DOCSLIB.ORG

Press Release 8.1.2019 ROBERT NOMINATIONS 2019 CELEBRATING a THRILLING YEAR in DANISH FILM and TV! the Danish Film Academy Has A

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Press Release 8.1.2019 ROBERT NOMINATIONS 2019 CELEBRATING a THRILLING YEAR in DANISH FILM and TV! the Danish Film Academy Has A Press release 8.1.2019 ROBERT NOMINATIONS 2019 CELEBRATING A THRILLING YEAR IN DANISH FILM AND TV! The Danish Film Academy has announced the nominations for this year’s ROBERT awards. The country’s most coveted award will celebrate the diverse and consistently high quality of Danish film and tv output, and see newcomers go head to head with veterans in the major categories. The Academy presents the 35th ROBERT awards on Sunday February 3rd, 2019 with entertainer Jan Gintberg as show host. A total of 27 feature films were in the running for the many ROBERT statuettes. A testimony of a strong film-year, but this year the tv-categories saw even fiercer competition as both ‘best tv-series’ and ‘best short tv-series’ had twice as many potential nominees. Three very different veterans of Danish cinema scooped the most nominations, including Best Film and Best Director, led by Bille August’s ‘A Fortunate Man’ on top with 16, Lars von Trier’s ‘The House That Jack Built’ with 12 and Christoffer Boe’s ‘The Purity of Vengeance’ with 11 alongside newcomers Niclas Bendixen’s ‘Ditte & Louise’ with 11 and Gustav Möller’s ‘The Guilty’ with 9 nominations. Another first effort, ‘Holiday’, secured Isabella Eklöf a nomination as Best Director as well as one for Best Screenplay in collaboration with Johanne Algren, which gives the film a total of 7 nominations. The booming Danish tv-production output is also honoured at the ROBERT awards and the competition is close this year with DR Drama’s ‘Liberty’ and ‘Ride Upon the Storm II’ facing off with Miso Film’s ‘Warrior’ and ‘The Rain’ as well as Nimbus Film & Filmlance’s ‘The Bridge IIII’. The Best Documentary will be found among Elvira Lind’s ‘Bobbi Jene’, Simon Lereng Wilmont’s ‘Distant Barking of Dogs’, Cille Hannibal’s ‘The Night We Fell’, Malene Choi Jensen’s ‘The Return’ and Emil Næsby Hansen’s ‘The Two Of Us’. The winner of the Best Children & Youth Film category will be either ‘Checkered Ninja’, ‘Vitello’, ‘Land of Glass’, ‘Wildwitch’ or the youth drama ‘Sticks & Stones’. All nominations were decided by the academy members based on their profession, and it is now up to the more than 2500 members of The Danish Film Academy to vote for the winners in all categories. See the full list of nominations below. The ROBERT AWARDS will be held on Sunday February 3rd, 2019 from 5:30pm at the Tivoli Hotel & Congress Center. For further information, please contact: Chairman Jacob Neiiendam, [email protected] ​ Filmakademiet, [email protected] www.filmakademiet.dk #robertprisen Sincerely The Board of the Danish Film Academy Robert nominations 2019 Best Feature Film ● A Fortunate Man / Nordisk Film Production A/S, Producers: Thomas Heinesen & Karin Trolle, Dir.: Bille August ● Ditte & Louise / Nordisk Film Production A/S, Producer: Thomas Heinesen, Dir.: Niclas Bendixen ● The Guilty / Nordisk Film Spring, Producer: Lina Flint, Dir.: Gustav Möller ● The House That Jack Built / Zentropa, Producer: Louise Vesth, Dir.: Lars von Trier ● The Purity of Vengeance / Zentropa, Producer: Louise Vesth, Dir.: Christoffer Boe Best Children & Youth Film ● Checkered Ninja / A Film Production, Sudoku & Pop Up Production, Producers: Trine Heidegaard & Anders Mastrup, Dir.: Anders Matthesen & Thorbjørn Christoffersen ● Land of Glass / Pilot Film ApS, Producers: Egil Dennerline, Marie Rønn & Jeppe Vig Find, Dir.: Marie Rønn & Jeppe Vig Find ● Sticks & Stones / Snowglobe, Producers: Eva Jakobsen, Mikkel Jersin & Katrin Pors, Dir.: Martin Skovbjerg ● Vitello / Ja Film A/S, Producer: Anders Berthelsen, Dir.: Dorte Bengtson ● Wildwitch / Good Company Films, Producers: Stinna Lassen & Anni Faurbye Fernandez, Dir.: Kaspar Munk Best Director ● Bille August / A Fortunate Man ● Christoffer Boe / The Purity of Vengeance ● Gustav Möller / The Guilty ● Isabella Eklöf / Holiday ● Lars von Trier / The House That Jack Built Best Original Screenplay ● Ditte Hansen & Louise Mieritz / Ditte & Louise ● Gustav Möller & Emil Nygaard Albertsen / The Guilty ● Jakob Weis / That Time of Year ● Johanne Algren & Isabella Eklöf / Holiday ● Lars von Trier / The House That Jack Built Best Adapted Screenplay ● Anders Matthesen / Checkered Ninja ● Bille August & Anders August / A Fortunate Man ● Bo Hr. Hansen, Nikolaj Arcel & Mikkel Nørgaard / The Purity of Vengeance ● Bo Hr. Hansen, Poul Berg & Kaspar Munk / Wildwitch ● Kim Fupz Aakeson & Dorte Bengtson / Vitello Best Actor ● Baard Owe / Christian IV ● Esben Smed / A Fortunate Man ● Jakob Cedergren / The Guilty ● Matt Dillon / The House That Jack Built ● Rasmus Bjerg / The Way to Mandalay Best Actress ● Ditte Hansen / Ditte & Louise ● Katrine Greis-Rosenthal / A Fortunate Man ● Louise Mieritz / Ditte & Louise ● Paprika Steen / That Time of Year ● Victoria Carmen Sonne / Holiday Best Supporting Actor ● Adam Brix / Ditte & Louise ● Anders W. Berthelsen / Ditte & Louise ● Benjamin Kitter / A Fortunate Man ● Fares Fares / The Purity of Vengeance ● Jacob Lohmann / That Time of Year Best Supporting Actress ● Fanny Leander Bornedal / The Purity of Vengeance ● Jessica Dinnage / The Guilty ● Julie Christiansen / A Fortunate Man ● Karen-Lise Mynster / That Time of Year ● Sofie Gråbøl / That Time of Year Best Set Design ● Jette Lehmann / A Fortunate Man ● Josephine Farsø / Holiday ● Sabine Hviid / Wildwitch ● Simone Grau Roney / The House That Jack Built ● Søren Gam / Ditte & Louise Best Cinematography ● Dirk Brüel / A Fortunate Man ● Jacob Møller / The Purity of Vengeance ● Jasper J. Spanning / The Guilty ● Manuel Alberto Claro / The House That Jack Built ● Nadim Carlsen / Holiday Best Costume Design ● Charlotte Moe / The Way to Mandalay ● Manon Rasmussen / A Fortunate Man ● Manon Rasmussen / The House That Jack Built ● Pernille Holm & Emilie Bøge Dresler / The Purity of Vengeance ● Stine Gudmundsen-Holmgreen / That Time of Year Best Makeup ● Bjørg Serup / The Way to Mandalay ● Cecilie Do / Christian IV ● Dennis Knudsen / The House That Jack Built ● Dennis Knudsen & Tina Helmark / A Fortunate Man ● Sofie de Mylius / Ditte & Louise Best Editor ● Anne Østerud & Janus Billeskov Jansen / A Fortunate Man ● Carla Luffe / The Guilty ● Molly Malene Stensgaard & Jacob Schulsinger / The House That Jack Built ● My Thordal & Janus Billeskov Jansen / The Purity of Vengeance ● Olivia Neergaard-Holm / Holiday Best Sound Design ● Kristian Selin Eidnes Andersen / The House That Jack Built ● Morten Green & Eddie Simonsen / The Purity of Vengeance ● Niels Arild & Kim Dalum / A Fortunate Man ● Oskar Skriver / The Guilty ● Oskar Skriver & Bo Asdal / Checkered Ninja Best Score ● Av Av Av / Sticks & Stones ● Flemming Nordkrog / Wildwitch ● Jomi Massage / Ditte & Louise ● Kristian Selin Eidnes Andersen & Nicklas Schmidt / Lucia’s Christmas ● Lorenz Dangel / A Fortunate Man ● Mikkel Maltha & Anthony Lledo / The Purity of Vengeance Best Original Song ● 'Skubber det sne' - Anders Matthesen, Composers.: Anders Matthesen & #KewanLiggerBeatetNormal / Checkered Ninja ● 'Sut min klit' - Nikoline, Composer.: Nikoline / Ditte & Louise ● 'Under solen' - Wafande, Søren Schou & Andreas Keilgaard, Composers.: Wafande, Søren Schou & Andreas Keilgaard / Iqbal & the Jewel of India ● 'Vild' - Lydmor, Composers.: Jenny Rosander, Lasse Lyngbo, Mads Møller & Thor Nørgaard / Wildwitch ● 'Vitello' - Peter Sommer, Jøden & DJ Static, Composers.: Peter Sommer, Jøden & DJ Static / Vitello Best Visual Effects ● Jonas Ussing & Martin Madsen / Iqbal & the Jewel of India ● Martin Madsen & Thomas Øhlenschlæger / A Fortunate Man ● Peter Hjorth / The House That Jack Built ● Simon Sandin, Christian Sjöstedt & Christina Jæger / Wildwitch ● Toke Rude Trangbæk, Daniel French & Sammy Larsen / In Love & War Best Short / Animation Film ● Birds / Nepenthe Film, Producer: Julie Hjorth, Dir.: Trine Nadia ● Dolphin / M&M Productions, Producers: Kim Magnusson & Tivi Magnusson, Dir.: Lauritz Munch-Petersen ● Maja / Hyæne Film, Producer: Daniel Mühlendorph, Dir.: Marijana Jankovic ● Next Stop / Meta Film, Producers: Johannes R. Nørregaard og Trin Hjortkjær Thomsen, Dir.: Daniel Kragh-Jacobsen ● November / Super8, Producer: Iben Søtang Jacobsen, Dir.: Kasper Møller Jensen Best Short Documentary ● Either Or / Den Danske Filmskole, Producers: Karen Kristensen & Anna Malmkjær, Dir.: Thora Lorentzen ● Fantasy Fantasy / Sonntag Pictures, Producer: Sara Stockmann, Dir.: Kaspar Astrup Schröder ● Haunted / Norman Film, Producer: Christian Einshøj, Dir.: Christian Einshøj ● I, Witness / Den Danske Filmskole, Producer: Zire Schucany, Dir.: Louise Leth ● You are Still Somebody's Someone / Made in Copenhagen ApS, Producer: Mathilde Hvid Lippmann, Dir.: Esther Wellejus Best Documentary ● Bobbi Jene / Sonntag Pictures, Producer: Sara Stockmann, Dir.: Elvira Lind ● Distant Barking of Dogs / Final Cut for Real, Producer: Monica Hellström, Dir.: Simon Lereng Wilmont ● The Night We Fell / Bullitt Film, Producer: Rikke Tambo Andersen, Dir.: Cille Hannibal ● The Return / Walenciak Film, Producer: Julie Friis Walenciak, Dir.: Malene Choi Jensen ● The Two Of Us / Wergeland Film, Producer: Emil Kramhøft Dinsen, Dir.: Emil Næsby Hansen Best English Language Film ● A Star is Born / Dir.: Bradley Cooper, Distr.: SF Studios ● Call Me By Your Name / Dir.: Luca Guadagnino, Distr.: United International Pictures ● The Florida Project / Dir.: Sean Baker, Distr.: Scanbox Entertainment ● The Shape of Water / Dir.: Guillermo del Toro, Distr.: Nordisk Film Distribution A/S ● Three Billboards Outside Ebbing Missouri / Dir.: Martin McDonagh, Distr.: Nordisk Film Distribution A/S Best Non-English Language Film ● Border
Load more

Recommended publications
  • Another Round
    Presents ANOTHER ROUND A film by Thomas Vinterberg 116 mins, Denmark, 2020 Language: Danish with English subtitles Official Selection: Cannes 2020 and TIFF 2020 Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com LOG LINE Another Round is a fun, moving, life-affirming and thought-provoking drama about friendship, freedom, love – and alcohol. SYNOPSIS There’s a theory that we should be born with a small amount of alcohol in our blood, and that modest inebriation opens our minds to the world around us, diminishing our problems and increasing our creativity. Heartened by that theory, Martin and three of his friends, all weary high school teachers, embark on an experiment to maintain a constant level of intoxication throughout the workday. If Churchill won WW2 in a heavy daze of alcohol, who knows what a few drops might do for them and their students? Initial results are positive, and the teachers’ little project turns into a genuine academic study. Both their classes and their results continue to improve, and the group feels alive again! As the units are knocked back, some of the participants see further improvement and others go off the rails. It becomes increasingly clear that while alcohol may have fueled great results in world history, some bold acts carry consequences. DIRECTOR’S INTENT THOMAS VINTERBERG “I never drink before breakfast.” The quote is from Churchill, who helped to defeat the Germans and win World War II, while under the excessive and constant influence of alcohol.
    [Show full text]
  • International Casting Directors Network Index
    International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy.
    [Show full text]
  • “Aspects of Danish Cinema”
    Programme of Danish Film Screenings at the Danish Institute at Athens 2018 “Aspects of Danish Cinema”. By Ioanna Athanassatou/Film Historic at the Greek Open University & the University of Athens Screening on the 26th of April 2018 Silent heart (2014) by Bille August In film screening programme of the last 2 years, we have had the chance to see I line of Danish movies from Carl Dreyer, Lars von Trier, Susanne Bier and Thomas Vinterberg. Today we have chosen to screen “Silent heart” - in Danish ”Stille hjerte” and in Greek “Αθόρυβη καρδιά” (2014) by Bille August, the fourth movie this year. Bille August is considered the total opposite to Lars Von Trier and Vinterberg with a great international reputation. The filmography of Bille August includes two movies that both were awarded with the Golden Palms in Cannes: “Pelle the Conqueror” (1988) and “The best intentions” (1992). In these movies, including today´s, the director is closer to the cinematic perception of Swedish director Ingmar Bergman (Valoukos 2003, page 630), avoiding formalistic searching, but focusing on the mental state of his heroes. When August directed the movie in 2014, he was inspired by the Scandinavian drama of Ibsen and Strindberg, but also by the philosophic/religious meditation of Søren Kierkegaard. “Silent heart” touches upon the very complex and emotional issue of euthanasia. It was awarded at International festivals and was admitted at the European Art House. The movie is about the family gathering of three generations, coming together for the weekend inorder to say their last goodbye to Esther (Ghita Nørby) – mother and grandmother – who is sick from the incurable disease, Amyotrophic Lateral Sclerosis.
    [Show full text]
  • He Dreams of Giants
    From the makers of Lost In La Mancha comes A Tale of Obsession… He Dreams of Giants A film by Keith Fulton and Lou Pepe RUNNING TIME: 84 minutes United Kingdom, 2019, DCP, 5.1 Dolby Digital Surround, Aspect Ratio16:9 PRESS CONTACT: Cinetic Media Ryan Werner and Charlie Olsky 1 SYNOPSIS “Why does anyone create? It’s hard. Life is hard. Art is hard. Doing anything worthwhile is hard.” – Terry Gilliam From the team behind Lost in La Mancha and The Hamster Factor, HE DREAMS OF GIANTS is the culmination of a trilogy of documentaries that have followed film director Terry Gilliam over a twenty-five-year period. Charting Gilliam’s final, beleaguered quest to adapt Don Quixote, this documentary is a potent study of creative obsession. For over thirty years, Terry Gilliam has dreamed of creating a screen adaptation of Cervantes’ masterpiece. When he first attempted the production in 2000, Gilliam already had the reputation of being a bit of a Quixote himself: a filmmaker whose stories of visionary dreamers raging against gigantic forces mirrored his own artistic battles with the Hollywood machine. The collapse of that infamous and ill-fated production – as documented in Lost in La Mancha – only further cemented Gilliam’s reputation as an idealist chasing an impossible dream. HE DREAMS OF GIANTS picks up Gilliam’s story seventeen years later as he finally mounts the production once again and struggles to finish it. Facing him are a host of new obstacles: budget constraints, a history of compromise and heightened expectations, all compounded by self-doubt, the toll of aging, and the nagging existential question: What is left for an artist when he completes the quest that has defined a large part of his career? 2 Combining immersive verité footage of Gilliam’s production with intimate interviews and archival footage from the director’s entire career, HE DREAMS OF GIANTS is a revealing character study of a late-career artist, and a meditation on the value of creativity in the face of mortality.
    [Show full text]
  • ME,YOUBY BILLE AUGUST a Film Based on the Novel “Tu, Mio” by ERRI DE LUCA SYNOPSIS
    ME,YOUBY BILLE AUGUST A Film based On The Novel “Tu, Mio” by ERRI DE LUCA SYNOPSIS Ischia, 1955. In the waters of the island in the bay of Naples, Marco (16) Caia is Jewish. Marco does not have these prejudices, on the contrary, spends his days sailing with Nicola (52), a hardened fisherman who tells this discovery pushes him to delve into the girl’s life even more. A stories about the sea and the war, that is still very fresh in his memory. beautiful complicity is established between the two in which Caia reveals Marco is different from the other boys, he prefers spending his time her painful past, with a childhood stolen by the SS and a father who in the company of the hermetic Nicola rather than going to the beach, preferred to throw his daughter out of a train in Yugoslavia, rather having courting girls or bathing in the ocean like his peers. Shy and curious, he her to experience the horrors of a concentration camp. takes advantage of his holidays on the Italian island to fill his eyes with Marco’s gestures remind Caia of her father: his protective attitudes, the images of a world that is so distant from his native London or from the way he kisses her on the forehead, the sound of his voice when he the gloomy boarding school in Scotland where his family sheltered Marco pronounces her name in Romanian, Chaiele. Next to him she feels the to protect him from the bombings. presence of her father, even though Marco is just a slender boy 4 years On vacation with his parents at his maternal uncle’s house, he will live younger than her.
    [Show full text]
  • The Films of Ingmar Bergman Jesse Kalin Frontmatter More Information
    Cambridge University Press 0521380650 - The Films of Ingmar Bergman Jesse Kalin Frontmatter More information The Films of Ingmar Bergman This volume provides a concise overview of the career of one of the modern masters of world cinema. Jesse Kalin defines Bergman’s conception of the human condition as a struggle to find meaning in life as it is played out. For Bergman, meaning is achieved independently of any moral absolute and is the result of a process of self-examination. Six existential themes are explored repeatedly in Bergman’s films: judgment, abandonment, suffering, shame, a visionary picture, and above all, turning toward or away from others. Kalin examines how Bergman develops these themes cinematically, through close analysis of eight films: well-known favorites such as Wild Strawberries, The Seventh Seal, Smiles of a Summer Night, and Fanny and Alexander; and im- portant but lesser-known works, such as Naked Night, Shame, Cries and Whispers, and Scenes from a Marriage. Jesse Kalin is Andrew W. Mellon Professor of Humanities and Professor of Philosophy at Vassar College, where he has taught since 1971. He served as the Associate Editor of the journal Philosophy and Literature, and has con- tributed to journals such as Ethics, American Philosophical Quarterly, and Philosophical Studies. © Cambridge University Press www.cambridge.org Cambridge University Press 0521380650 - The Films of Ingmar Bergman Jesse Kalin Frontmatter More information CAMBRIDGE FILM CLASSICS General Editor: Ray Carney, Boston University The Cambridge Film Classics series provides a forum for revisionist studies of the classic works of the cinematic canon from the perspective of the “new auterism,” which recognizes that films emerge from a complex interaction of bureaucratic, technological, intellectual, cultural, and personal forces.
    [Show full text]
  • Ole Christian Madsen – 02 – Synopsis
    NIMBUS FILM PRESENTS A Film by OLE CHRISTIAN MADSEN – 02 – SYNOPSIS – 03 – Christian (Anders W. Berthelsen) is the owner of a wine store that is about to go bankrupt and he is just as unsuccessful in just about every other aspect of life. His wife, Anna (Paprika Steen), has left him. Now, she works as a successful football agent in Buenos Aires and lives a life of luxury with star football player Juan Diaz. One day, Christian and their 16-year-old son get on a plane to Buenos Aires. Christian arrives under the pretense of wanting to sign the divorce papers together with Anna, but in truth, he wants to try to win her back! – 04 – COMMENTS FROM THE DIRECTOR Filmed in Buenos Aires, Argentina, Superclásico is a Danish comedy set in an exotic locale. And the wine, the tango and the Latin tempers run high – when Brønshøj meets Buenos Aires! This is the first time that a Danish film crew has shot a feature film in Argentina, and it has been a great source of experience and inspiration not least for director Ole Christian Madsen for whom Superclásico is also his debut as a comedy director. The following is an interview with Ole Christian Madsen by Christian Monggaard. Life is a party A film about love ”You experience a kind of liberation in Argentina,” ”Normally, when you tell the story of a divorce, says Ole Christian Madsen about his new film, the you focus on the time when you sit and nurse your comedy Superclásico, which takes place in Buenos emotional wounds.
    [Show full text]
  • DANISH FILM AWARD NOMINEES 2020 the Graphically Distinct
    Press release 06.01.2020 ROBERT - DANISH FILM AWARD NOMINEES 2020 The graphically distinct ROBERT statuette might be small in size, but it is heavy in form and importance to all film- and tv-professionals in Denmark as it is their colleagues in the Danish Film Academy who both nominate and single out the best achievements of the year. The award show will take place Sunday Jan. 26, 2020 at 17:30 at the Tivoli Hotel & Congress Center. The show will be live-streamed by Blockbuster at www.blockbuster.dk/robertprisen. ​ ​ Below are all the nominated films and series for the ROBERT 2020. Best Feature Film ● Before the Frost / Nordisk Film Production, Producers: Matilda Appelin, René Ezra & Tomas Radoor, Dir.: Michael Noer, Writers: Jesper Fink & Michael Noer ● Daniel / Toolbox Film, Producers: Morten Kaufmann & Signe Leick Jensen, Dir.: Niels Arden Oplev, Anders W. Berthelsen, Writer: Anders Thomas Jensen ● Queen of Hearts / Nordisk Film Production, Producers: René Ezra & Caroline Blanco, Dir.: May el-Toukhy, Writers: Maren Louise Käehne & May el-Toukhy ● Sons of Denmark / Hyæne Film, Producer: Daniel Mühlendorph, Dir.: Ulaa Salim, Writer: Ulaa Salim ● Uncle / 88miles, Producer.: Marco Lorenzen, Dir.: Frelle Petersen, Writer: Frelle ​ Petersen Best TV-series ● A Fortunate Man / Nordisk Film Production, Writers: Bille August og Anders Frithiof ​ August, Producers: Thomas Heinesen & Karin Trolle, Dir.: Bille August ● Darkness - Those Who Kill / Miso Film, Writer: Ina Bruhn, Producers: Zire Schucany, Jonas Allen & Peter Bose, Dir.: Carsten Myllerup
    [Show full text]
  • The Hunt Thomas Vinterberg Susanne Bier Bille August Slug Invasion Cinefondation PAGE 2 / FILM#75 / CANNES ISSUE
    Film is published#75 by the Danish Film institute / may 2012 Cannes issue 2012 THE HUNT THOMAS VINTERBERG SUSANNE BIER BILLE AUGUST SLUG INVASION CINEFONDATION PAGE 2 / FILM#75 / CANNES ISSUE 10 14 05 19 25 INSIDE 03 Editorial and short news 22 Tobias lindholm Writer on Vinterberg's Cannes competitor The Hunt 05 The Hunt by Thomas Vinterberg and the hit TV series Borgen, Tobias Lindholm has / Cannes Competition carved out a name for himself as a skilled storyteller. Film#75 Cannes issue The Hunt is the first collaboration between may 2012 Mads Mikkelsen and director Thomas Vinterberg 25 From The Kingdom to The Killing who shook the film world with his 1998 Cannes A modernisation strategy in the '90s in the drama Published by Danish Film Institute winner, the tough family drama The Celebration. department at national broadcaster DR laid the foun- Editor Susanna Neimann (SN) dation for the current golden age in Danish TV drama. Co-editor Annemarie Hørsman (AH) Editorial team Lars Fiil-Jensen (LFJ), 10 Susanne Bier Anders Budtz-Jørgensen (ABJ), Lizette Gram "With this film there is less of a difference between 28 You & me Forever Mygind, Christian Juhl Lemche who I am and what the movie is like," says Oscar Kaspar Munk deliberately started making You & Me Translations Glen Garner laureate Susanne Bier about Love Is All You Need. Forever without funding – he wanted to have ultimate Design Rasmus Koch Studio AD Morten Bak freedom to experiment with ideas and methods. Type Holton, Akzidenz-Grotesk, Cendia 14 Bille August Paper Munken Lynx 100 g Bille August uses a famous piece of Danish art history 30 The Bird Chase Printed by Rosendahls-Schultz Grafisk as the backdrop for his story about Marie Krøyer, "We tend to make family films too nice," says Christian Circulation 6,000 iSSN 1399-2813 (print version) a woman who challenged the conventions of society.
    [Show full text]
  • Www .Glad.Design
    ÅRS 2017 RAPPORT WWW.GLAD.DESIGN Forside: LYKKE-PER optagelser i Den Fynske Landsby / TINKAS JULEEVENTYR optagelser på “Søgaard” i Vester Aaby 3 ÅRET DER GIK 1 OM FILMFYN 4 FILMFYN SKABER MÅLBARE EFFEKTER 6 INVESTERINGER I FILM- OG TV-FIKTION 8 FILMCOMMISSION FYN 13 EVENTS OG PR 2017 14 FILMFYNS ROLLE I FILMENS FASER 17 FYNSKE FILMUDDANNELSER 18 SVEND17 20 BESTYRELSE OG ADVISORY BOARD 21 Den norske SKAM skuespiller Lisa Teige under optagelserne til dansefilmen BATTLE på Brandts i Odense 1 ÅRSRAPPORT 2017 HAPPY ENDING optagelser på Kogtved Søfartsskole i Svendborg ÅRET DER GIK ”Her skal der ikke udfl yttes fra hovedstaden. Her kan der byg- FilmFyn og Den Vestdanske Filmpulje i Aarhus - til støtte og ges videre på noget, der allerede eksisterer”. produktion af danske fortællinger inden for alle genrer, som der er så stort et behov for. Sådan skrev samtlige 10 fynske borgmestre om FilmFyn til Folketingets Kulturudvalg den 27. oktober 2017. Giv FilmFyn Grundidéen i forslaget er, at dele af licensmidlerne på den- et tilskud på 15 mio. kroner årligt eller mere! Anledningen var, ne måde kan gøre nytte i et fi lmproduktionsmiljø, som ikke og er, at Folketinget gennem 2018 forhandler fi lm- og medie- mindst skaber omsætning og arbejdspladser, men også kaster aftaler for årene 2019-22. glans over Fyn. Fyns folketingspolitikere har i tekst og tale fulgt op på initiativet, som det i øvrigt er sket med andre og Med det kommende medieforlig (hvad skal licensen bruges vigtige dagsordener som broafgifter, motorveje og udfl ytning til?) åbner der sig nu en stor mulighed for at overføre markant af statslige arbejdspladser.
    [Show full text]
  • Spanish Videos Use the Find Function to Search This List
    Spanish Videos Use the Find function to search this list Velázquez: The Nobleman of Painting 60 minutes, English. A compelling study of the Spanish artist and his relationship with King Philip IV, a patron of the arts who served as Velazquez’ sponsor. LLC Library – Call Number: SP 070 CALL NO. SP 070 Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness. LLC Library CALL NO. Look in German All About My Mother Director: Pedro Almodovar with Cecilia Roth, Penélope Cruz, Marisa Perdes, Candela Peña, Antonia San Juan. 1999, 102 minutes, Spanish with English subtitles. Pedro Almodovar delivers his finest film yet, a poignant masterpiece of unconditional love, survival and redemption. Manuela is the perfect mother. A hard-working nurse, she’s built a comfortable life for herself and her teenage son, an aspiring writer. But when tragedy strikes and her beloved only child is killed in a car accident, her world crumbles. The heartbroken woman learns her son’s final wish was to know of his father – the man she abandoned when she was pregnant 18 years earlier. Returning to Barcelona in search on him, Manuela overcomes her grief and becomes caregiver to a colorful extended family; a pregnant nun, a transvestite prostitute and two troubled actresses. With riveting performances, unforgettable characters and creative plot twists, this touching screwball melodrama is ‘an absolute stunner.
    [Show full text]
  • A Moon of My Own a Fortunate
    PROGRAMME A FORTUNATE MAN A MOON OF MY OWN ON HIS QUEST FOR happiness, Per decides to leave TED IS A MUSICAL GENIUS and a wonderkid of the Jutland and an upbringing in a strict religious home. seven ties. Surrounded by the musical elite of his time as Running from his family and patriarch father, he sets sail well as his beloved brother and biggest fan, he conquers towards Copenhagen to become an engineer. Parallel to every stage and the heart of every teenage girl. The doors his studies, he works on a visionary energy project based of opportunity keep swinging open for him, facing him on wind and wave energy, a project so much ahead of its with difficult choices that he must make. time, the professors consider him insane. However, Per’s But when the lights go out, Ted finds himself alone, as project becomes a success and he marries the beautiful the shadows around him grow bigger and darker. Ted slips Jakobe. One would imagine that Per’s happiness now is deeper into insanity and further away from the ones he made. But his childhood keeps haunting him and despite loves. And once you become your own worst enemy, his luck and success, Per is unable to fully cut the strings nobody can save you. Even if they love you to the moon to his strict religious background. and back. BILLE AUGUST (b. 1948) trained as a film HANNES HOLM has written and directed director at the Danish Film School. Among successful films in Sweden for 20 years.
    [Show full text]