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2020 Writing09.11Metodichkareview
МІНІСТЕРСТВО ОСВІТИ І НАУКИ УКРАЇНИ ДЗ «ПІВДЕННОУКРАЇНСЬКИЙ НАЦІОНАЛЬНИЙ УНІВЕРСИТЕТ імені К. Д. Ушинського» Кафедра германської філології та методики викладання іноземних мов Т. Є. Єременко, О. О. Негрівода, Г. А. Слободянюк Writing in English. A Book of Practice Методичні рекомендації для самостійної роботи студентів молодших курсів Одеса, 2020 1 Рекомендовано Вченою радою ДЗ «Південноукраїнський національний педагогічний університет ім. К. Д. Ушинського» (протокол №4 від 26 грудня 2020 р.) Т.Є. Єременко, О.О. Негрівода, Г.А. Слободянюк Методичні рекомендації “Writing in English. A Book of Practice”. Одеса, 2020. – 92 с. Рецензенти: доктор педагогічних наук, професор О.В. Попова кандидат педагогічних наук, доцент Л.В. Першина Методичні рекомендації для самостійної роботи студентів молодших курсів факультету іноземних мов закладів вищої освіти містять практичні завдання з написання таких типів текстів як: дискурсивний нарис, відгук, біографія, оповідання, резюме та ін. Запропоновані вправи спрямовані на розвиток навичок писемного мовлення. 2 CONTENTS Preface………………………………………………………….…...………….. 4 Discursive Essay…………….………………………………………………….. 5 Opinion Essay……………………………………………..…………………….. 11 Argumentative Essay (Essay: for and against) …………………………………. 20 Review………………………………………………………………………….. 25 Curriculum Vitae (CV)………………………………………………………….. 32 Descriptive writing………………………………………………………………. 38 Narratives - Stories ……………………………………………………………... 48 Summary ………………………………………………………………………... 55 Literature ……………………………………………………………………… 63 Appendix A 64 Appendix -
Technical Annex A: Purposes, Values and Scope November 2015
BBC Trust Response to the Department for Culture, Media and Sport’s Charter Review consultation Technical Annex A: Purposes, Values and Scope November 2015 Getting the best out of the BBC for licence fee payers BBC Trust Technical Annex A: Purposes, Values and Scope November 2015 BBC Trust Technical Annex A: Purposes, Values and Scope Contents Scope 1 Range of services and programmes 1 Opinions on what the BBC should do more of 6 Opinions on what the BBC should do less of 8 Universality 10 Mission 12 Purposes 20 Providing news and information to help people understand the world around them 21 Supporting education and learning 23 Reflecting and representing the whole UK population 27 Showing the most creative ideas and highest quality content 34 Growing the creative industries and promoting the UK abroad 35 Role of Technology 39 VALUES 44 November 2015 BBC Trust Technical Annex A: Purposes, Values and Scope Scope Range of services and programmes 1. In the quantitative research, as independently conducted and analysed by ICM Unlimited, respondents were asked about the range of services and programmes (see Figure 1 below). The public were in broad agreement that the BBC should provide more rather than less (56% compared to 7%1). Over a third believed that the range of services and programmes at the BBC is about right (37%). Figure 1: Quantitative research - Balance of services and programmes 2. The desire for the BBC to provide more services and content was especially strong among young people aged 16-34 (66%) and ethnic minorities (65%, compared to 55% among white people). -
Grammar for English Language Teachers
Grammar for English Language Teachers Second edition Martin Parrott ~CAMBRIDGE ~ UNIVERSITY PRESS PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, TrumpingtonStreet, Cambridge,United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, CambridgeCB2 2RU. UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road. Port Melbourne, VIC 3207,Australia Ruiz de Alarcon 13, 28014 Madrid, Spain Dock House, The Waterfront. Cape Town 8001, South Africa http://www.cambridge.org © Cambridge UniversityPress 2000 Copyright The law allows a reader to make a single copy of part of a book for the purposes of private study. It does not allow the copying of entire books or the making of multiple copies of extracts. Written permissionfor any such copying must always be obtained from the publisher in advance. First published 2000 Eighth printing 2004 Printed in the United Kingdom at the UniversityPress , Cambridge Typesetin 10.25\ 13pt Utopia [cE] A cataloguerecord for this book is availablefrom the British Library ISBN O 521 477972 paperback ISBN O 521 472164 hardback cover design by Mark Diaper Contents Thanks v Acknowledgments v Introduction 1 PART A Words Introduction to Part A 6 1 Nouns 9 2 Articles 25 3 Quantifiers 36 4 Adjectives 51 5 Adverbs 61 6 Comparatives and superlatives 79 7 Prepositions 94 8 Verbs (introduction) 106 9 Combining words 124 PART B More about verbs and related forms Introduction to Part B 138 10 Multiword verbs and verbal expressions 140 11 Modal verbs 152 12 . Infinitive and-ingforms -
THE Permanent Crisis of FILM Criticism
mattias FILM THEORY FILM THEORY the PermaNENT Crisis of IN MEDIA HISTORY IN MEDIA HISTORY film CritiCism frey the ANXiety of AUthority mattias frey Film criticism is in crisis. Dwelling on the Kingdom, and the United States to dem the many film journalists made redundant at onstrate that film criticism has, since its P newspapers, magazines, and other “old origins, always found itself in crisis. The erma media” in past years, commentators need to assert critical authority and have voiced existential questions about anxieties over challenges to that author N E the purpose and worth of the profession ity are longstanding concerns; indeed, N T in the age of WordPress blogospheres these issues have animated and choreo C and proclaimed the “death of the critic.” graphed the trajectory of international risis Bemoaning the current anarchy of inter film criticism since its origins. net amateurs and the lack of authorita of tive critics, many journalists and acade Mattias Frey is Senior Lecturer in Film at film mics claim that in the digital age, cultural the University of Kent, author of Postwall commentary has become dumbed down German Cinema: History, Film History, C and fragmented into niche markets. and Cinephilia, coeditor of Cine-Ethics: riti Arguing against these claims, this book Ethical Dimensions of Film Theory, Prac- C examines the history of film critical dis tice, and Spectatorship, and editor of the ism course in France, Germany, the United journal Film Studies. AUP.nl 9789089647177 9789089648167 The Permanent Crisis of Film Criticism Film Theory in Media History explores the epistemological and theoretical founda- tions of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory. -
WSFA Journal 69
. »x.'N ■ •*' p. l^-> = f/M'i/ilf'if'''-. ///" fiii: It I - . ■I»'• n, ll i.^/f f •] ! i W 'i j :i m y't ) ' ' / •* ' - t *> '.■; ■ *"<* '^ii>fi<lft'' f - ■ ■//> ■ vi '' • ll. F V -: ■ :- ^ ■ •- ■tiK;- - :f ii THE WSFA journal (The Official Organ of the Washington Science Fiction Association) Issue Number 69: October/November, 1969 The JOURNAL Staff — Editor & Publisher: Don Miller, 12315 Judson Rd., Wheaton, Maryland, .•U.S.A., 20906. ! Associate Editors: Alexis & Doll Gilliland, 2126 Pennsylvania Ave,, N.W., Washington, D.C., U.S.A., 20037. Cpntrib-uting Editors:- ,1 . " Art Editor — Alexis Gilliland. - 4- , . Bibliographer— Mark Owings. Book Reviewers — Alexis Gilliland,• David Haltierman, Ted Pauls. Convention Reporter — J.K. Klein. ' : . r: Fanzine Reviewer — Doll Golliland "T Flltfl-Reviewer — Richard Delap. ' " 5 P^orzine Reviewer — Banks.Mebane. Pulps — Bob Jones. Other Media Ivor Rogers. ^ Consultants: Archaeology— Phyllis Berg. ' Medicine — Bob Rozman. Astronomy — Joe Haldeman. Mythology — Thomas Burnett Biology — Jay Haldeman. Swann, David Halterman. Chemistry — Alexis Gilliland. Physics — Bob Vardeman. Computer Science — Nick Sizemore. Psychology -- Kim West on. Electronics — Beresford .Smith. Mathematics — Ron Bounds, Steve Lewis. Translators: . French .— Steve Lewis, Gay Haldeman. Russian — Nick Sizemore, German -- Nick Sizemore. Danish ~ Gay. Haldeman, Italian ~ OPEN. Joe Oliver. Japanese. — OPEN. Swedish" -- OBBN. Overseas Agents: Australia — Michael O'Brien, 158 Liverpool St., Holaart, Tasmania, Australia, 7000. • South Africa — A.B. Ackerman, P^O.Box 6, Daggafontein, .Transvaal, South Africa, . ^ United Kingdom — Peter Singleton, 60ljU, Blodc h, Broadiiioor Hospital, Crowthome, Berks, RGll 7EG, United Kingdom. Needed for France, Germany, Italy, Scandinavia, Spain, S.America, NOTE; Where address are not listed above, send material ^Editor, Published bi-monthly. -
MADE in HOLLYWOOD, CENSORED by BEIJING the U.S
MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence 1 MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence TABLE OF CONTENTS EXECUTIVE SUMMARY I. INTRODUCTION 1 REPORT METHODOLOGY 5 PART I: HOW (AND WHY) BEIJING IS 6 ABLE TO INFLUENCE HOLLYWOOD PART II: THE WAY THIS INFLUENCE PLAYS OUT 20 PART III: ENTERING THE CHINESE MARKET 33 PART IV: LOOKING TOWARD SOLUTIONS 43 RECOMMENDATIONS 47 ACKNOWLEDGEMENTS 53 ENDNOTES 54 Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence MADE IN HOLLYWOOD, CENSORED BY BEIJING EXECUTIVE SUMMARY ade in Hollywood, Censored by Beijing system is inconsistent with international norms of Mdescribes the ways in which the Chinese artistic freedom. government and its ruling Chinese Communist There are countless stories to be told about China, Party successfully influence Hollywood films, and those that are non-controversial from Beijing’s warns how this type of influence has increasingly perspective are no less valid. But there are also become normalized in Hollywood, and explains stories to be told about the ongoing crimes against the implications of this influence on freedom of humanity in Xinjiang, the ongoing struggle of Tibetans expression and on the types of stories that global to maintain their language and culture in the face of audiences are exposed to on the big screen. both societal changes and government policy, the Hollywood is one of the world’s most significant prodemocracy movement in Hong Kong, and honest, storytelling centers, a cinematic powerhouse whose everyday stories about how government policies movies are watched by millions across the globe. -
UNREVISED PROOF COPY Ev 6 HOUSE of LORDS MINUTES OF
UNREVISED PROOF COPY Ev 6 HOUSE OF LORDS MINUTES OF EVIDENCE TAKEN BEFORE THE SELECT COMMITTEE ON COMMUNICATIONS UK FILM AND TELEVISION INDUSTRIES WEDNESDAY 13 MAY 2009 MS JANA BENNETT, MR GEORGE ENTWISTLE and MR PETER SALMON MR JOHN SMITH and MR WAYNE GARVEY Evidence heard in Public Questions 500 - 628 USE OF THE TRANSCRIPT 1. This is an uncorrected and unpublished transcript of evidence taken in public and reported to the House. 2. The transcript is not yet an approved formal record of these proceedings. Any public use of, or reference to, the contents should make clear that neither Members nor witnesses have had the opportunity to correct the record. If in doubt as to the propriety of using the transcript, please contact the Clerk to the Committee. 3. Members who receive this for the purpose of correcting questions addressed by them to witnesses are asked to send corrections to the Clerk to the Committee. 4. Prospective witnesses may receive this in preparation for any written or oral evidence they may in due course give to the Committee. 5. Transcribed by the Official Shorthand Writers to the Houses of Parliament: W B Gurney & Sons LLP, Hope House, 45 Great Peter Street, London, SW1P 3LT Telephone Number: 020 7233 1935 WEDNESDAY 13 MAY 2009 ________________ Present Bonham-Carter of Yarnbury, B Eccles of Moulton, B Fowler, L (Chairman) Gordon of Strathblane, L Howe of Idlicote, B Inglewood, L King of Bridgewater, L Macdonald of Tradeston, L Manchester, BP Maxton, L McIntosh of Hudnall, B ________________ Memorandum submitted by BBC Examination of Witnesses Witnesses: Mrs Jana Bennett, Director, BBC Vision, Mr George Entwistle, Controller of Knowledge Commissioning, BBC, and Mr Peter Salmon, Director, BBC North, examined. -
C-6 CANADA YEAR BOOK the Hon. Hedard Robichaud, April 22, 1963
C-6 CANADA YEAR BOOK The Hon. Hedard Robichaud, April 22, 1963 The Hon. Leonard Stephen Marchand, The Hon. Roger Teillet, April 22, 1963 September 15, 1976 The Hon. Charies Mills Drury, April 22, 1963 The Hon. John Roberts, September 15, 1976 The Hon. Maurice Sauve, February 3, 1964 The Hon. Monique Begin, September 15, 1976 The Hon. Yvon Dupuis, February 3, 1964 The Hon. Jean-Jacques Blais, September 15, 1976 The Hon. Edgar John Benson, June 29, 1964 The Hon. Francis Fox, September 15, 1976 The Hon. Leo Alphonse Joseph Cadieux, The Hon. Anthony Chisholm Abbott, February 15, 1965 September 15, 1976 The Hon. Lawrence T. Pennell, July 7, 1965 The Hon. lona Campagnolo, September 15, 1976 The Hon. Jean-Luc Pepin, July 7, 1965 The Hon. Joseph-Philippe Guay, November 3, 1976 The Hon. Alan Aylesworth Macnaughton, The Hon. John Henry Horner, April 21, 1977 October 25, 1965 The Hon. Norman A. Cafik, September 16, 1977 The Hon. Jean Marchand, December 18, 1965 The Hon. J. Gilles Lamontagne, January 19, 1978 The Hon. Joseph Julien Jean-Pierre Cote, The Hon. John M. Reid, November 24, 1978 December 18, 1965 The Hon. Pierre De Bane, November 24, 1978 TheRt. Hon. John Napier Turner, December 18, 1965 The Rt. Hon. Charles Joseph (Joe) Clark, June 4, 1979 The Rt. Hon. Pierre Elliott Trudeau, April 4, 1967 The Hon. Flora Isabel MacDonald, June 4, 1979 The Hon. Joseph-Jacques-Jean Chretien, April 4, 1967 The Hon. James A. McGrath, June 4, 1979 The Hon. Pauline Vanier, April II, 1967 The Hon. -
Editorial Standards Committee Bulletin, Issued February 2017
Editorial Standards Findings Appeals to the Trust and other editorial issues considered by the Editorial Standards Committee January and February 2017, issued March 2017 Decisions by the Head of Editorial Standards, Trust Unit February and March 2017 issued March 2017 Getting the best out of the BBC for licence fee payers Contents Contents 1 Remit of the Editorial Standards Committee 2 Summary of Appeal Findings 4 Watchdog, BBC One, 11 and 18 June 2015 4 The Film Review, BBC News Channel, 5 June 2016, 17.45 9 Today, BBC Radio 4, 7 June 2016 10 Appeal Findings 12 Watchdog, BBC One, 11 and 18 June 2015 12 The Film Review, BBC News Channel, 5 June 2016, 17.45 64 Today, BBC Radio 4, 7 June 2016 68 Requests to review the Trust Unit’s decisions on appeals 72 The Kaye Adams Programme, Radio Scotland, 27 April 2016 72 Thought for the Day, BBC Radio 4, 7 March and 17 May 2016 77 Appeals against the decisions of BBC Audience Services not to correspond further with the complainant 82 Decision of BBC Audience Services not to respond further to a complaint about a segment on the Jeremy Vine Show, BBC Radio 2, 21 June 2016 83 Decision of BBC Audience Services not to respond further to a complaint about Manchester- centric bias vis-à-vis Liverpool 90 Decision of BBC Audience Services not to respond further to a complaint about an article on the BBC Sport website 99 Decision of BBC Audience Services not to respond further to a complaint about Hillsborough, BBC Two, 8 May 2016 103 Admissibility decisions by the Head of Editorial Standards, Trust Unit 109 -
The Cinema of the Quiet Revolution: Quebec‟S Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967
The Cinema of the Quiet Revolution: Quebec‟s Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967 Eric Fillion A Thesis in The Department of History Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (History) at Concordia University Montreal, Quebec, Canada March 2012 © Eric Fillion, 2012 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Eric Fillion Entitled: The Cinema of the Quiet Revolution: Quebec‟s Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967 and submitted in partial fulfillment of the requirements for the degree of Master of Arts (History) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: ___________________________________ Chair Dr. Barbara Lorenzkowski ___________________________________ Examiner Dr. Graham Carr ___________________________________ Examiner Dr. Nora Jaffary ___________________________________ Supervisor Dr. Ronald Rudin Approved by: ___________________________________ Dr. Norman Ingram Chair of Department _____________ 2012 ___________________________________ Dean of Faculty iii ABSTRACT The Cinema of the Quiet Revolution: Quebec‟s Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967 Eric Fillion Film historians situate the birth of le cinéma québécois in the late 1950s with the emergence – within the National Film Board of Canada (NFB) – of an Équipe française whose Direct Cinema revolutionized documentary filmmaking. The grand narrative of Quebec national cinema emphasises the emancipating qualities of this cinematographic language and insists that it contributed to a collective prise de parole and Quebec‟s ascension to modernity. -
The Public Dimension of Broadcasting: Learning from the Canadian Experience
DOCUMENT RESUME ED 294 535 IR 013 080 AUTHOR Raboy, Marc TITLE The Public Dimension of Broadcasting: Learning from the Canadian Experience. PUB DATE Jul 86 NOTE 47p.; Paper presented at the International Television Studies Conference (London, England, July 10-12, 1986). PUB TYPE Reports - Descriptive (141) -- Speeches/Conference Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Broadcast Industry; Communications; Community Role; Cultural Influences; Foreign Countries; Government Role; History; *Mass Media; Nationalism; *Political Attitudes; Programing (Broadcast); *Public Service; Television Research IDENTIFIERS *Canada; *Private Sector ABSTRACT The political context surrounding Canadian broadcasting dramatically changed following the election of a conservative government in 1984, and Canada's current broadcasting debate is marked by national and special interest concerns. While an important social aspect of the system is its profoundly undemocratic nature, the constituent elements of a democratic public medium exist. In dealing with the democratization of communications, it is first necessary to clarify the place of communications in democratic public life, then recognize the public character of the media. The Canadian broadcasting experience has contributed its share to obscuring the emancipatory potential of broadcasting, but it also contains the seeds of its own antithesis, and the struggles around it provide many instructive elements of an alternative approach to broadcasting based on a reconstituted public dimension. This public dimension can be fully realized only if a number of critical areas are transformed. From a critical analysis of the Canadian experience and the alternative practices and proposals that have marked it, there emerge some elements of a more coherent, responsive, direct system of public broadcasting. -
How to Be a Film Critic in Five Easy Lessons
How to Be a Film Critic in Five Easy Lessons How to Be a Film Critic in Five Easy Lessons By Christopher K. Brooks How to Be a Film Critic in Five Easy Lessons By Christopher K. Brooks This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Christopher K. Brooks All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-4322-6 ISBN (13): 978-1-5275-4322-5 Lou Lopez and his Emerson Biggins Staff The disenfranchised of the English Department: Rebeccah Bree, Fran Connor, Margaret Dawe, Darren Defrain, Albert Goldbarth, Jean Griffith, and Sam Taylor Brian Evans, Mary Sherman, Kerry Branine, Mythili Menon, and T.J. Boynton. Peter Zoller, William Woods, Kim Hamilton, and Susan Wilcox Mary Waters and Ron Matson, forgiven . This book is for all of you TABLE OF CONTENTS Introduction ................................................................................................ 1 A Background to Film Criticism and Millennial Viewers How to Be a Film Critic in Five Easy Lessons ........................................... 9 A Primer for Film Students and Critic Wannabes Chapter One .............................................................................................