Seven Types of Obloquy: Travesties of Marxism
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Telling the Truth About Class
TELLING THE TRUTH ABOUT CLASS G. M. TAMÁS ne of the central questions of social theory has been the relationship Obetween class and knowledge, and this has also been a crucial question in the history of socialism. Differences between people – acting and knowing subjects – may influence our view of the chances of valid cognition. If there are irreconcilable discrepancies between people’s positions, going perhaps as far as incommensurability, then unified and rational knowledge resulting from a reasoned dialogue among persons is patently impossible. The Humean notion of ‘passions’, the Nietzschean notions of ‘resentment’ and ‘genealogy’, allude to the possible influence of such an incommensurability upon our ability to discover truth. Class may be regarded as a problem either in epistemology or in the philosophy of history, but I think that this separation is unwarranted, since if we separate epistemology and the philosophy of history (which is parallel to other such separations characteristic of bourgeois society itself) we cannot possibly avoid the rigidly-posed conundrum known as relativism. In speak- ing about class (and truth, and class and truth) we are the heirs of two socialist intellectual traditions, profoundly at variance with one another, although often intertwined politically and emotionally. I hope to show that, up to a point, such fusion and confusion is inevitable. All versions of socialist endeavour can and should be classified into two principal kinds, one inaugurated by Rousseau, the other by Marx. The two have opposite visions of the social subject in need of liberation, and these visions have determined everything from rarefied epistemological posi- tions concerning language and consciousness to social and political attitudes concerning wealth, culture, equality, sexuality and much else. -
Modern Surface and Postmodern Simulation a Retrospective Retrieval
introduction Modern Surface and Postmodern Simulation A Retrospective Retrieval Denn was innen, das ist außen! Johann Wolfgang von Goethe agendas of surface and simulacrum It is in our time that the Enlightenment project has reached its ultimate implosion. In visual terms, the twentieth century of the western hemi- sphere will be remembered as the century in which content yielded to form, text to image, depth to façade, and Sein to Schein. For over a hundred years, mass cultural phenomena have been growing in importance, taking over from elite structures of cultural expression to become sites where real power resides, and dominating ever more surely our social imaginary. As reflections of the processes of capitalist industrialization in forms clad for popular consumption, these manifestations are literal and conceptual expressions of surface:1 they promote external appearance to us in such arenas as architecture, advertising, film, and fashion. Located as we are at the outset of the new millennium, some may recognize with trepidation that mass culture is becoming so wedded to highly orchestrated and intru- sive electronic formats that there seems to be less and less opportunity for any creative maieutics, or participatory “wiggle room.” Modernity’s sur- faces, entirely site-and-street-specific yet mobile and mobilizing, have been replaced by the stasis of the fluid mobility granted to our perception by the technologies of television, the VCR, the World Wide Web, and vir- tual reality.2 Perhaps as a result of this underlying discomfort, we appear to have a case of what Fredric Jameson has called “inverted millenarianism”:3 rather than look forward at future developments, we choose, almost apotropai- 1 2 / Introduction cally, to look back at how mass culture emerged in the first place. -
Fall 2019 Mobility, Objects on the Move
InsightFall 2019 Mobility, Objects on the Move The newsletter of the University of Delaware Department of Art History Credits Fall 2019 Editor: Kelsey Underwood Design: Kelsey Underwood Visual Resources: Derek Churchill Business Administrator: Linda Magner Insight is produced by the Department of Art History as a service to alumni and friends of the department. Contact Us Sandy Isenstadt, Professor and Chair, Department of Art History Contents E: [email protected] P: 302-831-8105 Derek Churchill, Director, Visual Resources Center E: [email protected] P: 302-831-1460 From the Chair 4 Commencement 28 Kelsey Underwood, Communications Coordinator From the Editor 5 Graduate Student News 29 E: [email protected] P: 302-831-1460 Around the Department 6 Graduate Student Awards Linda J. Magner, Business Administrator E: [email protected] P: 302-831-8416 Faculty News 11 Graduate Student Notes Lauri Perkins, Administrative Assistant Faculty Notes Alumni Notes 43 E: [email protected] P: 302-831-8415 Undergraduate Student News 23 Donors & Friends 50 Please contact us to pose questions or to provide news that may be posted on the department Undergraduate Student Awards How to Donate website, department social media accounts and/ or used in a future issue of Insight. Undergraduate Student Notes Sign up to receive the Department of Art History monthly newsletter via email at ow.ly/ The University of Delaware is an equal opportunity/affirmative action Top image: Old College Hall. (Photo by Kelsey Underwood) TPvg50w3aql. employer and Title IX institution. For the university’s complete non- discrimination statement, please visit www.udel.edu/home/legal- Right image: William Hogarth, “Scholars at a Lecture” (detail), 1736. -
How Can We Move On?
HOW CAN WE MOVE ON? by Duncan Hallas There is no effective socialist party in Britain. None of the existing organisations has the potential to become one. Yet the creation of such a party is indispensible for any real advance. This is, I think, a fair state- ment of the essential argument of Ralph Miliband's Moving On (Socialist Register 1976). The specifications given for an effective socialist party are modest enough. It is accepted that a mass party is not an immediate possibility. What is envisaged is 'a party of ten thousand members and upwards' with a serious implantation in the working class movement and 'a real measure of electoral legitimation'. The party must have the capacity to begin to challenge right wing dominance in the movement and it must be internally democratic. Politically, the party must firmly reject the view that the Labour Party can ever be won to 'socialist policies'; hence it must reject the Communist Party's British Road to Socialism, for this view is central to that strategy. It must also take a critical attitude to the USSR and similar regimes. This leaves some very large questions unanswered, not least the viability of the more fundamental assumption of the British Road-that there is a parliamentary road to socialism. This, and related questions, certainly cannot be evaded. Nonetheless, it will be useful to follow Ralph Miliband's approach, to concede at once that the party he describes does not yet exist and to ask how something like it could be created. This is to take for granted that the analysis of the Labour Party given in Moving On is correct in its essentials, that the cause of 'reform' in that party is indeed hopeless. -
Why Not Capitalism
WHY NOT CAPITALISM SOCIALIST REGISTER 1 9 9 5 Edited by LEO PANITCH Special Coeditorx ELLEN MELKSINS WOOD JOHN SAVILLE TABLE OF CONTENTS Page Preface vii Ralph Miliband, Socialist Intellectual, 1924-1994 1 Leo Panitch A Chronology of the New Left and Its Successors, Or: Who's Old-Fashioned Now? Ellen Meiksins Wood Saying No to Capitalism at the Millenium George Ross Once More Moving On: Social Movements, Political Representation and the Left Hilary Wainwright Globalizing Capitalism and the Rise of Identity Politics Frances Fox Piven Europe In Search of a Future Daniel Singer The Yeltsin Regime K. S. Karol The State in the Third World William Graf Page The 'Underclass' and the US Welfare State 163 Linda Gordon 'Class War conservatism': Housing Policy, Homelessness and the 'Underclass' Joan Smith Capitalist Democracy Revisited John Schwartzmantel Parliamentary Socialism Revisited John Saville Harold Laski's Socialism Ralph Miliband How it All Began: A Footnote to History Marion Kozak Ralph Miliband, A Select Bibliography in English PREFACE Ralph Miliband, the founder of the The Socialist Register with John Saville in 1964, and its co-editor for the subsequent three decades, died on May 21, 1994. His death, after falling ill upon his return to London from the New York Socialist Scholars Conference in April, was unexpected. Despite a close brush with death after a heart by-pass operation three years before, he had resumed his activities with characteristic strength of will and stamina, and celebrated the completion of a new book, Socialism for a Sceptical Age, at a festive 70th birthday party in January, 1994. -
What Is Violence?
WHAT IS VIOLENCE? by Anthony Arblaster In The Communist Manifesto Marx and Engels expressed the view that "the epoch of the bourgeoisie", by contrast with earlier stages in human history, had "simplified class antagonisms", with the result that "Society as a whole is more and more splitting up into two great hostile camps, into two great classes directly facing each other: Bourgeoisie and Proletariat." One reason for this, they suggested, was that capitalism had had the effect of stripping away the various ideological veils, religious and secular, by which exploitation and oppression had normally been both concealed and justified, and had "left remaining no other nexus between man and man than naked self-interest, than callous 'cash payment'." They summed up this process of de-mystification as follows: In one word, for exploitation, veiled by religious and political illusions, it has substituted naked, shameless, direct, bmtal exploitation. We do not need to assume that this represents the most central, or the most considered view on the subject expressed by Marx and/or Engels to recognise that this particular expectation as to the character of class conflict within capitalist society has not been fulfilled. Capitalist exploitation is not uniquely naked and unveiled. Ideology, bourgeois ideology, continues to play a quite decisive role in disguising and blurring class conflicts, and sustaining the claims to legitimacy made by the state and its agencies in capitalist society. A similar tendency to underestimate the role of ideology is reflected in the stress that Marxists frequently place on the purely coercive and even violent character of the state, of which some of Lenin's remarks in The State and Revolution provide an important (because influential) example: The state is a special organisation of force: it is an organisation of violence for the suppression of some class. -
Martin Jay – Habermas and Postmodernism
218 / JOURNAL OF COMPARATIVE LITERATURE AND AESTHETICS HABERMAS AND POSTMODERNISM / 219 Whether or not his more recent works signification of detour, temporalizing delay; will dispel this caricature remains to be seen. ‘deferring.”4 Differentiation, in other words, FROM THE ARCHIVES From all reports of the mixed reception he implies for Derrida either nostalgia for a lost received in Paris when he gave the lectures unity or conversely a utopian hope for a that became Die philosophische Diskurs der future one. Additionally, the concept is Moderne, the odds are not very high that a suspect for deconstruction because it implies more nuanced comprehension of his work the crystallization of hard and fast will prevail, at least among certain critics. distinctions between spheres, and thus fails Habermas and Postmodernism At a time when virtually any defence of to register the supplementary rationalism is turned into a brief for the interpenetrability of all subsystems, the automatic suppression of otherness, effaced trace of alterity in their apparent heterogeneity and non-identity, it is hard to homogeneity, and the subversive absence predict a widely sympathetic hearing for his undermining their alleged fullness or complicated argument. Still, if such an presence. outcome is to be made at all possible, the Now, although deconstruction ought not Martin Jay task of unpacking his critique of to be uncritically equated with postmodernism and nuanced defence of postmodernism, a term Derrida himself has modernity must be forcefully pursued. One never embraced, one can easily observe that n the burgeoning debate over the out-dated liberal, enlightenment way to start this process is to focus on a the postmodernist temper finds différance apparent arrival of the postmodern rationalism. -
How It All Began: a Footnote to History
HOW IT ALL BEGAN: A FOOTNOTE TO HISTORY Marion Kozak The Socialist Register was conceived on an exceptionally sunlit Sunday, April 7 1963, over lunch. Sitting round the table were John Saville, Lawrence Daly, Edward Thompson, Ralph and I. To an outsider it was evident that Lawrence Daly in some ways dominated the group. Daly, who had once been a working miner in Fife and later became a trade union leader, had been part of John and Edward’s circle in the course of their break with the Communist Party in 1956-57 and after, and they considered him a most remarkable working class intellectual. He had attracted consid erable attention in the 1959 general election campaign when he had beaten the official Communist candidate into third place in Willie Gallagher’s old constituency - a traditional stronghold of Communism. But what sticks out in my memory is not the politics but that Edward wanted to talk to him about poetry and that the afternoon concluded with a discussion about Shakespeare’s sonnets which Lawrence had been reading. In their different ways, all the individuals at our little meeting were among the first wave members of the British New Left, and represented various aspects of a revived Marxist culture whose immediate antecedents were the revelations of the 20th Party Congress. On the one hand, Khrushchev’s speech to the Congress of the CPSU had exposed the crimes of Stalinism as well as the fallibility of the Communist project as exemplified in the Soviet suppression of the Hungarian revolution. On the other hand, the broad Left and even the centre of the political spectrum in Britain had demonstrated widespread disillusion with Cold War politics, in the protest against the colonialism of the Suez invasions and in the growing movement against nuclear weapons. -
WHY ARE WE STILL SOCIALISTS and MARXISTS AFTER ALL THIS?L
WHY ARE WE STILL SOCIALISTS AND MARXISTS AFTER ALL THIS?l ARTHUR MACEWAN At the beginning of the 19905, Marxist socialists in the United States are on the defensive. The turmoil in the Soviet Union and Eastern Europe and the massacre in China have been widely accepted as demonstrating a final failure of socialism. In the United States, the very long period of economic expansion, ignoring our repeated predictions of recession, seems to undermine Marxist analyses of the self-contradictory nature of capitalism; the expansion is all the more significant because it has come along with conservative policies, the rejuvenation of the market, and all that. It is easy for one to react, as much of the public has, to these recent developments with the conclusion that socialism and Marxism are dead and that capitalism will be increasingly triumphant. These objective factors have a counterpart in intellectual life. Among left academics during the 1980s, there has been increasingly important opposition to Marxism. While at times this opposition keeps the name of Marxism, the rejection of basic propositions of Marxism (even most liberally defined) is so thorough as to make the rubric meaningless. Sometimes this inteilectual development goes under the title of 'post-Marxist analysis' and at other times its adherents call themselves 'analytic Marxists.' What is important, I think, is to recognize that the people who make up this movement are leftists; this is not just a new variant of rightist attacks or a renewal of 'the god that failed' movement. Yet there are those of us who continue to identify ourselves as socialists and as Marxists. -
Department of History
———— UC BERKELEY ———— DEPARTMENT OF HISTORY winter 2016 newsletter 1 CONTENTS Chair's Letter, 4 Department News, 6 Faculty Updates, 8 In Memoriam, 13 Faculty Book Reviews, 14 DEPARTMENT OF HISTORY University of California, Berkeley 3229 Dwinelle Hall, MC 2550 Berkeley, CA 94720-2550 Phone: 510-642-1971 Fax: 510-643-5323 Email: [email protected] Web: history.berkeley.edu Like Berkeley History on Facebook! Facebook.com/UCBerkeleyHistory Cover images courtesy of UC Berkeley Public Affairs Photo by Daniel Parks SUPPORT THE FUTURE OF HISTORY Donor support plays a critical role in the ways we are able to sustain and enhance the teaching and research mission of the department. Friends of Cal funds are utilized throughout the year in the following ways: • Travel grants for undergraduates researching the material for their senior thesis project • Summer grants (for travel or language study) for graduate students • Dissertation write-up grants for PhD candidates • Conference travel for graduate students who are presenting papers or participating in job interviews • Prizes for the best dissertation and undergraduate thesis • Equipment for the graduate computer lab • Workstudy positions that provide instructional support • Graduate space coordinator position Most importantly, Friends of Cal funds allow the department to direct funding to students in any field of study, so that the money can be directed where it is most needed. This unrestricted funding has enabled us to enhance our multi-year funding package so that we can continue to focus on maintaining the quality that is defined by a Berkeley degree. To support the Department of History, please donate online at give.berkeley.edu or mail checks payable to UC Berkeley Foundation to the address listed on the previous page. -
Theodor W. Adorno - Essays on Music
Theodor W. Adorno - Essays on Music Selected, with Introduction, Commentary, and Notes by Richard Leppert. Translations by Susan H. Gillespie and others Contents Preface and Acknowledgments Translator's Note Abbreviations Introduction by Richard Leppert 1. LOCATING MUSIC: SOCIETY, MODERNITY, AND THE NEW Commentary by Richard Leppert Music, Language, and Composition (1956) Why Is the New Art So Hard to Understand? (1931) On the Contemporary Relationship of Philosophy and Music (1953) On the Problem of Musical Analysis The Aging of the New Music (1955) The Dialectical Composer (1934) 2. CULTURE, TECHNOLOGY, AND LISTENING Commentary by Richard Leppert The Radio Symphony (1941) The Curves of the Neddle (1927/1965) The Form of the Phonograph Record Opera and the Long-Playing Record (1969) On the Fetish-Character in Music and the Regression of Listening (1938) Little Heresy (1965) 3. MUSIC AND MASS CULTURE Commentary by Richard Leppert What National Socialism Has Done to the Arts (1945) On the Social Situation of Music (1932) On Popular Music [With the assistance of George Simpson] (1941) On Jazz (1936) Farewell to Jazz (1933) Kitsch (c. 1932) Music in the Background (c. 1934) 4. COMPOSITION, COMPOSERS, AND WORKS Commentary by Richard Leppert Late Style in Beethoven (1937) Alienated Masterpiece: The Missa Solemnis (1959) Wagner's Relevance for Today (1963) Mahler Today (1930) Marginalia on Mahler (1936) The Opera Wozzeck (1929) Toward an Understanding of Schoenberg (1955/1967) Difficulties (1964, 1966) Bibliography Introduction Richard Leppert Life and Works Adorno was a genius; I say that without reservation. [He] had a presence of mind, a spontaneity of thought, a power of formulation that I have never seen before or since. -
A Feasible Socialism? *
A FEASIBLE SOCIALISM? * Roland Lew Is socialism a contemporary issue? Judging by what one reads in the news- papers, by the general climate of opinion and by the heavy spread by the media, the answer would appear to be 'no'. People certainly talk about socialism, but only in order to denounce or discredit it. 'Authentic social- ism' is a dangerous utopia or at best an illusion. 'Actually existing socialism' is a nightmare. The recent experience of socialist governments in Western Europe, proves that socialism is a sham, since they cannot or will not avoid adopting a harsh economic liberalism. Yet here we have one of the leading figures in Soviet studies proposing a 'feasible socialism'. A writer who specialises in the economics of the USSR and the Eastern bloc and who has never been noted for his support for socialism now puts forward his own version of socialism. One's first impression-though, given the present anti-socialist climate, perhaps it is merely a hope-is that the author is coming to the aid of at least a certain socialism. The favourable comments made by Perry Anderson in his latest book tend to strengthen that impression: 'In a work of luminous freshness and clarity, common sense and good humour, analytic logic and empirical detail, Nove has put to rest a century of unexamined preconceptions and illusions about what might be on the other side of capital, and awoken us to our first real vision of what a socialist economy, under democratic control, might look like." On a second reading, one begins to have doubts.