the general claim against civil societies in essential contribution of civil society Ethiopia, a country of hundred ten million. to a resilient global system alongside When mobilized, CSOs, sometimes called government and business has emerged”. the “third sector” (after government and The mere existence of CSOs is for delivering commerce), have the power to influence services to meet education, health, food the actions of elected policy makers and and security needs; implementing disaster businesses. -
The Pennsylvania State University
The Pennsylvania State University The Graduate School College of Agricultural Sciences SEED AID, SMALLHOLDERS, AND THE DEVELOPMENTAL STATE: A MIXED METHODS ANALYSIS OF EMERGENCY RELIEF PROGRAMS IN ETHIOPIA A Dissertation in Rural Sociology & International Agriculture and Development by Christian R. Man © 2018 Christian R. Man Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2018 The dissertation of Christian R. Man was reviewed and approved* by the following: Leland Glenna Professor of Rural Sociology and Science, Technology, and Society Dissertation Adviser Chair of Committee Brian Thiede Assistant Professor of Rural Sociology, Sociology, and Demography Carolyn Sachs Professor Emerita of Rural Sociology Karl Zimmerer Professor of Environment and Society Department of Geography Kathryn J. Brasier Professor of Rural Sociology Director of Graduate Studies in Rural Sociology *Signatures are on file in the Graduate School. ii ABSTRACT In 2015, El Niño induced the worst drought Ethiopia had seen in fifty years. The resulting crop failures left as many as eighteen million people in need of aid, with one-third of the country’s woredas classified as facing dire food insecurity. Tens of millions of dollars in foreign aid poured into the country in response. A portion of this aid was given as seed to smallholders. Drawing on quantitative and qualitative data collected with farmers in four regions of Ethiopia in 2016 following the aid distributions, this dissertation analyzes how the Ethiopian state and Ethiopian smallholders respectively utilize seed aid. I suggest these utilization strategies coincide, that they serve different ends, and that, together, they illustrate the complex effects of emergency response.