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A Moon of My Own a Fortunate

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A Moon of My Own a Fortunate PROGRAMME A FORTUNATE MAN A MOON OF MY OWN ON HIS QUEST FOR happiness, Per decides to leave TED IS A MUSICAL GENIUS and a wonderkid of the Jutland and an upbringing in a strict religious home. seven ties. Surrounded by the musical elite of his time as Running from his family and patriarch father, he sets sail well as his beloved brother and biggest fan, he conquers towards Copenhagen to become an engineer. Parallel to every stage and the heart of every teenage girl. The doors his studies, he works on a visionary energy project based of opportunity keep swinging open for him, facing him on wind and wave energy, a project so much ahead of its with difficult choices that he must make. time, the professors consider him insane. However, Per’s But when the lights go out, Ted finds himself alone, as project becomes a success and he marries the beautiful the shadows around him grow bigger and darker. Ted slips Jakobe. One would imagine that Per’s happiness now is deeper into insanity and further away from the ones he made. But his childhood keeps haunting him and despite loves. And once you become your own worst enemy, his luck and success, Per is unable to fully cut the strings nobody can save you. Even if they love you to the moon to his strict religious background. and back. BILLE AUGUST (b. 1948) trained as a film HANNES HOLM has written and directed director at the Danish Film School. Among successful films in Sweden for 20 years. his most important films are: Pelle the His latest feature film, Academy Award Conqueror (1987; the Palme d’Or in Cannes, nominated A Man Called Ove, was a huge 1988; Academy Award & Golden Globe as success with more than 1.7 million admis - Best Foreign Language Film in 1989), sions, making it the third largest movie in Marie Krøyer (2012), Night Train to Lisbon (2012), Silent Sweden of all time. Heart (2014), and Chinese Widow (2017). TED - FÖR KÄRLEKENS SKULL SWEDEN 2018 DIRECTOR Hannes Holm LYKKE-PER DENMARK, AUSTRIA 2018 DIRECTOR Bille August PRODUCERS PRODUCERS Lena Rehnberg & Cecilia Forsberg Becker SCREENPLAY Thomas Heinesen, Karin Trolle, co-producer: Heinrich Ambrosch SCREEN - Hannes Holm CINEMATOGRAPHY Göran Hallberg CAST Adam Pålsson, PLAY Bille August, Anders August CINEMATOGRAPHY Dirk Brüel CAST Peter Viitanen, Happy Jankell, Jonas Karlsson DURATION 120 min Esben Smed, Katrine Greis-Rosenthal, Benjamin Kitter, Julie Christiansen PRODUCED BY StellaNova Film AB in co-production with Film i Väst, Nordisk DURATION 167 min PRODUCED BY Nordisk Film Production A/S in co- Film, TV4, Maipo Film SUPPORTED BY The Swedish Film Institute Yaba production with Satel Film GMBH SUPPORTED BY The Danish Film Institute Holst, The Norwegian Film Institute Anne Frilseth, Nordisk Film & TV Fond by Public Service Puljen, Fernsehfonds Austria, FilmFyn by Bo Damgaard, Petri Kemppinen & Torleif Hauge and with support from Creative Europe Den Vestdanske Filmpulje by Carsten Holst and Steen Risom and Creative Media. EXP. NATIONAL RELEASE 03.01.2018 INT. SALES SF Studios AVAIL - Europe Media EXP. NATIONAL RELEASE 31 .08 .2018 INT. SALES TrustNordisk ABLE WORLDWIDE EXCLUDING Scandinavia, Australia & New Zealand, AVAILABLE WORLDWIDE EXCLUDING Denmark CONTACT Thomas Heinesen, China CONTACT Anita Simovic – Head of international Sales - SF Studios, [email protected] + 4523330318 FESTIVAL CONTACT +46 8 409 18 888 [email protected] FESTIVAL CONTACT The The Danish Film Institute Swedish Film Institute 13 PROGRAMME PROGRAMME BERGMAN – ALONE IN SPACE ANIARA A YEAR IN A LIFE BORDER IN A NOT-TOO- DISTANT future, the giant spacecraft ANIARA IS THE STORY OF one of the many spaceships DURING A SIX-YEAR PERIOD, in the mid-twentieth CUSTOMS OFFICER TINA is known for her extraordinary Svea XVI travels with only two passengers – 12-year-old used for transporting Earth’s population to their new century, something unsurpassed happens. A lanky Swede, sense of smell. It’s almost as if she can sniff out the guilt Gladys and her little brother Keaton. The children have home planet Mars. But just as Aniara leaves the ruined about to turn forty, enters a period of film production on anyone hiding something. But when Vore, a suspicious- fled from a broken Earth and are heading towards the Earth, she collides with an asteroid and is knocked off her without precedent. Between 1957 and 1963 he directs looking man walks past her, her abilities are challenged planet Vial, but they never seem to arrive. They spend course. Aniara’s passengers slowly realize that they will some of the greatest classics in the history of cinema, in for the first time ever. Tina can sense Vore is hiding some - their days exploring the giant ship, and the only one they never be able to return; they will continue onwards through addition to a number of theatre productions for the stage, thing she can’t identify. Even worse, she feels a strange can talk to is the Japanese A.I. Otosan. But everything an empty and cold universe forever. radio and television. In terms of contemporary film - attraction to him. As Tina develops a special bond with changes when something unknown crashes into Svea – makers, Ingmar Bergman remains largely unequaled. Vore and discovers his true identity, she also realizes the suddenly they are not alone in space anymore... PELLA KÅGERMAN (b. 1982, educated truth about herself. Tina, like Vore, does not belong to this at the Royal Institute of Art) and HUGO JANE MAGNUSSON (b. 1968) is a film world. Her entire existence has been one big lie and now TED KJELLSSON (b. 1977) is from South LILJA (b. 1979, educated at the National director and journalist. She was content she has to choose: keep living the lie or embrace Vore’s Sweden and has attended film school College of Film & Television) have colla - editor of the culture TV show Kobra on terrifying revelations. there before re-locating to Northern bo rated since 2009. Together they have Swedish National Television (SVT) and Sweden in the late 90s, where he ended written Hugo Lilja’s graduation film The has directed the award-winning short ALI ABBASI (b. 1981, Iran) has a back - up studying production design and has Unliving , which attracted huge interest from film Cupcake . She also directed the SVT ground in literature with several short remained ever since. Ted has always had Hollywood, British Film4 and European production Bergman’s Video and the documentary stories published in Persian. In 2002 he a soft spot for genre films and science fiction. He has arthouse producers who wanted to develop Trespassing Bergman . Her feature film script The travelled to Europe, where he finally directed many commercials, some short films and a kids it into a feature. The film won prizes at, Swimsuit Issue opened at The Tribeca Filmfestival in settled in Stockholm. In 2007, Ali graduat - tv series for SVT. among other places, Berlinale, Stockholm 2010, and her documentary Ebbe: The Movie was awarded ed with a BA in architecture and sub - Film Festival and Clermont-Ferrand. the Guldbagge and the Swedish Great Journalist Award. sequently enrolled at the National Film School of Denmark, where he studied directing. Ali’s first feature Shelley premiered in the Panorama section of the 2016 Berlinale. ENSAMMA I RYMDEN SWEDEN 2018 DIRECTOR Ted Kjellsson PRODUCERS Sonja Hermele, Anna Knochenhauer, executive producers: Stefan Baron, GRÄNS SWEDEN, DENMARK 2018 DIRECTOR Ali Abbasi PRODUCERS Nina Mikael Wallen SCREENPLAY Ted Kjellsson, Henrik Ståhl CINEMATOGRAP - ANIARA SWEDEN 2018 DIRECTOR Hugo Lilja, Pella Kågerman PRODUCER Bisgaard, Piodor Grustafsson and Petra Jönsson SCREENPLAY Ali Abbasi, HY Petrus Sjövik CAST Ella Rae Rappaport, Dante Fleischanderl, Henrik Annika Rogell SCREENPLAY Hugo Lilja, Pella Kågerman CINEMATOGRAPHY BERGMAN, ETT ÅR ETT LIV SWEDEN 2018 DIRECTOR Jane Magnusson PRO - Isabella Eklöf and John Ajvide Lindqvist CINEMATOGRAPHY Nadim Carlsen Ståhl, Madeleine Barwén Trollvik, Håkan Bengtsson, Aliette Opheim, Richard Sophie Winqvist Loggins CAST Emelie Jonsson, Bianca Cruzeiro, Arvin DUCERS Mattias Nohrborg, Cecilia Nessen, Fredrik Heinig SCREENPLAY CAST Eva Melander, Eero Milonoff, Jörgen Thorsson, Ann Petrén and Sten Sseruwagi DURATION 84 min PRODUCED BY Nice Drama in co-production Kananian, Anneli Martini, Jennie Silfverhjelm DURATION 105 min PRODUCED Jane Magnusson CINEMATOGRAPHY Emil Klang CAST DURATION 117 min Ljunggren DURATION 110 min PRODUCED BY Meta Film Stockholm, Spark with Filmpool Nord, Chimney, Dagsljus Filmequipment AB, Ljudbang, BY Meta Film Stockholm in co-production with Moretti Films, Viaplay, Film PRODUCED BY BRF/B-Reel Films SUPPORTED BY SVT, Nordsvensk, Film&TV and Kärnfilm SUPPORTED BY The Swedish Film Institute, The Rävetofta Filmindustrier, Ingrid Elam, Kenneth Hermele, Knochenpower and Capital Stockholm Fond & Gotlands Filmfond, Ljud & Bildmedia, in collabora - Filmfund of Gotland, Film Capital, Reel Ventures, Motlys, SF Studios, The Danish Film Institute, Film i Väst, Eurimages, Copenhagen Film Fund, Nordisk Kirinaja. SUPPORTED BY The Swedish Film Institute, Filmpool Nord, Nordisk tion with Sveriges Television, Vice Media SUPPORTED BY The Swedish Film Swedish Film Institute, The Norwegian Film Institute, Nordisk Film- & TV Film & TV Fond, SVT, Creative Europe, TriArt, Films Boutique, Meta Film Film + TV Fond, Creative Europe, Kulturbryggan EXP. NATIONAL RELEASE Institute, Nordisk Film & TV Fond, MEDIA and STHLM Debut EXT. NATIONAL Fond EXP. NATIONAL RELEASE 13 .07 .2018 INT. SALES The Match Factory Denmark, MAAN Rental EXP. NATIONAL RELEASE Swedish premiere: 21 .09 .2018 INT. SALES TrustNordisk AVAILABLE WORLDWIDE EXCLUDING RELEASE Between November 2018 and February 2018 INT. SALES Not yet AVAILABLE WORLDWIDE EXCLUDING Scandinavia. Detailed info from The 31 .08 .2018 Danish premiere: 27 .09 .2018 AVAILABLE Sold to all countries the Nordic countries CONTACT Sonja Hermele, [email protected] + 46 704 confirmed AVAILABLE WORLDWIDE EXCLUDING Scandinavia CONTACT Match Factory CONTACT Mattias Nohrborg, mattias.nohrborg@b-reel - except Korea, Israel, Greece and Turkey INT.
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