Curriculum Vitae

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Curriculum Vitae CURRICULUM VITAE John Brenkman 646-312-3921 (office) [email protected] EDUCATION Ph.D. University of Iowa Comparative Literature 1974 B.A. University of Iowa English 1970 ACADEMIC POSITIONS 1996- Distinguished Professor, English and Comparative Literature, Baruch College and The Graduate Center, City University of New York 1990-96 Professor, English and Comparative Literature, Baruch College and The Graduate Center, City University of New York 1982-90 Associate Professor, Department of English and Program in Comparative Literature and Theory, Northwestern University 1974-82 Assistant Professor, Department of Comparative Literature, University of Wisconsin-Madison RELATED RESPONSIBILITY 2003- Director, U.S.-Europe Seminar at Baruch College, City University of New York ADMINISTRATIVE EXPERIENCE 2018- Coordinator, Critical Theory Certificate Program, CUNY Graduate Center 2012-13 Interim Provost and Senior Vice President for Academic Affairs, Baruch College 2009-12 Chair, Department of English, Baruch College VISITING POSITIONS, FELLOWSHIPS, AWARDS 2014 Fellowship Leave (Spring and Fall), Baruch College 2012 Faculty, School of Criticism and Theory, Cornell University, Seminar: “Philosophy of the Passions, Rhetorics of Affect,” June 17 – July 26 2008-2009 Participant, Great Issues Forum and Seminar on “Power in the Contemporary World,” Center for the Humanities, CUNY Graduate Center 2002-2003 Research Leave, City University of New York Spring 2002 Professeur associé (Visiting Professor), Institut du Monde Anglophone, Université Paris III JOHN BRENKMAN Spring 1999 Visiting Professor, Tisch School of the Arts, New York University Summer 1995 Director, NEH Summer Seminar for College Teachers, Baruch College "Culture and Democracy: Emergent American Literatures" 1992-93 Fellow, Oregon State University Center for the Humanities Scholar Incentive Award, City University of New York 1989-90 Visiting Professor, English, City University of New York Fall 1988 Research Leave, Northwestern University Spring 1986 Research Leave, Northwestern University 1984-86 Course Development Grant, Northwestern University and Exxon Foundation, for team-taught undergraduate course sequence on Social Discourse Summer 1980 Wisconsin Alumni Research Foundation Fellowship Spring 1978 Research Fellowship, Graduate School, University of Wisconsin-Madison Summer 1976 Wisconsin Alumni Research Foundation Fellowship Summer 1975 Wisconsin Alumni Research Foundation Fellowship AREAS OF SPECIALIZATION Modern Criticism and Aesthetics Theory of the Novel 20/21c Literature Modern Novel Modernism, Nihilism, and Belief Political Theory and Foreign Affairs PUBLICATIONS Books Mood and Trope: The Rhetoric and Poetics of Affect (Chicago: University of Chicago Press, 2020). The Cultural Contradictions of Democracy: Political Thought Since September 11 ( Princeton: Princeton University Press, 2007). Straight Male Modern: A Cultural Critique of Psychoanalysis (New York: Routledge, 1993). Reissued, Routledge Library Editions: Psychoanalysis, Volume 5 (London and New York: Routledge, 2016). Culture and Domination (Ithaca: Cornell University Press, 1987). Essays and Articles “Voice and Time,” With and Without Narrators: Optional-Narrator Theory of Fictional Narration, ed. Sylvie Patron (Lincoln: University of Nebraska Press, forthcoming), 21 ms-pp. 2 JOHN BRENKMAN “Exchange Paradigm / Jouissance Paradigm,” On the Subject and the Social Link: 30 Years of Après-Coup, ed. Paola Mielli (New York: Agincourt Press/The Seahorse Imprint, forthcoming), 21 ms-pp. “Rhetorics of Affect: Notes on the Political Theory of the Passions,” Oxford Handbook of Rhetoric and Political Theory, ed. Dilip Gaonkar and Keith Topper (New York and Oxford: Oxford University Press, forthcoming), 35 ms-pp. “My Lai at 50,” The American Interest, May/June 2018, 45-47. “I, Not I,” Qui Parle 26:2 (December 2017), 351-353. “World and Novel,” Narrative 24:1 (January 2016), 13-26. “Beautiful Circuits and Subterfuges,” The Henry James Review 36 (2015) Special Issue: Fredric Jameson, Henry James, 249-256. (with Frances Ferguson), “Introduction,” Essays from the English Institute, ELH 82 (Summer 2015), 313-318. “Nihilism and Belief in Contemporary European Thought,” New German Critique 119 (Summer 2013), 1-29. “‘…wrestling with (my God !) my God’: Modernism, Nihilism, and Belief,” Qui Parle 21:2 (Spring/Summer 2013), 1-25. “Prospectus,” Social Text 100 (Fall 2009), 205-209. “L’exemple de la puissance ou la puissance de l’exemple?” trans. Michel Taubmann, Le Meilleur des Mondes 9 (octobre 2008), 22-26. “Le 11-septembre et les fables de Noam Chomsky et Toni Negri,” trans. Juliette Ponce, Le Meilleur des Mondes 5 (octobre 2007), 7-12. “La pensée politique dans le brouillard de la guerre,” trans. Sylvie Lévy, La Règle du Jeu 35 (septembre 2007), 41- 62. “Innovation: Notes on Nihilism and the Aesthetics of the Novel,” The Novel Volume 2: Forms and Themes, ed. Franco Moretti (Princeton: Princeton University Press, 2006), 808-838. Original publication: “Sull’ innovazione. Romanzo, modernità, nichilismo,” [in Italian translation] in Il Romanzo III: Storia e geografia, ed. Franco Moretti (Turin: Einaudi, 2003), 54 ms-pp. “On Voice,” in Essentials of the Theory of Fiction, Third Edition, ed. Michael J. Hoffman and Patrick D. Murphy (Durham: Duke Univeristy Press, 2005), 411-442. Original publication: “On Voice,” Novel 33:3 (Summer 2000), 281-306. "Freud the Modernist," The Mind of Modernism : Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940, ed. Mark S. Micale (Stanford: Stanford University Press, 2004), 150-186. ‘‘For a New Aesthetic Education,’’ Cultural Studies, estetica, scienze umane, ed. Roberto Salizzoni (Turin: Trauben, 2003), 11-24. “D’autrefois,” trans. Magali Legrand, L’Atelier du roman 31 (septembre 2002), 48-51. 3 JOHN BRENKMAN “Queer Post-Politics” and. “Politics, Mortal and Natal: An Arendtian Rejoinder,” Narrative 10:2 (May 2002), 183-189 and 195-200. “Changeons l’angle,” trans. Magali Legrand, L’Atelier du roman 29 (mars 2002), 65-73. “La Peur de l’incertitude,” trans. Doris Saclabani, L’Atelier du roman 26 (juin 2001), 139-147. “Extreme Criticism,” What's Left of Theory?, ed. Judith Butler, John Guillory, and Kendall Thomas (New York: Routledge, 2000), pp. 114-136. “Rewolujonisci Wpadaja na Oranzade” [“The Revolutionists Stop for Orangneade”], trans. Gabriela Barbara Switek, Pokaz: Pismo Krytyki Artystycznej, Numer Specjalny (1999), 60-64. “Extreme Criticism” and “Reply to Drucilla Cornell,” Critical Inquiry 26 (Autumn 1999) 109-127 and 140-146. “Introduction” to Maud Mannoni, Separation and Creativity: Refinding the Lost Language of Childhood (New York: Other Press, 1999), xvii-xxxi. “The Labyrinth of Accusation,” Venue 3 (1998), 144-154. "Mathilde," Venue 2 (1998), 111-118. "Unholy Writ," Venue 1 (1997), 152-157. "Race Publics: Civic Illiberalism, or Race After Reagan," Transition 66 (1995), 4-36. "Raymond Williams and Marxism," Cultural Materialism: On Raymond Williams, ed. Christopher Prendergast (Minneapolis: University of Minnesota Press, 1995), 237-267. "Family, Community, Polis: The Freudian Structure of Feeling," History and...: Histories within the Human Sciences, ed. Ralph Cohen and Michael S. Roth (Charlottesville: University of Virginia Press, 1995), 113-145. "Politics and Form in Song of Solomon," Social Text 39 (Summer 1994), 57-82. "The Citizen Myth," Transition 60 (1993), 138-144. "Multiculturalism and Criticism," English Inside and Out: The Places of Literary Criticism, ed. Susan Gubar and Jonathan Kamholtz (New York: Routledge, 1993), 87-101. "Family, Community, Polis: The Freudian Structure of Feeling," New Literary History 23:4 (Autumn 1992), 923- 954. "An Introduction to Romanticism"; "Conflicting Interpretations of Romanticism"; "Reading Keats' `To Autumn'"; "Wole Soyinka on Myth and Tragedy in Yoruba Culture"; "The Writer in African Society," in Contexts and Comparisons: A Student Guide to the Great Works Courses, ed. Paula S. Berggren (Dubuque: Kendall/Hunt, 1991), 181-199; 256-259; 292-293. (with Jules David Law) "Resetting the Agenda: A Response to Derrida," Critical Inquiry 15 (Summer 1989), 804- 811. "Fascist Commitments," in Responses: On Paul de Man's Wartime Journalism, ed. Werner Hamacher, Neil Hertz, and Thomas Keenan (Lincoln: University of Nebraska Press, 1989) 21-35. 4 JOHN BRENKMAN "The Concrete Utopia of Poetry: Blake's `A Poison Tree,'" in Lyric Poetry: Beyond New Criticism, ed. Chaviva Hosek and Patricia Parker (Ithaca: Cornell University Press, 1985), 182-193. "Theses on Cultural Marxism," Social Text 7 (Spring-Summer 1983), 19-33. "Mass Media: From Collective Experience to the Culture of Privatization," Social Text 1 (Winter 1979), 96-109. "Deconstruction and the Social Text," Social Text 1 (Winter 1979), 186-188. "Introduction to Georges Bataille (`The Psychological Structure of Fascism')," New German Critique 16 (Winter 1979), 59-63. "The Other and the One: Psychoanalysis, Reading, the Symposium," Yale French Studies 55/56 (1978), 396-456. Volume reprinted as Literature and Psychoanalysis, ed. Shoshana Felman (Baltimore: The Johns Hopkins University Press, 1982). "Narcissus in the Text," The Georgia Review 30:2 (Summer 1976), 293-327. "Writing, Desire, Dialectic in Petrarch's Rime 23," Pacific Coast Philology IX (April 1974), 12-19. Reviews and Commentary Review of Bruce Robbins, Upward Mobility and the Common Good: Toward a Literary History of the Welfare State, Modern Philology 108:3 (2011), E204-E209. Interview, Social Text
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