Cunyappeals For-More Money Insititunational
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Los Versos Satánicos
LOS VERSOS SATÁNICOS SALMAN RUSHDIE Salman Rushdie - Los versos satánicos http://elortiba.galeon.com ÍNDICE I EL ÁNGEL GIBREEL ............................................................................................................................................. 6 II MAHOUND............................................................................................................................................................54 III ELEOENE DEERREEESE ..................................................................................................................................... 75 IV AYESHA ............................................................................................................................................................... 117 V UNA CIUDAD VISIBLE PERO NO VISTA ................................................................................................................................................. 137 VI REGRESO A JAHILIA ........................................................................................................................................ 201 VII EL ÁNGEL AZRAEEL ........................................................................................................................................ 221 VIII LA RETIRADA DEL MAR DE ARABIA ...................................................................................................................................... 263 IX UNA LÁMPARA MARAVILLOSA .................................................................................................................. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Flores, Juan. “Creolité in the 'Hood: Diaspora As Source and Challenge
Centro Journal City University of New York. Centro de Estudios Puertorriqueños [email protected] ISSN: 1538-6279 LATINOAMERICANISTAS 2004 Juan Flores CREOLITÉ IN THE ‘HOOD: DIASPORA AS SOURCE AND CHALLENGE Centro Journal, fall, año/vol. XVI, número 002 City University of New York. Centro de Estudios Puertorriqueños New York, Latinoamericanistas pp. 282-293 Flores(v12).qxd 3/1/05 7:55 AM Page 282 CENTRO Journal Volume7 xv1 Number 2 fall 2004 Creolité in the ‘Hood: Diaspora as Source and Challenge* JUAN FLORES ABSTRACT This article highlights the role of the Puerto Rican community in New York as the social base for the creation of Latin music of the 1960s and 1970s known as salsa, as well as its relation to the island. As implied in the subtitle, the argument is advanced that Caribbean diaspora communities need to be seen as sources of creative cultural innovation rather than as mere repositories or extensions of expressive traditions in the geographical homelands, and furthermore as a potential challenge to the assumptions of cultural authenticity typical of traditional conceptions of national culture. It is further contended that a transnational and pan- Caribbean framework is needed for a full understanding of these complex new conditions of musical migration and interaction. [Key words: salsa, transnationalism, authenticity, cultural innovation, New York music, musical migration] [ 283 ] Flores(v12).qxd 3/1/05 7:55 AM Page 284 he flight attendant let out became the basis of a widely publicized other final stop of the commute, -
Biografía De Héctor Lavoe
Biografía de Héctor Lavoe Héctor Juan Pérez, nacido en el pueblo de Ponce, el 30 de septiembre de 1946, se trasladó a la ciudad de Nueva York a mediados de la década del 60 en busca de fama y fortuna como cantante. Trabajó por algunos meses con la orquesta del percusionista Francisco "Kako" Bastar, logrando grabar como primera voz del coro en el año 1967. El disco saldría al mercado al año siguiente. Pero durante el mismo 67, se produce su unión con el trombonista y arreglista Willie Colón, que redundaría en su primer disco como cantante principal, "El malo". Héctor, con su estilo callejero y desafiante, resultaría el complemento perfecto para la música de Colón, estridente y atrevida para los puristas en la fusión de ritmos. Del 1967 al 1973 el binomio produce discos como "La Gran Fuga", "Cosa Nostra", "Lo mato", " El Juicio" y los dos volúmenes de "Asalto Navideño". Los mismos son de vital importancia para la solidificación de la salsa como género. Canciones como "Juana Peña", "Barrunto", "Calle Luna, Calle Sol", y "La murga", son sólo algunos de sus éxitos. Luego de casi una década juntos, Willie, incapaz de seguir el ritmo de vida de Héctor, dado a la juerga y el exceso, decide que es mejor que siga cada cual por su lado. Esto coincide con, o tal vez propicia, la estrategia a seguir por el sello Fania, de lanzar a los cantantes de más éxito como solistas, apartados de las orquestas que le dieran fama. La separación es amistosa y no definitiva, pues Colón fue el productor de varios de los álbumes más exitosos de la carrera solista de Lavoe, que comienza en el 1975 con el disco "La Voz". -
Lecuona Cuban Boys
SECCION 03 L LA ALONDRA HABANERA Ver: El Madrugador LA ARGENTINITA (es) Encarnación López Júlvez, nació en Buenos Aires en 1898 de padres españoles, que siendo ella muy niña regresan a España. Su figura se confunde con la de Antonia Mercé, “La argentina”, que como ella nació también en Buenos Aires de padres españoles y también como ella fue bailarina famosísima y coreógrafa, pero no cantante. La Argentinita murió en Nueva York en 9/24/1945.Diccionario de la Música Española e Hispanoamericana, SGAE 2000 T-6 p.66. OJ-280 5/1932 GVA-AE- Es El manisero / prg MS 3888 CD Sonifolk 20062 LA BANDA DE SAM (me) En 1992 “Sam” (Serafín Espinal) de Naucalpan, Estado de México,comienza su carrera con su banda rock comienza su carrera con mucho éxito, aunque un accidente casi mortal en 1999 la interumpe…Google. 48-48 1949 Nick 0011 Me Aquellos ojos verdes NM 46-49 1949 Nick 0011 Me María La O EL LA CALANDRIA Y CLAVELITO Duo de cantantes de puntos guajiros. Ya hablamos de Clavelito. La Calandria, Nena Cruz, debe haber sido un poco más joven que él. Protagonizaron en los ’40 el programa Rincón campesino a traves de la CMQ. Pese a esto, sólo grabaron al parecer, estos discos, y los que aparecen como Calandria y Clavelito. Ver:Calandria y Clavelito LA CALANDRIA Y SU GRUPO (pr) c/ Juanito y Los Parranderos 195_ P 2250 Reto / seis chorreao 195_ P 2268 Me la pagarás / b RH 195_ P 2268 Clemencia / b MV-2125 1953 VRV-857 Rubias y trigueñas / pc MAP MV-2126 1953 VRV-868 Ayer y hoy / pc MAP LA CHAPINA. -
II 19E2111 1 111 UNIVERSIDAD DE PANAMÁ Vicerrectoria DE INVESTIGACIÓN Y POSTGRADO CENTRO REGIONAL UNIVERSITARIO DE COCLÉ DR BERNARDO LOMBARDO
elliBlUP ibilleca Int Simon Mbar II 19E2111 1 111 UNIVERSIDAD DE PANAMÁ VICERRECTORiA DE INVESTIGACIÓN Y POSTGRADO CENTRO REGIONAL UNIVERSITARIO DE COCLÉ DR BERNARDO LOMBARDO PROGRAMA DE MAESTRIA EN LENGUA Y LITERATURA ESPAÑOLA EN EL NIVEL SUPERIOR "ANÁLISIS MORFOSINTÁCTICO Y LÉXICO-SEMÁNTICO DE LAS CANCIONES LIGIA ELENA DECISIONES AMOR Y CONTROL DE RUBÉN BLADES Por Zonbell Anays Salcedo Murillo Tesis presentada en cumplimiento de los requisitos exigidos para optar por el grado de Magister en Lengua y Literatura Española en el Nivel Superior Panamá 2014 - fr.. NOMBRE DEL ASESOR FIRMA NOMBRE DEL JURADO NOMBRE DEL JURADO tv DEDICATORIA Orille° elfrvalente &Ser a inett/baelleas 5retmon 9;444«oda& 91‘it& paentg layo de int vida ken oeltukibor Ivenoístator etkeacto'm &mak me erijo en todo momento 91"-Int aro a mas Aerinailoó a mai 6.9értno4i a mayítsát~ mats cereaitutlur elasine,kna •96#92 rad( 94yolaset adelante caon todo int cayttio a toeltat la9emonalt ç,ree kelexon todo en, 4 ceda Aviva renidayita Irme mac averiod ,o/e motioanney "rine 4 mano cuando &mea re el cagnenu ele terintnakt aIldletlAt90/ A &arte int coleattmtradeenmenlo y AGRADECIMIENTO jleackjeo enpenneit ñyar a .Wfow /ore ihi staek, e nvinya a eada /bada re eky nadando/net dandomejártaknasta ennitnnar en rao. árto a laikleimat agua 9 - a a 9mt detkack frufle de 4 kenr a 4 reeaton mb Itga %alter akek&enplre anuente a ketnageine toda 4 onentaeurn neeokma rabiad re Aar- extenkfia a loe& (4) u (a- ) frgegoteast (ad de k 9glitlek en Ziray Zetaka C-514ano4finea sigiínel-\ *mame renegó de una a 6~91~ me ardaxon a la YIY4112149/1 de etve /yayo vi INDICE GENERAL Pág. -
Milton Cardona
Milton Cardona Milton Cardona, a Puerto Rican percussionist who was a mainstay of New York salsa, a studio musician on hundreds of albums and a Santeria priest who introduced sacred traditional rhythms to secular audiences, died on Sept. 19 in the Bronx. He was 69. The cause was heart failure, said his wife, Bruni. In Latin bands and at recording sessions led by David Byrne, Paul Simon, Herbie Hancock and many others, Mr. Cardona primarily played conga drums — generally not as a flashy soloist but as the kinetic foundation and spark of a percussion section. He was an authoritative advocate for some of Latin music’s deepest traditions; he was also a vital, innovative participant in many ambitious fusions. Mr. Cardona worked with the trombonist and bandleader Willie Colón on and off through four decades and was a member of the singer Hector Lavoe’s band from 1974 to 1987. He also recorded two albums as a leader and led the Santeria group Eya Aranla. Mr. Cardona was a santero, a priest of Santeria, the Afro- Caribbean religion rooted in the Yoruba culture of West Africa. Santeria invokes a pantheon of African deities with rhythms and songs that have filtered into the popular music of Latin America and the world. Mr. Cardona studied the Yoruba language to understand the traditional prayers he was singing. “I always said, ‘Why should I learn the prayer if I don’t know what it means?’ ” he explained in an interview with Drum magazine. The rhythms of Santeria are traditionally played on batá drums, a family of three hand drums. -
NOV. 27- Dec. 3, 2014
NOV. 27- DEC. 3, 2014 ----------------------------Cover Story • Les Misérables--------------------------- Ballads and Barricades By Jen Poiry-Prough ment supporting the melody lines that are always felt that American productions of Les some of the most beautiful phrases ever Misérables had a disadvantage because they For the past 5 years, Rich Najuch and written for the stage,” he says. “Cameron didn’t have the versatility of dialect that Brit- Joel Froomkin have produced delightful Macintosh called them ‘magic notes.’ This ish actors were able to employ,” he explains. holiday Supper Club shows at the New Hun- show is filled with themes that support the “In British productions, simply by changing tington Theatre. But to end the inaugural melody, but are absolutely breathtaking. It’s regional dialect the actors are not only able season of their main stage theatre Different one of the only shows I know where the au- to transform their characters, but they can Stages, they decided to do a bit of a 180. dience can hum the accompaniment. That’s also make clear statements regarding geo- Rather than a lighthearted holiday caba- extraordinary.” graphic location, social status and class.” ret show, they are mount- Another enhance- ing a grand production of ment Froomkin is bring- the most heart-wrenching, ing to his production tear-jerking and univer- centers on the characters sally beloved musical in themselves. He has turned history: Les Misérables. to the source material, What makes this sto- the Victor Hugo novel, to ry – about the oppressed -
Pressemitteilung Zu Obituary
Pressemitteilung zu Obituary Die amerikanischen Death Metaller Obituary präsentieren ihr neues Album „Obituary“ (Relapse) am 25.03.18 im Logo live Hamburg, November 2017 – Im Sommer 2017 gab es nur zwei Shows in Deutschland, jetzt kommen Obituary für eine komplette Tour wieder nach Deutschland. Die Death Metal-Protagonisten aus Florida haben weitere sieben Shows im März 2018 gebucht, um ihr am 16.03.17 erschienenes zehntes Top 30-Album „Obituary“ (Relapse) live vorzustellen. Das Quintett um Frontmann John Tardy tritt in Hamburg am 25.03.18 im Logo auf. Obituary aus Tampa/Florida haben mit Alben wie „Slowly We Rot“ (1989) oder „Cause Of Death“ (1990) Genre-definierende Klassiker geschaffen und zählen zu den einflussreichsten Death Metal-Bands überhaupt, ihr eigenständiger Sound ist geprägt von simplen und einprägsamen Gitarrenriffs sowie vom Gesang von John Tardy. Nach nur zwei Shows im August 2017 (Summer Breeze Festival und Dortmund) kommen die legendären Death Metaller zurück nach Deutschland, um ihr im März 2017 erschienenes zehntes Album „Obituary“ (Relapse Records) zu promoten. 1984 gründen die Brüder John (v) und Donald Tardy (dr) Xecutioner, die sich kurz vor dem Erscheinen des Debüts „Slowly We Rot“ im Jahr 1989 in Obituary umbenennen. Zusammen mit ihrem Produzenten Scott Burns erschaffen sie damit im inzwischen legendären Morrisound Studio einen Meilenstein des Death Metal, an dem sich alle Nachfolger orientieren. Obituarys Erfolg trägt maßgeblich zur Etablierung des Nischen-Genres Death Metal bei. Dabei sind sie im Laufe der Jahre mit ihrem eigenen Sound, den stetigen Tempiwechsel und dem unvergleichbaren Gesangsstil von John Tardy eine unverwechselbare Größe geworden. Mit den einigen der folgenden Alben wie zum Beispiel Pressekontakt: Erik Sabas +49 40 4133018-40 [email protected] river_concerts www.riverconcerts.de River Concerts „The End Complete” (1992), „World Demise” (1994) und „Frozen in Time” (2005) zementieren sie ihren Ruf als eine der eigenständigsten und wichtigsten Bands ihres Genres. -
OBITUARY, ONE TAIL, ONE HEAD and AUÐN to INFERNO 2018 We Welcome Legendary Death Metal Band OBITUARY As One of Our Headliners for Inferno Metal Festival 2018
OBITUARY, ONE TAIL, ONE HEAD AND AUÐN TO INFERNO 2018 We welcome legendary death metal band OBITUARY as one of our headliners for Inferno Metal Festival 2018. Also confirmed for Inferno Metal Festival 2018 are Norwegian black metal outfit ONE TAIL, ONE HEAD and Icelandic atmospheric black metal band AUÐN! INFERNO METAL FESTIVAL 2018: EMPEROR – OBITUARY CARPATHIAN FOREST - DARK FUNERAL – NAPALM DEATH – FLESHGOD APOCALYPSE – MEMORIAM – ORIGIN – ONE TAIL, ONE HEAD – NECROPHOBIC – BATUSHKA – AUÐN – NORDJEVEL – MEPHORASH – EARTH ELECTRIC- VANHELGD – UADA – ERIMHA OBITUARY Few bands have had bigger impact on death metal than Obituary. Some of the their early masterpieces, like “Slowly We Rot”, “Cause of Death” and “The End Complete”, was genre defining. Still today the band make some of the best death metal albums out there. Just listen to the amazing self-titled new album that was released earlier this year. Obituary has a long history and we have to go all the way back to 1984 when the band started out as Xecutioner in Tampa, Florida. Spawning way for the Tampa death metal scene with their unique brutal sound. Obituary have rarely performed in Norway and we actually have go back to 1994, on the “World Demise Tour”, for the their last Oslo gig. We are proud to bring the pioneers of death metal back to Oslo and for their very first performance at Inferno Metal Festival. https://www.facebook.com/ObituaryBand/ ONE TAIL, ONE HEAD Norwegian black metal band One Tail, One Head has been around since 2006. The band is a part of the Nidrosian black metal scene. -
“La Vida Nos Sorprende Todos Los Días”: Rubén Blades
Publicado en (http://www.eluniversal.com.co) Inicio > “La vida nos sorprende todos los días”: Rubén Blades “La vida nos sorprende todos los días”: Rubén Blades Con la vigencia que ha mantenido desde su ingreso al mundo artístico hace más de cuatro décadas, y pese a estar en medio de una gira que anuncia su despedida de los escenarios, el panameño Rubén Blades se reinventa esta vez frente a las cámaras. El periplo por España en este verano reafirmó su importancia en la música. La gira “Caminando, adiós y gracias” recibió el respaldo esperado y aunque no es lo que muchos quisieran, indica que su trabajo ahora tomará otros proyectos, muchos, si se le sigue la pista a lo que enumera con fascinación, al tiempo que su personaje en la serie “Fear The Walking Dead” tuvo un regreso triunfal esta tercera temporada, llevándolo a conquistar otro tipo de audiencias. Lo ejecutado por Rubén Blades parece no tener segundas partes, su proceso creativo siempre tiene una novedad que presentar, y así como hace más de cuarenta años incursionó con una salsa activista y llena de mensajes coherentes, hoy se aventura con sonidos que muestran su madurez artística e intelectual, aunque eso vale aclarar, no es nuevo en él. Tiene tiempo para todo, allí también se aprecia la disciplina que le imprime a cada proyecto y si se tomó un espacio para interpretar la salsa que más lo identifica, también hizo lo propio al regresar a México para continuar con el rodaje de la aclamada serie que narra el apocalipsis zombi, donde su personaje Daniel Salazar tiene la relevancia que requería ese capítulo de regreso, “100” como se denominó, se emitió totalmente en español y con subtítulos en inglés. -
In Serving the a 3AY Kunino Needs of the ONZN CZ Music & Record 11111 NY1NZOM Industry CI Cuvh3ra World Ho-S
1111110!!:3H record !!!!- Dedicated To dOHSzoos-3 NNIn Serving The A 3AY kunino Needs Of The ONZN CZ Music & Record 11111 NY1NZOM Industry CI cuvH3ra world ho-s eptemter6, 1969 60c In the opinion of the editors, this week the following records are the SINGLE PICKS OF THE WEEK WHO IWAINTIMRWMA IN THE IOVI 01INI COON PEON MAW MD 0 00V Elvis Presley sings one of TheWinstonswillfollow- JamesBrown,whokeeps The Monkees bestrecord the songs fromhis Vegas up "Color Him Father" with combiningthebeatwith is now on the market. It's WORLD act, "Suspicion Minds" a smash. It's "Love of the thesocialmessage suc- called "Mommy andDad- (Press,BMI), whichisas Common People" (Tree, cessfully, has "World" dy" (Screen Gems -Columbia, good as anything's he's BMI) and has a won't -quit (Brown. BMI)intwo parts BMI)andMonkeeDolenz done (RCA 47-9764). beat (Metromedia 142). andit'llgo (King 6258). wrote it (Co!gems 5005). SLEEPER PICKS OF THE WEEK CatMotherand theAll The Baskerville Hounds are EdwardsHandis a new CaptainMilk(EdwinHub- NightNewsboysask the thefirst group from Avco duoproducedby George bard) plays the flute with vitalquestion,"Can You Embassy andtheirrocky Martin. Their first single is great facility,and crowds Dance to It?" (Cat Mother- initial release is oldie "If I Thought You'dEver willlovethisrepriseof Emm - Jay - Sea - Lark, EMI) "HoldMe"(Robbins, AS - Change Your Mind" (Al Gal- "Hey, Jude" (Maclen, BMI) (Polydor14007). CAP). Hot (4504). lico,BMI) (GRT13). (Tetragrammaton 1542). At Atlantic Signing To ALBUM PICKS OF THE WEEK Distribute Stone Flower Label, from Left: Atlantic VP Nesuhi Ertegun, Dave Kapralik, Stone Flower's Legal Counsellor Marty Machattlan-tic Exec VP JudyCollinsispresented The Vogues' "Memories" John Mayall, alongwith RobertaFlackwhoplays on "Recollections" in a extend back into the '50s Jon Mark, Steve Thompson piano and sings somewhere Jerry Wexler and, Seated, number of folk songs she when "Moments to Remem- and Johnny Thompson, bow between Washington, D.