CONGRESSIONAL RECORD— Extensions of Remarks E214 HON
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Episode 064: Vincent Paterson Special If Using Any of the Below
The MJCast – Episode 064: Vincent Paterson Special If using any of the below text, please reference The MJCast and display the following podcast URL. Thank-you. http://www.themjcast.com/episode-064-vincent-paterson-special/ Q (The MJCast): We got something pretty cool today to share with everyone, haven't we? Jamon (The MJCast): Yeah, we do. We've got an interview with one of Michael's chief collaborators, an amazing choreographer by the name of Vincent Paterson. He has a documentary that is titled "The Man Behind the Throne", and I think that's a really accurate way of describing him. He's a guy that often isn't in the limelight around Michael's career, but is somebody that had a crucial, crucial role in the in the visual aspects of a lot of Michael's art. Q: And a huge footprint in pop culture, I believe, so-- Jamon: Absolutely. Q: Yeah, well, I guess we should just get to the show. Jamon: Let's do it! [Intro] Q: Ladies and gentlemen, welcome to the MJCast! I'm Q, and I'm here today with my co-host and Jamon Bull. Now, when people talk about Michael Jackson's career, names often mentioned: studio geniuses Berry Gordy, Quincy Jones, and Bruce Swedien. For me, a name that should certainly be mentioned right alongside, and of just as much importance is choreographer and director Vincent Paterson. Jamon: Yeah, Vincent Paterson began his career with Michael working as an assistant choreographer and lead dancer on the "Beat It" and "Thriller" short films, before continuing on to ideate and choreograph the timeless masterpiece of film "Smooth Criminal". -
Inside Iowa State
SEARCH INSIDE Inside Home | Calendar | Submit News | Archives | About Us | Employee Resources Announcements New at Central Stores: safety shoes Clothing drive for Haitians extended one week President Geoffroy to speak at Feb. 2 P&S open forum CALS career fair is Feb. 3 in the MU Great Hall Howie Day's M-Shop show rescheduled for Feb. 2 Boost your speaking skills at Toastmasters TIAA-CREF seminar teaches tax-smart ways to save Four candidates to interview for rec services director post 2010 edition of Research in Jan. 28 Biotechnology now available Where's Bob? Soybean broadcast has Iowa State Where did university photographer Bob Elbert find these meaningful steps? connections Civil rights and human relations Jan. 28 experts to lead Feb. 16 training Love what you do All are invited to join one of three University Professor Lester Wilson engages and ISU martial arts clubs inspires students in the classroom. In return, his food science graduates credit him with much of their success. Receptions & open houses Jan. 28 Reception Slightly smaller paychecks Final Friday exhibit, Jan. 29 Beginning Jan. 29, many ISU employees' paychecks Lester Wilson will be slightly less to reflect temporary layoff/furlough Retirements days. Barb Abbott, Sue Bogue, Clark Bredahl, Doug Cooper, Judy Jan. 28 Isaacson, Del Marks, Diane Nelson, Back in Business Lynette Spicer and Jim Trow, Jan. Gerdin's Business Café reopened Jan. 14 after a seven-week 28 remodel that added space for more items and specialties. Sue Griffin, Gayle Huey and Carolyn Klaus, Jan. 28 Jan. 28 Beauty in a broken world John Kingland, Jan. -
Bob Fosse and Gwen Verdon Collection [Finding Aid]
Guides to Special Collections in the Music Division of the Library of Congress BOB FOSSE and GWEN VERDON COLLECTION Finding aid URL: http://hdl.loc.gov/loc.music/eadmus.mu2005.wp.0051 LIBRARY OF CONGRESS WASHINGTON 1996 Table of Contents Introduction ........................................................................iii Biographical Sketch ..................................................................iv Scope and Content Note ..............................................................vi Container List ...................................................................... 1 INDIVIDUAL PRODUCTION, PROJECT, and PERFORMANCE FILES ................ 1 BOB FOSSE PERSONAL PAPERS and CAREER MISCELLANY .................... 59 GWEN VERDON CAREER MISCELLANY ...................................... 65 SCRAPBOOKS (BOB FOSSE and GWEN VERDON) .............................. 68 PHOTOGRAPHS ............................................................ 69 AUDIOVISUAL MATERIALS ................................................. 93 MISCELLANEOUS ......................................................... 110 OVERSIZED MATERIALS ................................................... 111 SCRIPTS .................................................................. 119 PLAYBILLS and PROGRAMS ................................................ 122 MAGAZINES .............................................................. 123 ii Introduction The Bob Fosse and Gwen Verdon Collection was acquired by the Library of Congress in 1992 through a gift made by Gwen Verdon. The -
UGC's $1,584 Annual Tuition Annual Soccer Tournament Nov
r~ o m t> -::• •school" Reject the plan Burning desires Schooldays zone The editors urge the public Owners of a Summit shop With Labor Day nearing,| to fight Gov. Whitman's hope their business goes it's time to prepare for education plan, Page 6. up in smoke, Page B1. back to school. Page B5. o -J c. o "Your Best Source For Community Information" TWO SECTIONS - 25 CENTS RAHWflV N L^NO.46—THURSDAY, AUGUST 29, 1996 A WORRALL COMMt»NtTY-NEW9PAPEft- Incinerator to pay debt 111 New York trash under consideration potcnlial to take it," Force said. "I am By Emlllo Prlsco Highlights not averse to importing garbage from Managing Editor A Real Lesson in Economics: out of state if it means keeping the The Union County incinerator to Tourney scheduled housed in kahway may be used to county incinerator operating and able to pay its bills." The Railway Youth Soccer. work out a deal to take New York This will, however, cause some Association >vill host its third City's garbage, the county freeholder environmental problems for the slate. UGC's $1,584 Annual Tuition annual soccer tournament Nov. chairman said. 29 and 30. The deal would help the county Since the laws of NJ arc some of the CO most stringent in the country,, law- »Z> Last year, 135 traveling teams handle the cost and the debt the makers may want to rethink thicr O from ages 7 tlirough 18 partici- incencralor has generated. All (his < pated from the tri-slate area in could happen if the Supreme Court's "environmental policy. -
Red Ank Egister Section One
SECTION ONE RED ANK EGISTER SECTION ONE WOLUME LXIV, NO. 7. RED BANK, N. J., THURSDAY, AUGUST 7, 1941. .PAGES 1 TO 14 Taxpayers League Headden's Corner Rev. Herbert S. Craig $65,000 Good Will Fair To Open Plane At Airport Holmdel Village Confined to the main hanger at Red Bank airport, visible only from Opposes New Gym Saturday Night Receives Gift of Car a great distance as Insurance against foul play, is a giant twin motored amphibian plane formerly owned by To Award Prize of Lord Beaver/brook, Great Britain's Once Under Sea, Backs President Heaviland Of Presentation Marks His Tenth minister of supply, and valued at ap- $500 on Closing Night proximately $65,000. With a pilot and crew of four aboard, none of whom Local Board In Opposition —Simpson Chairman Anniversary As Trinity Rector are at liberty to give their names, the Amerlc&n-bullt plane" flew to the Says Architect Last Sunday marked Rev. Herbert local airport Sunday night and will Following a lengthy discussion of Preparations have been completed the demand of the state departmen' feeling It was a question solely for S. Craig's 10th anniversary as rector remain In storage here Indefinitely. the local merchants to determine. for the 15th annual fair of Middle- of Trinity Episcopal church. Red of education that Red Bank build an town township fire company No. 1 The plane, which is owned by a Axelsen Enters Trees, Sea Shells, Sand additional gymnasium at the high The third toplo discussed was pro- Bank. o United States "good will between the posed changes in the zoning ordi- which will open Saturday night, Au- Following Holy Communion, the school on Harding road and Branch gust 9, and continue through Satur- Americas" committee, recently con- Found in Digging avenue, SO members of the Taxpayers nance. -
Cash Box, N Y
Panel Of Top Music Men: Absorbing The Innova- tions Of The Seventies . Al Abrams Opening Sales Co. To Rep Labels In Chi Product Flow ... A Key To Establish- ing New Acts: Colleges . Key Execs Exit MGM . Holzman To Keynote '70 NARM Confab ... Atlantic /Atco Fall Sales Push Grosses $7 Mil ... More Local BBC Radio LAURA NYRO: PRAISING HER SINGING, SINGING HER PRAISES INT’L SECTION BEGINS ON PAGE 49 THE INTERNATIONAL MUSIC-RECORD WEEKLY VOL. XXXI — Number 20/December 13, 1969 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone JUdson 6-2640 /Cable Address: Cash Box, N Y GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. Editor ALLAN RINDE West Coast Editor JOHN KLEIN BOB COHEN BRUCE HARRIS NORMAN STEINBERG EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER, New York HARVEY GELLER, Hollywood WOODY HARDING Ml '70 : An Art Director DEM COIN MACHINE & VENDING ED ADLUM General Manager ED KELLEHER, Assistant Established "Must' CAMILLE COMPASIO, Chicago LISA MORROW, Hollywood CIRCULATION THERESA TORTOSA, Mgr. CHICAGO CAMILLE COMPASIO 29 E. Madison St., Chicago, III. Phone: (312) FI 6-7272 HOLLYWOOD HARVEY GELLER 6430 Sunset Blvd., Hollywood, Calif. 90028 Phone: (213) 465-2129 ENGLAND DORRIS LAND 3 Cork Street, London, Wl, England Phone: 01-734-2374 NASHVILLE JUANITA JONES 806 16th Ave. South, Nashville, Tenn. 37203 MIDEM, an established “must” on which is devoted to classical and con- Phone: (615) 244-2898 the music industry calendar, is ready- temporary serious music. This has ing its in Like ITALY HOLLAND 1970 gathering Cannes. -
Musicals / Dance Films Are Cinematic Forms That Emphasize And
Musicals / Dance Films are cinematic forms that emphasize and showcase full-scale song and dance routines in a significant way (usually with a musical or dance performance as part of the film narrative, or as an unrealistic "eruption" within the film). Or they are films that are centered on combinations of music, dance, song or choreography. In traditional musicals, cast members are ones who sing. Musicals highlight various musical artists or dancing stars, with lyrics that support the story line, often with an alternative, escapist vision of reality - a search for love, success, wealth, and popularity. This genre has been considered the most escapist of all major film genres. Tremendous film choreography and orchestration often enhances musical numbers. See this site's extensive compilation of the Greatest Musical Song/Dance Movie Moments and Scenes (illustrated) Introduction: With the coming of talking motion pictures, the musical film genre emerged from its roots: stage musicals and operettas, revues, cabaret, musical comedy, music halls and vaudeville. They were the last of the major film genres, because they were dependent on sound captured on film. (How could a movie be "all-singing, all-dancing" without sound?) Musicals are often described as Broadway on film, although many other forms of musicals have been made (e.g., rock 'n' roll movies and disco/dance films). Recently, animated films (with musical soundtracks, such as Beauty and the Beast (1991), Aladdin (1992), The Lion King (1994), and Tarzan (1999)) have emerged as one of the major musical forms, and many of them have won Best Original Song Oscars. -
RED BANK REGISTER Shadyside 1-001 Laiued Weekly, Amend U Second Clui Mtttfr at Till Post VOLUME LXXXI NO
For All Departments Ca RED BANK REGISTER SHadyside 1-001 laiued Weekly, amend u Second Clui Mtttfr at till Post VOLUME LXXXI NO. 27 OIUi) it Red Bank, N. J., under the Act of Much 3, 1878. RED BANK, N. J., TUESDAY, DEC. 23,1958 15c PER COPY PAGE ONE ma sfa* Fort Engineer Makes Iceboating on the River Phone Call to Atlas Library Study Unit FORT MONMOTH-An Army Trimboli Fired;| Signal Research and Develop- ment laboratory engineer here yesterday placed a long distance Expects to Issue telephone call to America's At- las satellite 800 miles above the Jones Reinstate* Pacific ocean. Thomas G. Wolstencroft, West Decisions in the departmental erly" patrolling his post were di; Long Branch, had his message hearings against five Red Bank po- missed for "lack of proof." Report in a Month relayed to the satellite by a ra- lice were made Thursday night. The charges against Patrolm dio transmitter near Corona, The results: Calif. Swanson centered around "the ; FAIR HAVEN - It will take form the nature of our findings." Dismissal from the force for Pa- An Army transmitter at Fort leged taking of a box of can. about a month before a special li- The governing body also re- trolman Guido Trimboli. Sam Houston, Tex., then trig- from Loft's candy store." He w brary study committee named by ceived a letter ot praise last night Immediate reinstatement and full gered the satellite's transmitter cleared of all the charges. Mayor Edgar V. Denise two weeks* From Stanley Meltzoff, a member back pay for Lt. -
Hip-Hop in Hollywood: Encounter, Community, Resistance
Hip-Hop in Hollywood: Encounter, Community, Resistance Oxford Handbooks Online Hip-Hop in Hollywood: Encounter, Community, Resistance Thomas F. DeFrantz The Oxford Handbook of Dance and the Popular Screen Edited by Melissa Blanco Borelli Print Publication Date: Aug 2014 Subject: Music, Dance Online Publication Date: Oct 2014 DOI: 10.1093/oxfordhb/9780199897827.013.001 Abstract and Keywords In the early 1980s, Hollywood began to exploit hip-hop dance—especially breaking—to produce a limited series of movie musicals. These “breaksploitation” films set a standard of participation for young artists, and in particular, young artists of color, to enter the movie industry as laborers, and to enter the global imagination of film audiences as representative agents of change. This chapter explores the traditions of Hollywood musicals and dance artists of color just before the hip-hop film production era; the innovations of these early 1980s films in terms of their casting, creative approaches, and presentation of contemporary social dance; and the communities that these mediated projects both catered to and generated. Together, these films inspired a global audience for breakdancing, and are inextricably linked to the sweep and scale of young people’s interest in these corporeal practices. Keywords: breakdancing, hip-hop, fame, Flashdance, style wars, Wild Style, Beat Street, Breakin’, global circulations of hip hop This chapter constructs a genealogy of a “hip-hop body” in Hollywood films. We might note that media of the moving image has always encouraged the circulation of black social dances to a far-flung viewership. These film dances have transformed the terms of corporeal possibility for their audiences, no matter the historical era or location of the viewers.